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We had a complete change this Christmas – we cancelled it! - we went walking in The Lakes, or Wasdale more precisely. We were staying at Irton Hall B & B, they had over 70 in for Christmas dinner but we ate jam bread on the slopes of Sca Fell Pike. Fantastic. We had a front wheel puncture on a run flat tyre on the new car with a 100 mile still to drive on the afternoon of Christmas eve on our way there. I drove straight to the nearest ATS – where I have an account – they shook their heads and directed me to Westhoughton Tyres, the lads there were fantastic and got us on our way in good time. BMW dealer advice was run on the flat tyre and then throw it away - £250! Where I would have got a tyre on the western side of the Lakes over Christmas I don’t know, ATS didn’t have one to sell me.
The weather was forecast good for Christmas day but after a fine start it was raining before we even left the car park in Wasdale. We headed up Lingmell and ran into snow on the summit. The path onto Sca Fell Pike was very icy, snow covered and visibility was low, the snow kept falling. We didn’t linger long, it was too cold to have dinner up there so we dropped down onto the Corridor Route, where we had our dinner. We went that way to stretch the walk out, having originally intended to cross to Great End. The tops were so icy, glazed, with not enough snow to get a grip on that we decide to leave it for another day. From Styhead we headed back to Wasdale and a dull but fine finish to the day. A drink in the bar at Irton Hall was on the radar.
Every morning we headed into Wasdale early, it got colder, icier and sunnier as the days went by. We went up Yewbarrow, it was an icy scramble up and I decided it was too dangerous to go down Stirrup Crag to Dore Head so went back the same way. It turned out to be the right decision as we lingered on the top, going to view points that we wouldn’t have and getting some decent photos. One morning we walked over the Screes tops, Illgill Head and Whin Rigg, dropping down the steep slope to The southern end of Wast Water. Having said that I would never walk the Screes path alongside Wast Water again the memory of how awful it is in the rain had faded. There is only really a quarter of a mile out of three miles that is really bad, every rock was like glass with the potential to break a leg every step. It seemed a long way and I was getting killer looks from Herself.
We made our way onto Sca Fell on a beautiful morning, clear blue sky. The snow line had got lower most nights but we never had the low level snow that caused problems in the rest of the country. I chose a, sometimes, pathless way to the summit, partly because I’d never been that way but also to stay in the sun, to keep the view and to avoid the ways that would be a touch dangerous, it was -4 and seared with ice for the last 600 feet. After 15 minutes on the summit wispy thin cloud came racing in, crossing the Lake District in minutes, the photos show it heading towards us and I was glad to have got the clear photos first. Looking out to sea a great mattress of cloud was heading straight for us. It was calm and sunny one minute and the next we were engulfed in thick cloud with 30 yards visibility at the most. I have never had a clear sky turn to cloud so fast – ever! We were going down to Slightside next which was OK, about a mile following the ridge down, the problem was getting back to Wasdale from there. We needed to get to Great Howe which meant a pathless trek a mile SW across Quagrigg Moss – a bog full of tarnlets, it would be a nightmare in low visibility. After getting some accurate compass bearings and heading down off Slightside we suddenly dropped out of the cloud and could see our target, brilliant, we legged it across the semi frozen bog and finally felt able to rest and grab a sandwich and cup of tea. We had to find our way down Raven Crags, which was interesting – and steep! We needed to get to the footbridge to get onto the Burnmoor Tarn path back to Wasdale. As we got closer to Burnmoor Tarn the light that I had been cursing gave us a gorgeous sunset. I had one eye on a gap in the cloud low down in the sky out at sea and I was hoping the sun would break through, it did. Burnmoor Tarn was like a mirror, reflecting the surrounding mountains, including Yewbarrow and parts of the Mosedale Horseshoe in the far distance. There was just the two of us, we had barely seen a soul all day, it was a fantastic end to a tough day. As we dropped into Wasdale I caught the deep pink and orange of the last of the sun, I was shooting into it but I had nothing to lose. There would have been quite a few tripods at the opposite end of the lake but I think I was in the better place – for a change.
On our final walking day we decided to head up Great Gable. It was clear of cloud for a change but ominously the surrounding tops, including the Sca Fells were cloud covered. Another beautiful but very cold morning, it was going to be very icy up there so we elected to go via Styhead and the tourist track. We would choose a way off once we were up there. Long before we got to the top, although we couldn’t see it, we knew the cloud was swirling in and out on the summit so it was going to be hit and miss for the photos. The cloud was down for the last 500 feet but once on the frozen top it kept clearing briefly – very briefly. There were more people up there than we had seen the entire trip previously. People were getting out after Christmas, many had parked at the top of Honister for the fairly easy walk in across Green Gable, some were not dressed for winter walking it has to be said. We left for an icy scramble down to Arron Slack, up onto Green Gable them we galloped down Arron Slack to Styhead and back to Wasdale.
JOINTBASE PEARL HARBOR-HICKAM, Hawaii (Sept. 23, 2019) - U.S. Army Sgt. 1st Class Benjamin Olofson, a Defense POW/MIA Accounting Agency (DPAA) analyst, carries a transfer case during an honorable carry ceremony at Joint Base Pearl Harbor-Hickam, Hawaii, Sept. 23, 2019. DPAA teams discovered the possible remains in Papua New Guinea while searching for U.S. service members lost during WWII. DPAA’s mission is to provide the fullest possible accounting of our missing personnel to their families and the nation. (U.S. Air Force photo by Staff Sgt. Apryl Hall) 190923-F-AN072-0043
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p.73 Recipe for "Green Mountain Salve"
p.74 "Spavin Cure"
Part of Denis Nealon's diary and account book.
Sponsored by BDO, Douglas Maine, a Hofstra alumnus and Senior Advisor at Brown Brothers Harriman (former Chief Financial Officer at IBM) spoke to Zarb Dean’s Business Scholar accounting majors at a special dinner at Morton’s Steakhouse. He discussed with them the journey of his career, in addition to what he valued most in regards to his Hofstra education. Students had the opportunity to speak one-on-one with Mr. Maine and received valuable advice from this industry expert. Mr. Maine has been a long-time supporter of the school, assisting in curriculum developments and frequently speaks to accounting classes during the semester.
Dodge's Telegraph, Railway Accounting
and Radio (Wireless) Institute,
Valparaiso, Indiana.
Date: circa 1915
Source Type: Postcard
Publisher, Printer, Photographer: possibly Curt Teich (#41857)
Postmark: None
Collection: Steven R. Shook
Remark: The Dodge Institute of Telegraphy was initially established as a department of the Northern Indiana Normal School in 1874 by G. A. Dodge. At that time, Dodge was employed as telegrapher of the Pittsburg, Fort Wayne & Chicago Railroad and saw opportunity in better educating future telegraphers. Reorganized by Dodge and F. R. Lunbeck in 1891, the school flourished and became the largest telegraph and railway instruction institution in the United States. As radio entered the scene, training in "wireless" communication was added to the curriculum of the institute. Dr. J. B. Hershman purchased the Dodge Institute in 1939 and moved the campus to the site formerly occupied by Pitkin-Brooks and L. E. Myers companies at Center Street and West Lincolnway. Following World War II, the Dodge Institute was renamed the Valparaiso Technical Institute. Valparaiso Technical Institute went defunct in April of 1991, ending 117 years of operation.
Copyright 2018. Some rights reserved. The associated text may not be reproduced or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without prior written permission of Steven R. Shook.
Today was my first day of my Accounting 1 class. I haven't gone to school in years...but I'm excited. Got lots of homework though.
#49 of 365
Marc Chagall
Schläferin mit Blumen
Sleeping Woman with Flowers, 1972
Albertina - Sammlung Batliner
The Albertina
The architectural history of the Palais
(Pictures you can see by clicking on the link at the end of page!)
Image: The oldest photographic view of the newly designed Palais Archduke Albrecht, 1869
"It is my will that ​​the expansion of the inner city of Vienna with regard to a suitable connection of the same with the suburbs as soon as possible is tackled and at this on Regulirung (regulation) and beautifying of my Residence and Imperial Capital is taken into account. To this end I grant the withdrawal of the ramparts and fortifications of the inner city and the trenches around the same".
This decree of Emperor Franz Joseph I, published on 25 December 1857 in the Wiener Zeitung, formed the basis for the largest the surface concerning and architecturally most significant transformation of the Viennese cityscape. Involving several renowned domestic and foreign architects a "master plan" took form, which included the construction of a boulevard instead of the ramparts between the inner city and its radially upstream suburbs. In the 50-years during implementation phase, an impressive architectural ensemble developed, consisting of imperial and private representational buildings, public administration and cultural buildings, churches and barracks, marking the era under the term "ring-street style". Already in the first year tithe decided a senior member of the Austrian imperial family to decorate the facades of his palace according to the new design principles, and thus certified the aristocratic claim that this also "historicism" said style on the part of the imperial house was attributed.
Image: The Old Albertina after 1920
It was the palace of Archduke Albrecht (1817-1895), the Senior of the Habsburg Family Council, who as Field Marshal held the overall command over the Austro-Hungarian army. The building was incorporated into the imperial residence of the Hofburg complex, forming the south-west corner and extending eleven meters above street level on the so-called Augustinerbastei.
The close proximity of the palace to the imperial residence corresponded not only with Emperor Franz Joseph I and Archduke Albert with a close familial relationship between the owner of the palace and the monarch. Even the former inhabitants were always in close relationship to the imperial family, whether by birth or marriage. An exception here again proves the rule: Don Emanuel Teles da Silva Conde Tarouca (1696-1771), for which Maria Theresa in 1744 the palace had built, was just a close friend and advisor of the monarch. Silva Tarouca underpins the rule with a second exception, because he belonged to the administrative services as Generalhofbaudirektor (general court architect) and President of the Austrian-Dutch administration, while all other him subsequent owners were highest ranking military.
In the annals of Austrian history, especially those of military history, they either went into as commander of the Imperial Army, or the Austrian, later kk Army. In chronological order, this applies to Duke Carl Alexander of Lorraine, the brother-of-law of Maria Theresa, as Imperial Marshal, her son-in-law Duke Albert of Saxe-Teschen, also field marshal, whos adopted son, Archduke Charles of Austria, the last imperial field marshal and only Generalissimo of Austria, his son Archduke Albrecht of Austria as Feldmarschalil and army Supreme commander, and most recently his nephew Archduke Friedrich of Austria, who held as field marshal from 1914 to 1916 the command of the Austro-Hungarian troops. Despite their military profession, all five generals conceived themselves as patrons of the arts and promoted large sums of money to build large collections, the construction of magnificent buildings and cultural life. Charles Alexander of Lorraine promoted as governor of the Austrian Netherlands from 1741 to 1780 the Academy of Fine Arts, the Théâtre de Ja Monnaie and the companies Bourgeois Concert and Concert Noble, he founded the Academie royale et imperial des Sciences et des Lettres, opened the Bibliotheque Royal for the population and supported artistic talents with high scholarships. World fame got his porcelain collection, which however had to be sold by Emperor Joseph II to pay off his debts. Duke Albert began in 1776 according to the concept of conte Durazzo to set up an encyclopedic collection of prints, which forms the core of the world-famous "Albertina" today.
Image : Duke Albert and Archduchess Marie Christine show in family cercle the from Italy brought along art, 1776. Frederick Henry Füger.
1816 declared to Fideikommiss and thus in future indivisible, inalienable and inseparable, the collection 1822 passed into the possession of Archduke Carl, who, like his descendants, it broadened. Under him, the collection was introduced together with the sumptuously equipped palace on the Augustinerbastei in the so-called "Carl Ludwig'schen fideicommissum in 1826, by which the building and the in it kept collection fused into an indissoluble unity. At this time had from the Palais Tarouca by structural expansion or acquisition a veritable Residenz palace evolved. Duke Albert of Saxe-Teschen was first in 1800 the third floor of the adjacent Augustinian convent wing adapted to house his collection and he had after 1802 by his Belgian architect Louis de Montoyer at the suburban side built a magnificent extension, called the wing of staterooms, it was equipped in the style of Louis XVI. Only two decades later, Archduke Carl the entire palace newly set up. According to scetches of the architect Joseph Kornhäusel the 1822-1825 retreaded premises presented themselves in the Empire style. The interior of the palace testified from now in an impressive way the high rank and the prominent position of its owner. Under Archduke Albrecht the outer appearance also should meet the requirements. He had the facade of the palace in the style of historicism orchestrated and added to the Palais front against the suburbs an offshore covered access. Inside, he limited himself, apart from the redesign of the Rococo room in the manner of the second Blondel style, to the retention of the paternal stock. Archduke Friedrich's plans for an expansion of the palace were omitted, however, because of the outbreak of the First World War so that his contribution to the state rooms, especially, consists in the layout of the Spanish apartment, which he in 1895 for his sister, the Queen of Spain Maria Christina, had set up as a permanent residence.
Picture: The "audience room" after the restoration: Picture: The "balcony room" around 1990
The era of stately representation with handing down their cultural values ​​found its most obvious visualization inside the palace through the design and features of the staterooms. On one hand, by the use of the finest materials and the purchase of masterfully manufactured pieces of equipment, such as on the other hand by the permanent reuse of older equipment parts. This period lasted until 1919, when Archduke Friedrich was expropriated by the newly founded Republic of Austria. With the republicanization of the collection and the building first of all finished the tradition that the owner's name was synonymous with the building name:
After Palais Tarouca or tarokkisches house it was called Lorraine House, afterwards Duke Albert Palais and Palais Archduke Carl. Due to the new construction of an adjacently located administration building it received in 1865 the prefix "Upper" and was referred to as Upper Palais Archduke Albrecht and Upper Palais Archduke Frederick. For the state a special reference to the Habsburg past was certainly politically no longer opportune, which is why was decided to name the building according to the in it kept collection "Albertina".
Picture: The "Wedgwood Cabinet" after the restoration: Picture: the "Wedgwood Cabinet" in the Palais Archduke Friedrich, 1905
This name derives from the term "La Collection Albertina" which had been used by the gallery Inspector Maurice von Thausing in 1870 in the Gazette des Beaux-Arts for the former graphics collection of Duke Albert. For this reason, it was the first time since the foundation of the palace that the name of the collection had become synonymous with the room shell. Room shell, hence, because the Republic of Austria Archduke Friedrich had allowed to take along all the movable goods from the palace in his Hungarian exile: crystal chandeliers, curtains and carpets as well as sculptures, vases and clocks. Particularly stressed should be the exquisite furniture, which stems of three facilities phases: the Louis XVI furnitures of Duke Albert, which had been manufactured on the basis of fraternal relations between his wife Archduchess Marie Christine and the French Queen Marie Antoinette after 1780 in the French Hofmanufakturen, also the on behalf of Archduke Charles 1822-1825 in the Vienna Porcelain Manufactory by Joseph Danhauser produced Empire furnitures and thirdly additions of the same style of Archduke Friedrich, which this about 1900 at Portois & Ffix as well as at Friedrich Otto Schmidt had commissioned.
The "swept clean" building got due to the strained financial situation after the First World War initially only a makeshift facility. However, since until 1999 no revision of the emergency equipment took place, but differently designed, primarily the utilitarianism committed office furnitures complementarily had been added, the equipment of the former state rooms presented itself at the end of the 20th century as an inhomogeneous administrative mingle-mangle of insignificant parts, where, however, dwelt a certain quaint charm. From the magnificent state rooms had evolved depots, storage rooms, a library, a study hall and several officed.
Image: The Albertina Graphic Arts Collection and the Philipphof after the American bombing of 12 März 1945.
Image: The palace after the demolition of the entrance facade, 1948-52
Worse it hit the outer appearance of the palace, because in times of continued anti-Habsburg sentiment after the Second World War and inspired by an intolerant destruction will, it came by pickaxe to a ministerial erasure of history. In contrast to the graphic collection possessed the richly decorated facades with the conspicuous insignia of the former owner an object-immanent reference to the Habsburg past and thus exhibited the monarchial traditions and values ​​of the era of Francis Joseph significantly. As part of the remedial measures after a bomb damage, in 1948 the aristocratic, by Archduke Albert initiated, historicist facade structuring along with all decorations was cut off, many facade figures demolished and the Hapsburg crest emblems plunged to the ground. Since in addition the old ramp also had been cancelled and the main entrance of the bastion level had been moved down to the second basement storey at street level, ended the presence of the old Archduke's palace after more than 200 years. At the reopening of the "Albertina Graphic Collection" in 1952, the former Hapsburg Palais of splendour presented itself as one of his identity robbed, formally trivial, soulless room shell, whose successful republicanization an oversized and also unproportional eagle above the new main entrance to the Augustinian road symbolized. The emocratic throw of monuments had wiped out the Hapsburg palace from the urban appeareance, whereby in the perception only existed a nondescript, nameless and ahistorical building that henceforth served the lodging and presentation of world-famous graphic collection of the Albertina. The condition was not changed by the decision to the refurbishment because there were only planned collection specific extensions, but no restoration of the palace.
Image: The palace after the Second World War with simplified facades, the rudiment of the Danubiusbrunnens (well) and the new staircase up to the Augustinerbastei
This paradigm shift corresponded to a blatant reversal of the historical circumstances, as the travel guides and travel books for kk Residence and imperial capital of Vienna dedicated itself primarily with the magnificent, aristocratic palace on the Augustinerbastei with the sumptuously fitted out reception rooms and mentioned the collection kept there - if at all - only in passing. Only with the repositioning of the Albertina in 2000 under the direction of Klaus Albrecht Schröder, the palace was within the meaning and in fulfillment of the Fideikommiss of Archduke Charles in 1826 again met with the high regard, from which could result a further inseparable bond between the magnificent mansions and the world-famous collection. In view of the knowing about politically motivated errors and omissions of the past, the facades should get back their noble, historicist designing, the staterooms regain their glamorous, prestigious appearance and culturally unique equippment be repurchased. From this presumption, eventually grew the full commitment to revise the history of redemption and the return of the stately palace in the public consciousness.
Image: The restored suburb facade of the Palais Albertina suburb
The smoothed palace facades were returned to their original condition and present themselves today - with the exception of the not anymore reconstructed Attica figures - again with the historicist decoration and layout elements that Archduke Albrecht had given after the razing of the Augustinerbastei in 1865 in order. The neoclassical interiors, today called after the former inhabitants "Habsburg Staterooms", receiving a meticulous and detailed restoration taking place at the premises of originality and authenticity, got back their venerable and sumptuous appearance. From the world wide scattered historical pieces of equipment have been bought back 70 properties or could be returned through permanent loan to its original location, by which to the visitors is made experiencable again that atmosphere in 1919 the state rooms of the last Habsburg owner Archduke Frederick had owned. The for the first time in 80 years public accessible "Habsburg State Rooms" at the Palais Albertina enable now again as eloquent testimony to our Habsburg past and as a unique cultural heritage fundamental and essential insights into the Austrian cultural history. With the relocation of the main entrance to the level of the Augustinerbastei the recollection to this so valuable Austrian Cultural Heritage formally and functionally came to completion. The vision of the restoration and recovery of the grand palace was a pillar on which the new Albertina should arise again, the other embody the four large newly built exhibition halls, which allow for the first time in the history of the Albertina, to exhibit the collection throughout its encyclopedic breadh under optimal conservation conditions.
Image: The new entrance area of the Albertina
64 meter long shed roof. Hans Hollein.
The palace presents itself now in its appearance in the historicist style of the Ringstrassenära, almost as if nothing had happened in the meantime. But will the wheel of time should not, cannot and must not be turned back, so that the double standards of the "Albertina Palace" said museum - on the one hand Habsburg grandeur palaces and other modern museum for the arts of graphics - should be symbolized by a modern character: The in 2003 by Hans Hollein designed far into the Albertina square cantilevering, elegant floating flying roof. 64 meters long, it symbolizes in the form of a dynamic wedge the accelerated urban spatial connectivity and public access to the palace. It advertises the major changes in the interior as well as the huge underground extensions of the repositioned "Albertina".
Christian Benedictine
Art historian with research interests History of Architecture, building industry of the Hapsburgs, Hofburg and Zeremonialwissenschaft (ceremonial sciences). Since 1990 he works in the architecture collection of the Albertina. Since 2000 he supervises as director of the newly founded department "Staterooms" the restoration and furnishing of the state rooms and the restoration of the facades and explores the history of the palace and its inhabitants.
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Today should by all accounts have been a bad day for photography. It was raining (sometimes hard) all day long.
Nevertheless, umbrella in hand, I went to work with a bag full of primes and my 75-260mm in hand to try to see if I could get a shot for today.
I wound up with this, so I'm happy.
Shot at ISO3200 with shake reduction off, which meant 1/1250 of a second for the shot.
I then had to nuke the grain in post, which made things a bit soft but that works for me for this shot.
Gingee Fort or Senji Fort (also known as Chenji, Jinji or Senchi) in Tamil Nadu, India is one of the surviving forts in Tamil Nadu, India. It lies in Villupuram District, 160 kilometres from the state capital, Chennai, and is close to the Union Territory of Puducherry. The fort is so fortified, that Shivaji, the Maratha king, ranked it as the "most impregnable fortress in India" and it was called the "Troy of the East" by the British. The nearest town with a railway station is Tindivanam and the nearest airport is Chennai (Madras), located 150 kilometres away.
Originally the site of a small fort built by the Chola dynasty during the 9th century AD, Gingee Fort was modified by Kurumbar during the 13th century. As per one account, the fort was built duirng the 15–16th century by the Nayaks, the lietunants of the Vijayanagara Empire and who later became independent kings. The fort passed to the Marathas under the leadership of Shivaji in 1677 AD, Bijapur sultans, the Moghuls, Carnatic Nawabs, French and the British in 1761. The fort is closely associated with Raja Tej Singh, who unsuccessfully revolted against the Nawab of Arcot and eventually lost his life in a battle.
The Gingee Fort complex is on three hillocks: Krishnagiri to the north, Rajagiri to the west and Chandrayandurg to the southeast. The three hills together constitute a fort complex, each having a separate and self-contained citadel. The fort walls are 13 km and the three hills are connected by walls enclosing an area of 11 square kilometres. It was built at a height of 240 m and protected by a 24 m wide moat. The complex has a seven-storeyed Kalyana Mahal (marriage hall), granaries, prison cells, and a temple dedicated to its presiding Hindu goddess called Chenjiamman. The fortifications contain a sacred pond known as Aanaikulam. On the top of the hillock, there are minor fortifications. The fort, in modern times, is maintained and administered by the Archaeological Survey of India. The fort is one of the prominent tourist destinations in Villupuram district.
LEGEND AND ETYMOLOGY
The Bijapur Nawabs who held the fort from about 1660 to 1677 AD called it Badshabad, while the Marathas who succeeded them called it Chandry or Chindy. The Mughals, on their capture of the fort in 1698 A.D., named it Nusratgadh in honour of Nawab Zulfiqar Khan Nusrat-Jang, the commander-in-chief of the besieging army. Later, the English and the French called it Gingee or Jinji. The early Madras records of the English give the spelling Chingee or Chengey.As per Tamil legend, the tragic tale of Raja Tej Singh, popularly known in Tamil as Thesingu Raasan, is associated with the fort. The true life story of Tej Singh and his general, Mehboob Khan (aka Maavuthukaran), who were friends, has inspired many poems, street plays, and countless other stories. He was the son of Swarup Singh and revolted against the Nawab of Arcot, and was defeated and killed in the war that followed. Though Gingee became a part of the Nawab's territory in 1714, the young and courageous Tej Singh became a legend and his life, love and brave but tragic end were eulogised in various ballads.
HISTORY
The main source for the first two hundred years of the history of the place is the "Complete History of the Carnatic Kings" among the Mackenzie manuscripts. According to historian Narayan, a small village called Melacerri, located 4.8 km away from Gingee is called "Old Gingee" has traces of fortifications from about 1200 AD. Ananda Kon of the shepherd community (Konar), accidentally found a treasure in one of the cavities of the Western hill while grazing his sheep. Making himself the head of a small band of warriors, he defeated the petty rulers of the neighbouring villages and built a small fortress on Kamalagiri, which he renamed Anandagiri after himself. The Konar dynasty ruled Gingee from 1190 to 1330 AD, and was succeeded by the chief of a neighbouring place called Kobilingan, who belonged to the Kurumba caste and ascended the throne of Gingee. He was a feudatory of the powerful Cholas. Gingee came into the hands of various ruling dynasties of South India, starting from the Cholas.
Originally the site of a small fort built by the Chola dynasty during the 9th century AD, Gingee Fort was modified by Kurumbar while fighting the Cholas and again by the Vijayanagar empire during the 13th century. As per one account, the fort was built duirng the 15-16th century by the Gingee Nayaks, the lietunants of the Vijayanagara Empire and who later became independent kings. The fort was built at a strategic place to fend off any invading armies. It was further strengthened by the Marathas under the leadership of Shivaji in 1677 AD. He recaptured it from the Bijapur sultans who had originally taken control of the fort from the Marathas. During Aurangzeb's campaign in the Deccan, Shivaji's second son who had assumed the throne, Chhatrapati Rajaram, escaped to Ginjee and continued the fight with Moghuls from Ginjee. The fort was the seat of the Maratha Empire for a few months. The Moghuls could not capture the fort for seven years in spite of laying siege. The fort was finally captured in 1698, but not before Chhatrapati Rajaram escaped. It was later passed on to the Carnatic Nawabs who lost it to the French in 1750 before the British finally took control in 1761 despite losing it to Hyder Ali for a brief period. Raja Desinghu ruled Chenji during the 18th century.
ARCHITECTURE
The Gingee Fort complex is on three hillocks: Krishnagiri to the north, Rajagiri to the west and Chandrayandurg to the southeast. The three hills together constitute a fort complex, yet each hill contains a separate and self-contained citadel. Connecting them - forming an enormous triangle, a mile from north to south, punctuated by bastions and gateways giving access to the protected zones at the heart of the complex. The fort walls are 13 km and the three hills are connected by walls enclosing an area of 11 square kilometres. It was built at a height of 240 m and protected by a 24 m wide moat. It has a seven-storeyed Kalyana Mahal (marriage hall), granaries, prison cells, and a temple dedicated to its presiding Hindu goddess called Chenjiamman. The fortifications contain a sacred pond known as Aanaikulam. The walls of the fort are a mixture of the natural hilly terrain comprising the Krishnagiri, Chakkilidrug and Rajagiri hills, while the gaps were sealed with the main wall that measures 20 metres in thickness. On the top of the hillock, there are minor fortifications.
Water resources are usually sparse in South Indian forts, while it was well managed in the Citadel. There are two sweet water sources on the summit and below it there are three reservoirs for storage of rain water. Water for Kalyana Mahal was brought through earthenware pipes from reservoir located 500 m from it.
RAJAGIRI
The first hill, where the main fort is, is called Rajagiri. Originally it was known as Kamalagiri as well as Anandagiri. The fort was historically considered most impregnable. It is about 240 m in height. Its summit is cut off from communication and is surrounded by a deep, natural chasm that is about 9.1 m wide and 18 m deep. To gain entry into the citadel one had to cross the chasm with the help of a small wooden draw bridge. The naturally strong rock where the fortress is located, is further strengthened by the construction of embrasure walls and gateways along all possible shelves and precipitous edges. The citadel is reached by traversing through seven gates. This citadel contains important buildings apart from the living quarters of the royalty, like the stables, granaries, and meeting halls for the public, temples, mosques, shrines and pavilions. Kamalakanni Amman temple is present atop the Rajagiri hills. As per Hindu legend, the presiding deity, Kamalakanni, is believed to be the widow of demon king Acalamaccuran. Draupadi, a Hindu goddess, beheaded the hundred heads of the demon and Kamalakanni is believed to have protests that she would become a widow. Draupadi explains her similarities that she has no sexual relations, though married. This resulted in the ambiguous kanni suffix. Ranganathar Temple, bell tower, watch tower, cannon and draw bridge are located atop the hill.
The lower fort consists of Arcot Gate, Pondicherry Gate, which was probably improved by the French during their occupation (1751–1761), the Prison on top of Pondicherry Gate, Royal Battery, Venkataramanaswami Temple, Pattabhi Ramaswami Temple, Sadatulla Khan’s mosque, Chettikulam and Chakrakulam tanks, platform where Raja Desing was killed in a war, large stone image of Hanuman, prisoner’s well where the prisoners condemned to death were thrown and left to die of starvation. The inner fort consists of Kalyana Mahal, the royal stables, the ruined royal palace, Anaikulam tank, granaries, magazine and the shrine of Venugopalaswami. There is a site museum at the entrance of the fort set up by the Archeological Survey of India containing sculptures pertaining to periods and many dynasties that ruled Gingee. There are also guns and cannonballs made of stone, strewn about the fort.
KRISHNAGIRI
The second important hillock with an imposing citadel is known as Krishnagiri. It is also known as the English Mountain, perhaps because the British residents occupied the fort here, for some time. The Krishnagiri fort lies to the North of Tiruvannamalai road. It is smaller in size and height compared to the Rajagiri fort. A flight of steps of granite stones leads to its top. Another fort connected with Rajagiri with a low rocky ridge is called Chandrayan Durg, Chandragiri or St. George’s Mountain. The military and strategic value of this fort has been relatively less, but it has some interesting buildings of later period.
CHAKKILIYA DURG
The third fort for some reason is called Chakkiliya Durg or Chamar Tikri — meaning the fort of the cobblers. It is not known why it had acquired the name. Probably the royal saddlers and military shoemakers had set up their workshops here, as Gingee obviously was a military encampment. There is a smaller and less important fourth hill, the summit of which is also well fortified. There is nothing much left of Chandrayan Durg and Chakkilli Durg. Their flanks are now completely covered with thorny shrubs and stone pieces.
CULTURE
After the fort passed into British hands, it did not see any further action. The fort at Gingee was declared a National Monument in 1921 and was under the Archeological Department. The Tourism Department of India has tried to popularise this remote and oft-forgotten fort. Gingee today, with its ruined forts, temples and granaries, presents a different picture from the glorious splendor of its bygone days. But the remains of that glorious past speak volumes about the numerous invasions, warfare and bravery that it witnessed. The fort is maintained by the Archeological Department. An entry charge of ₹5 is charged for Indian citizens and SAARC countries and US$2 or ₹100 for all monuments inside Krishnagiri and Rajagiri forts.
WIKIPEDIA
From today i will no longer be uploading photos on this account. My new account is: www.flickr.com/photos/119889737@N03/
This is a photograph from the Clane and Rathcoffey Parishes annual 10KM and 5KM Road Races and Fun Runs which were held in Clane village, Co. Kildare, Ireland on Sunday 19th of October at 14:30. This year's event follows on from the very successful staging last year (see link to photographs below). The organisers offer both a 5km and 10km race and the event provides an opportunity for runners, joggers, and walkers of all abilities to take part in the event. The 5KM has a particular emphasis on family entrants. There was a wonderful atmosphere around the Village as both races started and finished on the main street outside the parish hall. The directly out-and-back routes provided an opportunity for a fast time on a good course and made for a great finish line atmosphere as runners, joggers, and walkers crossed the line. Great praise must be extended to the whole organising committee who organised a very efficiently run event. The events provide some runners with an opportunity to have a final race effort session in the week leading up to the Dublin City Marathon.
Event Management and Electronic Timing was provided by Irish company Precision Timing. Their website is here with links to results from the race www.precisiontiming.net/result/racetimer
This photograph is part of a larger set of photographs taken at today's event. Photographs were taken at the start, 400 meters gone, 400 meters to go, 1km gone, and at the 9KM/4KM mark. The URL of the full set of photographs is www.flickr.com/photos/peterm7/sets/72157636717081724/
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If you are viewing this Flickr set on a smartphone and you want to see the larger version(s) of this photograph then: scroll down to the bottom of this description under the photograph and click the "View info about this photo..." link. You will be brought to a new page and you should click the link "View All Sizes".
Overall Race Summary and Logistics
Participants: There were about 200 competitors combined in the two events.
Weather: The weather was very changeable for all of the events. During the 10KM race there was a heavy rain shower around the area of the 6KM mark but this didn't actually fall in the town. There was a strong headwind against competitors in the 10KM on the return part of the course between 6KM and 8KM.
Race Course:
This summary includes information on both the 5KM and 10KM races.
Both races start in the same place - just outside the Race HQ on the main street of the town. The races then proceed north eastwards out the Dublin Road towards Straffan and Celbridge. Just after 400 meters the races take a left up a small local road and proceeds along this road until it takes a tight left hand turn at the end of the lane at Capdoo goo.gl/maps/aPo26 (Google Streetview). The route proceeds until it shortly meets the Clane-Kilcock Road - College Road R407 goo.gl/maps/SGcPa. Both races will divert into Clane Business and Industrial Park goo.gl/maps/EQMf0 . The 5KM turns around and returns on the same route to the finish. However the 10KM race continues (taking a left) back onto College Road. Soon afterwards it passes the famous entrance to Clongowes Wood College on the right the race takes the next left (goo.gl/maps/zUhrJ) and brings runners onto the road known locally as the 'Long Road' (R408 Between Rathcoffey and Prosperous) at this point goo.gl/maps/fHKr2. The race proceeds northward until runners meet the Clane Kilcock Road once again. With the exception of the partial run into the Industrial Estate the race returns to the finish on the main street in Clane via the same route as the outward part of the route.
Location Map:
Clane Parish Hall (Race HQ) goo.gl/maps/MgakJ
Start and Finish Location of both races goo.gl/maps/0wiZp
Refreshments:
There was a really wonderful array of refreshments provided in the parish hall after the race for all participants.
Some Useful Links Associated with this Race Event
Facebook Page of the Clane and Rathcoffey Parish: www.facebook.com/ParishOfClaneRathcoffey (May require Facebook login)
Homepage of the Parish of Clane and Rathcoffey: www.claneparish.com/2013/09/parish-run-sunday-20th-octobe...
Garmin Connect GPS Trace of the 2013 Clane 10KM Race: connect.garmin.com/activity/391624847
Garmin Connect GPS Trace of the 2013 Clane 5KM Race: connect.garmin.com/activity/381169067
Boards.ie Athletics Forum Discussion on the 2013 Race: www.boards.ie/vbulletin/showthread.php?t=2057062190
Our Flickr Set of Photographs from the 2012 Clane 5KM and 10KM Races: www.flickr.com/photos/peterm7/sets/72157631820732362/
Please note: These links are provided for information purposes. Some of these links might become obselete or dead links as time passess. We cannot be responsible for the content on these external websites. All websites were checked before posting here to ensure that they 'did what they said on the tin'.
Can I use these photographs directly from Flickr on my social media account?
Yes - of course you can. Flickr provides several ways to share this and other photographs in this Flickr set. You can share to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile device will also offer you several different options for sharing this photo page on your social media outlets.
How can I get full resolution copies of these photographs?
To prevent missue of these photographs there is a watermark embedded into the images. All of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution without the watermark. We take these photographs as a hobby and as a contribution to the running community in Ireland. Our only "cost" is our request that if you are using these images without the watermark: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us.
This also extends the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting does take a significant effort. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc.
If you would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably www.flickr.com/peterm7/sets
CR 60 Class No. 14645 seen here in Crimson Lake livery at an unknown location. Designed by William Pickersgill in 1916 and were given the nickname "Greyback" by crews but it is debated on why this name was given. It could be because when in CR Blue, the hot boiler would burn the paint and thus making the top grey or it could be because of their sluggish & temperamental steaming capabilities which seems more likely given O.S. Nocks account of these locomotives. All made it into LMS ownership in 1923 with more being made under Hughes. The last 60 Class was withdrawn in 1953.
From my collection
I used to love Flickr, the people on here and all the groups etc.
but things have changed. The system no longer suits me and the
new ownership definitely doesn’t appeal to me.
So this is my farewell image. I’ll be closing my account in the
next few days. I didn’t want to leave without saying goodbye.
To all the people I met on here (and in real life), I want to say
thank you for all the likes and the fun we had. Thanks for the
inspiration and support. Keep doing what you do and keep enjoying it.
If you want to follow me on Instagram you can find me at
@terrymcphotography.
To Flickr/SmugMug, it was fun but now it’s not.
Goodbye!
Note dated 9th June of things needed by various people.
Part of Denis Nealon's account book and diary.
I am grateful to my Flickr friends and viewers for taking an interest in my photos these past couple years, helping my account reach a milestone of 150,000 views. You have indulged my peculiar tastes and encouraged my creativity. You have showed me and taught me more about photography through your examples and advice. We have shared ideas about set-ups, lighting, and composition. Thank you.
This mosaic represents some of the photos that you liked most:
1. Yotsuba & Ramen, 2. Yotsuba & Obama, 3. Lucky Star is Closed for Business, 4. Yotsuba & "The Scream", 5. Yotsuba & the Hallways, 6. Do You Dig Graves?, 7. Rin Contemplates the Water, 8. Yotsuba & the Jet Pack, 9. Black Rock Shooter Finds Dead Master, 10. Sakura Loves iPod, 11. Yotsuba & the Big Wheel, 12. Yotsuba & the Catch of the Day, 13. Lucky Eva Twins, 14. Yotsuba & the Weekend Getaway, 15. Pocco and the Flowers, 16. Ice Cream, I Scream, ..., 17. Not a Walking Bass, 18. Pocco Close-up, 19. Yotsuba & M&Ms, 20. Sakura & iPod, 21. Kagami Demonstrates the Difference between a Leek and an Onion, 22. Yotsuba & Christmas Lights, 23. Yotsuba & the Executioner, 24. Yotsuba & the Garden, 25. Pocco & Her Chopper, 26. Mio Akiyama in the Spotlight, 27. Hide and Go Seek, 28. Rei's Sofa and Rin's Visit, 29. Yotsuba & the Rogue Bunnies, 30. Yotsuba's Fun Campaign Poster, 31. Snow Bunny, 32. Yotsuba Sketch, 33. Rin and Her Vespa at the Lake, 34. Miku Owns the Stage, 35. Yotsuba Opens Her Gifts, 36. The Sun Breaks Through the Clouds
Hello again, wcyd-blog
This is the last time we'll bug you about this, but your account has been dormant for a while, and if you want to preserve your existing username, you just need to let us know sometime in the next 24 hours. It's easy: Hit this button:
: www.tumblr.com/reactivate/6eb49ebd99467e1ef1c9df3dc3b03fc...