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Fabulous cutting in the white margins of this print - dissected corners, interrupted edges, split sockets and knobs, and many pieces meeting at a point. Cutting styles also vary in different areas - like the stepped cutting around the edges of tiles in the floor.
Definitely one of the 'best-in-show' in my view, this is a Jeux Artistiques jigsaw of a Persian miniature. Bronwen, do you know anything more about it - I know it's one of your favourite makers?
Jigasaurus has two examples, both from Jacques Velu. The brand is rare, and believed to have been in production in the period 1953-1981.
www.thejigasaurus.com/jigasaurus/v/jeux_artistiques/
One of these is a very similar 800pc. It was sold by former celebrated Paris toy shop "Le Nain Bleu", and features a painting by the Persian artist Kamāl ud-Dīn Behzād (c.1450–c.1535).
Curated by Basak Senova, the inaugural exhibition of B7L9, Climbing through the Tide is designed to initiate dialogues and encounters among the works by suggesting various paths of reception through its scenography. Works in the exhibition connect to each other through spontaneously formed content; form; methodology; and approach-based links. By taking the condition-based and geographical inputs into account, the exhibition operates as the prompter of a new interrogations and the instigator of multiple perceptions leading to a more layered reading of our current situation and to different ways to cope with it. Climbing through the Tide brings together 50 artists from 21 countries including Adel Abidin, Afif Saâdane, Aicha Snoussi, Ali Cabbar, Ali Cherri, Ali Tnani, Almagul Menlibayeva, Bahar Behbahani, Behzad Khosravi Noori, Benji Boyadgian, Bronwyn Lace, Egle Oddo, Etel Adnan, Farah Khelil, Fares Thabet, Fatih Aydogdu, Ghada Amer, Gulsun Karamustafa, Hatem El Mekki , Heba Amin, Hera Büyüktaşçıyan, Inci Eviner, Inma Hererra, Jawad Al Malhi, Joana Hadjithomas & Khalil Joreige, Jumana Manna, Kader Attia, Larissa Sansour, Lina Selander, Malek Gnaoui, Marcus Neustetter, Negar Tahsili, Nermin Er, Nicène Kossentini, Nilbar Gures, Ramesch Daha, Raqs Media Collective, Ricarda Denzer, Susan Hefuna, Wael Shawky, Walid Raad, Yasmine Ben Khelil, Younes Ben Slimane, Youssef Nabil, Yto Barrada, Ziad Antar, and Zineb Sedira. “Annotations” section of the exhibition presents Centre for Less Good Ideas, Apartment Project, Mahatat, Mophradat, Ashkal Alwan, L’Atelier de l’Observatoire, Egle Oddo and Technopole Borj Cedria and the CrossSections Project.
Leipzig Hauptbahnhof (Leipzig main station) is amazing. It is the central railway terminus in Leipzig, Germany. At 83,460 square metres (898,400 sq ft), it is the world's largest railway station measured by floor area. It has 19 overground platforms housed in six iron train sheds, a multi-level concourse with towering stone arches, and a 298 metres (978 ft) long facade.[1][2] Two Leipzig City Tunnel underground platforms were inaugurated in December 2013.Further modifications of platforms and tracks are currently being carried out in the course of the construction of the Erfurt–Leipzig/Halle high-speed railway line, part of the European Berlin–Palermo railway axis.
about my brother/Behzad.
he likes pets, especially dogs. I bought this magazine for him -totally randomly- to read.
he spent a lot of time reading it. every article with all its details.
Curated by Basak Senova, the inaugural exhibition of B7L9, Climbing through the Tide is designed to initiate dialogues and encounters among the works by suggesting various paths of reception through its scenography. Works in the exhibition connect to each other through spontaneously formed content; form; methodology; and approach-based links. By taking the condition-based and geographical inputs into account, the exhibition operates as the prompter of a new interrogations and the instigator of multiple perceptions leading to a more layered reading of our current situation and to different ways to cope with it. Climbing through the Tide brings together 50 artists from 21 countries including Adel Abidin, Afif Saâdane, Aicha Snoussi, Ali Cabbar, Ali Cherri, Ali Tnani, Almagul Menlibayeva, Bahar Behbahani, Behzad Khosravi Noori, Benji Boyadgian, Bronwyn Lace, Egle Oddo, Etel Adnan, Farah Khelil, Fares Thabet, Fatih Aydogdu, Ghada Amer, Gulsun Karamustafa, Hatem El Mekki , Heba Amin, Hera Büyüktaşçıyan, Inci Eviner, Inma Hererra, Jawad Al Malhi, Joana Hadjithomas & Khalil Joreige, Jumana Manna, Kader Attia, Larissa Sansour, Lina Selander, Malek Gnaoui, Marcus Neustetter, Negar Tahsili, Nermin Er, Nicène Kossentini, Nilbar Gures, Ramesch Daha, Raqs Media Collective, Ricarda Denzer, Susan Hefuna, Wael Shawky, Walid Raad, Yasmine Ben Khelil, Younes Ben Slimane, Youssef Nabil, Yto Barrada, Ziad Antar, and Zineb Sedira. “Annotations” section of the exhibition presents Centre for Less Good Ideas, Apartment Project, Mahatat, Mophradat, Ashkal Alwan, L’Atelier de l’Observatoire, Egle Oddo and Technopole Borj Cedria and the CrossSections Project.
Tehran Iran
Torbat Khaneh Architectural Consultant
Architects : Behzad Heidari & Shirin Samadian
2007-2008
تصویری از شمس بقلم استاد حسین بهزاد
1968-1894
Shams portrait By Hossein Behzad(1894-1968) Iranian famous painter.
RAZAVI, Behzad. Design of Analog CMOS Integrated Circuits. Boston: McGraw-Hill, 2001. xx, 684 p. ISBN 0072380322. Inclui bibliografia (ao final de cada capítulo) e índice; il. tab. quad.; 24x16cm.
Palavras-chave: CIRCUITOS E COMPONENTES; SEMICONDUTORES DE OXIDO METALICO; ENGENHARIA ELETRICA E ELETRONICA.
CDU 621.3.049.77 / R278d / 2001
Curated by Basak Senova, the inaugural exhibition of B7L9, Climbing through the Tide is designed to initiate dialogues and encounters among the works by suggesting various paths of reception through its scenography. Works in the exhibition connect to each other through spontaneously formed content; form; methodology; and approach-based links. By taking the condition-based and geographical inputs into account, the exhibition operates as the prompter of a new interrogations and the instigator of multiple perceptions leading to a more layered reading of our current situation and to different ways to cope with it. Climbing through the Tide brings together 50 artists from 21 countries including Adel Abidin, Afif Saâdane, Aicha Snoussi, Ali Cabbar, Ali Cherri, Ali Tnani, Almagul Menlibayeva, Bahar Behbahani, Behzad Khosravi Noori, Benji Boyadgian, Bronwyn Lace, Egle Oddo, Etel Adnan, Farah Khelil, Fares Thabet, Fatih Aydogdu, Ghada Amer, Gulsun Karamustafa, Hatem El Mekki , Heba Amin, Hera Büyüktaşçıyan, Inci Eviner, Inma Hererra, Jawad Al Malhi, Joana Hadjithomas & Khalil Joreige, Jumana Manna, Kader Attia, Larissa Sansour, Lina Selander, Malek Gnaoui, Marcus Neustetter, Negar Tahsili, Nermin Er, Nicène Kossentini, Nilbar Gures, Ramesch Daha, Raqs Media Collective, Ricarda Denzer, Susan Hefuna, Wael Shawky, Walid Raad, Yasmine Ben Khelil, Younes Ben Slimane, Youssef Nabil, Yto Barrada, Ziad Antar, and Zineb Sedira. “Annotations” section of the exhibition presents Centre for Less Good Ideas, Apartment Project, Mahatat, Mophradat, Ashkal Alwan, L’Atelier de l’Observatoire, Egle Oddo and Technopole Borj Cedria and the CrossSections Project.
www.gemvara.com/Princess-Ruby-White-Gold-Ring-by-Jessica-... | Bold and passionate, ruby is the gem of the heart. Gemvara's rubies are a pure vivid red with no overtones. Ruby is July's birthstone, and the 15th and 40th anniversary gem
RAZAVI, Behzad. Fundamentos de microeletrônica. [Fundamentals of microelectronics, 2nd ed (inglês)]. Tradução e revisão técnica de J. R. Souza. 2 ed. Rio de Janeiro: LTC, 2017. xxiv, 707 p. ISBN 9788521633525. Inclui bibliografia e índice; il. tab. quad.; 28x21cm.
Palavras-chave: CIRCUITOS ELETRONICOS; MICROELETRONICA.
CDU 621.3.049.77 / R278f / 2 ed. / 2017
Curated by Basak Senova, the inaugural exhibition of B7L9, Climbing through the Tide is designed to initiate dialogues and encounters among the works by suggesting various paths of reception through its scenography. Works in the exhibition connect to each other through spontaneously formed content; form; methodology; and approach-based links. By taking the condition-based and geographical inputs into account, the exhibition operates as the prompter of a new interrogations and the instigator of multiple perceptions leading to a more layered reading of our current situation and to different ways to cope with it. Climbing through the Tide brings together 50 artists from 21 countries including Adel Abidin, Afif Saâdane, Aicha Snoussi, Ali Cabbar, Ali Cherri, Ali Tnani, Almagul Menlibayeva, Bahar Behbahani, Behzad Khosravi Noori, Benji Boyadgian, Bronwyn Lace, Egle Oddo, Etel Adnan, Farah Khelil, Fares Thabet, Fatih Aydogdu, Ghada Amer, Gulsun Karamustafa, Hatem El Mekki , Heba Amin, Hera Büyüktaşçıyan, Inci Eviner, Inma Hererra, Jawad Al Malhi, Joana Hadjithomas & Khalil Joreige, Jumana Manna, Kader Attia, Larissa Sansour, Lina Selander, Malek Gnaoui, Marcus Neustetter, Negar Tahsili, Nermin Er, Nicène Kossentini, Nilbar Gures, Ramesch Daha, Raqs Media Collective, Ricarda Denzer, Susan Hefuna, Wael Shawky, Walid Raad, Yasmine Ben Khelil, Younes Ben Slimane, Youssef Nabil, Yto Barrada, Ziad Antar, and Zineb Sedira. “Annotations” section of the exhibition presents Centre for Less Good Ideas, Apartment Project, Mahatat, Mophradat, Ashkal Alwan, L’Atelier de l’Observatoire, Egle Oddo and Technopole Borj Cedria and the CrossSections Project.