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The Viharamahadevi Park is the oldest and the biggest park in the port city of Colombo in Sri Lanka. Located near historical places such as the National Museum, Town Hall and the Colombo Public Library, after receiving recent renovations this place has become a central location in Colombo. Built in the reign of the British Colonial Government on land donated by Captain Charles Henry de Soysa, this park was named after Queen Victoria as the Victoria Park.
The park has a long history of being used for different purposes like during the World War II it hosted the British Army and the 17th Brigade of the Australian Army. It was also used as a cricket ground by the first class teams from 1927 to 1995 and even hosted a match between the touring English team in the 1930s. After World War II was over the park was restored and it took a bit of its current form.
After the Independence of the Island Nation of Sri Lanka from the British Rule, the park was given its current name, Viharamahadevi Park which is named after the Queen Viharamahadevi, the mother of King Dutugemunu. At the present day, the park features a gigantic statue of Buddha, a children’s playing area and a numerous water fountains.
Парк Вихарамахадеви (бывший парк Виктория) - это общественный парк, расположенный в Коломбо, рядом с Национальным музеем Шри-Ланки. Это самый старый и самый большой парк в порту Коломбо. Парк расположен у здания Ратуши в колониальной эпохе, парк назван в честь королевы Вихарамахадеви, матери короля Дутугамуну. Парк был построен на земле, подаренной городу Коломбо Чарльзом Генри де Сойсой во время британского правления в Шри-Ланке и раньше назывался «Парк Виктории» после королевы Виктории. Во время Второй мировой войны он был оккупирован британской армией с австралийской 17-й бригадой, базирующейся в парке Виктория. После войны парк был восстановлен и открыт для публики в 1951 году. Раньше в парке была крикетная площадка, которая использовалась для первоклассного крикета между 1927 и 1995 годами. Цейлон играл против туристической английской команды там в 1927 году и против австралийской команды в 1935 году.В парке есть огромная статуя Будды и серия фонтанов. Он также включает в себя мини-зоопарк, детскую игровую площадку и BAC Jet Provost. Парк Вихарамахадеви - единственный крупный общественный парк в Коломбо и поддерживается муниципальным советом Коломбо. На его западной оконечности находится Мемориал Войны Кенотаф, Коломбо и Общественная библиотека Коломбо. Открытый стадион Vihara Maha Devi Park Open представляет собой площадку для проведения концертов и общественных мероприятий.
Church of St. Elijah the Prophet is a masterpiece of Old Russian architecture and one of the most recognizable symbols of the city. The church was built in 1647-1650 by the rich brother merchants Vonifaty and Ioanniky Skripins. The uniqueness of the Church of St. Elijah the Prophet is the excellent preservation of the interior paintings, which are rightfully regarded to be masterpieces of Ancient Russian art. These are wall paintings of the 17th century made during 3 summer months of the year 1680 by a team of 15 painters led by famous masters of that time Gury Nikitin and Sila Savin. Inside the carved gold-plated iconostasis painted in 1696 catches the eye. The icons placed there are the unexceptionable masterpieces of Ancient Russian art; in particular icons of the lower level, most of which are believed to be painted by the outstanding icon-painter of the 17th century Fedor Zubov (holy image of St. Elijah the Prophet, Annunciation, Ascension, etc.).
Храм Ильи Пророка — шедевр древнерусской архитектуры и живописи и один из самых узнаваемых символов города — строился в 1647-1650 гг. богатыми купцами братьями Вонифатием и Иоанникием Скрипиными. Центральный храм окружен большим количеством разновеликих несимметричных объемов: приделы с севера и юга, колокольня, шатровый придел Положения Ризы (построенный специально для великой святыни, пожалованной Скрипиным в 1650 г. царем Алексеем Михайловичем и патриархом Иосифом — частицы Ризы Господней), галереи и два крыльца.
Уникальность Ильинского храма еще и в том, что здесь полностью сохранилось художественное убранство, принадлежащее по праву к вершинам древнерусского искусства. Главная его часть — удивляющие своей сохранностью подлинные росписи XVII века, сохранившие свежесть и яркость красок. Центральный храм был расписан за неполные три летних месяца 1680 г. артелью из 15 живописцев под руководством «изографов града Костромы» Гурия Никитина и Силы Савина. Темы росписей — евангельские события, деяния апостолов, житие и деяния пророка Ильи и его ученика пророка Елисея. Золоченый иконостас пышной резьбы появился здесь в 1696 году. Составляющие его иконы являются безусловными шедеврами древнерусского искусства, особенно иконы нижнего местного яруса, большая часть которых приписывается выдающемуся иконописцу XVII века Федору Зубову (храмовый образ Ильи Пророка, Благовещение, Вознесение и др.)
Ragusa (Italian: [raˈɡuːza] Sicilian: Rausa; Latin: Ragusia) is a city and comune in southern Italy.
The concrete pier over the shallow sea water near the beach of Koh Chang Island with turning on street lamps and morning sky at sunrise (dawn). Trat Province, Thailand. Silhouette of small fishing boat in the frame of the pier column.
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These kneeling statues of human figures with animal heads are largely replicas. The originals have either been stolen, or moved to museums. Each pair guards one of the six stairways leading to an upper platform of the sanctuary.
Banteay Srei is beautifully decorated. Being built of red sandstone, you get both that wonderful red color still present today, as well as a material that's relatively soft, making it easy to carve out the intricate details you see here. Even looking back on this picture now, I'm still impressed by the level of effort that went into making even a rather small temple, stunningly exquisite.
Blogged: www.aisleseatplease.com/blog/2016/8/9/kneeling-guardians
The Rocca, or castle, dominates Bergamo’supper town from the hill of Sant’Eufemia, giving it superb views of the town and the surrounding Val Brembana and, on a clear day, of Treviglio and Milan. Built on the site of Roman and Celtic ruins, the castle has long been a landmark and the protagonist of events that have changed the city’s history. Today the central structure is made up of a quadrangular keep with square towers on each corner. Through the centuries the building has been renovated, modified and expanded to meet the town’s ever-changing needs, the evolution of war techniques, the advent of gunpowder and new alliances. During the Austro-Hungarian domination it served as a stronghold against Garibaldi’s army.
Это замок-крепость, строительство которой началось в 1331 г. по приказу короля Иоанна Люксембургского (Giovanni di Lussemburgo), короля Польши и Богемии. Он в этом году захватил Ломбардию. Правда, долго не продержался, и спустя два года был изгнан. Но строительство крепости продолжалось, и хотя официально было закончено в 1336 г., замок постоянно расширялся и обустраивался. Например, в 1483 г. возле него появилась круглая башня, где размещались казармы. Впоследствии Rocca di Bergamo стал частью оборонительного комплекса и был объединен крепостными стенами с двумя цитаделями. Тем самым они заключили город в треугольник. Когда Бергамо попал под юрисдикцию Венецианской республики, появились «венецианские стены». Но замок Рокка не утратил оборонного значения. Некоторое время в круглой башне хранили порох, и она успешно выстояла против двух взрывов порохового склада. Во времена Рисорджименто (национально-освободительного движения) крепость на некоторое время стала тюрьмой, куда сажали патриотов Италии.
Porta Ticinese (formerly known as Porta Cicca, and during Napoleonic rule as Porta Marengo) is a former city gate. The gate, facing south-west, was first created with the Spanish walls of the city, in the 16th century, but the original structure was later demolished and replaced in the early 19th century. The name "Porta Ticinese" is used both to refer to the gate proper and to the surrounding district, part of the Zone 6 administrative division. In the same district there is also a homonymous medieval gate, although in common speech the name "Porta Ticinese is usually assumed to refer to the 19th century gate. The gate of Porta Ticinese is one of the landmark buildings of Milan and a popular tourist attraction.The name "Porta Ticinese" means "Gate to the Ticino", referred to the Ticino river, that traverses the Po Valley south-west of Milan. The name "Porta Cicca" came about during the Spanish rule of Milan in the 16th century, "Cicca" being a distortion of the Spanish word chica, i.e., "small". The name "Porta Marengo", which was used in the 19th century, refers to the village of Marengo located south-west of Milan, now called Spinetta Marengo, scene of the Battle of Marengo between the French army commanded by Napoleon and an Austrian army.
Современные ворота порта-Тичинезе вдоль внутренней дороги на площади Пьяцца-Венти-Кватро-Маджио, были построены относительно недавно, между 1801 и 1814 годами во время наполеоновской эры Милана ("известные... во время правления Наполеона как порта Маренго...город Маренго...расположен к юго-западу от Милана"). Внутренняя Кольцевая дорога прослеживает путь городских стен 16-го века, построенных во время правления над Миланом испанских Габсбургов (отсюда известные как испанские стены. Старые ворота для испанской стены здесь были разрушены, когда были возведены эти новые ворота.
The first church dedicated to the Divine Grace was present on the left bank of the Naviglio Grande canal already in the 16th century: in the year 1556 a chapel was built to accommodate the image of the Madonna, considered miraculous The chapel was later demolished and in its place was built the church, the largest in the Baroque style . It was destroyed by fire in 1719, and subsequently rebuilt. In 1849 was elevated to the rank of parish. At the end of the 19th century, wanting to demolish the old church, which was already too small for the growing area and replace it with a larger one, the architect Gaetano Moretti presented his project. The church is in the three naves of the Art Nouveau style, with a high bell tower and a portico on the main facade. The construction of the new church began in 1901. In 1908, the last remnant of the former baroque church was demolished.
Первая церковь, посвященная божией Благодати присутствовала, на левом берегу канала Навильо-Гранде уже в XVI веке: в год 1556 была построена часовня, чтобы разместить изображениеМадонны, считавшийся чудотворной Часовня была позже снесена и на ее месте была построена церковь, самая большая в стиле барокко. Она была разрушена пожаром в 1719, и в дальнейшем восстановлена. В 1849 была возведена в ранг прихода. В конце XIX века, желая снести старую церковь, которая была уже слишком мала для растущего района и заменить его на более большую, архитектор Гаэтано Моретти представил свой проект. Церковь в три нефа стиле модерн, с высокой колокольней и портиком на главном фасаде. Строительство новой церкви началось в 1901. В 1908 был снесен последний остаток прежней церкви в стиле барокко.
According to legend, the temple in Monastyrshchino was built on the burial site of the soldiers who died on Kulikovo field. There is a legend about the temple standing on the graves of soldiers, and that the royal gates of the church were allegedly brought into it by St. Sergius of Radonezh. In 1855, it was decided to build a new stone church due to the unsatisfactory condition of the wooden one. Due to lack of funds for the 500th anniversary of the Battle of Kulikovo, celebrated in 1880, a fundraiser was announced for the construction of the temple, Emperor Alexander III donated his personal funds to the temple. The main altar of the church was consecrated on September 30, 1896.
По преданию, храм в Монастырщино выстроен на месте захоронения погибших на Куликовом поле воинов. Существует легенда о стоящем на могилах воинов храме, и то, что царские врата церкви якобы были принесены в неё преподобным Сергием Радонежским. В 1855 году было принято решение о постройке новой каменной церкви из-за неудовлетворительного состояния деревянной. Из-за нехватки средств к 500-летию Куликовского сражения, отмечавшемуся в 1880 году, был объявлен сбор средств на постройку храма, из своих личных средств на храм жертвовал император Александр III. Главный алтарь храма был освящён 30 сентября 1896 года.
MUCEM (Museum for Europe and the Mediterranean), Marseille, Provence, France. 2013. Architect: Rudy Ricciotti
i wish you a happy new year! good experiences, new insights, and exciting people! Anyone who takes photographs captures the present and is interested in people and their living conditions. And the broader curiosity and openness are found in humanity, the less there will be hate and violence.
Modern skyscrapers illuminated at night reflecting on a glass facade low angle view in Chengdu, Sichuan province, China
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This kind of street scene plays out all over Southeast Asia. The tangle of electrical wires above ground, as different people tap into the grid both legally and illegally. In this case, things actually look pretty organized compared to some other cases.
You get that mix of cars, motorcycles, hand carts, auto rickshaws and people all jockeying for space on the road. Luckily, it's not as congested as it could be (*ahem*, India). The center of Siem Reap seemed almost like one long road of hotels and restaurants. Or at least, the touristic area was largely that.
Blogged: www.aisleseatplease.com/blog/2016/10/18/just-another-day-...
Statues of Jesus Christ with saints, inside the Church of St Peter and St Paul, the co-cathedral of the Roman Catholic Archdiocese of Đakovo-Osijek, a neo-Gothic sacral structure built in 1898, located in Osijek, Osijek-Baranja county, Slavonia region of Croatia.
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Since the late 1990s, the Yokohama Minatomirai waterfront district has undergone a complete transformation, emerging as a vibrant city center with state-of-the-art ports, entertainment and amusement districts, historic buildings, parks, convention centers, new hotels, and office spaces catering to global industries.
The oldest convict-built structure surviving in Queensland, the windmill tower has accommodated a range of uses. Constructed in 1828 to process the wheat and corn crops of the Moreton Bay penal settlement, it had a treadmill attached for times when there was no wind but also as a tool for punishing convicts. The mill ceased grinding grain in 1845 and the treadmill was removed sometime before 1849. From 1855 the tower was reused as a signal station to communicate shipping news between the entrance of the Brisbane River and the town. Substantial renovations were made to it in 1861 including the installation of a time ball to assist in regulating clocks and watches. Twenty years later a cottage for the signalman was constructed to the immediate west of the tower, with a detached kitchen erected to the south two years after that. Both were later demolished. The windmill tower was used as a facility for early radio, telephony and television communications research from the 1920s and underwent substantial conservation work in the 1980s and 2009.
In May 1825, after eight months of occupation at Redcliffe, the contingent of convicts, soldiers, administrators and their families comprising the Moreton Bay penal settlement relocated to the site of present-day Brisbane's central business district. The growing settlement was to be self-sufficient in feeding its residents by cultivating corn (also known as maize) and wheat crops at the government farm, which were then processed into meal and flour by hand mills.[1] By 1827, with a substantial crop to process, the settlement storekeeper recommended a treadmill be erected to grind the crop into flour. Commandant Logan indicated at this time that such a devise at Brisbane town would be of service and also provide an avenue for the punishment of convicts.[2]
There is little evidence confirming details of the windmill tower's planning and construction. In July 1828, Peter Beauclerk Spicer, the Superintendent of Convicts at the time, recorded in his diary that convicts were 'clearing ground for foundations for the Mill' and proceeded to dig a circular trench that reached bedrock and had a circumference of approximately 9 metres.[3] Allan Cunningham noted soon after that construction was in progress. The mill was constructed on the highest point overlooking the settlement on what is now Wickham Terrace. By 31 October 1828 the first grain was being ground at the site by a mill gang; however it is supposed that this was done by a treadmill as the rotating cap and sails associated with the wind-powered operation of the mill were not brought to the site until November.[4] Circumstantial evidence suggests that the wind-powered grinding of grain did not begin until December.
There were two pairs of millstones inside the tower, each driven independently by the treadmill and sail mechanisms. The former was located outside the tower, a shaft connecting the treadwheel and the mill cogwheels inside. Two sketches from the early 1830s show the windmill tower and its sail stocks in place,[5] while an 1839 description depicts a tower built from stone and brick, comprising four floors, a treadmill and windmill. From 1829 the windmill tower was said to be continually requiring repair, possibly because its equipment was all made from locally-available timber rather than iron[6].
The treadmill was an important component of the mill, for use as punishment without trial, and for times when there was no wind but the amounts of grain sufficient to sustain the settlement still required processing. No plans exist of the Brisbane treadmill, however, the Office of the Colonial Architect produced a standard Design for Tread Mill Adapted for Country Districts Average Estimate £120.[7] Between 25 and 30 men worked at the mill at any one time. Sixteen operated the treadmill, although as there are no plans, it is uncertain whether it comprised a standard 16-place treadmill, or two 8-place sections connected to a common shaft. Each man would climb five steps to get onto the wheel, standing on the 9 inch wide treads and holding on to the rail. The men would then work as though ascending steps to operate the treadmill. Some undertook this task while in leg irons, while the more able used one hand to hold on and the other to draw sketches of people, animals and scenes on the boards of the mill. The men would work from sunrise to sunset with three hours rest in the middle of the day in summer, and two hours in winter.[8] [9] The first casualty of the treadmill, which produced the first official record of its existence, occurred in September 1829 when prisoner Michael Collins lost his life after being entangled in the operating mechanism. Maps of 1840s Brisbane feature a rectangular structure attached to the outside of the tower, Robert Dixon's in particular showing a 6 x 5 metre structure, probably the treadmill, located on ground that was to become Wickham Terrace.
In July 1841 the Brisbane tower was reputedly the site of a public execution of two Aboriginal men who had been convicted in Sydney of the murder of Assistant Surveyor Stapylton and one of his party near Mount Lindsay. They were returned to Moreton Bay and hanged with about 100 Aboriginal people present, however it may be that the execution took place elsewhere on what was known as Windmill Hill.[10]
Indicative of the prominence of its physical position, the tower served as one of the stations for the trigonometrical survey of the Moreton Bay district conducted by Robert Dixon, Granville Stapylton and James Warner from May 1839 in preparation for the area being opened to free settlement.[11]
In February 1836 the windmill tower was struck by lightning, causing severe damage throughout, including to the treadmill. A convict millwright was brought from Sydney in June for the repairs, which amounted to a major rebuild of the structure that was not completed until May 1837.[12] In April 1839, with the closure of the Moreton Bay penal settlement being planned, the windmill tower was one of the buildings recommended for transfer to the colony. This was approved in 1840-41 but it continued to sporadically process grain until 1845, when due to crop failure, a stagnant population and the availability of imported flour, it finally ceased being used. The penal settlement had officially closed in February 1842. The treadmill operated until 1845 and had been removed by October 1849[13].
The windmill tower in Brisbane is the oldest of its type left standing in Australia and further distinguished by having been built by convict labour. The earliest standing stone windmill towers extant around the country date from the 1830s and include: one built in 1837 in South Perth, Western Australia[14]; another built in the same year at Oatlands in Tasmania which operated until 1890[15]; and another built at Mount Gilead near Campbelltown in New South Wales in 1836[16]. Most were built to process grains into flour. Other surviving mill towers are the one built in 1842 by FR Nixon at Mount Barker in South Australia; Chapman's mill built around 1850 at Wonnerup in Western Australia[17], and another built at a similar time on an island in the Murray River near Yunderup in Western Australia[18]. None of the nineteen windmill towers that characterised the early settlement at Sydney have survived.[19] Technological developments, most particularly steam power which was more dependable than wind power or that generated by convict labour at a treadmill, rendered wind-driven mills largely redundant.
After the cessation of milling operations there were discussions about possible future use of Brisbane's windmill tower. In December 1849 the tower was put up for auction and bought by a government official who promptly sought tenders for removal of it and its machinery (the auction terms required it to be cleared away by three months after the sale).[20] Ownership of the place quickly reverted to the Crown because of a legal problem with the sale, but not before some dismantling had occurred.[21] In a January 1850 article the Moreton Bay Courier continued its appeal for the windmill not to be pulled down and secured by the town, arguing that aside from its landmark and picturesque qualities it was the ‘best fixed point for land measurement in the district'. In this vein the site was the most accessible viewing point for the picturesque landscape of Brisbane and its environs. Despite earlier calls to erase evidence of Brisbane's convict past, 'sentiment and pragmatism combined to override the detrimental taint of convictism' saving the tower from destruction. The sails were still in place in 1854 and appear in a painting of the windmill completed in 1855.[22]
By 1855 Brisbane was the leading Queensland port and it became important to establish signal stations to communicate shipping news between the entrance of the Brisbane River and the town, one of which was set up on Windmill Hill. This required modifications to the tower to include a semaphore station connected to the electric telegraph. Information on ships entering the river was converted to semaphore signals using flags hoisted on a mast erected on top of the tower. The renovations were undertaken by John Petrie in October 1861 to plans by colonial architect Charles Tiffin and included the removal of the windmill stocks or arms and wheels; the laying of floors on each storey; new doors and windows; a weatherproof floor on the top of the tower with an iron railing; a new winding staircase from bottom to top; repair of stone, brickwork and plastering; and the installation of a high flagstaff to fly signals.[23] The tower's renovation at this time also fitted it out as a public observatory and it became known by that term.[24] The following year it became the first home of the newly founded Queensland Museum; serving this purpose until 1868 when other accommodation was provided in the old convict barracks or parliamentary building on Queen Street.[25]
Petrie also installed a time ball on the tower to provide a reliable authority for regulating clocks and watches. It was dropped at one o'clock each day based on observations relayed by telegraph from Sydney. The time ball was replaced by a time gun in 1866, with an embankment and shed constructed to hold the gun in 1874. After 1882 the gun and shed were moved to the eastern section of the current reserve before the shed was demolished in 1908. The time gun proved useful to people as far away as Logan, Caboolture and Ipswich. The old gun was replaced in 1888 with another before a new electrically-controlled time ball was installed in 1894. This was associated with the legislated implementation of a single time throughout the colony, being designated as ten hours earlier than the mean time at Greenwich. Adjustments were made to the tower at this time to accommodate the new time ball. The roof was lowered and the flagstaff pared down.[26]
A cottage for the signalman was constructed in 1883 to the immediate west of the tower to plans prepared by Government Architect FDG Stanley and on part of the Waterworks reserve. Two years later a detached kitchen was also constructed behind it to the south of the tower. Use of the signal station was discontinued in 1921 by the state government, which then sought a new use for the structure and land. [27] Despite this the flagstaff remained in place until 1949. From January 1893 the Fire Brigade implemented a nightly observation post from a specially-constructed platform on top of the tower. This was used until around 1922.
The Commonwealth government assumed responsibility for the site in 1901 but control reverted to the state in 1908 when it was designated as an Observatory Reserve. In 1902 it had been connected to the Railway Telegraph Office at Roma Street so that the railways had the correct time for their operations. The evidence of historical photographs suggests that sometime between 1902 and 1912 the cabin at the top was increased in size.[28] The time ball remained in operation until 1930.
The site was placed under the trusteeship of the Brisbane City Council in 1922. The site of the cottage remained in the hands of the Waterworks Board and a boundary re-arrangement had to occur to allow its continued use in relation to the observatory. At this time the Queensland Institute of Radio Engineers began wireless radio and telephony research at the tower, and used the signalman's cottage to meet two nights a month. Apparatus to operate a wireless radio station was installed in 1926. The cottage was occupied on a more regular basis in order to reduce the risk of vandalism to the tower, but fell vacant. In 1926 the City Architect, AH Foster, proposed a plan for beautifying the observatory, which included removal of the cottage and adjacent sheds. The tender of Messrs Guyomar and Wright to remove the cottage, shed and outhouse for £60 was accepted.[29] At this time the stone and wrought iron wall along Wickham Terrace was erected. It was intended to add 'dignity to the historical reserve, and harmonise with the massive character of the Tower'.[30]
From 1924 Thomas Elliott installed equipment in the tower to undertake cutting-edge television research; he and Allen Campbell giving a demonstration from the site in 1934 which constituted Queensland's first television broadcast. It was considered by many at the time as the most outstanding achievement thus far in the history of television in Australia. They gained a license from the government and continued experimental broadcasting from the tower until about 1944.[31]
From 1945 the Brisbane City Council was considering suitable action to preserve the tower, which had become a popular visitor attraction. Some restoration work was carried out in 1950 on the advice of Frank Costello (then Officer in Charge of Planning and Building with the City Council), which included removal of old render and re-rendering the entire structure. It was at this time that the flagstaff was removed in preparation for making the open ground of the reserve 'a real park'. Certainly these conservation efforts considered the heritage value of the place as well as the public's use of it.
However by 1962 the windmill tower was again in poor condition. Floodlighting to enhance its appearance for tourists was undertaken for the first time during the Warana Festival five years later. In the early 1970s the Council and the National Trust of Queensland undertook detailed investigations regarding restoration and transfer of trusteeship from the council to the trust (the latter were abandoned in 1976). None of the original plans or any of the original windmill machinery parts could be located at that time. Based on these findings the National Trust formed the opinion that the building should be preserved in its present form and not reconstructed to its windmill form.
In 1982 City Council undertook some external maintenance work on the observation house or cabin, including replacement of deteriorated timber to the balcony and sills, and corrugated iron on the roof, and repair of the time ball and its mast (which was shortened by about 300 mm to remove some part affected by dry rot).[32]
In 1987 a consortium of companies involved in the construction of the Central Plaza office building offered to assist the Brisbane City Council with the conservation of the Windmill Tower. To inform this work a conservation study was undertaken by Allom Lovell Marquis-Kyle Architects, which also oversaw conservation work[33]. Preliminary archaeological investigations undertaken at this time identified the remains of the original flagstaff base which was reinstated.[34] The conserved Windmill Tower was opened by the Lord Mayor of Brisbane on 3 November 1988. A further archaeological investigation was carried out at the site in 1989-90 by a University of Queensland team, revealing clear stratigraphic layers datable to each of the key phases of use of the site.[35] In August 1993 further investigations of the fabric of the tower were undertaken to explore the extent of the footings and the nature of construction of the curb and cap frame. More conservation work was carried out in May 1996.
In 2009 the Brisbane City Council received considerable funding to carry out restoration work of the windmill tower through the State Government's Q150 Connecting Brisbane project. It was intended that the structure be publically accessible to allow visitors to experience the view from its observation platform, a practice that has been commented on since the 1860s. In 2008 - 2009 the Brisbane CBD Archaeological Plan assessed the area of the observatory reserve and a length of Wickham Terrace associated with it as having exceptional archaeological research potential because of the combination of its association with the penal settlement and the low level of ground disturbance that has occurred there since.
Source: Queensland Heritage Register.
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What a difference crossing the tracks make. On one side, the chaotic and bustling Mumbai, filled with a mix of stores and street side sellers. As soon as you take the pedestrian bridge over the train tracks at Mahim Station, this is the view that greets you.
It's still chaotic and filled with activity, but there's a real sense of poverty here. Buildings are in disrepair, and sanitation has dropped off a cliff in comparison to the other side of the tracks. The struggle to climb out of poverty looks 100x more challenging here than elsewhere.
Want to know more and how to visit? Read on: www.aisleseatplease.com/blog/first-glimpse-of-dharavi
Vista de Albarracín, pueblo enclavado en las colinas de la zona centro-oriental de España, sobre una curva del río Guadalaviar. Sus altas murallas, que se remontan a la Edad Media, dominan la ladera adyacente. En su punto más alto está la Torre del Andador, del siglo X. En el casco antiguo, las ruinas de un alcázar (un castillo de origen árabe) se alzan sobre un acantilado. La catedral del Salvador, que data del siglo XVI, incluye un campanario que se construyó sobre los restos de un templo de arquitectura románica.