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'Authentic Twist'. Throw made for Michael Hogan. Made from Sweetwater Authentic fabric. Measures 43" x 55". Blogged here: waterfallcascade.blogspot.com/2009/12/authentically-twist...
Please note, this design is based on the original by Bonnie Hunter: www.quiltville.com/striptwist.shtml
Perafita. Mountain view from Arinsal, La Massana (parroquia), Vall nord, Andorra, Pyrenees
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More Arinsal photos by Lutz Meyer: www.flickr.com/groups/ad400arinsal/pool
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Vall nord at Google+: plus.google.com/communities/110317652615008615027
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Authentic Bluegrass Music
The Rainbow Valley Boys & Sweetheart
Diplomat Records/USA (1965)
Illustration by George Peed
Authentic - There is no person you can pretend to be who is as powerful and effective as the person you really are. - Ralph Marston
Set-piece medieval battles always began with a ritual exchange of insults and taunts. Here at the 2015 re-enactment of the battle of Tewkesbury (info) a Yorkist soldier initiates hostilities towards the Lancastrians.
Southeastern Railroad Museum in Duluth, GA Oct 6, 2018.
© Eric T. Hendrickson 2019 All Rights Reserved
This photo displays an authentic Italian pizzeria demonstrating cultural baking practices utilizing beautifully built brick ovens. While many of the varying cultures’ authentic food preparation styles have been modified and modernized, some ethnicity shines through the specific restaurant pictured above. For example, the Iron Gate Pizzeria bakes with an old world style wood-fired brick oven, similar to those used by Italian pizza chefs. The brick oven is a symbol of the Italian’s influence on American cooking habits. It is said that wood fired brick ovens and pizza have been with us since the dawn of civilization. Excavations of virtually every ancient civilization have uncovered the modern form of the brick oven, which was found, initially, in ancient Rome. While the common pizza descends from a very strong Italian influence, it bears the mark of many civilizations around the Mediterranean, starting with the Ancient Greeks who ate flat, baked bread and stretching to the Spaniards who had been to Peru and brought tomatoes back. These ovens are still used throughout Europe for cooking large quantities of bread. The brick ovens found in Pompeii, which still houses 33 uncovered brick ovens, are in excellent condition and could be used for baking in out present day with only small renovations, which demonstrates excellent engineering skill. The best attributes of the brick oven are it‘s dome shape, insulation, and vent. Medieval brick ovens are scattered across Europe, some varying from the original instrument from Rome. The actual word pizza emerged some time in the middle ages among aristocracy. The varying requirements to cook a pizza at a commercial bakery, pizzeria, or homeowner created a split in brick oven design in the late 18th century. The brick oven is not used by many pizzerias in the U.S. today. The brick ovens, although offering a delicious taste, cause the temperature to rise to a highly uncomfortable number. Few restaurants, however, show their roots. In fact, the world’s first Pizzeria to open in 1830, Antica Pizzeria Port’Alba, is still in business today in Naples. The pizza in this photo was hand tossed, sprinkled with cheese the employees grated, smothered with an authentic pizza sauce, topped with pepperonis, and put in the brick oven to bake. Pizza is viewed by most to be as symbolic of American culture as apple pie. This is unfortunately not true. Americans cannot take credit for this delicious favorite. Pizza has a strong Italian background. The unique flavor of these brick oven pizzas is unmatched.
Jeffrey A. Sadowski. 1997. "Italian Cuisine: the gourmet's companion". New York: J. Wiley.
Donna R. Gabaccia. 1998. "We Are What We Eat: Ethnic Food and the Making of Americans". Cambridge, Massachusetts: Harvard University Press.
This PA-36HD was basically built straight out of the box - but the "special" thing about this model is its paint scheme: it is an authentic color version from the Dorvack TV series that has not been released officially (yet).
I found this color scheme in a (very) short scene in episode 14, showing this PA-36HD in a field camp (with 2x R2 hand lasers as armament). It never appears again, is just a still, but at last it is the proof that Powered Armors actually wear camouflage ...weird camaouflage!
You might check this stills collection for reference, too:
Dorvack TV series - stills from Ep. 14 & 18 .
Anyway, the wacky colors inspired me to build a model of this 'side role' TV star. The kit itself went through standard modifications, like opening the air intakes on the shoulders or wrapping the air hose on the right shoulder in paper tissue to give it an insulated look.
The armament became a bit of a problem, but I found a solution in my mecha junkyard: after the modification of a PA-36K "Berlon" kit into the "Guntos" kit conversion a couple of weeks ago (see there), most of the spare "Berlon"'s weapons were left over - including a long gun that is attached to the lower right arm in the original kit and has a spring mechanism to actually shoot bullets(!).
Being less voluminous than the PA-36K, I decided to adapt the long MR-99 gun as a hand weapon. I omitted the toy mechanism inside and did some modifications to make it rifle, including a nozzle brake (which is actually the engine exhaust from an 1:72 Italieri A-4M "Skyhawk") and a gun shaft wrapped in tissue to simulate a cover that reduces heat emissions (against IR detection and to prolong the barrel's life). On top, a laser pointer was added, and the magazine went to the underside of the gun. It now looks like a kind of sniper rifle.
To set the kit and its huge rifle in scene in a believable pose, I modified the hands/fingers of the standard kit to grab/hold the MR-99 gun when it is either standing upright, or to hold it in both hands for carrying and firing. The required alternative closed hand comes from a Macross Gerwalk Valkyrie by Arii in 1:100 scale - these are perfect in size and dimensions for the PA-36!
For painting I chose stock colors from Humbrol and Testors that would come close to the tones in the TV series still. I wanted to avoid mixing. The chosen colors seem to be e a bit lighter than the 'original' tones, but with weathering they'd tone down, anyway:
- Testors 1591 "Olive Green" (RAL 6003)
- Humbrol 90 "Beige Green" (color used by the RAF in early WWII)
- Humbrol 63 "Sand"
The still also became the guide for the disruptive camouflage pattern, which had to be guessed for the many invisible areas, though. In the end, however, it reminds me much of the famous Swedish "Meadows & Fields" pattern which had been applied to the Saab AJ 37 Viggen fighter aircraft and other air and ground vehicles?
The chest box was painted in Humbrol 196 "Light Grey" (instead of pure White, which would have looked too bright and clean). Since all PA-36HD's I have seen so far have a colored stripe on the in- and outsides of their lower legs, I added such an element in Light Grey on this one, too, even though it gets lost in the disruptive pattern and the dirt.
The joints were simply painted in Gun Metal (Humbrol 53), even though the still seems to show them with the camouflage pattern.
The visor was laid out with silver and a coat of medium blue translucent paint applied over it.
Most of the decals come from the original PA-36N kit, but some elements had to be improvised. This includes the red "21" in the typical retro-SF typo, which comes from a PAM-74M stock kit (which waits for assembly and probably conversion). Being original 20 year old Gunze Sangyo decals, these were brittle and hard to apply... And the current Aoshima decals were not printed cleanly, too. :(
The badge on the right knee is a 1:72 emblem from a German WWII airplane, it comes from a small German decal specialist (Peddinghaus Decals). The chevrons (rank markings?) are hand-cut, the small nose art is a 1:87 scale graffiti from a model railroad accessory decal sheet. Small, but gives it a personal touch, and I have even seen PAs in the TV series with the unavoidable Playboy bunny on the bulk head!.
Finally, the kit received a thorough black ink wash, overall dry brushing with light grey, ochre (Humbrol 64 and 83) and some Gun Metal plus Olive Drab in certain areas. To give it a really worn and battered look, I sanded the surface with a very fine wet sand paper in some areas and rubbed surfaces and edges with grinded, soft pencil mine (8B - it is SO soft that you can write on glass with it!). The soft graphite creates a metallic, dark shine that looks like bare and scorched metal or grime and oil. It also points out edges and details - a nice trick if you want to give a stock toy a worn look. Finally, a matte varnish coat protects the whole surface, since the soft pencil dust is very touchy.
The MR-99 hand gun was painted in overall Humbrol 32 (Dark Grey), and then weathered with Light Grey (Humbrol 64) and some Gun Metal, too. The barrel isolation was painted in Ochre (Humbrol 83), then received a black ink wash, and was finally dry-painted in 83 again. The nozzle also received the pencil mine treatment.
Kensington Market, Toronto, Canada. (Captured with Mamiya 645 Super Pro on 400TMax, scanned with Nikon D800 and 60mm micro lens)
My hot, sweaty feet in trashed Vans Authentic enjoying some mud. Showing them the love and care they deserve! It felt so good passionately thrusting my stinky feet and destroyed Vans into all that lovely, thick, filthy mud. Just makes you hard thinking about it....
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22nd May 2014. Almost 2 weeks after the surgery, I had the clips/staples removed by a nurse using a nifty tool which looked a bit like a pair of pliers, which was way better than a standard office-issue staple remover :-) Surprisingly unpainful for all but 2 of the staples. I took this when I got home. The bruising was coming out nicely. Much though the staples looked shocking, they are fantastic piece of technology as far as wound healing is concerned. I'm writing this on 30th May, exactly 3 weeks since surgery. I can still only wear trackie bottoms, hitched up Simon Cowell style, because of the swelling and tenderness. I am longing to get back into some proper trousers.
With 170+ cars, 60+ tracks, varying terrains and motorsports, tested and approved by world-class drivers, and featuring more iconic cars from the world’s most elite brands, Project CARS 2 is the most beautiful, authentically-crafted, and technically-advanced racing simulation game you’ve ever experienced.
Project CARS 2: the ‘ultimate driver journey’ returns late 2017 on PlayStation 4, Xbox One, and PC.
For more information, visit: www.projectcarsgame.com
Taken using Kodak No.2 Brownie from 1924!
Image was taken during March 2021 and is one of the first photos that this camera has taken in well over 60 years!
It was developed and scanned by DS Colour Labs in Didsbury
It was a lovely summer day in Kiev today,
we visited this authentic place in the middle of the very busy city and it was fun to see the goats, gees and chikens wondering around and living their normal life here.
Authentic Barris Batmobile of TV's Batman
The Batmobile /ˈbætməˌbiːl/ is a wheeled, self-powered, armoured fighting motor vehicle, frequently used by the DC Comics superhero Batman for vehicular hot pursuit, prisoner transportation, anti-tank warfare, riot control and as a mobile crime lab. Kept in the Batcave,[1] which it accesses through a hidden entrance, the heavily armoured, gadget-laden vehicle is used by Batman in his crime-fighting activities.[2][3]
The Batmobile made its first appearance in Detective Comics #27 (May, 1939). Then a red sedan, it was simply referred to as "his car". Soon it began featuring an increasingly prominent bat motif, typically including distinctive wing-shaped tailfins. Armored in the early stages of Batman's career, it has been customized over time into a sleek street-legal armoured/supercar-hybrid, and is the most technologically advanced crime-fighting asset within Batman's arsenal. Depictions of the vehicle has evolved along with the character, with each incarnation reflecting evolving car technologies.[4] Some depictions present the Batmobile as able to be unmanned or remotely operated. It has appeared in every Batman iteration—from comic books and television to films and video games—and has since gone on to be a part of pop culture.[5][6][7]