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Pictured: (flying) Skye, (l-r) Zuma, Rubbble, Chase, Ryder,Marshall and Rocky in PAW PATROL on NICKELODEON. Photo: Nickelodeon. ©2013 Viacom, International, Inc. All Rights Reserved.
Satellite images from August 15 to September 3, with overlaid hot spots. See the comment for the animation.
Here's what's sitting on my animation desk right now. If you'd enjoy NNN and want to support it check out my kickstarter project:
www.kickstarter.com/projects/fallentomato/robots-a-stop-m...
CERVICAL SPINE ANATOMY INTER-VERTEBRAL DISCS attorney animations
Between the vertebrae are jelly-filled cushions, called intervertebral discs.
Looking at the inside of an intervertebral disc, we can see the fibrous outer annulus which has the consistency of a pencil eraser. The annulus provides the strength. The softer water-filled jelly-like nucleus acts as the shock-absorber. attorney animations.
The whole disc carries 80% of the load through the neck. When you sit, stand up, bend or twist, large compressive forces are applied to your spine. There are several factors that determine the ability of your intervertebral discs to handle these forces:
your inherited make-up
disc health – worsened by smoking, poor nutrition, sedentary lifestyle, weak muscles, and obesity
ageing
poor posture – while sitting, standing and lifting
heavy loads during home, work or sporting activities.
Minor annulus tears can weaken the disc, leading to a herniation of the nucleus.
When the forces applied to your back exceed the strength of your disc, minor injuries to the disc can occur. It is important to note these injuries may or may not hurt at the time. attorney animations.
As the continuous stresses and repeated injuries accumulate, they cause disc dehydration, stiffening and collapse, and increased wear and tear on the spine’s joints and ligaments, and disc tears leading to disc protrusion and compression of adjacent spinal cord or nerve roots.
CERVICAL SPINE ANATOMY INTER-VERTEBRAL DISCS attorney animations
This article was written with the assistance of the following surgeons.
Dr Paul Licina. Dr Licina is spinal orthopedic surgeon, and co-founder of Brisbane Orthopaedic Specialist Services in Brisbane, Queensland, Australia. www.brisbaneorthopaedics.com.au/paul_licina.html
Dr Matthew McDonald. Dr McDonald is a spinal neurosurgeon based at Wakefield Hospital, Adelaide, South Australia, Australia. www.wakefieldneurosurgery.com.au
Dr Richard Parkinson. Dr Parkinson is a spinal neurosurgeon based at St Vincent's Clinic, Sydney, New South Wales, Australia. www.svph.com.au/index.php?option=com_content&task=vie...
Dr Lali Sekhon. Dr Sekhon is a spinal neurosurgeon, and founder of Nevada Neurosurgery in Reno / Carson City, Nevada, USA. www.nevadaneurosurgery.com attorney animations
The director breaks the picture down into many separate scenes and tlaks each scene over with the animator. It is the animator who puts life into a a cartoon making the extreme drawings that control the action. The animator's assistants make the rest of the drawings needed to complete the action.
This diorama explains the animation process from start to finish.
Taken at the Disney and Dickens D23 Event at the Walt Disney Studios, Burbank.
OLLIE JOHNSTON
Disney Animation: The Illusion of Life (1981)
two (2) original illustration drawings for book
blue and black pencil on two (2) untrimmed 12.5" x 15.5" animation sheets, image sizes: 4.25" x 3.25" and 4.25" x 2.5"
The two (2) original animation-style drawings of Pinocchio were created by Disney animator Ollie Johnston in development of the illustration for the dust jacket of the important book he co-wrote with Frank Thomas: Disney Animation: The Illusion of Life. The book jacket features eight (8) images of Pinocchio; from a silhouette in the distance the little woodenhead makes the transition to animation drawing and finally painted cel as he jauntily skips along the cobblestone streets of Geppetto's village. The artist numbered each drawing with the number "4" written at lower right; neither of these poses were included in the final illustration. Mr. Johnston supervised the animation of Pinocchio in a number of important scenes for the making of Walt Disney's classic 1940 feature film.
Ollie Johnston (Oliver M. Johnston, Jr.) was born October 31, 1912 in Palo Alto, California, and his higher education came at Stanford University and Chouinard Art Institute in Los Angeles. On January 21, 1935 he joined The Walt Disney Studios as an apprentice animator on Disney short cartoons of the period. He went on to work as animator and directing animator on more than 24 feature films including Snow White and the Seven Dwarfs, Pinocchio, Fantasia, Song of the South, Cinderella, Peter Pan, Lady and the Tramp, Sleeping Beauty, The Jungle Book and others. Walt Disney included him among his famous “Nine Old Men,” those animators who formed the core of his animation team.
Mr. Johnston's enthusiasm for trains led him to build a backyard railroad at his home in La Cañada, California and a full-scale railroad on the property he shared with fellow animator and best friend Frank Thomas in Julian, California. He helped to encourage and develop Walt Disney’s own passion for trains. After 43 years with the Disney Studio he retired in 1978. Between 1981 and 1993 he co-authored four excellent books with Frank Thomas beginning with the authoritative Disney Animation: The Illusion of Life followed by Too Funny for Words, Walt Disney’s Bambi: The Story and the Film, and The Disney Villain. He was named a Disney Legend in 1989 and was awarded the National Medal of Arts in 2005. He passed away in April, 2008.
These two (2) original works are from Ollie Johnston's estate. They were in his home until early 2007 when he moved to Washington state near his family. "From the estate of Oliver M. Johnston, Jr." is stamped on the back of each. Our certificate of authenticity is included.
I was given a cintiq but it was unwieldy and the stand didn't rotate, but I have an animation desk, so I built a retainer and disc for it and mounted it in my animation desk. (That's my 16 field disk on the left) Running Toon Boom on the Cintiq, no more excuses not to animate!
And sweet sweet canvas rotation for comfortable drawing!
Open in original to view animation or see image below.
Photographed using a Loreo stereo adaptor, a small mirror device which fits onto SLR's and provides a split stereo image - left and right - which can be viewed using 'freeview' ie cross-eyes, or using their supplied cardboard viewer.
Stereo image processed using StereoPhotoMaker freeware by Masuji Suto..
Wesley Back takes a look at the disgusting entities in the "Gross Jar" on display in the cartoon world exhibited in the Salz-Pollak Atrium Gallery.
This is a picture of my students in my animation class, this is my view as I lecture them. Well, they're not tippicly waving as I lecture.
OSIRIS-APEX uses its thrusters to disturb the surface of Apophis, in order to study its properties.
Animation credit: NASA Goddard's Scientific Visualization Studio
For the full animation visit: svs.gsfc.nasa.gov/20381
Open in original to view animation or see image below.. Photographed using a Loreo stereo adaptor, a small mirror device which fits onto SLR's and provides a split stereo image - left and right - which can be viewed using 'freeview' ie cross-eyes, or using their supplied cardboard viewer.
Stereo image processed using StereoPhotoMaker freeware by Masuji Suto..
A Critical Evaluation of Your Finished Animation 500 Words:
My animation is about a monkey who is trying to get the only banana that is at the top of a very tall tree. From the start he is looking around just walking and he bumps into the tree and sees the banana at the top. He tries to reach it from the ground but it is too high. There is a box in front of him that he notices and he does a forward flip to get on top of it and jumps from the box to get the banana. At the end of the animation he manages to get to the banana and is really happy at the end of it. The monkey starts walking slowly then speeds up. This is good because it shows his excitement of getting the banana and how keen he is to get it. I could have also added some more complicated tasks for the monkey to make the animation more interesting.
There isn’t much facial expressions in the animations but there is a lot of body language which shows how the monkey is feeling. It is easy to tell at the beginning that the monkey is struggling to get to the banana from the floor by him stretching all parts of the body. Once he climbs on the box and gets the banana at the end of the animation, he puts his left arm up in a fist to show he has done it and he is cheering. I feel my animation could have been improved by giving much more facial expressions and to show more of what the monkey was feeling at that certain time.
I could have also added more things in the background to make it look fuller and give it a surrounding and to feel what else was around. I also feel I could have added lighting in the animation to give it an overall good bright scene and to show that it was on a bright sunny day. I feel the textures added on the monkey are really good because it is easy to determine which are the different parts of the body i.e. the lips, nose, eyes, eyebrows, inner ear etc. Furthermore I also feel that the textures of the scenery are well done too such as the tree because it has a palm tree effect look and the colours of the leaves. In addition I also feel that the banana looks really realistic because it has a banana peel texture and the shape is really accurate.
I feel I could have added more exaggeration and anticipation in the animation to show more feeling and character and to make the audience feel more in the animation. I think modelling wise it has been created well but it lacks facial expression and character emotion more than it should. Overall I feel the biggest let down of the animation is the character emotion which is a really big disappointment but the movements have been added well and realistic. The follow through and overlapping has been applied well in this animation.
Forming of a clay puppet and its demolition by a cotton armature puppet.Done by using stop-motion animation technique.
To see the animation click on the picture...click on 'all sizes'.....click 'Original size', then wait a few seconds and the animation will start!
This dashing fellow chills at the front of the Cars wing at the Art of Animation resort to welcome you in.
To view animation open in original in your browser or see image below.
Animation from stereo image using dual SLR set-up in vertical (portrait) mode.
Stereo image processed using StereoPhotoMaker freeware by Masuji Suto..
Farm near Windsor, NSW.
View large size to see the animation- It may take a while to load.
The ladybird is eating the barklouse here www.flickr.com/photos/lordv/273653257/