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Aurash
An Iranian epic adapted by Bahram Beyza’ie
Translated/adapted by Soheil Parsa and Brian Quirt
Director: Behnam Alibakhshi
Choreographer: Wendy Jehlen
Dramaturg: Harley Erdman
Scenic Designer: Michael Donnelly
Lighting Designer: Jemma Kepner
Costume Designer: Malorie Grillo
Sound Designer: Fletcher Clark
Vocal Coach: Elisa Gonzales
Production Stage Manager: Anika Nayak
Stage Manager: Crow Traphagen
Associate Dramaturg: Micki Kleinman
Assistant Costume Designer: Jr Moreno
Costume Craft Master: Chenoa Albertson
Assistant Stage Manager: Luna Barros
Research and Music Curators: Narges Rahmani, Behzad Alibakhshi
Calligraphy Designer: Borna Izadpanah
Production Manager: Julie Fife
Technical Director: Michael Cottom
Scenic Construction Director: Brandon Hall
Costume Shop Managers: Kristin Jensen, Felicia Malachite
Lighting Supervisor: Michael Dubin
Sound Engineer: Ryan Hickey
Directing Advisor: Gilbert McCauley
Acting Advisor: Milan Dragicevich
Scenic Design Advisor: Anya Klepikov
Costume Design Advisors: Yao Chen, Olivera Gajic
Lighting Design Advisor: Penny Remsen
Sound Design Advisor: Amy Altadonna
Stage Management Advisor: Julie Fife
CAST
Sena Yacteen: Commander, Storyteller
DJ Dragicevich: Kashvad, Storyteller
Sofia Montti: Aurash
Ryan Muller: King, Storyteller
Hia Ghosh: Hooman, Storyteller
Vincent Babu: Corporal 1, Enemy Watch 1, Storyteller
Thomas Galvin: Corporal 2, Enemy Watch 2, Storyteller
Haylie Prevett: Guard, Elborz Mountains, Storyteller
Sunny Nordberg: Second Aurash
Marco White: Ghost, Storyteller
***
Aurash is presented with the permission of playwright Bahram Beyza’ie
Special thanks: Hossein Alizadeh and Keyhan Kalhor, Parisa Farhadi, Jan Šabach and Digital Design students
The costumes for this production are made possible in part by a gift in memory of Vivian P. Leidy.
en.wikipedia.org/wiki/Naqsh-e_Rustam
Naqsh-e Rustam (in Persian: نقش رستم Nāqš-e Rostām) is an archaeological site located about 12 km northwest of Persepolis, in Fars province, Iran. Naqsh-e Rustam lies a few hundred meters from Naqsh-e Rajab.
The oldest relief at Naqsh-i Rustam is severely damaged and dates to c. 1000 BCE. It depicts a faint image of a man with unusual head-gear and is thought to be Elamite in origin. The depiction is part of a larger mural, most of which was removed at the command of Bahram II. The man with the unusual cap gives the site its name, Naqsh-e Rostam, "Picture of Rostam", because the relief was locally believed to be a depiction of the mythical hero Rostam.
استراتژی باغبان
سخنان او فقیه را تحتِ تأثیر قرار می دهد. باغبان بلافاصله به دنبال سیّد می رود و تا حدِ توان او را کتک می زند.
His words affect the jurist. The gardener immediately follows Sayyid and beats him as much as he can.
Aurash
An Iranian epic adapted by Bahram Beyza’ie
Translated/adapted by Soheil Parsa and Brian Quirt
Director: Behnam Alibakhshi
Choreographer: Wendy Jehlen
Dramaturg: Harley Erdman
Scenic Designer: Michael Donnelly
Lighting Designer: Jemma Kepner
Costume Designer: Malorie Grillo
Sound Designer: Fletcher Clark
Vocal Coach: Elisa Gonzales
Production Stage Manager: Anika Nayak
Stage Manager: Crow Traphagen
Associate Dramaturg: Micki Kleinman
Assistant Costume Designer: Jr Moreno
Costume Craft Master: Chenoa Albertson
Assistant Stage Manager: Luna Barros
Research and Music Curators: Narges Rahmani, Behzad Alibakhshi
Calligraphy Designer: Borna Izadpanah
Production Manager: Julie Fife
Technical Director: Michael Cottom
Scenic Construction Director: Brandon Hall
Costume Shop Managers: Kristin Jensen, Felicia Malachite
Lighting Supervisor: Michael Dubin
Sound Engineer: Ryan Hickey
Directing Advisor: Gilbert McCauley
Acting Advisor: Milan Dragicevich
Scenic Design Advisor: Anya Klepikov
Costume Design Advisors: Yao Chen, Olivera Gajic
Lighting Design Advisor: Penny Remsen
Sound Design Advisor: Amy Altadonna
Stage Management Advisor: Julie Fife
CAST
Sena Yacteen: Commander, Storyteller
DJ Dragicevich: Kashvad, Storyteller
Sofia Montti: Aurash
Ryan Muller: King, Storyteller
Hia Ghosh: Hooman, Storyteller
Vincent Babu: Corporal 1, Enemy Watch 1, Storyteller
Thomas Galvin: Corporal 2, Enemy Watch 2, Storyteller
Haylie Prevett: Guard, Elborz Mountains, Storyteller
Sunny Nordberg: Second Aurash
Marco White: Ghost, Storyteller
***
Aurash is presented with the permission of playwright Bahram Beyza’ie
Special thanks: Hossein Alizadeh and Keyhan Kalhor, Parisa Farhadi, Jan Šabach and Digital Design students
The costumes for this production are made possible in part by a gift in memory of Vivian P. Leidy.
Curated by Basak Senova, the inaugural exhibition of B7L9, Climbing through the Tide is designed to initiate dialogues and encounters among the works by suggesting various paths of reception through its scenography. Works in the exhibition connect to each other through spontaneously formed content; form; methodology; and approach-based links. By taking the condition-based and geographical inputs into account, the exhibition operates as the prompter of a new interrogations and the instigator of multiple perceptions leading to a more layered reading of our current situation and to different ways to cope with it. Climbing through the Tide brings together 50 artists from 21 countries including Adel Abidin, Afif Saâdane, Aicha Snoussi, Ali Cabbar, Ali Cherri, Ali Tnani, Almagul Menlibayeva, Bahar Behbahani, Behzad Khosravi Noori, Benji Boyadgian, Bronwyn Lace, Egle Oddo, Etel Adnan, Farah Khelil, Fares Thabet, Fatih Aydogdu, Ghada Amer, Gulsun Karamustafa, Hatem El Mekki , Heba Amin, Hera Büyüktaşçıyan, Inci Eviner, Inma Hererra, Jawad Al Malhi, Joana Hadjithomas & Khalil Joreige, Jumana Manna, Kader Attia, Larissa Sansour, Lina Selander, Malek Gnaoui, Marcus Neustetter, Negar Tahsili, Nermin Er, Nicène Kossentini, Nilbar Gures, Ramesch Daha, Raqs Media Collective, Ricarda Denzer, Susan Hefuna, Wael Shawky, Walid Raad, Yasmine Ben Khelil, Younes Ben Slimane, Youssef Nabil, Yto Barrada, Ziad Antar, and Zineb Sedira. “Annotations” section of the exhibition presents Centre for Less Good Ideas, Apartment Project, Mahatat, Mophradat, Ashkal Alwan, L’Atelier de l’Observatoire, Egle Oddo and Technopole Borj Cedria and the CrossSections Project.
Aurash
An Iranian epic adapted by Bahram Beyza’ie
Translated/adapted by Soheil Parsa and Brian Quirt
Director: Behnam Alibakhshi
Choreographer: Wendy Jehlen
Dramaturg: Harley Erdman
Scenic Designer: Michael Donnelly
Lighting Designer: Jemma Kepner
Costume Designer: Malorie Grillo
Sound Designer: Fletcher Clark
Vocal Coach: Elisa Gonzales
Production Stage Manager: Anika Nayak
Stage Manager: Crow Traphagen
Associate Dramaturg: Micki Kleinman
Assistant Costume Designer: Jr Moreno
Costume Craft Master: Chenoa Albertson
Assistant Stage Manager: Luna Barros
Research and Music Curators: Narges Rahmani, Behzad Alibakhshi
Calligraphy Designer: Borna Izadpanah
Production Manager: Julie Fife
Technical Director: Michael Cottom
Scenic Construction Director: Brandon Hall
Costume Shop Managers: Kristin Jensen, Felicia Malachite
Lighting Supervisor: Michael Dubin
Sound Engineer: Ryan Hickey
Directing Advisor: Gilbert McCauley
Acting Advisor: Milan Dragicevich
Scenic Design Advisor: Anya Klepikov
Costume Design Advisors: Yao Chen, Olivera Gajic
Lighting Design Advisor: Penny Remsen
Sound Design Advisor: Amy Altadonna
Stage Management Advisor: Julie Fife
CAST
Sena Yacteen: Commander, Storyteller
DJ Dragicevich: Kashvad, Storyteller
Sofia Montti: Aurash
Ryan Muller: King, Storyteller
Hia Ghosh: Hooman, Storyteller
Vincent Babu: Corporal 1, Enemy Watch 1, Storyteller
Thomas Galvin: Corporal 2, Enemy Watch 2, Storyteller
Haylie Prevett: Guard, Elborz Mountains, Storyteller
Sunny Nordberg: Second Aurash
Marco White: Ghost, Storyteller
***
Aurash is presented with the permission of playwright Bahram Beyza’ie
Special thanks: Hossein Alizadeh and Keyhan Kalhor, Parisa Farhadi, Jan Šabach and Digital Design students
The costumes for this production are made possible in part by a gift in memory of Vivian P. Leidy.
On Tuesday, March 8, 2022 Ramapo College invited campus to join a panel of Ramapo experts to understand the legal and human rights ramifications of the Russian invasion of Ukraine. Panelists included Professor Behzad Yaghmaian, Professor Rebecca Root, Professor Sangha Padhy, and Angelina Farallo '22. The panel was moderated by Professor Erin Augis.
Aurash
An Iranian epic adapted by Bahram Beyza’ie
Translated/adapted by Soheil Parsa and Brian Quirt
Director: Behnam Alibakhshi
Choreographer: Wendy Jehlen
Dramaturg: Harley Erdman
Scenic Designer: Michael Donnelly
Lighting Designer: Jemma Kepner
Costume Designer: Malorie Grillo
Sound Designer: Fletcher Clark
Vocal Coach: Elisa Gonzales
Production Stage Manager: Anika Nayak
Stage Manager: Crow Traphagen
Associate Dramaturg: Micki Kleinman
Assistant Costume Designer: Jr Moreno
Costume Craft Master: Chenoa Albertson
Assistant Stage Manager: Luna Barros
Research and Music Curators: Narges Rahmani, Behzad Alibakhshi
Calligraphy Designer: Borna Izadpanah
Production Manager: Julie Fife
Technical Director: Michael Cottom
Scenic Construction Director: Brandon Hall
Costume Shop Managers: Kristin Jensen, Felicia Malachite
Lighting Supervisor: Michael Dubin
Sound Engineer: Ryan Hickey
Directing Advisor: Gilbert McCauley
Acting Advisor: Milan Dragicevich
Scenic Design Advisor: Anya Klepikov
Costume Design Advisors: Yao Chen, Olivera Gajic
Lighting Design Advisor: Penny Remsen
Sound Design Advisor: Amy Altadonna
Stage Management Advisor: Julie Fife
CAST
Sena Yacteen: Commander, Storyteller
DJ Dragicevich: Kashvad, Storyteller
Sofia Montti: Aurash
Ryan Muller: King, Storyteller
Hia Ghosh: Hooman, Storyteller
Vincent Babu: Corporal 1, Enemy Watch 1, Storyteller
Thomas Galvin: Corporal 2, Enemy Watch 2, Storyteller
Haylie Prevett: Guard, Elborz Mountains, Storyteller
Sunny Nordberg: Second Aurash
Marco White: Ghost, Storyteller
***
Aurash is presented with the permission of playwright Bahram Beyza’ie
Special thanks: Hossein Alizadeh and Keyhan Kalhor, Parisa Farhadi, Jan Šabach and Digital Design students
The costumes for this production are made possible in part by a gift in memory of Vivian P. Leidy.
Dedicated to Iranian politicians who are in the prison because of participating in protest.
Behzad Nabavi
Mohsen Mirdamadi
Mohsen Amin zade
Mohamad Etrian far
Abdolah Ramezan zade
From left to right, Dr. Michael Farbaniec, assistant professor at Penn State College of Medicine and co-director of Penn State Health’s Lipid Clinic and Cardiac Rehabilitation Program; Dr. Brandon Peterson, vice chair for education for Penn State Heart and Vascular Institute and assistant professor of medicine in the Division of Cardiology at Penn State College of Medicine; Joyce Wert, philanthropist and resident of Halifax, Pa.; Dr. Seth S. Martin, director of the Advanced Lipid Disorders Program and Digital Health Lab in the Ciccarone Center for the Prevention of Cardiovascular Disease and associate professor of medicine at Johns Hopkins University School of Medicine; and Dr. Behzad Soleimani, director of Penn State Heart and Vascular Institute and William S. Pierce, MD, Professor of Cardiac Surgery at Penn State College of Medicine.
The river Jhelum is called Vitasta in the Rigveda and Hydaspes by the ancient Greeks. The Vitasta is mentioned as one of the major rivers by the holy scriptures of the Indo-Aryans the Rigveda. It has been speculated that the Vitasta must have been one of the seven rivers (saptasindhu) mentioned so many times in the Rigveda. The name survives in the Kashmiri name for this river as Vyeth. According to the major religious work Srimad Bhagavatam, the Vitasta is one of the many transcendental rivers flowing through land of Bharata, or ancient India.
The river was regarded as a god by the ancient Greeks, as were most mountains and streams; the poet Nonnus in the Dionysiaca (section 26, line 350) makes the Hydaspes a titan-descended god, the son of the sea-god Thaumas and the cloud-goddess Elektra. He was the brother of Iris, the goddess of the rainbow, and half-brother to the Harpies, the snatching winds. Since the river is in a country foreign to the ancient Greeks, it is not clear whether they named the river after the god, or whether the god Hydaspes was named after the river. Alexander the Great and his army crossed the Jhelum in BC 326 at the Battle of the Hydaspes River where it is believed that he defeated the Indian king, Porus. According to Arrian (Anabasis, 29), he built a city "on the spot whence he started to cross the river Hydaspes", which he named Bukephala (or Bucephala) to honour his famous horse Bukephalus or Bucephalus which was buried in Jalalpur Sharif. It is thought that ancient Bukephala was near the site of modern Jhelum City. According to a historian of Gujrat district, Mansoor Behzad Butt, Bukephalus was buried in Jalalpur Sharif, but the people of Mandi Bahauddin, a district close to Jehlum, believed that their tehsil Phalia was named after Bucephalus, Alexander's dead horse. They say that the name Phalia was the distortion of the word Bucephala. The waters of the Jhelum are allocated to Pakistan under the terms of the Indus Waters Treaty.
Verinag In Kashmir
Verinag is situated at a distance of approximately 80 km from Srinagar. Reached through the link road, it is located at a height of 1,876 m. It is believed that the Verinag spring in Kashmir is the chief source of the river Jhelum. There is an octagonal base at the spring, surrounded by a covered passage.
Considered to be the source of the River Jhelum, often termed as the lifeline of the province of Jammu and Kashmir, the beautiful region of Verinag is indeed one of the best options of a weekend getaway from Srinagar. A tour to Verinag reveals the secret of the source of the River Jhelum, a spring after which the region itself has been named.
The Verinag Spring, named after Nila Nag, the son of the famous Hindu sage Kashyap Rishi, to whom, goes the credit of establishing the territory of Jammu and Kashmir is one of the principle tourist attractions of a tour to Verinag. the spring, which was originally shaped in a circular form was given a change of shape during the reign of the Mughal Emperor Jahangir in 1620, when he gave orders to renovate the spring in the Mughal traditional shape of an octagon. Today, picturesque in its settings and surrounded by tall Pine trees, the Verinag Spring is characterized by waters which are calm and sparklingly clear. Besides a glimpse of the Verinag Spring, a tour to Verinag is made even more special by the sight of several varieties of colorful flowers, gently swaying to the rhythm of the cool, mountain air.
The easiest and fastest way of reaching Verinag is by air. The nearest airport is at the Badgam District around 80 km away from the village of Verinag. Verinag is well-connected to a number of other regions of Jammu and Kashmir. There are a number of well maintained roads which lead to Verinag.
The river Jhelum rises from a spring at Verinag situated at the foot of the Pir Panjal in the south-eastern part of the valley of Kashmir in India. It flows through Srinagar and the Wular lake before entering Pakistan through a deep narrow gorge. The Kishenganga (Neelum) River, the largest tributary of the Jhelum, joins it, at Domel Muzaffarabad, as does the next largest, the Kunhar River of the Kaghan valley. It also connects with rest of Pakistan and Pakistan Occupied Kashmir on Kohala Bridge east of Circle Bakote. It is then joined by the Poonch river, and flows into the Mangla Dam reservoir in the district of Mirpur. The Jhelum enters the Punjab in the Jhelum District. From there, it flows through the plains of Pakistan's Punjab, forming the boundary between the Chaj and Sindh Sagar Doabs. It ends in a confluence with the Chenab at Trimmu in District Jhang. The Chenab merges with the Sutlej to form the Panjnad River which joins the Indus River at Mithankot.
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Aurash
An Iranian epic adapted by Bahram Beyza’ie
Translated/adapted by Soheil Parsa and Brian Quirt
Director: Behnam Alibakhshi
Choreographer: Wendy Jehlen
Dramaturg: Harley Erdman
Scenic Designer: Michael Donnelly
Lighting Designer: Jemma Kepner
Costume Designer: Malorie Grillo
Sound Designer: Fletcher Clark
Vocal Coach: Elisa Gonzales
Production Stage Manager: Anika Nayak
Stage Manager: Crow Traphagen
Associate Dramaturg: Micki Kleinman
Assistant Costume Designer: Jr Moreno
Costume Craft Master: Chenoa Albertson
Assistant Stage Manager: Luna Barros
Research and Music Curators: Narges Rahmani, Behzad Alibakhshi
Calligraphy Designer: Borna Izadpanah
Production Manager: Julie Fife
Technical Director: Michael Cottom
Scenic Construction Director: Brandon Hall
Costume Shop Managers: Kristin Jensen, Felicia Malachite
Lighting Supervisor: Michael Dubin
Sound Engineer: Ryan Hickey
Directing Advisor: Gilbert McCauley
Acting Advisor: Milan Dragicevich
Scenic Design Advisor: Anya Klepikov
Costume Design Advisors: Yao Chen, Olivera Gajic
Lighting Design Advisor: Penny Remsen
Sound Design Advisor: Amy Altadonna
Stage Management Advisor: Julie Fife
CAST
Sena Yacteen: Commander, Storyteller
DJ Dragicevich: Kashvad, Storyteller
Sofia Montti: Aurash
Ryan Muller: King, Storyteller
Hia Ghosh: Hooman, Storyteller
Vincent Babu: Corporal 1, Enemy Watch 1, Storyteller
Thomas Galvin: Corporal 2, Enemy Watch 2, Storyteller
Haylie Prevett: Guard, Elborz Mountains, Storyteller
Sunny Nordberg: Second Aurash
Marco White: Ghost, Storyteller
***
Aurash is presented with the permission of playwright Bahram Beyza’ie
Special thanks: Hossein Alizadeh and Keyhan Kalhor, Parisa Farhadi, Jan Šabach and Digital Design students
The costumes for this production are made possible in part by a gift in memory of Vivian P. Leidy.
وقتي فروشنده آمد، ديد كه روغنها ريخته و دكان چرب و كثيف شده است. فهميد كه كار طوطی است. چوبی برداشت و بر سر طوطی زد.
سر طوطی زخمی شد و موهايش ريخت و سرش كَچَل شد.
When the salesman came, he saw that the oils had been spilled and that the shop was greasy and dirty. He realized that it was a parrot's job. He picked up a stick and struck the parrot on the head.
The parrot's head was injured and his hair fell out and his head became bald.
On Tuesday, March 8, 2022 Ramapo College invited campus to join a panel of Ramapo experts to understand the legal and human rights ramifications of the Russian invasion of Ukraine. Panelists included Professor Behzad Yaghmaian, Professor Rebecca Root, Professor Sangha Padhy, and Angelina Farallo '22. The panel was moderated by Professor Erin Augis.
Aurash
An Iranian epic adapted by Bahram Beyza’ie
Translated/adapted by Soheil Parsa and Brian Quirt
Director: Behnam Alibakhshi
Choreographer: Wendy Jehlen
Dramaturg: Harley Erdman
Scenic Designer: Michael Donnelly
Lighting Designer: Jemma Kepner
Costume Designer: Malorie Grillo
Sound Designer: Fletcher Clark
Vocal Coach: Elisa Gonzales
Production Stage Manager: Anika Nayak
Stage Manager: Crow Traphagen
Associate Dramaturg: Micki Kleinman
Assistant Costume Designer: Jr Moreno
Costume Craft Master: Chenoa Albertson
Assistant Stage Manager: Luna Barros
Research and Music Curators: Narges Rahmani, Behzad Alibakhshi
Calligraphy Designer: Borna Izadpanah
Production Manager: Julie Fife
Technical Director: Michael Cottom
Scenic Construction Director: Brandon Hall
Costume Shop Managers: Kristin Jensen, Felicia Malachite
Lighting Supervisor: Michael Dubin
Sound Engineer: Ryan Hickey
Directing Advisor: Gilbert McCauley
Acting Advisor: Milan Dragicevich
Scenic Design Advisor: Anya Klepikov
Costume Design Advisors: Yao Chen, Olivera Gajic
Lighting Design Advisor: Penny Remsen
Sound Design Advisor: Amy Altadonna
Stage Management Advisor: Julie Fife
CAST
Sena Yacteen: Commander, Storyteller
DJ Dragicevich: Kashvad, Storyteller
Sofia Montti: Aurash
Ryan Muller: King, Storyteller
Hia Ghosh: Hooman, Storyteller
Vincent Babu: Corporal 1, Enemy Watch 1, Storyteller
Thomas Galvin: Corporal 2, Enemy Watch 2, Storyteller
Haylie Prevett: Guard, Elborz Mountains, Storyteller
Sunny Nordberg: Second Aurash
Marco White: Ghost, Storyteller
***
Aurash is presented with the permission of playwright Bahram Beyza’ie
Special thanks: Hossein Alizadeh and Keyhan Kalhor, Parisa Farhadi, Jan Šabach and Digital Design students
The costumes for this production are made possible in part by a gift in memory of Vivian P. Leidy.
PP22 - Policy Statements
H.E. Mr Behzad AHMADI
Deputy Minister and Head of Center of International relations of Information and Communication
Ministry of Information and Communications Technology
Bucharest, Romania
27 September 2022
©ITU/Rowan Farrell
Aurash
An Iranian epic adapted by Bahram Beyza’ie
Translated/adapted by Soheil Parsa and Brian Quirt
Director: Behnam Alibakhshi
Choreographer: Wendy Jehlen
Dramaturg: Harley Erdman
Scenic Designer: Michael Donnelly
Lighting Designer: Jemma Kepner
Costume Designer: Malorie Grillo
Sound Designer: Fletcher Clark
Vocal Coach: Elisa Gonzales
Production Stage Manager: Anika Nayak
Stage Manager: Crow Traphagen
Associate Dramaturg: Micki Kleinman
Assistant Costume Designer: Jr Moreno
Costume Craft Master: Chenoa Albertson
Assistant Stage Manager: Luna Barros
Research and Music Curators: Narges Rahmani, Behzad Alibakhshi
Calligraphy Designer: Borna Izadpanah
Production Manager: Julie Fife
Technical Director: Michael Cottom
Scenic Construction Director: Brandon Hall
Costume Shop Managers: Kristin Jensen, Felicia Malachite
Lighting Supervisor: Michael Dubin
Sound Engineer: Ryan Hickey
Directing Advisor: Gilbert McCauley
Acting Advisor: Milan Dragicevich
Scenic Design Advisor: Anya Klepikov
Costume Design Advisors: Yao Chen, Olivera Gajic
Lighting Design Advisor: Penny Remsen
Sound Design Advisor: Amy Altadonna
Stage Management Advisor: Julie Fife
CAST
Sena Yacteen: Commander, Storyteller
DJ Dragicevich: Kashvad, Storyteller
Sofia Montti: Aurash
Ryan Muller: King, Storyteller
Hia Ghosh: Hooman, Storyteller
Vincent Babu: Corporal 1, Enemy Watch 1, Storyteller
Thomas Galvin: Corporal 2, Enemy Watch 2, Storyteller
Haylie Prevett: Guard, Elborz Mountains, Storyteller
Sunny Nordberg: Second Aurash
Marco White: Ghost, Storyteller
***
Aurash is presented with the permission of playwright Bahram Beyza’ie
Special thanks: Hossein Alizadeh and Keyhan Kalhor, Parisa Farhadi, Jan Šabach and Digital Design students
The costumes for this production are made possible in part by a gift in memory of Vivian P. Leidy.
NIM and hear Session #41: Ask èm Y - 22.02.2024 - Jazzit Musik Club Salzburg
www.jazzfoto.at/konzertfotos24/_nim-and-hear-41/Index.htm
Besetzung:
Yu Miao: guzheng, electronics
Angelina Ertel: flutes, voice, gemshorn
Stefan Krist: trombone, voice, sound objects
Wang Meng: live visuals
Paul Eiser: Sax
Ingrid Wegmayr: E Gitarre
Markus Bless: guitar
Katharina Kirchmayer: Piano
Norbert Zuckerstätter: Drums
Fabian Eicke: e-Zither
Behzad Toghraei: Tar
Georg Degenhardt: percussion
Gerhard Laber: drums
Aurash
An Iranian epic adapted by Bahram Beyza’ie
Translated/adapted by Soheil Parsa and Brian Quirt
Director: Behnam Alibakhshi
Choreographer: Wendy Jehlen
Dramaturg: Harley Erdman
Scenic Designer: Michael Donnelly
Lighting Designer: Jemma Kepner
Costume Designer: Malorie Grillo
Sound Designer: Fletcher Clark
Vocal Coach: Elisa Gonzales
Production Stage Manager: Anika Nayak
Stage Manager: Crow Traphagen
Associate Dramaturg: Micki Kleinman
Assistant Costume Designer: Jr Moreno
Costume Craft Master: Chenoa Albertson
Assistant Stage Manager: Luna Barros
Research and Music Curators: Narges Rahmani, Behzad Alibakhshi
Calligraphy Designer: Borna Izadpanah
Production Manager: Julie Fife
Technical Director: Michael Cottom
Scenic Construction Director: Brandon Hall
Costume Shop Managers: Kristin Jensen, Felicia Malachite
Lighting Supervisor: Michael Dubin
Sound Engineer: Ryan Hickey
Directing Advisor: Gilbert McCauley
Acting Advisor: Milan Dragicevich
Scenic Design Advisor: Anya Klepikov
Costume Design Advisors: Yao Chen, Olivera Gajic
Lighting Design Advisor: Penny Remsen
Sound Design Advisor: Amy Altadonna
Stage Management Advisor: Julie Fife
CAST
Sena Yacteen: Commander, Storyteller
DJ Dragicevich: Kashvad, Storyteller
Sofia Montti: Aurash
Ryan Muller: King, Storyteller
Hia Ghosh: Hooman, Storyteller
Vincent Babu: Corporal 1, Enemy Watch 1, Storyteller
Thomas Galvin: Corporal 2, Enemy Watch 2, Storyteller
Haylie Prevett: Guard, Elborz Mountains, Storyteller
Sunny Nordberg: Second Aurash
Marco White: Ghost, Storyteller
***
Aurash is presented with the permission of playwright Bahram Beyza’ie
Special thanks: Hossein Alizadeh and Keyhan Kalhor, Parisa Farhadi, Jan Šabach and Digital Design students
The costumes for this production are made possible in part by a gift in memory of Vivian P. Leidy.
Aurash
An Iranian epic adapted by Bahram Beyza’ie
Translated/adapted by Soheil Parsa and Brian Quirt
Director: Behnam Alibakhshi
Choreographer: Wendy Jehlen
Dramaturg: Harley Erdman
Scenic Designer: Michael Donnelly
Lighting Designer: Jemma Kepner
Costume Designer: Malorie Grillo
Sound Designer: Fletcher Clark
Vocal Coach: Elisa Gonzales
Production Stage Manager: Anika Nayak
Stage Manager: Crow Traphagen
Associate Dramaturg: Micki Kleinman
Assistant Costume Designer: Jr Moreno
Costume Craft Master: Chenoa Albertson
Assistant Stage Manager: Luna Barros
Research and Music Curators: Narges Rahmani, Behzad Alibakhshi
Calligraphy Designer: Borna Izadpanah
Production Manager: Julie Fife
Technical Director: Michael Cottom
Scenic Construction Director: Brandon Hall
Costume Shop Managers: Kristin Jensen, Felicia Malachite
Lighting Supervisor: Michael Dubin
Sound Engineer: Ryan Hickey
Directing Advisor: Gilbert McCauley
Acting Advisor: Milan Dragicevich
Scenic Design Advisor: Anya Klepikov
Costume Design Advisors: Yao Chen, Olivera Gajic
Lighting Design Advisor: Penny Remsen
Sound Design Advisor: Amy Altadonna
Stage Management Advisor: Julie Fife
CAST
Sena Yacteen: Commander, Storyteller
DJ Dragicevich: Kashvad, Storyteller
Sofia Montti: Aurash
Ryan Muller: King, Storyteller
Hia Ghosh: Hooman, Storyteller
Vincent Babu: Corporal 1, Enemy Watch 1, Storyteller
Thomas Galvin: Corporal 2, Enemy Watch 2, Storyteller
Haylie Prevett: Guard, Elborz Mountains, Storyteller
Sunny Nordberg: Second Aurash
Marco White: Ghost, Storyteller
***
Aurash is presented with the permission of playwright Bahram Beyza’ie
Special thanks: Hossein Alizadeh and Keyhan Kalhor, Parisa Farhadi, Jan Šabach and Digital Design students
The costumes for this production are made possible in part by a gift in memory of Vivian P. Leidy.
PP22 - Policy Statements
H.E. Mr Behzad AHMADI
Deputy Minister and Head of Center of International relations of Information and Communication
Ministry of Information and Communications Technology
Bucharest, Romania
27 September 2022
©ITU/Rowan Farrell
Aurash
An Iranian epic adapted by Bahram Beyza’ie
Translated/adapted by Soheil Parsa and Brian Quirt
Director: Behnam Alibakhshi
Choreographer: Wendy Jehlen
Dramaturg: Harley Erdman
Scenic Designer: Michael Donnelly
Lighting Designer: Jemma Kepner
Costume Designer: Malorie Grillo
Sound Designer: Fletcher Clark
Vocal Coach: Elisa Gonzales
Production Stage Manager: Anika Nayak
Stage Manager: Crow Traphagen
Associate Dramaturg: Micki Kleinman
Assistant Costume Designer: Jr Moreno
Costume Craft Master: Chenoa Albertson
Assistant Stage Manager: Luna Barros
Research and Music Curators: Narges Rahmani, Behzad Alibakhshi
Calligraphy Designer: Borna Izadpanah
Production Manager: Julie Fife
Technical Director: Michael Cottom
Scenic Construction Director: Brandon Hall
Costume Shop Managers: Kristin Jensen, Felicia Malachite
Lighting Supervisor: Michael Dubin
Sound Engineer: Ryan Hickey
Directing Advisor: Gilbert McCauley
Acting Advisor: Milan Dragicevich
Scenic Design Advisor: Anya Klepikov
Costume Design Advisors: Yao Chen, Olivera Gajic
Lighting Design Advisor: Penny Remsen
Sound Design Advisor: Amy Altadonna
Stage Management Advisor: Julie Fife
CAST
Sena Yacteen: Commander, Storyteller
DJ Dragicevich: Kashvad, Storyteller
Sofia Montti: Aurash
Ryan Muller: King, Storyteller
Hia Ghosh: Hooman, Storyteller
Vincent Babu: Corporal 1, Enemy Watch 1, Storyteller
Thomas Galvin: Corporal 2, Enemy Watch 2, Storyteller
Haylie Prevett: Guard, Elborz Mountains, Storyteller
Sunny Nordberg: Second Aurash
Marco White: Ghost, Storyteller
***
Aurash is presented with the permission of playwright Bahram Beyza’ie
Special thanks: Hossein Alizadeh and Keyhan Kalhor, Parisa Farhadi, Jan Šabach and Digital Design students
The costumes for this production are made possible in part by a gift in memory of Vivian P. Leidy.