authentic street
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Red River Delta and the scenery of rice fields, water buffalo and everyday Vietnamese village life, such a beautiful sight, like seeing a novel come alive.
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New DaD at faMESHed:
DaD "Paradise Resort"
faMESHed: maps.secondlife.com/secondlife/FaMESHed/226/144/1001
DaD Mainstore: maps.secondlife.com/secondlife/Saint%20Florent/139/81/25
DaD Flickr: flic.kr/ps/2t776E
Extras:
(Fundati) Gritty Rock
(Fundati) Palmetto Palm I-VI
Skye Rock & Wave ~ Reefy Sandbar
Skye Rock & Wave ~ Shore Rocks 1
Skye Rocky Shore End Left
Skye Rock & Wave ~ Reef Rocks 3 Offsim
Skye Wild Grass Type 6 short brown
*CSF* Blonde Beach Grass
Thank you so much for all the support! 😊
I went to what was formerly known to me as Fall Trace looking for a whole different shot and found myself mesmerized by the peaceful surroundings, the colors, the tranquility ...I truly enjoyed myself here .. I try as a whole not to inundate flickr with a ton of shots but man I had so many that I couldn't resist adding atleast two ..lol. I hope you all like .. and visit and shoot ..it is so beautiful.
Photo was taken at: WHITE DUNES ESTATE, Tranquil Bay (97, 146, 20) - Moderate
ᴠᴏʟᴋsᴛᴏɴᴇ | ᴅᴀᴍɪᴇɴ ʜᴀɪʀʙᴀsᴇ - ғᴀᴛᴘᴀᴄᴋ ᴀʟʟ
* ɪɴ ᴘᴀᴄᴋ ɪɴᴄʟᴜᴅᴇᴅ 3 ғᴀᴛᴘᴀᴄᴋs ᴏғ ʜᴀɪʀʙᴀsᴇs : sᴘɪᴋᴇ, ʟᴜᴄ & ᴅᴀᴍɪᴇɴ
ᴅᴇᴇᴘ sᴛᴀᴛɪᴄ | ǫᴜᴀᴅᴇ ɢʟᴀssᴇs
ʟᴀɴᴅɢʀᴀғғ | ᴏᴏᴘs! - ғᴀᴄᴇ sᴄᴀʀ
ᴄʟᴇғ ᴅᴇ ᴘᴇᴀᴜ | ʜᴜᴀɴɢ sᴋɪɴ - ᴇᴠᴏ x
ғʏʀ | ғʀᴀɴᴋ sᴇᴛ - ғᴀᴛᴘᴀᴄᴋ
sᴠᴘ ᴘᴏsᴇs | ʟᴀʀʏ ᴘᴀᴄᴋ - ʙᴀsᴇʙᴀʟʟ ʙᴀᴛ ɪɴᴄʟᴜᴅᴇᴅ
ᴀ&ᴅ ᴄʟᴏᴛʜɪɴɢ | ǫᴜɪɴᴄʏ ᴘᴀɴᴛs - ғᴀᴛᴘᴀᴄᴋ
"An authentic life is the most personal form of worship. Everyday life has become my prayer."
- Sarah Ban Breathnach
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Thanks to all for 11,000.000+ views and kind comments ... !
Please don't use this image on websites, blogs or other media without my explicit permission. © All rights reserved
“It's ok to reinvent yourself as many times as it
takes to live out your most authentic self.”
― Nikki Rowe
Hi, Me again...
In April 2021, I received my first 35mm as a gift from a fellow photography enthusiast. I seriously had no idea what I was doing but I immeditely knew I enjoyed it. The sound alone was enough to give me shivers!! Since then, I have shot a few rolls of film, find myself in possession of 5 new cameras, managed to process 2 rolls at home, 'scan', and now I'm ready to put them out there.
I don't ever profess to be a perfect photographer. If fact, I'm usually incredibly insecure. Digital photography always had me seeking perfection. It is silly because life isn't perfect, but regardless, I feared things like proper exposure and unconventional subjects. (Yes....insert eye roll here!)
The thing about film though, it has given me freedom it be imperfect, appreciate 'flaws' and embrace everyday life in an authentic and unpolished way. Film has given me permission to love the imperfect and see it for all its beauty. Also, the fact that my hands are on it from start to finish....well that... that alone gives me immense satisfaction.
So.....I'm saying be ready for the perfectly imperfect. And just to prove it...I resisted the urge to edit out my chicken pox scars. :-) I'm going to be brave and start sharing what I've been working on and what I love.
Here goes....
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Nikon FM10 | Ilford HP5 400
Digitized with Sony A7riii | Skier Sunray Copy Box 3 | 135 Skier Sunray Film Holder
Home developed in Cinestill Monobath | 3 min, 80 F
Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: Auto-Neutral | LUT: Frontier
Taken at Sunny's studio. (pose: Lost on the Road to Nowhere) maps.secondlife.com/secondlife/Sunny%20Side%20Up/25/40/801
New Release.
Okinawa 2020-2021 New Year Festival
Sushi Set
*KW*-Authentic Sushi
Copy mod available
Tuna Akami
Toro
Sea Urchin
Negitro
Salmon
Salmon roe
sea bream
yellowtail
chopstick
gari
eat bento anim
Do you ever find those places where it seems like you took a step back in time? A place uninterrupted by modern developments of civilization. That is what this place felt like to me, and I loved it! It is so sweet to find hidden gems like this where you can leave the world as we know it for a moment and can take time to soak it all in. These are the places that I feel like I grow closest to the Lord. I am so thankful that there are still places like this left and that He grants us time to go to them and rest in His presence and bask in His goodness!
Is not this a true autumn day? Just the still melancholy that I love — that makes life and nature harmonize. The birds are consulting about their migrations, the trees are putting on the hectic or the pallid hues of decay, and begin to strew the ground, that one’s very footsteps may not disturb the repose of earth and air, while they give us a scent that is a pefect anodyne to the restless spirit. Delicious autumn! My very soul is wedded to it, and if I were a bird I would fly about the earth seeking the successive autumns. ~George Eliot, letter to Miss Lewis, 1st October 1841
Après avoir exposé à Anvers et à Venise, en 1999, l'entreprise a déménagé dans une nouvelle maison connue sous le nom de Kanaal, située à Wijnegem, à vingt minutes à l'est d'Anvers. Construit à l'origine en 1857, le vaste site était un ancien complexe de distillerie et de maltage. L'architecture existante comprenait des entrepôts en briques et des silos à grains en béton situés le long des rives du canal Albert.
Le développement initial du Kanaal comprenait l'installation des bureaux et des studios de l'entreprise. Cela a été rapidement suivi par l'acquisition d'installations artistiques permanentes, telles que celle d'Anish Kapoor, Au bord du monde. Un plan a été conçu pour faire de Kanaal un centre culturel et résidentiel, un processus qui a commencé au début des années 2000.
Les plans de transformation du site se sont appuyés sur le caractère et l'histoire des bâtiments d'origine pour donner à l'ensemble du quartier un nouveau souffle authentique. C'est un trait central de beaucoup de nos projets. Dick Vervoordt a mené un plan ambitieux pour combiner les efforts de trois équipes d'architectes - Bogdan & Van Broeck, Coussée & Goris, Stéphane Beel - avec le paysagiste Michel Desvigne. La qualité de vie était une priorité absolue et les plans ont été conçus pour adapter la conception de l'intérieur vers l'extérieur, convertissant les anciens bâtiments en nouveaux espaces de vie et de travail.
En 2017, la galerie anversoise déménage dans un nouvel espace au Kanaal, ouvrant par une rétrospective monumentale de Kazuo Shiraga.
Le premier programme de la galerie comprenait une spécialité dans l'art d'après-guerre et contemporain avec un accent particulier sur l'art d'Europe, du Japon et de Corée, en particulier l'art des mouvements ZERO et Gutai. L'accent mis sur Dansaekhwa a suivi, alors que le programme de la galerie et sa participation à des foires d'art mondiales ont pris de l'importance et que sa liste d'artistes s'est élargie.
After exhibiting in Antwerp and Venice, in 1999 the company moved to a new house known as Kanaal, located in Wijnegem, twenty minutes east of Antwerp. Originally built in 1857, the sprawling site was a former distillery and malting complex. The existing architecture included brick warehouses and concrete grain silos located along the banks of the Albert Canal.
The initial development of the Kanaal included the installation of corporate offices and studios. This was quickly followed by the acquisition of permanent art installations, such as Anish Kapoor's At the Edge of the World. A plan has been devised to make Kanaal a cultural and residential center, a process that began in the early 2000s.
The site's transformation plans have built on the character and history of the original buildings to give the whole area an authentic new lease of life. This is a central feature of many of our projects. Dick Vervoordt led an ambitious plan to combine the efforts of three teams of architects - Bogdan & Van Broeck, Coussée & Goris, Stéphane Beel - with landscaper Michel Desvigne. Quality of life was a top priority and plans were made to adapt the design from the inside out, converting old buildings into new living and working spaces.
In 2017, the Antwerp gallery moved to a new space at Kanaal, opening with a monumental retrospective of Kazuo Shiraga.
The gallery's first program included a specialty in post-war and contemporary art with a particular focus on art from Europe, Japan and Korea, particularly art from the ZERO and Gutai movements. The focus on Dansaekhwa followed, as the gallery's program and its participation in global art fairs grew in importance and its roster of artists grew.