View allAll Photos Tagged Behzad
Leipzig Hauptbahnhof (Leipzig main station) is amazing. It is the central railway terminus in Leipzig, Germany. At 83,460 square metres (898,400 sq ft), it is the world's largest railway station measured by floor area. It has 19 overground platforms housed in six iron train sheds, a multi-level concourse with towering stone arches, and a 298 metres (978 ft) long facade.[1][2] Two Leipzig City Tunnel underground platforms were inaugurated in December 2013.Further modifications of platforms and tracks are currently being carried out in the course of the construction of the Erfurt–Leipzig/Halle high-speed railway line, part of the European Berlin–Palermo railway axis.
His name is Behzad and 12, he live and work in his small newspaper shop with his brother, all of his family are in the other city, the area of his shop and house is 6 sqm.
Westborough, MA | Behzad Masah Photography
This is my dear friend Erika. She hired me for some senior pictures, but I ended up with so much more than a few good shots for her family and her school's yearbook. She took me to this abandoned mill in Westborough, Massachusetts for her portraits and at first I was very skeptical about the location, but then I saw the old piano. I hope you love this photo as much as I do.
Strobist
AB800 in Beauty Dish camera left and boomed high
AB800 in Large Octobox camera right for fill on the piano
Triggered by CyberSync+
Iran Tehran Saadat abad Faraz
Torbat Khaneh Architectural Consultant
Architect : Behzad Heidari & Shirin Samadian
2008-2009
Maanie Soofi
, babak salahshoor, behzad karim zadeh, flora koohdar, zhela, shahab alameeyan, reza fakharpour, khanoom safavi, 5th grade
The weather has warmed up, and there is alot of activity down at the allotments. The Chinese and the Cambodians are the most active, and the Kurds and Afghans a close second. The Finns and myself are late starters. I talked to a Finn who once had once owned a plot near to mine and I was complaining that the ground was so wet and heavy it was difficult to turn. Heavy clay which when it gets baked in the sun turns to concrete. He said he gave it up just becasue of those reason. The plots where I am gets lots of runoff water from the slope above the allotments.
I borrowed a rotovator from Veski and I have broken up the ground as best I could, and then I have turned in loads of horse manure to lightern up the ground. Over the weekend I put in Timo potatoes and onions. Nobody grows potatoes except me and the Finns. Why is this? Well a Kurddish boy says you can get potatoes for 50 cents a kilo so it is not worth to grow potatoes. This opinion was reinforced by Gulam from Afghanistan who only grew things that were expensive in the shops, or things that would not be eaten by hares or rabbits.
I loaned the rotavator to Salem and Behzad, and in turn they dumped manure on my ground. Behzad also gave me some rhubarb cos he did not like it... too sour... I think he must have been eating it raw, and never thought about putting it a pie. Salem also sowed some "tartour" for me. It is a Kurdish salad which they sow and cut when it reaches 15cm, and then it grows again. It reminds me of some sort of cress, and Salem says it should be up is 3-4 days.
Now that I have got the ground into a reasonable condition Ulla and Janne tell me that the local council have plans to use the allotment area to build a library and a culture centre. So this may be the last year. Typical!!! you bust your gut getting the ground into condition only to discover that you won't reap any benifits next year. I walked around and looked at all the black current bushes, raspberries, rhubarb, strawberries, apple trees, and all the other perenials. If the development goes ahead then everything will be ripped up, and a community dispressed. No more BBQs in the open air. No more sharing for food. A fresh and green place that is a living breathing lung, replaced by an iron lung of buildings and concrete. Destroying a community to build a community. All for the greater good.
This is really ironic that the allotments are mostly worked by displaced peoples. People who have lost their homes and their land. The Kurd who works the plot next to mine once had 50 cows and a farm in Iraq. Now he has a plot of hard clay 10x10 meters and that will be taken away from him. No wonder people get the impression that they are continually being oppressed.
But that is the price of culture.
Wikipedia: Federation Bells is an installation comprising 39 upturned bells. Located in Birrarung Marr, Melbourne, they were created for celebrations of the centenary of Australia's federation in 2001. They were designed by Anton Hasell and Neil McLachlan in collaboration with Swaney Draper Architects. To achieve the acoustical tuning of the bells, Behzad Keramati Nigjeh, an aerospace engineer also cooperated in this project. The bell's vibration modes were modelled and optimised using a sophisticated Finite Element software developed by Dr Joe Tomas.
Curated by Basak Senova, the inaugural exhibition of B7L9, Climbing through the Tide is designed to initiate dialogues and encounters among the works by suggesting various paths of reception through its scenography. Works in the exhibition connect to each other through spontaneously formed content; form; methodology; and approach-based links. By taking the condition-based and geographical inputs into account, the exhibition operates as the prompter of a new interrogations and the instigator of multiple perceptions leading to a more layered reading of our current situation and to different ways to cope with it. Climbing through the Tide brings together 50 artists from 21 countries including Adel Abidin, Afif Saâdane, Aicha Snoussi, Ali Cabbar, Ali Cherri, Ali Tnani, Almagul Menlibayeva, Bahar Behbahani, Behzad Khosravi Noori, Benji Boyadgian, Bronwyn Lace, Egle Oddo, Etel Adnan, Farah Khelil, Fares Thabet, Fatih Aydogdu, Ghada Amer, Gulsun Karamustafa, Hatem El Mekki , Heba Amin, Hera Büyüktaşçıyan, Inci Eviner, Inma Hererra, Jawad Al Malhi, Joana Hadjithomas & Khalil Joreige, Jumana Manna, Kader Attia, Larissa Sansour, Lina Selander, Malek Gnaoui, Marcus Neustetter, Negar Tahsili, Nermin Er, Nicène Kossentini, Nilbar Gures, Ramesch Daha, Raqs Media Collective, Ricarda Denzer, Susan Hefuna, Wael Shawky, Walid Raad, Yasmine Ben Khelil, Younes Ben Slimane, Youssef Nabil, Yto Barrada, Ziad Antar, and Zineb Sedira. “Annotations” section of the exhibition presents Centre for Less Good Ideas, Apartment Project, Mahatat, Mophradat, Ashkal Alwan, L’Atelier de l’Observatoire, Egle Oddo and Technopole Borj Cedria and the CrossSections Project.
Curated by Basak Senova, the inaugural exhibition of B7L9, Climbing through the Tide is designed to initiate dialogues and encounters among the works by suggesting various paths of reception through its scenography. Works in the exhibition connect to each other through spontaneously formed content; form; methodology; and approach-based links. By taking the condition-based and geographical inputs into account, the exhibition operates as the prompter of a new interrogations and the instigator of multiple perceptions leading to a more layered reading of our current situation and to different ways to cope with it. Climbing through the Tide brings together 50 artists from 21 countries including Adel Abidin, Afif Saâdane, Aicha Snoussi, Ali Cabbar, Ali Cherri, Ali Tnani, Almagul Menlibayeva, Bahar Behbahani, Behzad Khosravi Noori, Benji Boyadgian, Bronwyn Lace, Egle Oddo, Etel Adnan, Farah Khelil, Fares Thabet, Fatih Aydogdu, Ghada Amer, Gulsun Karamustafa, Hatem El Mekki , Heba Amin, Hera Büyüktaşçıyan, Inci Eviner, Inma Hererra, Jawad Al Malhi, Joana Hadjithomas & Khalil Joreige, Jumana Manna, Kader Attia, Larissa Sansour, Lina Selander, Malek Gnaoui, Marcus Neustetter, Negar Tahsili, Nermin Er, Nicène Kossentini, Nilbar Gures, Ramesch Daha, Raqs Media Collective, Ricarda Denzer, Susan Hefuna, Wael Shawky, Walid Raad, Yasmine Ben Khelil, Younes Ben Slimane, Youssef Nabil, Yto Barrada, Ziad Antar, and Zineb Sedira. “Annotations” section of the exhibition presents Centre for Less Good Ideas, Apartment Project, Mahatat, Mophradat, Ashkal Alwan, L’Atelier de l’Observatoire, Egle Oddo and Technopole Borj Cedria and the CrossSections Project.
photo by Matthias Bildstein
CROSSSECTIONS_INTERVALS
Kunsthalle Exnergasse, Vienna
20.09-20.10.2018
Curated by Basak Senova
CrossSections_notes
25.10–17.11.2019
Exhibition Laboratory
photo by Petri Summanen
Developed and curated by Basak Senova
Participating artists include Heba Y. Amin, Nisrine Boukhari, Benji Boyadgian, Yane Calovski, Ramesch Daha, Ricarda Denzer, Nikolaus Gansterer, Inma Herrera, Barbara Holub, Otto Karvonen, Ebru Kurbak, Bronwyn Lace, Marcus Neustetter, Behzad Khosravi Noori, Egle Oddo, Isa Rosenberger, Lina Selander, Tamsin Snow and Timo Tuhkanen.
Photograph by Signe Mørkeberg Sjøstrøm
www.signemorkebergsjostrom.com
See more photos on the website
TEASER for the ProjectWAT Calendar anno 2012.
ProjectWAT. A non-profit collection project for the Horn of Africa. It combines humanitarian and entertainment via digital and physical platforms.
Model - Jackie-Lee Navarro
Danish international model
Location - Copenhagen
© Photography by Signe Mørkeberg Sjøstrøm.
Copyright: Indholdet på er beskyttet i henhold til loven om ophavsret jf. §70, stk. 1-3 og dette må ikke kopieres, reproduceres eller distribueres under nogen form - hverken helt eller delvist - uden skriftlig tilladelse fra Photography by Signe Mørkeberg Sjøstrøm. — sammen med Magnus Adamczewski, Behzad Kian Bahari, Asim Khan, Shireen Laftah og Signe Mørkeberg Sjøstrøm.
Iran Tehran Saadat abad Faraz
Torbat Khaneh Architectural Consultant
Architect : Behzad Heidari & Shirin Samadian
2008-2009
9/22/09, Greenfield, MA The Pushkin Rally Event, Michael Walsh, Regional Field Director, Western Massachusetts & Behzad Samimi, a Springfield, MA grassroots campaign volunteer for "Martha Coakley for U.S. Senate"
Iran Tehran Saadat abad Faraz
Torbat Khaneh Architectural Consultant
Architect : Behzad Heidari & Shirin Samadian
2008-2009
Fabulous cutting in the white margins of this print - dissected corners, interrupted edges, split sockets and knobs, and many pieces meeting at a point. Cutting styles also vary in different areas - like the stepped cutting around the edges of tiles in the floor.
Definitely one of the 'best-in-show' in my view, this is a Jeux Artistiques jigsaw of a Persian miniature. Bronwen, do you know anything more about it - I know it's one of your favourite makers?
Jigasaurus has two examples, both from Jacques Velu. The brand is rare, and believed to have been in production in the period 1953-1981.
www.thejigasaurus.com/jigasaurus/v/jeux_artistiques/
One of these is a very similar 800pc. It was sold by former celebrated Paris toy shop "Le Nain Bleu", and features a painting by the Persian artist Kamāl ud-Dīn Behzād (c.1450–c.1535).
Curated by Basak Senova, the inaugural exhibition of B7L9, Climbing through the Tide is designed to initiate dialogues and encounters among the works by suggesting various paths of reception through its scenography. Works in the exhibition connect to each other through spontaneously formed content; form; methodology; and approach-based links. By taking the condition-based and geographical inputs into account, the exhibition operates as the prompter of a new interrogations and the instigator of multiple perceptions leading to a more layered reading of our current situation and to different ways to cope with it. Climbing through the Tide brings together 50 artists from 21 countries including Adel Abidin, Afif Saâdane, Aicha Snoussi, Ali Cabbar, Ali Cherri, Ali Tnani, Almagul Menlibayeva, Bahar Behbahani, Behzad Khosravi Noori, Benji Boyadgian, Bronwyn Lace, Egle Oddo, Etel Adnan, Farah Khelil, Fares Thabet, Fatih Aydogdu, Ghada Amer, Gulsun Karamustafa, Hatem El Mekki , Heba Amin, Hera Büyüktaşçıyan, Inci Eviner, Inma Hererra, Jawad Al Malhi, Joana Hadjithomas & Khalil Joreige, Jumana Manna, Kader Attia, Larissa Sansour, Lina Selander, Malek Gnaoui, Marcus Neustetter, Negar Tahsili, Nermin Er, Nicène Kossentini, Nilbar Gures, Ramesch Daha, Raqs Media Collective, Ricarda Denzer, Susan Hefuna, Wael Shawky, Walid Raad, Yasmine Ben Khelil, Younes Ben Slimane, Youssef Nabil, Yto Barrada, Ziad Antar, and Zineb Sedira. “Annotations” section of the exhibition presents Centre for Less Good Ideas, Apartment Project, Mahatat, Mophradat, Ashkal Alwan, L’Atelier de l’Observatoire, Egle Oddo and Technopole Borj Cedria and the CrossSections Project.
Leipzig Hauptbahnhof (Leipzig main station) is amazing. It is the central railway terminus in Leipzig, Germany. At 83,460 square metres (898,400 sq ft), it is the world's largest railway station measured by floor area. It has 19 overground platforms housed in six iron train sheds, a multi-level concourse with towering stone arches, and a 298 metres (978 ft) long facade.[1][2] Two Leipzig City Tunnel underground platforms were inaugurated in December 2013.Further modifications of platforms and tracks are currently being carried out in the course of the construction of the Erfurt–Leipzig/Halle high-speed railway line, part of the European Berlin–Palermo railway axis.
about my brother/Behzad.
he likes pets, especially dogs. I bought this magazine for him -totally randomly- to read.
he spent a lot of time reading it. every article with all its details.
Curated by Basak Senova, the inaugural exhibition of B7L9, Climbing through the Tide is designed to initiate dialogues and encounters among the works by suggesting various paths of reception through its scenography. Works in the exhibition connect to each other through spontaneously formed content; form; methodology; and approach-based links. By taking the condition-based and geographical inputs into account, the exhibition operates as the prompter of a new interrogations and the instigator of multiple perceptions leading to a more layered reading of our current situation and to different ways to cope with it. Climbing through the Tide brings together 50 artists from 21 countries including Adel Abidin, Afif Saâdane, Aicha Snoussi, Ali Cabbar, Ali Cherri, Ali Tnani, Almagul Menlibayeva, Bahar Behbahani, Behzad Khosravi Noori, Benji Boyadgian, Bronwyn Lace, Egle Oddo, Etel Adnan, Farah Khelil, Fares Thabet, Fatih Aydogdu, Ghada Amer, Gulsun Karamustafa, Hatem El Mekki , Heba Amin, Hera Büyüktaşçıyan, Inci Eviner, Inma Hererra, Jawad Al Malhi, Joana Hadjithomas & Khalil Joreige, Jumana Manna, Kader Attia, Larissa Sansour, Lina Selander, Malek Gnaoui, Marcus Neustetter, Negar Tahsili, Nermin Er, Nicène Kossentini, Nilbar Gures, Ramesch Daha, Raqs Media Collective, Ricarda Denzer, Susan Hefuna, Wael Shawky, Walid Raad, Yasmine Ben Khelil, Younes Ben Slimane, Youssef Nabil, Yto Barrada, Ziad Antar, and Zineb Sedira. “Annotations” section of the exhibition presents Centre for Less Good Ideas, Apartment Project, Mahatat, Mophradat, Ashkal Alwan, L’Atelier de l’Observatoire, Egle Oddo and Technopole Borj Cedria and the CrossSections Project.