View allAll Photos Tagged Automatic
Before I soldered up the battery well, I wanted to make sure my splicing didn't fail during reassembly. I stuck the bare end of the splice into the bottom of the well, placed a 357 battery in it, pushed down to make contact, and the meter jumped to life. This test should have been done at the start of all this too, to make sure that there weren't any other hidden problems.
Bellissima fotocamera ottimamente conservata con prestigioso obiettivo Rodenstock Ysarex F2.8 50mm. Rarità di una minuscola casa tedesca.
The Iloca Automatic was a semi-automatic rangefinder made by the german manufacturer Iloca. It could be fitted with Rodenstock Ysarex 2.8/50 and Synchro-Compur shutter. The selenium meter is coupled to the aperture and speed settings, the correct exposure is given by a match-needle system visible on top of the camera. No information is given in the finder.
Iloca AUT-O-MATIC
Iloca AUT-O-MATIC
Iloca AUT-O-MATIC
This is one of the last of the Iloca cameras, the Iloca AUT-O-Matic. It is a development of the Rapid III model and shares the same features, including built-in exposure meter and built-in rangefinder. It does, however, differ in a few ways. Firstly, the dial for setting the ASA film speed has been moved to the camera's base. Secondly, the camera's exposure setting is now adjusted using the small dial on the lower front of the camera which is coupled to the in-built lightmeter. Turning the dial changes the aperture until the two meter needles are aligned (note that the meter on this camera has no scales at all). Once set, the coupled shutter/aperture combinations are retained - that is, increasing the shutter speed via the shutter speed ring results in a corresponding decrease in aperture. Hence the 'Automatic' aspect of this camera, and quite a clever approach to setting exposures. This feature was also part of the Iloca Electric design.
This particular camera has a 50mm F2.8 Cassarit lens which is capable of producing quite sharp images. The model was also available with a Rodenstock Ysarex F2.8 50mm lens.
The camera has a good rangefinder and the shutter button is on the front panel similar to the Rapid III. A separate opening for a cable release is located on the top panel. Like most Ilocas, this camera is quite pleasant to hold and has a nice, solid feel to it, although it does feel a little bit more bulky than some of the previous models. However, this does not detract from the overall handling and feel.
This model is in many ways the culmination of all of the Iloca fixed lens rangefinder models, and it illustrates Iloca 's quest to develop a quality camera with a degree of automation to make life easier for the photographer. You can see Iloca's plan unfolding with this model which, together with the more sophisticated Iloca Electric, was headed towards the concept of the Iloca auto-electric, a camera intended to offer photographers a level of automation in the modern idiom.
One tip for opening the back on these cameras - turn the dial marked 'R' on the base plate fully in the direction of the arrow. This causes the rewind knob on the top plate to pop out from its housing. Pull this knob upwards to its full extension, then slowly twist clockwise until the springloaded mechanism releases the back. The back on these models is not symmetrical and only fits one way. Replacing the back is generally the reverse of the above procedure. One thing is for certain - the back is never going to fall off this camera by accident!!
In Summary
A quality camera which was the culmination of all of the Iloca fixed lens models. This camera is capable of producing nice sharp images and, like its earlier counterparts, seems to be robust, well built and has a nice feel. Most likely the last of the production fixed lens Iloca cameras.
Specifications
Camera Type:
Format:
Shutter:
Lenses:
Aperture:
Delayed Action:
Flash Capability:
Frame Counter:
Rangefinder:
Lightmeter:
Other Features:
35 mm Rangefinder Camera
135 film format producing image sizes 24mm x 36mm
Compur–Rapid with speeds 'B', 1, 1/2, 1/4, 1/8, 1/15, 1/30, 1/60, 1/125, 1/250, 1/500 sec, or
Synchro-Compur with speeds 'B', 1/2, 1/4, 1/8, 1/15, 1,30, 1/60, 1/125, 1/250, 1/500 sec with M, X Flash settings, and V (Delayed Action setting)
Steinheil München Cassarit 1:2.8 / 50 mm, focus range 3 feet (0.9 meter) to ∞, or
Rodenstock Ysarex 1:2.8 / 50mm, focus range 3 feet (0.9 metre) to ∞
F2.8 to F22
Approx 10 seconds
PC Flash Contact
0 to 36
Built-in
Built-in, coupled
Accessory Shoe, Tripod Mount, Leather Camera Case, Instruction Manual, Box
source iloca dot weebly dot com
Cylindrical automatic door of Fukiage hall, Nagoya.
Immersive viewer / パノラマビューアでご覧下さい。
Handheld HDR panorama stitched and toned with Hugin.
Pentax K100D + Peleng 8mm fisheye + swingrod 2.
1965-67. Similar to the Polaroid 103, but 2-element plastic lens. Also simplified "image sizer" rangefinder combined with a non-folding viewfinder. Plastic body and shutter housing, limited use of accessories.
Weather data automatically collected to be downloaded at Ingleborough NNR.
Credit: © Natural England/Peter Roworth
Braun Paxette automatic with 2,8 50mm Isco Braun Ultralit (Lensmaker: Isco Goettingen) interchangable. Camera made by 1957.
Leaf shutter Prontor SLK with speeds from 1 to 1/300 sec. Not very fast maximum speed but flash and strobe synced on all speeds. Lenses from 35 mm - 135 mm from the mayor german lensm,akers of that time: Isco, Schneider Kreuznacht, Roeschlein Kreuznacht, Staeble, Rodenstock
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1967-69. Similar to the Autimatic 100, but has Zeiss-Ikon single window combined viewfinder/rangefinder. Able to use all of the available accessories.
Previous: Adjusting the gamma curve
Building the frames for Hugin
Once I have reviewed all frames and added the build rules to my Makefule, I add this rule:
AonachDubh.pto: aonach_dubh-f1.tiff aonach_dubh-f2.tiff aonach_dubh-f3.tiff aonach_dubh-f4.tiff aonach_dubh-f5.tiff aonach_dubh-f6.tiff
echo "create AonachDubh.pto with Hugin"
In the absence AonachDubh.pto, this will work as a dummy target, causing make to generate the TIFF versions of all frames. Once I have created the panorama file AonachDubh.pto with Hugin, an as long as all frames are present, this rule will have no effect.
Automatic alginment
Adding the frame files to a new panorama in Hugin using its Assistant interface will make it assign the control points and attempt to align the images in one go. With a good enough set of frames, such alignment will normally run without problems, but with this odd set I've got the first result was a bit disappointing.
The mess shown here is caused by a combination of factors, including the lack of overlap between some frames, bogus control points found in the farmes that did not overlap, too few control points between well-overlapping frames, too many control points concentrated in very small areas, and perhaps other problems I am not aware of. The solution in this case was to delete the automatically assigned control points and place them manually, aiming for the best spread.
But before we do that, let's take a look at a few bad cases of control point positioning.
The Portugieser originated in the 1930s; it is one of the older model line at IWC. The story is that the watch came about from a request from two Portuguese merchants for a wristwatch with the precision of a pocket watch.
This is the Portugieser Automatic (Ref. IW501702).
September 2024
Put on by the Vaudevillian, the Two-Bit Variety Spectacle was performed at Home Grown Hamilton and is going to be an on going event the last wednesday of every month.
A ticket issued on British Rail's INTIS (Intermediate Ticket Issuing System). Manufactured by Westinghouse, INTIS was BR's first computerised ticket issuing system and it was also the first British system to produce credit card-sized tickets (albeit with square rather than rounded corners).
INTIS was introduced in 1981 at a selection of stations across the country and was intended as an interim solution, before the mid-1980s launch of the All Purpose Ticket Issuing System (APTIS). Unlike APTIS, INTIS tickets did not feature a magnetic stripe on the rear to enable their use in automatic ticket gates.
This example, issued at Brighton in 1984, is a weekly season.
Seen on a 1978 PEUGEOT 504 Automatique. It's striking Peugeot emphasizes the use of an automatic gearbox. Why should they? Or were these features so special in the 70s?
It's always nice to see these good-looking 504s.
Designed by Aldo Brovarone for Pininfarina and presented in 1968. In 1983 came the last one from the French Peugeot plants.
1971cc,
1320 kgs.
Imported from France.
New Dutch license number issued at Jan. 31, 2003.
Amsterdam-N., Vikingpad, Jan. 18, 2014.
Seventeen jewel Swiss automatic ETA movement, calibre 2821-1, fitted to a watch badged up as 'The West End Watch Company', and given the model 'Sowar'.
Made for the Asian / Indian market, apparently. Purchased in Muscat in 1989.
Wooohoooo! And through the mail, no less! Aaahh, the days when if you wanted a semiauto pistol, it was but an order form away. The rampant availability and accessibility of guns at the time leads me to ask why things are so much worse now in terms of casual violence and shootings. Maybe we've reached a saturation point, or maybe we just had better firearm education in the old days.
My friend Eric took this picture near a grammer school in El Cerrito. He says "I've been musing that if I had the time, I'd like to use some graphic program to make little placard signs to print onto clear Avery mailing labels that say "Another Stick Man for Obama". Then I'd stick them on walk-signal stick men like the one in this photo."
Close up showing exposure calculator: matching the shutter speed to the selenium meter needle selects the correct aperture, shown in the window directly above the shutter speed dial. Note the film plane indicator at lower right, necessary for close focus: the lens can focus to 1ft/30cm.
photo-analogue.blogspot.co.uk/2013/08/mamiya-16-automatic...
Specifications
Type: subminiature viewfinder camera
Manufacturer: Mamiya
Year of launch: 1959
Film: 16mm film
Frame size: 10×14mm
Lens: Mamiya-Sekor f2.8 25mm lens, stopping down to f16
Focus: Manual guess focus, focusing down to 0.3 meters/1 foot.
Shutter: Speeds set manually between 1/5 (1/2 on some models) and 1/200, plus 'B'
Aperture: set manually from f2.8 and f16, by rotating the calculator wheel to match shutter speed to meter needle
Viewfinder: optical bright frame finder with parallax marks
Flash: PC socket on camera base plate with accessory shoe to the side of the selenium meter
Size: 104×32×48mm
Weight: 270g
Contacts:Cindy Wen
E-mail: jubao06@jubao.cc
Skype: sellmachine01
Tel:86-595-82050111
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