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Animation diagram show the succession (evolution) in mangrove forest - original: daintreevillage.asn.au - redecorate & animated: me
A very short lego animation between some clones and battle droids. Excuse the "subscribe" thing, this was meant for Youtube. Since I don't have any great Movie editing program, I had to resort to brick built lasers.
www.youtube.com/watch?v=zXlwwcJTd-w
After being unhappy with the last version, have added a few corrections. Though better, the head movement before 'and so are we' still has one last jerk and the arm movement at the end still needs to flow better; I'm going to continue tinkering with the hand movements and maybe slow down the sniff and smile that are too quick half way through. Please give me your thoughts too, though!
This animation is the first 2D Animation I created. As an artist response my role was to experiment, develop and complete an original artwork taking inspiration from certain aspects of an artists work. From my previous work within the same project, I knew my result from this artist was going to be some form of animation.
With research I managed to discover Puuung’s (Park Dami) animating process, combining the traditional ideas of hand-drawn cel, with the contemporary use of Adobe Photoshop’s layering and digital painting features to construct her pieces. This is what I eventually used to create my own looping GIF animation, only with the characters and background image entirely hand drawn and painted.
At first I began completing a series studies of Dami’s original characters, wanting to familiarise myself with her style and artistic visual language. Elements such as her use of a warm-toned palette, a composition that contained both negative space and intricate detail and her interesting use of linework particularly caught my eye. I loved the artists attention to the architectural space that surrounded her figures, so decided to recreate my own environment, while still in the restrictions of the national lockdown.
When it came to creating my own original characters I used the same conceptual element as the artist in deciding to replicate myself and my ideal partner. To do so I had to complete my first character design without any source of reference other than the male anatomy. With myself, I took a short while drawing and sketching my own body to try and capture a sense of the true me within my piece.
From my designs I then deconstructed an existing looping GIF into five key “frames” tracing and transferring before transforming them into my pre-designed characters, this I then created as a loop within Adobe Photoshop.
Merry Christmas Animation Pictures
Merry Christmas GIF Images
Merry Christmas Animation Pictures
Merry Christmas Animation Pictures
Merry Christmas Animation Pictures
Pixel e visioni futuriste protagonisti nella classica cornice del Museo Scientifico e di Ricerca dell’Accademia Russa di Belle Arti di San Pietroburgo.
La mostra "Suspended Animation" dell' artista romano Cristiano Pintaldi è stata organizzata dalla casa editrice Il Cigno, in collaborazione con l'Accademia Russa e la Galleria Mucciaccia di Roma, e rientra nel calendario di iniziative programmate nell’anno dei festeggiamenti del Turismo Italia-Russia.
Le opere inedite di Pintaldi, attraverso una pittura basata sulla tricromia (blu, rosso e verde), parlano una lingua sperimentale e visionaria: fulmini che colpiscono luoghi simbolici, apparizioni luminose nei cieli urbani, ibridi di tempi e spazi lontani, dalla Sfinge di Giza fino a Las Vegas.
Foto © IIC San Pietroburgo
Animation test done in 2005.
Click ALL SIZES to see in action!
Teste de animação feito em 2005.
Clique em TODOS OS TAMANHOS para ver em ação!
(Update: Acabei de perceber que no Safari não passa legal...)
A short stop motion animation I made of my art mannequin painting.
Music is Paradise Stars by Noah and The Whale
A lip synch test using Stop Motion Pro.
Imported video converted to frames. Six generic facial expressions drawn using Scribbler Too and each real image frame substituted with one of the six drawn frames to replicate the moving mouth.
December 2010
Man: Yeah, hi. I got a special delivery for Homer Simpson.
Bart: That's me!
Man: [punches Bart in the face] Don't write no more letters to Mr. Sinatra.
[doorbell rings; Bart answers it]
Teenager: I got a special delivery for Homer Simpson.
Bart: Uh, that's me.
Teenager: [punches Bart in the face] Stop stealing golf balls from the driving range!
[doorbell rings]
Man: [through door] Homer Simpson! I've got a, uh, special delivery for you.
Bart: Go away!
Man: If you do not open the door, Mr. Simpson, I cannot give you your...special delivery.
[Bart looks through mail slot, sees man holding animation cel rolled in cardboard]
Bart: [sighs with relief and opens door]
Man: Here's your special delivery.
Bart: Thanks --
Man: [punches Bart in the face] And that's for keeping me waiting.
5x21 Lady Bouvier's Lover
Un animateur de l'association Réel déguisé en Troll fait le spectacle avant d'initier ses nouvelles recrues au Troll-Ball, un mélange de rugby et de bataille d'épées en latex.
Animation Courtyard
The Magic of Disney Animation -- This attraction underwent a major rehab in November 2003, and then another minor rehab in October 2004. Here's the current format:
The tour begins with visitors sitting in an area featuring a live artist. The 10-minute segment, called "Drawn to Animation," features the artist interacting with an animated version of the tiny dragon Mushu, from 1998's popular feature Mulan. After hearing about the importance of character development and watching a humorous video with some Mulan artists, guests will visit the area that overlooks what USED to be the workspace of Walt Disney Feature Animation Florida. The Cast Member in this segment talks briefly about animation, and answers a few questions. Unfortunately, the real Disney animators were all laid off in early January 2003, and the entire animation process relocated to Disney's California studios, so there is nothing much to see when you are released from that part of the tour. After the cast member's talk, visitors have the chance to visit a number of interactive activities or to sit for 15-20 minutes at a Mickey-themed animator table and create their own Disney character art at the Animation Academy, under the guidance of a Disney artist.
The Sound Stage -- In this hands-on activity, young animators can play with various sound effects and create their own soundtrack for an animated scene.
Digital Ink and Paint -- As these workstations you can add color to an animated scene, and create your own atmosphere.
You're a Character -- In this booth, you can visit with Lumiere (of Beauty and the Beast fame), who will ask you a series of questions and tell you which Disney character you are most like.
Walt Disney World-Hollywood Studios-Orlando Fl.
Animation Courtyard
The Magic of Disney Animation -- This attraction underwent a major rehab in November 2003, and then another minor rehab in October 2004. Here's the current format:
The tour begins with visitors sitting in an area featuring a live artist. The 10-minute segment, called "Drawn to Animation," features the artist interacting with an animated version of the tiny dragon Mushu, from 1998's popular feature Mulan. After hearing about the importance of character development and watching a humorous video with some Mulan artists, guests will visit the area that overlooks what USED to be the workspace of Walt Disney Feature Animation Florida. The Cast Member in this segment talks briefly about animation, and answers a few questions. Unfortunately, the real Disney animators were all laid off in early January 2003, and the entire animation process relocated to Disney's California studios, so there is nothing much to see when you are released from that part of the tour. After the cast member's talk, visitors have the chance to visit a number of interactive activities or to sit for 15-20 minutes at a Mickey-themed animator table and create their own Disney character art at the Animation Academy, under the guidance of a Disney artist.
The Sound Stage -- In this hands-on activity, young animators can play with various sound effects and create their own soundtrack for an animated scene.
Digital Ink and Paint -- As these workstations you can add color to an animated scene, and create your own atmosphere.
You're a Character -- In this booth, you can visit with Lumiere (of Beauty and the Beast fame), who will ask you a series of questions and tell you which Disney character you are most like.
Walt Disney World-Hollywood Studios-Orlando Fl.
Animation doll based off of the Disney Animator collection. This Elsa Doll is rezable in box or out of box for display as well as a holdable version. Has two voice lines, "Hi i'm olaf -giggles-" and "Go away Anna"
Short animation of Callisto moving behind Jupiter between 22:00 and 22:19 GMT on the evening of 9th December
An animation of 36 individual frames, each frame having a polarizer rotated 5 degrees relative to the adjacent frames, for a total rotation of 180 degrees.
These frames are a 20X magnification of a wafer-thin cross section of a meteorite from the Vaca Muerta fall. These meteorites were found in the Atacama Desert and are a form called mesosiderites -- meaning bits of both stony and iron material. They are rather loosely bound in a matrix of silicates, so they are a rare class to find: they normally break up on entry into our atmosphere, so large examples are rare. Several hundred Vaca Muerta examples are known.
Astronomers and planetary geologists study meteorites in thin section to determine their material makeup. The colors, and angles of refraction, of the light through the crystals revealed by the saw and grinding wheels help identify the crystals. These are mostly plagioclase and pyroxene, but some of the darker areas are iron and iron sulfide (troilite). Some of this material is quite likely as old as, or older than, the Earth itself.
Radiogenic dating of zircon and other crystals tell us the formation age of meteorites. Cosmic-ray tracks in the transparent crystals tell us how long the material has been in space in the solar system since it formed.
And, to top it all off, the colorful light patterns formed by rotating the polarizers in the microscope make for rather pretty pictures.
Click All Sizes to see the animation run.
Thin section acquired from Mike Kagelmacher (Rock-Slides on eBay).
Wizards (1977) - Ralph Bakshi
Peace/Necron 99 vs Weehawk the Elf.
This Cell is Available in the Bakshi Shop (3/4/08)
Uploaded by www.RalphBakshi.com
All Rights Reserved
Before the days of CGI, Photoshop, and digital cameras, "state-of-the-art" animation and visual effects work was done with huge bulky camera rigs, outfitted with motion control systems that allowed the rigs to precisely move about whatever needed to be filmed...be it a model spaceship, flat artwork, or an actor on a set.
Shown here is the compound-table section of an Oxberry Master Series Animation Stand. The compound had three axis of movement: EW (left/right), NS (towards/away from you), and Rotation (clockwise/counter-clockwise). There were also (4) geared bars incorporated into the tabletop called 'peg bars' that allowed artwork to be mounted and moved EW, locally to the table's rotational position.
All these axis could be mounted with stepper motors and run under precise computer control to allow ultra-smooth compound multi-axis movement...and could be repeated (if need be) any number of times with a positional repeat accuracy of 1/2000th of an inch.
The table's center had a glass-covered opening that allowed diffused light to shine through to add the ability for filming backlit graphics like large transparencies or gel-colored high-contrast film negatives (Kodaliths).
Copyright © 2012 by Craig Paup. All rights reserved.
Any use, printed or digital, in whole or edited, requires my written permission.
been working on this animation with Luke Jinks for a while now, and it's finally online!! So GO WATCH IT here www.vimeo.com/6130123
The Animation Decathlon is a unique interactive arts installation combining cutting edge architectural projections, outdoor video gaming and original sound design in the courtyard of Kensington Town Hall.
The event is the culmination of a year long project working with children and young people across Kensington and Chelsea to create a fantastic series of 2012 - inspired drawings and animations. Click here to find out more about the project
On Saturday 21 March, the animated athletes and crowds they’ve created will be projected metres high onto the Town Hall and surrounding buildings where they will sprint, pole vault and swim across the sides of the buildings transforming the area into an ‘Olympic’ arena.