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This is from my new set, "Automatic Photography," so called because like Automatic Writing I utilize many different software programs on my realistic photographs and let Spirit lead the way into these abstractions.
See more here as the set develops:
www.flickr.com/photos/motorpsiclist/albums/72157709703855097
Copyright © by John Russell
Configuration: Mid-Engine
Engine: 400 C.I. V8 (6.6 L)
Transmission: 3 speed automatic
Original Engine: 4 rotor Wankel
Weight: 2600 lbs
The Aerovette started life as the XP-882, a mid engined Corvette, with a 6.2L Wankel rotary engine with four chambers that developed around 400hp. Under the design team of Bill Mitchell, the car was first unveiled as “The Four Rotor Corvette” during the 1970 New York Auto Show. The car featured bi-folding gull-wing doors and a clear cover showcasing the engine bay. Eventually, GM abandoned their rotary technology and replaced the four rotor with a small block Chevy V8, because they anticipated the gas crisis of the 1970s.
The Aerovette’s styling was formed through a wind tunnel to give it a streamlined form. The body of the car was constructed with fiberglass along with a steel and aluminum tubular frame. The Aerovette had an advanced rectangular headlight design that allowed the driver to see the road from further away, while remaining aerodynamic and in a low position. The Aerovette’s doors were a bi-folding gullwing
design that allowed the driver and passenger to enter and exit the vehicle quickly. The “V” design on the windshield was angled at 72° and wrapped around the doors to conceal the front pillars of the car. Glass louvers were placed on the rear quarter panel to aid with vision, and allow heat to be dispersed from the engine compartment. Cool air was channeled into the carburetors from the apertures that were located in front of the rear wheels. The engine’s radiator and air conditioning unit were mounted at the front of the car near the wheels to ensure maximum cooling and efficiency.
The technology in the Aerovette was quite advanced for the time. The interior of the car featured a telescopic steering wheel and digital display that allowed the driver to adjust it to their comfort level. The seats of the car were in a fixed position for weight distribution, but could be adjusted up and down. The driver would press a lever to move the pedals further away or closer to them. The Aerovette came with a number of safety and digital features as well. These included, a warning system that alerted the
driver if the doors were open or closed, if the seatbelts were unfastened, and front and rear energy absorbing bumpers that provided protection in car-to-car impacts up to 10 mph. A button could also be pressed to check on the fuel supply, water temperature, oil pressure, and voltage. The dashboard of the car had small lights to indicate what rpm the engine was spinning at, and would change from green to red when the driver was approaching redline. Additionally, the car had a built in lap timer, clock, calendar, and an am/fm radio.
Source: Audrain Auto Museum
In all just seems so good the way we had it
Back before everything became, automatic.
> Music Inspiration <
Click the photo to view it larger.
This is from my new set, "Automatic Photography," so called because like Automatic Writing I utilize many different software programs on my realistic photographs and let Spirit lead the way into these abstractions.
See more here as the set develops:
www.flickr.com/photos/motorpsiclist/albums/72157709703855097
Copyright © by John Russell
Click the photo to view it larger.
This is from my new set, "Automatic Photography," so called because like Automatic Writing I utilize many different software programs on my realistic photographs and let Spirit lead the way into these abstractions.
See more here as the set develops:
www.flickr.com/photos/motorpsiclist/albums/72157709703855097
Copyright © by John Russell
This is from my new set, "Automatic Photography," so called because like Automatic Writing I utilize many different software programs on my realistic photographs and let Spirit lead the way into these abstractions.
See more here as the set develops:
www.flickr.com/photos/motorpsiclist/albums/72157709703855097
Copyright © by John Russell
Hair: Stealthic - Barbwire
Head: LeLutka - Prim
Skin: tres beau - elodie
Brows: Simple Bloom - Julia Earth Low Tail
Eyes: Tville - Platinum
Eye Liner: Choory
Earrings: e.marie - Marta
Lipstick: Delicata - Liz
Necklace: Rawr - Saint V
Click on the photo to view it larger.
This is from my new set, "Automatic Photography," so called because like Automatic Writing I utilize many different software programs on my realistic photographs and let Spirit lead the way into these abstractions.
See more here as the set develops:
www.flickr.com/photos/motorpsiclist/albums/72157709703855097
Copyright © by John Russell
HAIR: Modulus - Lucky Hair /NEW@C88
EARRINGS: Badwolf - Guss Earrings /NEW@TMD
SHIRT: *AGATA* - Ricky shirt /NEW@EQUAL10
BAG: NOMERCY.Fanny Chest Bag /NEW@MAN CAVE
PANTS: DON'T DUP Wide leg jeans /NEW@MAN CAVE
SHOES: Semller Worn Skater Slips
TATTOO: .:Vegas:. Tattoo Arai /NEW@ACCESS
Una delle più belle sorprese della giornata sulla Hannover-Magdeburgo è stata sicuramente l'essere riuscito ad incontrare ancora una coppia di Br151 dotate del gancio automatico destinato alla trazione dei pesantissimi convogli di minerale ferroso fra Amburgo e Salzgitter.
Nella foto le unità .094 e .112 stanno giungendo alla protezione dei bivi di Braunschweig poco oltre l'abitato di Wechelde. (1/10/15)
This is from my new set, "Automatic Photography," so called because like Automatic Writing I utilize many different software programs on my realistic photographs and let Spirit lead the way into these abstractions.
See more here as the set develops:
www.flickr.com/photos/motorpsiclist/albums/72157709703855097
Copyright © by John Russell
Click on the photo to view large.
This is from my new set, "Automatic Photography," so called because like Automatic Writing I utilize many different software programs on my realistic photographs and let Spirit lead the way into these abstractions.
See more here as the set develops:
www.flickr.com/photos/motorpsiclist/albums/72157709703855097
Copyright © by John Russell
Click on the photograph to view it larger size.
This is from my new set, "Automatic Photography," so called because like Automatic Writing I utilize many different software programs on my realistic photographs and let Spirit lead the way into these abstractions.
See more here as the set develops:
www.flickr.com/photos/motorpsiclist/albums/72157709703855097
Copyright © by John Russell
Ｅｍｏｔｉｏｎｓ ａｒｅ ｕｓｅｌｅｓｓ
Ｕｐｇｒａｄｅ ｃｏｍｐｌｅｔｅ
***************
Wearing:
LeLUTKA.Head.River
Maitreya Mesh Body
A&Y Raizer Top
ANTINATURAL[+] Wired Ghost
ANTINATURAL[+] Specter Collar
.{PSYCHO:Byts}. Feel the Connection - Back Implant
Wicca's Originals - Omega Arm
SHIMMER / LELUTKA EYES / CYBER
*!R.O!* Suppressed - FN P-90
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Do not download without my permission.
Being a manual photographer, I am currently trying out automatic modes by shooting from the hip. So far, the results are pretty mixed. One half of the images has to be discarded straight away because there is no kind of composition (the camera is directed towards an approximate target but often misses it). Regarding the other half, the object I am interested in is often not in sharp focus (the camera "decides" where to put the focus and frequently it is a region of strong contrast). I also noticed that my camera (Fuji X-E3) needs a bit of time to focus and was therefore not able to keep up with my more rapid decisions. Still, sometimes there is a good image emerging or, at least, what could have been a fine shot. Isn't it funny that one needs a lot of practice to do "fully automatic" photography?
NOCTH · Museo Dress
Fatpack & single colors →
marketplace.secondlife.com/p/NOCTH-Museo-Dress-Fatpack/27...
Being a manual photographer, I am currently trying out automatic modes by shooting from the hip. So far, the results are pretty mixed. One half of the images has to be discarded straight away because there is no kind of composition (the camera is directed towards an approximate target but often misses it). Regarding the other half, the object I am interested in is often not in sharp focus (the camera "decides" where to put the focus and frequently it is a region of strong contrast). I also noticed that my camera (Fuji X-E3) needs a bit of time to focus and was therefore not able to keep up with my more rapid decisions. Still, sometimes there is a good image emerging or, at least, what could have been a fine shot. Isn't it funny that one needs a lot of practice to do "fully automatic" photography?
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...
Lipca Rollop Automatic 2.8
Fujichrome Astia 100F
Macro 1X (focus stacking)
Fondos MNCN-CSIC
Macro 1X con apilamiento de foco por control de anillo de enfoque
Macro 1X by focus stacking using the focus ring control
Ingredientes:
-Nikon D600 + Nikor 105mm macro 1X
-Helicon Remote para control automático de la pila de foco mediante el anillo de enfoque (por medio de USB)
-Helicon Soft para apilamiento de foco (36 shots, Method B, R=4, S=2)
-Helicon lo puedes bajar a prueba durante 1 mes gratis, o una licencia para un año por 50€, controla casi todas las Nikon y Canon mediante USB. Existen otros proveedores de soft para stacking (apilamiento), p. ej. Zerene, ControlMyNikon o Canon, Combine Z, etc
-Opcional: impresora 3D (Up Plus 2) para la fabricación de focos, soportes, mesa de trabajo, etc. Puedes utilizar el sencillo 123D Design (free soft) para diseñar las piezas.
Receta:
-Montamos el bodegón con sujeto y fondo
-Lo iluminamos con 4 o 5 micro-focos de leds. Los focos se pueden diseñar e imprimir utilizando una impresora 3D y después montar los leds (alta luminosidad y 5300K), la alimentación es de 12vdc para grupos de 3 o 4 leds. La ventaja frente al uso de flash, es que se pueden dirigir los focos y componer la iluminación antes del disparo, además del volumen que se consigue jugando con la iluminación.
-Disparamos las fotografías utilizando, p. ej., Helicon Remote: Helicon controla el enfoque con el movimiento del anillo de enfoque antes de disparar cada foto, todo el proceso de toma de fotos es automático, se pueden ver videos en youtube
-Para 1X se necesitan de 20 a 100 fotos, según valor de f, focal utilizada y profundidad de campo necesaria, lo calcula el soft automáticamente. Se suele utilizar el punto dulce de la lente (normalmente en el entorno de f5.6) para optimizar los resultados
-Apilamos el stack de n fotografías utilizando Helicon Soft
-Utilizamos Lightroom o similar para eliminar “halos” y “artefactos”
-Una vez se tiene práctica, todo el proceso puede durar 15 min
pepo
/ POOR ENGLISH
Macro 1X by focus stacking using the focus ring control
How do you can do it :
Ingredients:
-Nikon D600 + 105mm macro nikor 1X
-Helicon Remote control for automatic focus stack using the camera focus ring (using USB)
-Helicon Soft Focus Stacking (36 shots, Method B, R = 4, S = 2)
-Helicon You can download a free trial for 1 month, or a license for a year for € 50, it controls almost many Nikon and Canon via USB. There are other suppliers of soft for stacking, p. ex. Zerene, ControlMyNikon or Canon, Combine Z, etc.
-optional: 3D (Up Plus 2) printer to manufacture light bulbs, brackets, desk, etc. You can use the friendly 123D Design (free soft) for pieces designing.
Recipe:
-Ilumination with 4 or 5 micro-LED bulbs. The lighters can be designed and printed using a 3D printer and then mount the LED´s (high brightness and 5300K), the power is 12VDC for groups of 3 or 4 LEDs. The advantage over use of flash, is that you can positioning the lights and lighting make up before shooting, in addition to the volume to be achieved by playing with these lighting.
-Shot photographs using, p. eg Helicon Remote. Helicon controls the approach to the movement of the focus ring before the photo shot, the whole process of taking pictures is automatic, you can watch videos on youtube
-For 1X do you needed 20-100 photos, depending on value of f, focal and deep of field needed, automatically calculated by the soft. Often used the sweet spot of the lens (usually in the vicinity of f5.6) to optimize results
-Now we stack of shots using Helicon Soft
-We can use Lightroom or the like to remove "halos" and "artifacts"
-Once you have practice, the whole process can take 15 min
-And sorry my English, please.
pepo
coyotes are omnivores and will take the opportunity to eat both plant and animal food sources to survive
Automatic door #streetsofmelbourne #melbournestreets #aussiestreetphotography #monoart #agameoftones #createexplore #exploretocreate #streetactivityteam #streetdreamsmag #neverstopexploring #streetphotography #streetexploration #urbanandstreet #life_is_street #peopleinsquare #moodygrams #instamagazine #shotaroundmag #killergrams #urbanromantix #livefolk #excellent_bnw #igblacknwhite #blackandwhitephotography bnwmood #bnw_society #bnw_magazine #streettogether #streetmagazine #streetmobs
Gather 'round ladies and gents as I demonstrate the remarkable conveniences of my Automatic Wardrobe contraption. All one has to do is stand on the dressing platform, pull the level and the device will not only pick out a suit for you but also apply the garments itself! No more manual labor! No more thinking!
My first entry for the Bricks and Boilers competition: Hall of Wonders category. I think this might be my first ever steampunk creation. I have an idea for another entry involving a more mystical device but I'm not sure if I'll have the time to finish it before the deadline. Time will tell.