View allAll Photos Tagged Compatibility
Sales Period: December 05, 2013 ~ December 15, 2013
If the quantity is greater than expected, the sale can be an early exit.
Compatibility Information
Head size circumference : 8.5 inch
Eye size: 16~18mm
Skin type: normal skin & white skin
Compatible Available body: 60cm class BJD body
(Photo Model Body:volks SD13 boy)
*KeiKei is slightly open mouse.
homepage
Flickr
KC MESH JUMPER
⊡ 75L Weekend sale
☰ Items Included:
⋮ Color Hud
⋮ 8 colors
☰ Compatibility with:
☑ Maitreya ☑ Belleza ☑ Slink ☑ Ebody Curvy ☑ Tonic
maps.secondlife.com/secondlife/Northern%20Lights/32/195/2...
The new Twin Forestry series is the ultimate tribute to the business and the people who make it. Expect even better traction, stability and accessibility thanks to exclusive new tread designs, improved resistance properties and better-than-ever track compatibility.
OiOS 151a 9 OiOS Desktop
Imagine a UNIX based Enterprise Operating System, a scalable universally collaborative stable business platform capable of running on x86 Systems. Delivering support for Cloud enterprise features, ZFS file systems, Virtualisation, Advanced Security, and Compatibility. Enabling you to build new possibilities, enter new markets and harness human relationships in Open Source across the world. Whether you are a Systems Administrator, Recreational User or Information Technology Professional, OiOS supports the new economics of highly creative, diversified ways of doing business, and building networks.
OiOS Server
Imagine a UNIX based Enterprise Operating System, a scalable universally collaborative stable business platform capable of running on x86 Systems. Delivering support for Cloud enterprise features, ZFS file systems, Virtualisation, Advanced Security, and Compatibility. Enabling you to build new possibilities, enter new markets and harness human relationships in Open Source across the world. Whether you are a Systems Administrator, Business, or Information Technology Professional, OiOS supports the new economics of highly creative, diversified ways of doing business, and building networks.
OiOS 151a9 Increased migration by world exchanges financial exchanges to Unix and Linux opens development to stock trading platform giving more opportunities to run software on more stable Unix platforms. (See separate project for sparc systems)
Free open source enterprise systems available on live DVD or USB stick
Professionals Join in @
- Openindiana.org
- #openindiana on irc.freenode.net
I recently went on the way home to a Washington State Department of Commerce Community Workshop for a land use Compatibility Guidebook to help folks both civilian and military work better together in Washington State. Really appreciate my professional correspondence with its leader Deneah Watson, so please enjoy these photos responsibly.
PHOTO CREDIT: Joe A. Kunzler Photo, AvgeekJoe Productions, growlernoise-AT-gmail-DOT-com
Finnish Army Soldiers taking part in Exercise Arctic Sheild: The aim of the exercise was to develop the performance of the ground in arctic conditions, to test the skills of a trained group and to increase compatibility with Swedish soldiers December 2018
Photo: Maavoimat - Armén - The Finnish Army
Tokyo Soramachi of outlook floor is of the view is good, but the chemistry of the fish-eye lens is bad.
Indoor lighting is reflection, wall reflection, will be sad photo.
PNNL scientists have been investigating high-pressure hydrogen material compatibility and surface degradation of aluminum-coated lead zirconate titanate (PZT) surfaces for applications in clean-burning hydrogen internal combustion engines. This lead (Pb) spider-like formation was discovered during the research. It was imaged with the Environmental Molecular Sciences Laboratory’s helium ion microscope and may have battery applications. Contributing to this project are PNNL researchers Kyle Alvine, Vaithiyalingam Shutthanandan, Wendy Bennett and Stan Pitman.
This image was a part of the 2011 PNNL Science as Art contest.
Terms of Use: Our images are freely and publicly available for use with the credit line, "Courtesy of Pacific Northwest National Laboratory." Please use provided caption information for use in appropriate context.
SAL50F14 features the same optical design as its minolta ancestor (and likely the same coating, too). However, unlike the old minolta counterpart, sony added compatibility with ADI Flash metering and AF-D on the SLT-A99
Hi Culties & Spookies, time for even more sales for your Sunday Leisure!!
★ Item ★ The Narla Boots
★ Rigged For ★ Legacy F ★ Reborn ★ Kupra ★ Gen-X Curvy ★ Lara ★ Maitreya X ★
★ Remember to always try the DEMOS!★Check for Body Type & Body MOD Compatibility★
★ Comes with a Color Control HUD for changeable color options
★ Cult LM ★ maps.secondlife.com/secondlife/Cult%20Coven/129/75/33
★ Cult's Social Media Links ★
Cult Mainstore: maps.secondlife.com/secondlife/Cult%20Coven/129/75/33
Cult Market Place: marketplace.secondlife.com/en-US/stores/199625
Cult Discord: discord.com/invite/6ebsHCN3qe
Cult Facebook: www.facebook.com/CULTSL
Cult PrimFeed: www.primfeed.com/cult/
Cult Flickr: www.flickr.com/photos/cultfashionsl
Cult Flickr Group: www.flickr.com/groups/cultsl/
Cult Inworld Group: secondlife:///app/group/b20930fc-db07-cece-79e7-b100c0154e19/about
Cult Social Card: cultfashion.carrd.co/
Notes: during the 1960s and 1970s cinema slides incorporated cut sheets of processed photographic film mounted between two sheets of plain glass, a technique that took advantage of advances in colour photography and was cheaper than using layers of glass. The slide dimensions were kept the same to ensure compatibility with existing projection equipment.
Format: glass cinema advertising slide, 82mm / 3½ inches square
Date Range: 1960s - 70s
Location: the original butcher shop was located at 43 main St, Lithgow, link below - www.property.com.au/nsw/lithgow-2790/main-st/43-pid-2507282/
Licensing: Attribution, share alike, creative commons.
Repository: Blue Mountains Library - library.bmcc.nsw.gov.au
Part of: Local Studies Collection - LS Images, Cinema collection
Provenance: Alan Smith worked as a projectionist at the Victory Theatre in Blackheath, the Savoy Theatre in Katoomba and the Liberty Theatre in Leura; also at theatres in Windsor and Gosford.
Links: www.nfsa.gov.au/latest/preserving-glass-slides-part-1
FITTLER AND GEDDES (Edward J. Fittler and Roy Geddes), 43 Main-st., Lithgow,... Dun's gazette for New South Wales - Butchers. On 1/7/43 George H. Fittler became a member. Reg. 8/10/43. nla.gov.au/nla.obj-769054308/view?sectionId=nla.obj-77638...
All Lithgow Meat Is Declared Black (1946, May 1). Lithgow Mercury (NSW : 1898 - 1954), p. 1. Retrieved November 10, 2025, from nla.gov.au/nla.news-article219617274
ALLEGED CATTLE DUFFING (1934, March 29). Lithgow Mercury (NSW : 1898 - 1954), p. 2 (TOWN EDITION). Retrieved November 10, 2025, from nla.gov.au/nla.news-article21959873
INDUSTRIAL MAGISTRATE'S COURT (1939, January 25). Lithgow Mercury (NSW : 1898 - 1954), p. 3. Retrieved November 10, 2025, from nla.gov.au/nla.news-article219635536
IMPORTANCE OF RECORDS (1944, November 15). Lithgow Mercury (NSW : 1898 - 1954), p. 4 (TOWN EDITION). Retrieved November 10, 2025, from nla.gov.au/nla.news-article220809808
Butchers Must Make Home Deliveries-- Says Minister (1949, February 17). Lithgow Mercury (NSW : 1898 - 1954), p. 2 (CITY EDITION). Retrieved November 10, 2025, from nla.gov.au/nla.news-article220836332
Bugatti Tourbillon
Another crazy MOC of mine. With the roof rack compatibility as well! 😀
Features:
8 to 9 wide build using the standard chassis piece
It fits 2 figs with hairpieces on.
See-through rear windows
Detailed interior
Detailed engine
Usable front trunk with luggage and money of course
Rubber band for taillights
And most importantly the special steering wheel mechanism from the real car😉😜
Insta:
www.instagram.com/p/DAysJlGOFf-/?img_index=1
Instructions available on my Catalogue page.
The awesome 3d printed wheels are made by Gt Créa Cars
gtcreacars.com/4x-Enjoliveurs-Bugatti-Tourbillion-p685558843
I recently went on the way home to a Washington State Department of Commerce Community Workshop for a land use Compatibility Guidebook to help folks both civilian and military work better together in Washington State. Really appreciate my professional correspondence with its leader Deneah Watson, so please enjoy these photos responsibly.
PHOTO CREDIT: Joe A. Kunzler Photo, AvgeekJoe Productions, growlernoise-AT-gmail-DOT-com
Created in Ultra Fractal.
Formula: Compatibility\Fractint.ufm.
Lambda c* fn(z)
Outside: em.ucl
Log Trichrome
I recently went on the way home to a Washington State Department of Commerce Community Workshop for a land use Compatibility Guidebook to help folks both civilian and military work better together in Washington State. Really appreciate my professional correspondence with its leader Deneah Watson, so please enjoy these photos responsibly.
PHOTO CREDIT: Joe A. Kunzler Photo, AvgeekJoe Productions, growlernoise-AT-gmail-DOT-com
DoubleClick for Publishers Small Business (AKA. DFP) is a free to use ad server owned by Google/DoubleClick. We have used many ad servers and have found DFP is best combination of:
+ Monetization capability
+ Optimization tools
+ Ease of use
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+ Reliability
+ Trafficking capabilities
+ Yield Management
+ Data Management
+ Security
+ Bang for your buck (Free)
The above list sounds great, but the biggest reason that DFP excels past the rest is: Google Ad Exchange dynamic allocation. No ad server in the world can setup dynamic allocation to the level DFP can. That is because both are Google owned.
To get started with a FREE DFP Implementation, sign-up to MonetizeMore and become a Premium Publisher first!
www.monetizemore.com/sign-up/p...
In this video, we'll show you how to generate AdX tags on Google DFP for Small Business.
For the detailed steps in text format, visit our blog post: goo.gl/T0xOHc
SIGN-UP TO DOUBLECLICK AD EXCHANGE:
ABOUT MONETIZEMORE
MonetizeMore is the premium source for outsourced ad optimization tailored for online publishers. We specialize in dramatically increasing your ad revenues with the same traffic levels and ads per page.
Learn More: www.monetizemore.com/
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Nikomat FTn + AI Nikkor 50mm f/1.2S
KODAK T-MAX400 / Compard R09 One Shot (Rodinal compatibility), 1+25
I recently went on the way home to a Washington State Department of Commerce Community Workshop for a land use Compatibility Guidebook to help folks both civilian and military work better together in Washington State. Really appreciate my professional correspondence with its leader Deneah Watson, so please enjoy these photos responsibly.
PHOTO CREDIT: Joe A. Kunzler Photo, AvgeekJoe Productions, growlernoise-AT-gmail-DOT-com
I recently went on the way home to a Washington State Department of Commerce Community Workshop for a land use Compatibility Guidebook to help folks both civilian and military work better together in Washington State. Really appreciate my professional correspondence with its leader Deneah Watson, so please enjoy these photos responsibly.
PHOTO CREDIT: Joe A. Kunzler Photo, AvgeekJoe Productions, growlernoise-AT-gmail-DOT-com
"Lantana Sphere"
One of the reasons that I employ mirrorless cameras, as part of my tools of the trade: a HUGE array of backwards-compatibility with old cine lenses.
Cine lenses (particularly those with a c-mount design) ... vintage remnants from the bygone era of 8mm and 16mm reel-to-reel motion picture format ... are finding a new lease (and resurrection) on life, thanks to the advent of mirror-less cameras which have a shorter FFD (flange focal distance), hence making these old "legacy lenses" backwards compatible with new digital technology while retaining infinity-focus of the native lens.
(Such an adaptation is not possible to accomplish with traditional SLR and DSLR cameras employing a mirror-box/optical filter design, because this results in a larger FFD due to the added space that these components take up. Therefore, mounting 8mm/16mm-format cine lenses on traditional SLR/DSLR camera bodies will not permit infinity-focus; meaning, their entire range of focusing will be crippled, and only permit for a limited degree of macro photography. Not so, when it comes to mirrorless cameras which have a smaller FFD, and hence permit an adapted cine lens to retain its entire focus range).
What's more, many of these re-purposed vintage cine lenses, which can be had for a mere pittance, can possess remarkably good resolution, extremely "fast" f-ratios for their focal lengths, and in some cases an interesting rendering of OOF (out-of-focus) regions of the photograph.
One such example is the Bell & Howell-made Super Comat 1-inch (25mm) F/1.9 cine lens - which exhibits a curious "swirly" bokeh/background blur (most strongly apparent when shot with the aperture wide-open at F/1.9), while rendering surprisingly sharp foreground subjects at such an aperture setting.
This "swirly background" phenomenon is due to what is known as 'Petzval Field Curvature' - a very specific type of optical aberration. But, as you can see by this image example, some of these optical "imperfections" can be considered a unique form of "character" for certain lens which generate these effects, and thus can be exploited in creative, surprising, and pleasing ways that are otherwise impossible to derive from more modern and "perfect" lens construction.
Indeed, the art of photography is not always about having a "flawless" lens. On the contrary, some "design flaws" inherent to more vintage lenses can be advantageous when implemented in certain ways.
____________________________
~ Location: Como, Mississippi
~ Camera: Olympus E-P2 (Micro-4/3 mirrorless system).
~ Lens: Bell & Howel/Super Comat 1-inch (25mm) F/1.9 cine lens, in c-mount. All-manual focusing and aperture setting.
~ Settings: ISO 100, Effective Focal length 50mm (25mm x 2, due to the 2x crop factor of a Micro-4/3 sensor), Shutter 1/2500 sec (photographed in partial shade!)
Additional notes: Minimal image editing/processing. Only a few moderate adjustments made to the photo, using a nudge of the shadow/highlight curve sliders and vibrance slider, in Photoshop Elements 10.
The significant reduction in weight compared to a conventional main battle tank makes the CV-120A1 well suited for rapid response units, both because of increased movement speed and compatibility with modern medium/heavy transport planes.
I recently went on the way home to a Washington State Department of Commerce Community Workshop for a land use Compatibility Guidebook to help folks both civilian and military work better together in Washington State. Really appreciate my professional correspondence with its leader Deneah Watson, so please enjoy these photos responsibly.
PHOTO CREDIT: Joe A. Kunzler Photo, AvgeekJoe Productions, growlernoise-AT-gmail-DOT-com
Teams from ESA and NASA worked during the week of 19 July 2013 at a Zurich, Switzerland, facility owned by ESA’s industrial partner RUAG to conduct compatibility testing between the Ladee orbiter terminal and the ESA ground station terminal. The NASA team, supported by the Massachusetts Institute of Technology, Lincoln Laboratory and the Jet Propulsion Laboratory, brought over their laser terminal simulator, while ESA together with RUAG and Axcon of Denmark set up the European equipment to test compatibility between the two sets of hardware. All images credit: ESA
Studio Suite
Utilizing tools that the director has at hand, the Studio Suite is the system that can run a full production show. Utilizing some of the same software as the Filmer's Suite but adding the ability to synchronize video feeds from different camera sources, automatic color correction between cameras with video sync, works with virtually any camera, WIFI compatibility with audio and video sources and/or direct network, connection to other video sources over the Internet, can be used for presentation displays, record up to 3 HD sources at one time per server, clear slo-mo playback expansion packs depending on camera specs, adaptable to any type of usage, and works with Office 365 SharePoint or any SharePoint setup by using custom templates that can be installed and work with this suite.
Low Cost
Software for server should be low, no more than $99 per server and license, $299 for pro pack expansion (to be decided later).
Mobile phone software should be free, but cannot be used with the main software or access to the Office 365/SharePoint account. FREE
AnyCam Amateur Rack - connects any camera or video sources, transmitting via WIFI or network to the server. $99
GUEST Smartphone video can be synced with file-name entries and time code. FREE
- a separate mobile phone download can be used for this setup if a guest smartphone cam is used. FREE
Remote Tripod will connect to the AnyCam Amateur Rack or SereDev compatible cameras. $129 for amateur, $299 for pro.
SereDev cameras can cost anywhere between $399 and $10,000 depending on feature, manufacturer, and cost.
AnyCam Pro Rack can connect to the camera controls for remote camera use. $199
A mic can be instantly wireless via WIFI with WIFI Audio connectivity.
A/D inputs can be used with use of third party devices, we will help set this up if needed.
Lights
Compatible with DMX controllers.
Music
If there is a band who uses USB keyboards and devices, no need to mic the instruments. MIDI wireless and USB wireless can be used to control just about any sound pack available. The performer can use a tablet or smartphone to change sound, voice, pitch, and effect, or it can be programmed to follow a beat that can be preset to change automatically for concert venues.
Compatibility
Even though Windows Phone 8 and Windows 8 tablets will be the selling point for this, the software utilizing HTML5 can be used on iOS devices and Android.
Smartphones
Limited control to the entire studio depending on the permissions settings in Office 365/SharePoint site.
Tablets
Full controls utilizing the touch screens to control audio, lights, video switching, etc. Depending on budget, multiple tables can be used as switch boards.
Analog Control Feel
Also USB controlled mixing boards and light boards can also be used for those who are into knobs and levers.
Venues
Churches, concerts, live events, studios, etc.
WIFI
Settings up a chain of WIFI nodes may be needed for large venues making sure that the WIFI is covered. Traditional WIFI should be okay. Commercial WIFI will be provide more security. For smartphone broadcast and sharing from guest, a separate WIFI can be setup for open WIFI to capture guest video live.
Guest Smartphone - for live events, this will be a cool feature. If a user is directed to an app store, utilizing Microsoft Tag app link, it will direct the user to the downloads page to their OS app store. It will be a Guest Smartphone App. After installing the app, there will be a prompt asking the user to remind of uninstall in a set amount of hours. On a large sign at the live venue, all the user has to do is connect to the local WIFI. It will be recommended that the WIFI is connected to the Internet so to not cut off the users normal data. If the public WIFI is not available, then a QR Code can then be used to direct the users to a launch file that will launch the app. The video is then recorded into the phone's SD card where the default location for storing video is set and transmitted to the server. The server can record all video coming from the camera directly. If the director chooses, the director can place the video live in the feed.
In editing, because three HD feeds can be recorded at the same time, the director can always edit out the footage without pain because of the synced time code within the video file itself.
The F/A-18 Hornet came about as a US Navy replacement for late model A-4 Skyhawks, A-7 Corsair IIs, and F-4 Phantom II squadrons not replaced by the F-14 Tomcat. It was also heavily influenced by the need for a fighter cheaper than the F-14. The Navy participated in the Lightweight Fighter (LWF) competition won by the F-16 Falcon, but found the F-16 unsuited for carrier operations.
With this in mind, the Navy approached Northrop and McDonnell Douglas to build a suitable multirole fighter based around the loser of the LWF competition, the YF-17 Cobra. The resulting F-18 Hornet was larger and much more versatile than the Cobra, though it retained the latter’s basic design. Initially, Hornet production was to be divided into the dedicated fighter F-18 and strike A-18, but with advances in technology, the two were combined into a single airframe as the F/A-18.
The first YF-18A flew in 1978, the production F/A-18A in 1980, and service entry in 1983, with the US Marine Corps in January and the US Navy two months later. The Hornet was found to be very agile, exceptionally easy to maintain, and more than able to live up to its multirole reputation, to the point that it is considered to be the world’s first true multirole fighter, where fighter and attack roles are integrated into the same airframe and can be switched by literally the push of a button. Its only drawback was a lack of range and initial problems with stabilator cracks, which was solved by strengthening the stabilators and adding small wing fences to force away air from the tail.
The F/A-18A/B was superseded on the production line in early 1987 by the C/D models, which differed from the earlier type by using an upgraded APG-65 radar, improved engines, internal ECM suite, and the ability to carry the AGM-65 Maverick, AGM-88 HARM, and AIM-120 AMRAAM, though the latter would not actually come into service until 1993. The F/A-18C/D incorporated field modifications made to A/B models; those of the latter still in service by 1993 received a similar upgrade with the addition of the APG-70 radar. USN/USMC Hornets of all types would see action over Iraq in the First Gulf War, and later Bosnia, Kosovo, Afghanistan, and Iraq a second time.
USMC all-weather units replaced their A-6 Intruders with F/A-18Ds, which were night attack capable with the addition of FLIR, improved multifunction displays, and lowlight goggle compatibility. The USN later followed suit, with the F-18C replacing the A-6E as well from 1995. Though the F/A-18C/D has been supplemented by the F/A-18E/F Super Hornet and is due to be replaced by the F-35 Lightning II, it will continue as the backbone of the USN/USMC for some years to come. In addition to the US, the Hornet also serves with the previously mentioned nations of Canada and Spain, as well as Australia, Finland, Kuwait, Malaysia, and Switzerland.
This particular F/A-18 is an A model, Bureau Number 161984, though the A and C models are outwardly very similar. It carries the markings of VMFA-251 ("Thunderbolts"), including the squadron's lightning bolt tail emblem; curiously, it wears a nonstandard camouflage scheme of the usual overall light gray worn by US Navy fighters, but broken up with medium gray splotches. This scheme is usually worn by Navy and Marine aggressor units. VMFA-251, based at MCAS Beaufort, NC, reequipped with F/A-18C/Ds in 1999, and this early A model was donated to the Kalamazoo Air Museum at a later date.
Studio Suite
Utilizing tools that the director has at hand, the Studio Suite is the system that can run a full production show. Utilizing some of the same software as the Filmer's Suite but adding the ability to synchronize video feeds from different camera sources, automatic color correction between cameras with video sync, works with virtually any camera, WIFI compatibility with audio and video sources and/or direct network, connection to other video sources over the Internet, can be used for presentation displays, record up to 3 HD sources at one time per server, clear slo-mo playback expansion packs depending on camera specs, adaptable to any type of usage, and works with Office 365 SharePoint or any SharePoint setup by using custom templates that can be installed and work with this suite.
Low Cost
Software for server should be low, no more than $99 per server and license, $299 for pro pack expansion (to be decided later).
Mobile phone software should be free, but cannot be used with the main software or access to the Office 365/SharePoint account. FREE
AnyCam Amateur Rack - connects any camera or video sources, transmitting via WIFI or network to the server. $99
GUEST Smartphone video can be synced with file-name entries and time code. FREE
- a separate mobile phone download can be used for this setup if a guest smartphone cam is used. FREE
Remote Tripod will connect to the AnyCam Amateur Rack or SereDev compatible cameras. $129 for amateur, $299 for pro.
SereDev cameras can cost anywhere between $399 and $10,000 depending on feature, manufacturer, and cost.
AnyCam Pro Rack can connect to the camera controls for remote camera use. $199
A mic can be instantly wireless via WIFI with WIFI Audio connectivity.
A/D inputs can be used with use of third party devices, we will help set this up if needed.
Lights
Compatible with DMX controllers.
Music
If there is a band who uses USB keyboards and devices, no need to mic the instruments. MIDI wireless and USB wireless can be used to control just about any sound pack available. The performer can use a tablet or smartphone to change sound, voice, pitch, and effect, or it can be programmed to follow a beat that can be preset to change automatically for concert venues.
Compatibility
Even though Windows Phone 8 and Windows 8 tablets will be the selling point for this, the software utilizing HTML5 can be used on iOS devices and Android.
Smartphones
Limited control to the entire studio depending on the permissions settings in Office 365/SharePoint site.
Tablets
Full controls utilizing the touch screens to control audio, lights, video switching, etc. Depending on budget, multiple tables can be used as switch boards.
Analog Control Feel
Also USB controlled mixing boards and light boards can also be used for those who are into knobs and levers.
Venues
Churches, concerts, live events, studios, etc.
WIFI
Settings up a chain of WIFI nodes may be needed for large venues making sure that the WIFI is covered. Traditional WIFI should be okay. Commercial WIFI will be provide more security. For smartphone broadcast and sharing from guest, a separate WIFI can be setup for open WIFI to capture guest video live.
Guest Smartphone - for live events, this will be a cool feature. If a user is directed to an app store, utilizing Microsoft Tag app link, it will direct the user to the downloads page to their OS app store. It will be a Guest Smartphone App. After installing the app, there will be a prompt asking the user to remind of uninstall in a set amount of hours. On a large sign at the live venue, all the user has to do is connect to the local WIFI. It will be recommended that the WIFI is connected to the Internet so to not cut off the users normal data. If the public WIFI is not available, then a QR Code can then be used to direct the users to a launch file that will launch the app. The video is then recorded into the phone's SD card where the default location for storing video is set and transmitted to the server. The server can record all video coming from the camera directly. If the director chooses, the director can place the video live in the feed.
In editing, because three HD feeds can be recorded at the same time, the director can always edit out the footage without pain because of the synced time code within the video file itself.
Hi Spookies & Culties, Here is your "must have these Cult Items" Weekend Shopping List!!
★ Item ★ The Cherith sneakers are cute and sporty and would be good for any athletic outfit!
★ Rigged For ★ Reborn ★ Maitreya-X ★ Kupra ★ GEN-X ★ Legacy ★ Lara ★
★ Featuring Color Hud w/ 10 light colors & 10 dark colors & 3 metal colors!
★ Remember to always try the DEMOS!★ Check for Body Type & Body MOD Compatibility ★
★ Cult LM ★ maps.secondlife.com/secondlife/Cult%20Coven/129/75/337
★ Cult's Social Media Links ★
ORNL-led studies evaluated the compatibility of fueling infrastructure materials with test fuels representing various formulations of ethanol-blended gasoline, ranging from 10 to 85 percent ethanol. Shown here, materials specimens were exposed to the test fluid(s) in a large stainless steel tank with stainless steel hardware (stir chamber), then subjected to multiple tests after fluid exposure.
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A new lens in my bag. Damn, it's bloody heavy!
Full description about compatibility issue between the Canon EOS5D mkII and the Sigma 400mm/5.6 here www.flickr.com/photos/dominique_filippi/3618888258/in/set...
I recently went on the way home to a Washington State Department of Commerce Community Workshop for a land use Compatibility Guidebook to help folks both civilian and military work better together in Washington State. Really appreciate my professional correspondence with its leader Deneah Watson, so please enjoy these photos responsibly.
PHOTO CREDIT: Joe A. Kunzler Photo, AvgeekJoe Productions, growlernoise-AT-gmail-DOT-com
I recently went on the way home to a Washington State Department of Commerce Community Workshop for a land use Compatibility Guidebook to help folks both civilian and military work better together in Washington State. Really appreciate my professional correspondence with its leader Deneah Watson, so please enjoy these photos responsibly.
PHOTO CREDIT: Joe A. Kunzler Photo, AvgeekJoe Productions, growlernoise-AT-gmail-DOT-com
My Tokyo Marui extended magazine for my CYMA replica of the Glock 18C.
This answers a compatibility question concerning the TM & CYMA versions of the Glock, TM products do fit the Chinese made clone OK. The fit isn't absolutely perfect, there is a tiny bit of wobble, but I will fix this with a sliver of plastic card to hold the mag steady.
What did surprise me was the plastic construction of this mag. The original CYMA mag - seen in the photo - is metal and adds a nice balanced feel to the pistol. Perhaps a full metal extended mag would have added too much weight to the back end of the AEP, it would be interesting to find out if the CYMA extended mag is plastic or metal.
The extended magazine holds 100 rounds, and so makes this a great little CQB gun.
TM mag is £21.50, while the CYMA clone of this mag is just £14.50. I'm now tempted to get one of the CYMA extended mags in order to make a direct comparison.
By the way, everywhere I have read about these magazines it has been suggested that you lube them to help with efficient feeding.
2016 has been the year of “plus”–nearly every mountain bike manufacturer in the world has released a skinny-fat offering in its lineup. And while this new category of 3-inch-wide tires still needs to figure itself out, I can at least feel confident in saying that it’s great for trail hardtails.
Read more at www.bikemag.com/gear/bikes/trail-bikes-gear/jamis-dragons...
The Jamis Dragonslayer is the company’s latest addition to its line of steel hardtails, and it’s built for capability, durability and flexibility. Its 4130 chromoly tubing is triple butted for weight reduction and ride feel, and the frame features sliding dropouts for singlespeed compatibility. Since it is an obvious choice for bikepacking, it’s outfitted with rack mounts and a 3-hole bottle mount, and the traditional double triangle design means it’ll fit a large frame bag.
As for geometry, some of the Dragonslayer’s numbers are right where you’d expect them for a modern trail bike designed around a 120-mil fork, with 68- and 73-degree head and seat angles respectively and 17.2-inch chainstays. But the 19-inch size sports a 16.7-inch reach coupled with stock Ritchey Trail 720-mil bars and 80-mil stem, which could be considered conservative these days. The Dragonslayer might be perfect for riders not interested in running crazy short stems on super long frames, which is the way mountain bike fit is trending.
The 3-inch “plus-size” Vittoria Bomboloni tires mounted on WTB i45 TCS 27.5 rims provide oodles of traction in places where you’d expect none–a huge asset on the marbles-over-hardpack conditions at Bootleg canyon. They also grant an impressive amount of floatation in sand without feeling sluggish like a fatbike. They seemed pretty tough, too. I bottomed the tires hard enough to dent the rim at one point, without flatting or burping–and they survived the sharp, rocky terrain of Bootleg Canyon, which is a feat in and of itself.
Overall, I had an enlightening and fun ride on the Dragonslayer. Each slippery corner and technical climb came and went with increasing ease, and with surprisingly little compromise. And with a $2,700 price tag, it’s a bargain, too.
Read more at www.bikemag.com/gear/bikes/trail-bikes-gear/jamis-dragons...
www.bikemag.com/gear/bikes/trail-bikes-gear/jamis-dragons...
2016 has been the year of “plus”–nearly every mountain bike manufacturer in the world has released a skinny-fat offering in its lineup. And while this new category of 3-inch-wide tires still needs to figure itself out, I can at least feel confident in saying that it’s great for trail hardtails.
image: www.bikemag.com/wp-content/uploads/2015/09/Jamis-Dragonsl...
Jamis Dragonslayer
The Jamis Dragonslayer is the company’s latest addition to its line of steel hardtails, and it’s built for capability, durability and flexibility. Its 4130 chromoly tubing is triple butted for weight reduction and ride feel, and the frame features sliding dropouts for singlespeed compatibility. Since it is an obvious choice for bikepacking, it’s outfitted with rack mounts and a 3-hole bottle mount, and the traditional double triangle design means it’ll fit a large frame bag.
As for geometry, some of the Dragonslayer’s numbers are right where you’d expect them for a modern trail bike designed around a 120-mil fork, with 68- and 73-degree head and seat angles respectively and 17.2-inch chainstays. But the 19-inch size sports a 16.7-inch reach coupled with stock Ritchey Trail 720-mil bars and 80-mil stem, which could be considered conservative these days. The Dragonslayer might be perfect for riders not interested in running crazy short stems on super long frames, which is the way mountain bike fit is trending.
The 3-inch “plus-size” Vittoria Bomboloni tires mounted on WTB i45 TCS 27.5 rims provide oodles of traction in places where you’d expect none–a huge asset on the marbles-over-hardpack conditions at Bootleg canyon. They also grant an impressive amount of floatation in sand without feeling sluggish like a fatbike. They seemed pretty tough, too. I bottomed the tires hard enough to dent the rim at one point, without flatting or burping–and they survived the sharp, rocky terrain of Bootleg Canyon, which is a feat in and of itself.
Overall, I had an enlightening and fun ride on the Dragonslayer. Each slippery corner and technical climb came and went with increasing ease, and with surprisingly little compromise. And with a $2,700 price tag, it’s a bargain, too.
Read more at www.bikemag.com/gear/bikes/trail-bikes-gear/jamis-dragons...
2017 Jamis Dragonslayer 27.5+
The good old steel hardtail receives a technology injection
April 18, 2015 By Ryan Palmer
PO-ST HORIZONTAL SOCIAL SHARING BUTTONS
The 2017 Jamis Dragonslayer–a plus-size version of the company’s popular Dragon steel hardtail–will be hitting the trails later this summer with a whole lot of extra grip. Plus-size seems to be the theme here at his year’s Sea Otter Classic, with many of the top mountain bike manufacturers showing off their baby fat offerings for the first time. So why does everyone seem to be slapping 3-inch tires on bikes all at once? Boost 148, which made its debut on Trek’s Remedy 29 last year, was designed to create a stiffer, stronger 29-inch wheel–but it opened up a Pandora’s box of new bike design. The wider rear-end required bringing the chainrings out by a few millimeters, which gave bike designers much more real estate to play with. So people got creative, and tires and forks became available. All of a sudden, a new category was born.
2017 JAMIS DRAGONSLAYER |
It turns out that 3-inch tires are bringing forth the rebirth of the hardtail, and with it, a whole new beginning of mountain biking. When people started riding off-road, it was purely for fun. Since then, we somehow let things get serious on us. What better way to get back to our mountain biking roots than with a steel hardtail? With trail geometry and the added grip and confidence that plus-size tires bring to the table, we imagine the Dragonslayer will be a full-on grin machine. You can be sure that we’ll be throwing a leg over one when it becomes available later this year.
The Dragonslayer uses a now relatively narrow 73-millimeter standard English-threaded bottom bracket shell, so serious shaping is needed to get that wide, Boost 148 rear-end attached to the shell. It looks like Jamis was proud enough of its sleek chainstay yoke to slap some 3D branding on it. As you can see, tire clearance won’t be a problem on the Dragonslayer. The bike comes stock with the Vittoria Bombolini 27.5×3.0-inch tires pictured, with plenty of room for the wheel to come forward in the Dragon’s horizontal drops. Its 17.1-inch chainstays should be stubby enough for most riders as well.
The Dragonslayer comes spec’d with solid parts all around. Shimano supplies the brakes and drivetrain with a mix of Deore and SLX, while the bike rolls on WTB Scraper i45 rims.
Shimano is supporting Boost 148 now too, even though it was born from a Trek and SRAM partnership. This is good for everyone because for the price, you can’t beat the shift performance of Shimano’s mid-range groups.
Though its name hints at the bike’s trail-destroying nature, Jamis equips the Dragonslayer for the long slog too–rack mounts are provided for the adventurer in all of us.
Read more at www.bikemag.com/gear/2016-jamis-dragonslayer-27-5/#Di4z8j...
www.rbinc-sports.com/jamis-factory-outlet-store/jamis-201...
I recently went on the way home to a Washington State Department of Commerce Community Workshop for a land use Compatibility Guidebook to help folks both civilian and military work better together in Washington State. Really appreciate my professional correspondence with its leader Deneah Watson, so please enjoy these photos responsibly.
PHOTO CREDIT: Joe A. Kunzler Photo, AvgeekJoe Productions, growlernoise-AT-gmail-DOT-com
I recently went on the way home to a Washington State Department of Commerce Community Workshop for a land use Compatibility Guidebook to help folks both civilian and military work better together in Washington State. Really appreciate my professional correspondence with its leader Deneah Watson, so please enjoy these photos responsibly.
PHOTO CREDIT: Joe A. Kunzler Photo, AvgeekJoe Productions, growlernoise-AT-gmail-DOT-com
I recently went on the way home to a Washington State Department of Commerce Community Workshop for a land use Compatibility Guidebook to help folks both civilian and military work better together in Washington State. Really appreciate my professional correspondence with its leader Deneah Watson, so please enjoy these photos responsibly.
PHOTO CREDIT: Joe A. Kunzler Photo, AvgeekJoe Productions, growlernoise-AT-gmail-DOT-com
Visit of members of the CHEOPS science team and consortium to the Test Centre at ESA's technical centre in The Netherlands in September 2018, while the satellite was undergoing acoustic and radio-frequency compatibility tests.
Image credit: ESA–A. Conigli
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