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This is a short project that I did in class. For that project, students had to choose a word and animate its characteristic. Other people chose verbs or adjective. However, I wanted to do something different, so I picked a weird choice of words. Since I knew that the word can be vulgar to some people, I chose to animate it in a cute way while maintaining the characteristics. Surprisingly, this small joke became liked by many people (it is one of my works that people remember the most), and I receive new suggestions from times to times about what I could have added to the characteristics of the work.
This is also one of the works that I like very much.
Whether its Disneyland or Walt Disney World, The Animation Academy is a must stop for me. I never miss it.
This video tells to people to mind the sex restrictions and I design animal characters to display sexual poses.
Client: YY Inc.
Direct, Stories, Animation: kbnotq
Narrative: Staff of YY Inc.
Boots, Dora, Queen of Hearts (Sara Ramirez), Rabbit (Alan Cumming), Mad Hatter (Mel Brooks), Cheshire Cat (Jewel) Photo: Best Possible Screen Grab/Nickelodeon. ©2014 Viacom, International, Inc. All Rights Reserved
I tried to gather all my new animations, which I made for my movie "Bleed me dry" in a new animation box. Here is 10 new animations. Enjoy!
Download:
www.mediafire.com/?ik4n1gzmyq1
I had fixed an error with depressive pose now ))
Really old animation work that I found from dusty box. I made this back in year 2000. Recollect the memory, I already have passion to do character animation, since my graphic design study in college.
This was a project in which we have to do a short animation, using Macromedia Director ( at that time Macromedia Flash is not even popular yet! ). The concept must be based on two words that we chose by picking up papers with random words. I got 2 words: WISH and BOAT. Perfect. So, I started to create a concept. I always have fascination with MOON idea and JAPAN is my sort of inspiration, so I end up using this Kokeshi doll idea that wishes something over the moon. The accompanied music is a new age music from one of KINTARO album.
Who would have known that I would switch to 3D animation and really get into Maya and Houdini stuff! Nevertheless, it was interesting to recall some past memories. A little intermezzo, soon hopefully I will post a new and polished animation works. Like many people who have been inspired by golden era of 2D animation and anime, I still regard high 2D animation and still find inspiration and learning the art of animation from 2D animation. I guess I need to refresh my passion for animation from time to time.
Stay tuned...... and let the curtain opens.
NOTE: sorry about the blurry quality, this is because of re-compression that I have to do on my own. FLICKR can't compress the original Quicktime MOV.
Animation Mars 20201128
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"Kwisatz Haderach" N406/1810
ASI178MC + TVx3,35
7x1250 Frames - 0,08"/pixel
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Animation : www.flickr.com/photos/187071820@N02/50808587192/sizes/o/
Still frame from 1982 french animated film Les Maîtres du temps (The Masters of Time, a.k.a. Time Masters), directed by René Laloux and designed by Moebius.
Images are small but unfortunately its all I could get from my DVD software.
A brief description about my animation and some criticizing for it
In this animation, the 3D character named Jackie is walking slowly and calm in an environment. He's at the edge of the area and tries to cross the river to the other side of the forest. There are 3 rocks on the river which Jackie uses as a way of crossing the river. He smiles at the beginning, showing overconfidence, that this is going to be an easy thing for him. Jackie starts by lowering a little down to gain power to jump from rock to rock but on the last one, he stepped on the edge of the rock and got shocked. He tried to spin his arms backwards to be able to get some distance away from the edge of the rock but fails and falls in the river. This animation, i consider it one of favorites so far and it helped me to improve my animation skills. I struggled a lot on the walk cycle on the ground and on the air which i could have done better. There are some small issues with the legs moving slow on some points and remain overextended. The perfect anticipation was at the beginning when Jackie prepared for the first jump. The other anticipations on other rocks were not really perfectly timed and were a bit slow, The wave of the hands were important for the jump as it made the jump more better looking and realistic, showing anticipation. Some things like the landing on the rocks and the jumps could have been better, one of the few things which we're really challenging because they were things i haven't tried last year to animate. I also searched for walking cycle references for a easy guide in making the character walk, even testing myself, by walking and jumping to understand how realistic it should be.
Overall I believe this animation is a big improving step on my animation/modelling skills.
!!! CLICK ON "ALL SIZES" TO VIEW ANIMATION !!!
Simple animation of the user experience. It's just a .gif file, and its kinda big ( 400k ) so when you click on 'ALL SIZES' to watch, give it a second to load.
Work flow is as follows;
1 - User long presses Rabble's tweet.
2 - Default Android light box appears with the entire text of the tweet shown.
3 - User is given two options, Call or Close.
If the person is found in the phone's address book ( strong tie ), a 'Call' button is available in the light box.
It's possible that I am neglecting the means for other actions like responding to a tweet activity, but Android can run multiple apps concurrently, unlike the iPhone(!), so it's assumed the user has Twidroid already running.
Otherwise, if the person is not in the phone's address book, the button says 'Create contact' ( convert a weak tie to a strong one, or establish a weak tie where no tie exists at all ).
Note Android uses Gmail to automatically sync local contact creation events to cloud.
Please see animation below, in comments, or see large size here:
www.flickr.com/photos/merripat/6810318095/sizes/o/in/phot...
We're having a blizzard here!
Still frame from 1982 french animated film Les Maîtres du temps (The Masters of Time, a.k.a. Time Masters), directed by René Laloux and designed by Moebius.
Images are small but unfortunately its all I could get from my DVD software.
Magic of Disney Animation
On January 7, 2008, Disney-MGM Studios became Disney’s Hollywood Studios.
Despite the “MGM” in the park’s name, Metro-Goldwyn-Mayer had no part in designing, owning, or operating Disney-MGM Studios. Metro-Goldwyn-Mayer simply collected a licensing fee from The Walt Disney Company. But the owner of MGM, billionaire financier Kirk Kerkorian, wasn’t happy about it.
When Kerkorian learned of the deal in 1985, he couldn’t believe that his executives had traded one of the most valuable assets of MGM/UA (as the company was called at the time)—its legendary name—to a competitor for a relatively small fee.
In his 1998 book Work in Progress, former Disney CEO Michael Eisner explains, “In June 1985, we signed an agreement that gave us most of everything we sought, including perpetual rights to use much of MGM’s library and its logo for a very modest fee. For reasons that remain a mystery Kerkorian was told about the deal only as it was being signed.”
Notice that Eisner used the term perpetual rights.
But why did Disney seek the MGM name for its new theme park and studio in Florida? It was because the new park would not just be about Disney movies, it would be about the movies, and no movie studio had a more glorious past than MGM. Not only that, but MGM had a library of many of the greatest movies of all time. The MGM of 1985 was only a shadow of the great MGM of earlier decades. Then again, the Disney of 1985 was also a company whose greatest movie achievements had been in the past.
Putting the two most recognized names in entertainment together would be just the marketing angle that the new park needed!
The relationship with MGM/UA was a rocky one. Around the time the park opened, MGM/UA sued Disney over the licensing agreement. In October 1992, a Los Angeles Superior Court judge ruled that Disney could continue to use the Disney-MGM name and logo on productions made at the Florida park. And MGM/UA could license the MGM name to other companies, such as Kerkorian’s hotel-casino company MGM Grand, even for theme parks. An October 26, 1992, article in Variety summed up the issues:
Problems occurred when Disney began to use the studios, located within the movie backlot theme park, to create film product, using the Disney-MGM name (several minutes of “Beauty and the Beast” as well as parts of “Honey, I Blew Up the Kid” were shot on the Florida lot).
In his ruling, [Judge] Rappe said the language in the 1985 contract was “reasonably susceptible” to the interpretation that Disney could create film product within its working studio theme park.
Disney subsequently filed a cross complaint against MGM/UA and MGM Grand over the latter’s plans to build a theme park adjacent to a new $1 billion hotel project in Las Vegas. Disney claimed it held exclusive worldwide rights to the MGM name in connection with theme parks.
MGM Grand went ahead with MGM Grand Adventures Theme Park in Las Vegas. The unsuccessful park opened in 1993 and closed in 2000. So, for a number of years there were two MGM-branded theme parks—Disney’s and MGM Grand’s—but they were unrelated.
If Disney had perpetual rights, as Eisner indicated, why did Disney finally change the name of the park?
For at least a decade, rumors on the Internet had claimed that the contract between Disney and MGM was about to end, and that Disney had no choice but to rename the park and remove all MGM content. As evidence, people pointed out that Disney’s promotional VHS tapes for Walt Disney World were calling the park Disney Studios instead of Disney-MGM Studios. The name in the tapes was due to a licensing limitation dealing with content distribution, not with an imminent name change at the park. It remained Disney-MGM Studios.
But the rights weren’t perpetual after all. The 1991 book The Disney Touch by Ron Grover identified the length of the agreement as 20 years in the following paragraph:
The negotiations took about a month. In the end, Disney all but walked away with Leo the Lion’s mane. Disney received almost free rein in use of the famous roaring lion and the treasure trove of old MGM movies. Most important, it got those rights for virtually nothing. Under the 20-year agreement, Disney was to pay only $100,000 a year for the first three years and $250,000 for the fourth year. The annual fee would increase by $50,000 in every year thereafter, with an eventual cap of $1 million for the yearly fee. Disney also got nearly unfettered ability to build other studio tours, for each of which it would pay half the fee agreed upon for the Orlando park.
A 20-year contract signed in June 1985 would have ended in June 2005. (It seems odd that Disney would base a permanent theme park’s name, image, and long-term marketing on a relatively short-term licensing agreement.) Of course, the agreement could have gone on perpetually if Disney and MGM had found it mutually beneficial to keep renewing their agreement whenever the end of the term neared. Disney was able to use the MGM name through the end of 2007 and into a transition period in early 2008.
In August 2007, a Disney press release announced that Disney-MGM Studios would have a new name in January 2008. There was even an official reason:
“The new name reflects how the park has grown from representing the golden age of movies to a celebration of the new entertainment that today’s Hollywood has to offer—in music, television, movies and theater,” said Meg Crofton, president of Walt Disney World Resort.
Actually, the park had never been just about the golden age of movies. Even in its first year, the park’s idealized Hollywood, which was summed up as “the Hollywood that never was and always will be,” included television, the latest animation, relatively recent George Lucas movies, and actual film production.
It doesn’t matter if MGM refused to renew or if Disney simply decided that using the MGM name was no longer good marketing. The Walt Disney Company in 2008 is a very different company than it was in 1985. Back then, the MGM name might have given a studio theme park more credibility than Disney alone possessed. But today, Disney is an entertainment giant in film, broadcasting, cable, and home video. Why publicize Metro-Goldwyn-Mayer, which is now even more of a shadow of its legendary past than it was in 1985?
The new name of the park surprised Disney fans on the Internet. The online community had expected Disney-PIXAR Studios or Disney-ABC Studios or maybe even Disney-PIXAR-ABC-ESPN-Muppets-go.com Studios—but not Disney’s Hollywood Studios. But it makes a lot of sense. If the name MGM was synonymous with the movies, there’s one other name that has an even a greater connection to the movies—and that’s Hollywood.
Walt Disney World-Hollywood Studios-Orlando Fl
Animation of LOC stereograph: www.flickr.com/photos/library_of_congress/50982132568/in/...
Animation here: live.staticflickr.com/65535/51007596290_7727878c0b_o.gif
Animated GIF composed of aligned images of the nearly constant lightning storm from 2014-06-30. The images span about 12 minutes of real time.
For the animation:
Still frame from 1982 french animated film Les Maîtres du temps (The Masters of Time, a.k.a. Time Masters), directed by René Laloux and designed by Moebius.
Images are small but unfortunately its all I could get from my DVD software.
animations
«Analyse this»
Grafische Interpretation zu historischen Planungskarten des Landes Rheinland-Pfalz
Gestaltungsgrundlagen 2. Semester
Prof. Anna-Lisa Schönecker
Studierende der Hochschule Mainz
Kommunikationsdesign
Soner Aktas
Kanih Demir
Pia Hoberg
Caroline Martin
Mikolaj BoguszMera
Daria Nonn
Cilia Palotas
Mirella Priolo
Lukas Röber
Claudio Roig
Paul Schmidt
Lucas Schneider
Franziska Schoebel
Simon Schüßler
Malte Schwenker
Tatsiana Trynkun
Simon Weckbach
Sophia Weider
Lisa Wolf
Corinna Wurth
Sura Yildiz
Quelle:
Rheinland-Pfalz - Grundlagen der Raumplanung
Landesplanung Johann Wiegand
Mainz 1954
Titelanimation
Soner Aktas
Mit Dank an Katja Davar und Volker Pape
© Hochschule Mainz 2016
Still frame from 1982 french animated film Les Maîtres du temps (The Masters of Time, a.k.a. Time Masters), directed by René Laloux and designed by Moebius.
Images are small but unfortunately its all I could get from my DVD software.
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Is a realistic singing animation created by Plastic Girls. This animation was inspired from TikTok challenge. Repeat this challenge and make this video as beautiful and touching as you can!)
Animation available on SL Marketplace:
marketplace.secondlife.com/p/Ghost-Challenge-Animation/21...
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Follow me on:
▫️ Instagram:
www.instagram.com/girls_in_the_simcity/?igshid=oefuw9syp0zk
▫️ Tiktok
▫️YouTube:
www.youtube.com/channel/UCpTeNk8gyksrioTDysXZ6Hg
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Still frame from 1982 french animated film Les Maîtres du temps (The Masters of Time, a.k.a. Time Masters), directed by René Laloux and designed by Moebius.
Images are small but unfortunately its all I could get from my DVD software.
Still frame from 1982 french animated film Les Maîtres du temps (The Masters of Time, a.k.a. Time Masters), directed by René Laloux and designed by Moebius.
Images are small but unfortunately its all I could get from my DVD software.
Still frame from 1982 french animated film Les Maîtres du temps (The Masters of Time, a.k.a. Time Masters), directed by René Laloux and designed by Moebius.
Images are small but unfortunately its all I could get from my DVD software.
Still frame from 1982 french animated film Les Maîtres du temps (The Masters of Time, a.k.a. Time Masters), directed by René Laloux and designed by Moebius.
Images are small but unfortunately its all I could get from my DVD software.
Still frame from 1982 french animated film Les Maîtres du temps (The Masters of Time, a.k.a. Time Masters), directed by René Laloux and designed by Moebius.
Images are small but unfortunately its all I could get from my DVD software.