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A history of Taormina.

Her name was Cheryl and she was 65, he was called Christopher and he was 59, they both came from Australia; before reaching Taormina, in Sicily, they had traveled far and wide in various European countries, finally they came to Italy to visit some cities of art and tourism such as Florence, Rome, Sorrento, Amalfi ... the reason for this great to wander? The answer will be known after their tragic ending: to look for a "beautiful place" where they can die ... They weren't married, they didn't behave like lovers or boyfriends do, they certainly were good friends, or maybe they were simply a so-called open couple. Physically and temperamentally they were the exact opposite: Cheryl was sunny, cheerful, decidedly nice, a little chubby, overweight, she loved to wear large handkerchiefs which she then tied on top of her head to form showy bows, Christopher instead was a bit skittish , closed and sad, of few words, thin, tall, with possibly gay attitudes, but both were very friendly, so much so that they had made friends above all with the hotel staff, indeed, to be honest, they made small gifts, they were objects of good workmanship that they had brought with them and bought somewhere, demonstrating their sincere attachment (they had chosen a famous hotel in Taormina, staying in a Junior Suite - Sea View, in Taormina they should have stayed a week, later they would go to Syracuse). On the day of departure, 02-October -2013, at 14.00, Cheryl and Christopher do not show up in the hall to hand over the keys to the room, with extreme embarrassment the assistant manager of the hotel and the housekeeper go to knock on their door , over and over again, and seeing that they do not answer, they open the door with the electronic passe-partout: as soon as they enter they see reflected in the mirror the shape of their bodies that appear stretched out in bed, motionless: quick and convulsive thousand questions pile up in the mind of the two women, the housekeeper is terrified and runs away, while the lady assistant director must be able to understand what is happening and approaches, what she sees is a surreal scene: they are clearly dead, lying and rigid on the bed, they are not hugging each other , however, they are lying next to each other, under them, to cover the blankets and sheets of the bed, they have placed a large sheet of cellophane, like the one used by painters, to prevent any the humors freed from lifeless bodies, could dirty; on the back of the bed hung a row of Halloween flags, with printed skulls, and, among these, other flags, those used for birthday parties, each with a letter forming the phrase "dance of death"; on the bedside table there were two empty bottles (200 - 300 ml), which each contained a lethal substance, there were keys (for the locks of the suitcases), and a letter, in which they reported their last wishes: they left the money to honor the hotel expenses, they donated the contents of their suitcases to the hotel, and finally asked forgiveness for the inconvenience that their extreme action would certainly have caused to the hotel. The scant news on the web at the time (all photocopies of a single article) reported that both suffered from serious health problems, but that was not the case, certainly there was some minor ailment, but nothing really serious and unsolvable. Cheryl and Cristopher now lie in the cemetery of Taormina, higher up, closer to the sky than to the earth, even with the high ladder it is not easy to get close, even if only to lay a flower, the Australian embassy was contacted, but no one asked that their bodies were repatriated to their homeland, Australia.

Saint Augustine does not seem to say "those who sing, pray twice", but it would be nice to think that I, in posting my photos and dedicating them to them, maybe I am praying for them.

Post Scriptum: I thank Mrs. Luisa, without her I would never have been able to reconstruct the last hours of their lives with some accuracy, the news on the web is imprecise and laconic; many thanks to mr. Bambara, a funeral director, who having buried their bodies in 2013, showed me, accompanying me in person, where exactly their location is.

All the photos I present were taken in the town of Taormina and its surroundings (Sicily); I made photos related to "street photography";

I tried to capture the essence of minimal photographic stories, collected walking down the street ... in search of fleeting moments ...

For some photographs I used a particular photographic technique at the time of shooting, which in addition to capturing the surrounding space, also "inserted" a temporal dimension, with photos characterized by being moved because the exposure times were deliberately lengthened, they are confused -focused-imprecise-undecided ... the Anglo-Saxon term that encloses this photographic genre with a single word is "blur", these images were thus created during the shooting phase, and not as an effect created subsequently, in retrospect, in the post-production.

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Una storia di Taormina.

Lei si chiamava Cheryl ed aveva 65 anni, lui si chiamava Christopher ed aveva 59 anni, entrambi provenivano dall’Australia; prima di giungere a Taormina, in Sicilia, avevano girato in lungo ed in largo in vari paesi d’Europa, infine giunsero in Italia per visitare alcune città d’arte e turismo come Firenze, Roma, Sorrento, Amalfi… il motivo di questo gran girovagare? La risposta si saprà dopo il loro tragico epilogo: cercare un “posto bello” dove poter morire…Non erano sposati, non si comportavano come fanno gli amanti od i fidanzati, certamente erano dei buoni amici, o forse erano semplicemente una cosiddetta coppia aperta. Fisicamente e caratterialmente erano l’esatto opposto: Cheryl era solare, allegra, decisamente simpatica, un po’ pienotta, sovrappeso, amava indossare dei grandi fazzoletti che poi annodava in cima al capo a formare dei vistosi fiocchi, Christopher invece era un po’ ombroso, chiuso e triste, di poche parole, magro, segaligno, alto, con atteggiamenti forse da gay, però entrambi erano molto cordiali, tant’è che avevano fatto amicizia soprattutto col personale d’albergo, anzi, a dirla tutta, acostoro facevano dei piccoli regali, erano oggetti di buona fattura che avevano portato con se ed acquistati chissà dove, a dimostrazione del loro sincero attaccamento (avevano scelto un famoso albergo di Taormina, alloggiando in una Junior Suite –Vista Mare, a Taormina sarebbero dovuti restare una settimana, dopo si sarebbero recati a Siracusa). Il giorno della partenza, il 02-ottobre -2013, alle ore 14,00, Cheryl e Christopher non si presentano nella hall a consegnare le chiavi della stanza, con estremo imbarazzo la vicedirettrice dell’albergo e la governante vanno a bussare alla loro porta, più e più volte, e, vedendo che non rispondono, aprono la porta con il passe-partout elettronico: appena entrate vedono riflessa nello specchio la sagoma dei loro corpi che appaiono distesi nel letto, immobili: rapide e convulse mille domande si affastellano nella mente delle due donne, la governante è terrorizzata e fugge via, mentre la vicedirettrice deve poter capire cosa sta succedendo e si avvicina, quello che vede è una scena surreale: loro sono chiaramente morti, distesi e rigidi sul letto, non sono tra loro abbracciati, però sono coricati l’uno accanto all’altra, sotto di loro, a coprire le coperte e le lenzuola del letto, hanno posto un grande foglio di cellophane, come quello che usano gli imbianchini, per evitare che eventuali umori liberatisi dai corpi esanimi, potessero sporcare; sulla spalliera del letto era appesa una fila di bandierine di Halloween, coi teschi stampati, e, tra queste, altre bandierine, quelle che si usano per le feste di compleanno, ognuna con una lettera a formare la frase “dance of death” (la danza della morte); sul comodino c’erano due flaconi (200 – 300 ml) svuotati, che contenevano ognuno una sostanza letale, c’erano delle chiavi (per le serrature delle valigie), ed una lettera, nella quale riportavano le loro ultime volontà: lasciavano i soldi per onorare le spese dell’albergo, donavano all’albergo il contenuto delle loro valigie, ed infine chiedevano perdono per il disagio che il loro gesto estremo avrebbe certamente arrecato all’albergo. Le scarne notizie sul web di allora (tutti articoli fotocopia di un solo articolo) riportarono che entrambi soffrivano di gravi problemi di salute, ma le cose non stavano così, certo qualche piccolo malanno c’era, ma nulla di veramente grave ed irrisolvibile. Cheryl e Cristopher adesso giacciono nel cimitero di Taormina, in alto, più vicini al cielo che alla terra, neanche con la scala alta è facile avvicinarsi, anche solo per deporvi un fiore, fu contattata l’ambasciata australiana, ma nessuno chiese che i loro corpi venissero rimpatriati nella loro patria, l’Australia.

Sant’Agostino sembra non disse “chi canta prega due volte”, ma sarebbe bello pensare che io, nel postare le mie foto e nel dedicarle a loro, forse io stia ugualmente pregando per loro.

Post Scriptum: ringrazio la signora Luisa, senza di lei non sarei mai riuscito a ricostruire con una certa accuratezza le ultime ore della loro vita, sul web le notizie sono imprecise e laconiche; ringrazio il sig. Bambara, impresario di pompe funebri, che avendone tumulato i loro corpi nell’anno 2013, mi ha indicato, accompagnandomi di persona, dove si trova esattamente la loro ubicazione.

Tutte le foto che presento sono state realizzate nella cittadina di Taormina e nei suoi dintorni (Sicilia);

ho realizzato foto riconducibili alla “street photography”;

ho cercato di cogliere al volo l’essenza di storie fotografiche minime, raccolte camminando per la strada ... alla ricerca di attimi fugaci s-fuggenti ...

Ho utilizzato per alcune fotografie una tecnica fotografica particolare al momento dello scatto, che oltre a catturare lo spazio circostante, ha "inserito" anche una dimensione temporale, con foto caratterizzate dall’essere mosse poiché volutamente sono stati allungati i tempi di esposizione, sono confuse-sfocate-imprecise-indecise...il termine anglosassone che racchiude con una sola parola questo genere fotografico è "blur", queste immagini sono state così realizzate in fase di scatto, e non come un effetto creato successivamente, a posteriori, in fase di post-produzione.

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Blythe a Day May 04 - "Money" by Mayra Galland

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Maxwell got his first job petsitting for friends. He got his first bank account too!

Pro Account Ceased by Kenny Teo

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Pro Account Ceased and photo delete notice from Flickr admin. Maybe Is time to farewell my photography journey with flickr after 16 years sharing my work with all my fellow contacts .

Brand new J.B. Hunt Freightliner Cascadias signel axle daycabs by Michael Cereghino

Brand new single axle Freightliner Cascadia's for J.B. Hunt's "Final Mile" account being delivered to the Portland, OR shop in December 2017.

All my Lego World War II Creations for 2011 by Aaron Morse

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To make room on my Flickr Account I'm going to delete alot of older and WIP pics so I thought I'd combine 2011's creations here and put some shout outs here too. Thanks to Dan Siskind who's awesomeness personified and has probably pumped out more tank kits than Canada did real tanks in WW2. Thank's to Magnus Lauglo for neato suspension ideas, Thanks to Rumrunner for the cupola idea, thanks to Aleksander Stein for showing us all that square bricks and blocks can still be made to look like mottled camouflage. Thanks to Daniel Zayac who's CMP 15cwt first got me thinking about building WW2 MOCs in the first place. Thanks to Charlie Co. for the cool stickers for my troops. Thanks to Brickarms, and BrickForge and Amazing Armoury and all the other cool fellas out there making all those cool accessories that Lego just will never make. (OMG I want a Brickarms MG34 SO BAD! Santa must have missed me on his list) And thanks you all of you for suggestions and comments and fav's over the years, Most recently I'll shout out to Sniper II and жестокийхорват42 for the PzKw IV chassis modification suggestions. Happy New Years all. Keep Building.

-Aaron

PS ChrisWilson2...stay away from my Bergie! She's started seeing a King Tiger named Bruiser. :)

Roman Britain, Vindolanda Auxiliary Fort (Castrum) Northumberland, England. by PHOTOGRAPHY by DM & DBM.

Vindolanda was a Roman auxiliary fort (castrum) just south of Hadrian's Wall in northern England, which it originally pre-dated. Archaeological excavations of the site show it was under Roman occupation from roughly 85 AD to 370 AD. Located near the modern village of Bardon Mill in Northumberland, it guarded the Stanegate, the Roman road from the River Tyne to the Solway Firth. It is noted for the Vindolanda tablets, a set of wooden leaf-tablets that were, at the time of their discovery, the oldest surviving handwritten documents in Britain.

The first post-Roman record of the ruins at Vindolanda was made by the antiquarian William Camden, in his Britannia (1586). Occasional travellers reached the site over the next two hundred years, and the accounts they left predate much of the stone-stealing that has damaged the site. The military Thermae (bath-house) was still partly roofed when Christopher Hunter visited the site in 1702. In about 1715 an excise officer named John Warburton found an altar there, which he removed. In 1814 the first real archaeological work was begun, by the Rev. Anthony Hedley.

Hedley died in 1835, before writing up his discoveries. Little more was done for a long time, although in 1914 a workman found another altar at the site, set up by the civilians living at the fort in honour of the Divine House and Vulcan. Several names for the site are used in the early records, including "Chesters on Caudley", "Little Chesters", "The Bower" and "Chesterholm"; the altar found in 1914 confirmed that the Roman name for the site was "Vindolanda", which had been in dispute as one early source referred to it as "Vindolana".

The garrison consisted of infantry or cavalry auxilia, not components of Roman legions. From the early third century, this was the Cohors IV Gallorum equitata also known as the Fourth Cohort of Gauls. It had been presumed that this title was, by this time, purely nominal, with auxiliary troops being recruited locally but an inscription found in a recent season of excavations suggests that native Gauls were still to be found in the regiment and that they liked to distinguish themselves from British soldiers. The inscription reads:

CIVES GALLI

DE GALLIAE

CONCORDES

QUE BRITANNI

A translation of this is "The troops from Gaul dedicate this statue to the goddess Gallia with the full support of the British-born troops".

Among the troops were Basque-speaking soldiers of the Varduli.

The earliest Roman forts at Vindolanda were built of wood and turf. The remains are now buried as much as 13 ft (4 m) deep in the anoxic waterlogged soil. There are five timber forts, built (and demolished) one after the other. The first, a small fort, was probably built by the 1st Cohort of Tungrians about 85 AD. By about 95 AD this was replaced by a larger wooden fort built by the 9th Cohort of Batavians, a mixed infantry-cavalry unit of about 1,000 men. That fort was repaired in about 100 AD under the command of the Roman prefect Flavius Cerialis. When the 9th Cohort of Batavians left in 105 AD, their fort was demolished. The 1st Cohort of Tungrians returned to Vindolanda, built a larger wooden fort and remained here until Hadrian's Wall was built around 122 AD, when they moved, most likely to Vercovicium (Housesteads Roman Fort) on the wall, about two miles to the north-east of Vindolanda.

Soon after Hadrian's Wall was built, most of its men were moved north to the Antonine Wall. A stone fort was built at Vindolanda, possibly for the 2nd Cohort of Nervians. From 208 to 211 AD, there was a major rebellion against Rome in Britain, and the Emperor Septimius Severus led an army to Britain to cope with it personally. The old stone fort was demolished, and replaced by an unconventional set of army buildings on the west, and an unusual array of many round stone huts where the old fort had been. Some of these circular huts are visible by the north and the southwest walls of the final stone fort. The Roman army may have built these to accommodate families of British farmers in this unsettled period. Septimius Severus died at York in 211 AD; his sons paid off the rebels and left for Rome. The stone buildings were demolished, and a large new stone fort was built where the huts had been, for the 4th Cohort of Gauls.

A vicus, a self-governing village, developed to the west of the fort. The vicus contains several rows of buildings, each containing several one-room chambers. Most are not connected to the existing drainage system. The one that does was perhaps a butchery where, for health reasons, an efficient drain would have been important. A stone altar found in 1914 (and exhibited in the museum) proves that the settlement was officially a vicus and that it was named Vindolanda. To the south of the fort is a thermae (a large imperial bath complex), that would have been used by many of the individuals on the site. The later stone fort, and the adjoining village, remained in use until about 285 AD, when it was largely abandoned for unknown reasons.

About 300 AD, the fort was again rebuilt, but the vicus was not reoccupied, so most likely the area remained too unsafe for life outside the defended walls of the fort. In about 370, the fort was roughly repaired, perhaps by irregular soldiers. There is no evidence for the traditional view that Roman occupation ended suddenly in 410; it may have declined slowly.

In the 1930s, the house at Chesterholm where the museum is now located was purchased by archaeologist Eric Birley, who was interested in excavating the site. The excavations have been continued by his sons, Robin and Anthony, and his grandson, Andrew Birley, into the present day. They are undertaken each summer, and some of the archaeological deposits reach depths of six metres. The anoxic conditions at these depths have preserved thousands of artefacts, such as 850 ink tablets and over 160 boxwood combs, that normally disintegrate in the ground, thus providing an opportunity to gain a fuller understanding of Roman life – military and otherwise – on the northern frontier. The study of these ink tablets shows a literacy among both the high born who there, as with the party invitation from one officer's wife to another and with soldiers and their families who send care packages with notes on the contents of the packages. A study of spindle whorls from the north-western quadrant has indicated the presence of spinners of low- and high- status in the fort in the 3rd and 4th century AD. Along with ongoing excavations (in season) and excavated remains, a full-size replica of a section of Hadrian's Wall in both stone and turf can be seen on the site. As of yet there is no reconstruction of the Vallum.

Nearly 2000-year-old Roman boxing gloves were uncovered at Vindolanda in 2017 by the Vindolanda Trust experts led by Dr Andrew Birley. According to the Guardian, being similar in style and function to the full-hand modern boxing gloves, these two gloves found at Vindolanda look like leather bands and date back to 120 AD. It is suggested that, based on their difference from gladiator gloves, warriors using this type of gloves had no purpose to kill each other. These gloves were probably used in a sport for promoting fighting skills. The gloves are currently displayed at Vindolanda's museum. According to Birley, they are not part of a matching pair:

The larger of the two gloves is cut from a single piece of leather and was folded into a pouch configuration, the extending leather at each side were slotted into one another forming a complete oval shape creating an inner hole into which a hand could still easily be inserted. The glove was packed with natural material acting as a shock absorber.

Recent excavations have been accompanied by new archaeological methodologies. 3-D imaging has been used to investigate the use of an ox cranium in target practice.

In 2021, a carved sandstone artifact was discovered a few inches below the floor of the fort. It depicts a nude warrior or deity before a horse or similar animal. Early interpretations point to the figure being of a Roman deity, perhaps of Mars or Mercury.

In 2023 February, a 2,000 year-old disembodied 6.3 inches long wooden phallus toy was revealed, according to the research published in the journal Antiquity.

In addition to the older initial findings of ink tablets, shoes and combs, several more artifacts and discoveries of note have been covered by the media. In 2017, the British newspaper The Guardian focused on a discovery of cavalry barracks that were uncovered during the excavation season that held a large number of artifacts including swords, ink tablets, textiles, arrowheads, and other military paraphernalia. Relative dating of the barracks had determined that they were built around 105 AD. The Guardian also publicized the discovery of a cache of 25 ink tablets found earlier in the 2017 season. The tablets were discovered in a trench in one of the earliest layers of the fort, dating to the 1st century AD. This discovery was considered to be the second-largest discovery of ink tablets in the world, with the first being a cache that was also discovered at Vindolanda in 1992.

In the 2014 excavation season, BBC ran a story about the discovery of one of the few surviving examples of a wooden toilet seat to be found in the Roman Empire. In the same year, they also recorded the discovery of the only (very old, very worn) gold coin ever to be found on the site with a mint date of 64 or 65 AD, lying in a site layer dating to the 4th century AD.

In 2010, the BBC announced the discovery of the remains of a child between the ages of 8 and 10 years, which was uncovered in a shallow pit in a barrack room in a position suggesting that its arms may have been bound. Further archaeological analysis indicated that it could be female. She is believed to have died about 1,800 years ago.

Another find publicised on the BBC website in 2006 was a bronze and silver fibula modelled with the figure of Mars, with the name Quintus Sollonius punched into its surface.

In 2020, archaeologists discovered a 5th-century chalice covered in religious iconography within a collapsed church structure. The images include crosses, angels, a smiling priestly figure holding a crook, fish, a whale, ships, the Greek letters chi-rho. In addition, the chalice bears scripts written in Latin, Greek, and possibly Ogham.

The Vindolanda site museum, also known as Chesterholm Museum, conserves and displays finds from the site. The museum is set in gardens, which include full-sized reconstructions of a Roman temple, a Roman shop, a Roman house and Northumbrian croft, all with audio presentations. Exhibits include Roman boots, shoes, armour, jewellery and coins, infrared photographs of the writing tablets and, from 2011, a small selection of the tablets themselves, on loan from the British Museum. 2011 saw the reopening of the museum at Vindolanda, and also the Roman Army Museum at Magnae Carvetiorum (Carvoran), refurbished with a grant from the Heritage Lottery Fund.

Roman Britain was the territory that became the Roman province of Britannia after the Roman conquest of Britain, consisting of a large part of the island of Great Britain. The occupation lasted from AD 43 to AD 410.

Julius Caesar invaded Britain in 55 and 54 BC as part of his Gallic Wars. According to Caesar, the Britons had been overrun or culturally assimilated by the Belgae during the British Iron Age and had been aiding Caesar's enemies. The Belgae were the only Celtic tribe to cross the sea into Britain, for to all other Celtic tribes this land was unknown. He received tribute, installed the friendly king Mandubracius over the Trinovantes, and returned to Gaul. Planned invasions under Augustus were called off in 34, 27, and 25 BC. In 40 AD, Caligula assembled 200,000 men at the Channel on the continent, only to have them gather seashells (musculi) according to Suetonius, perhaps as a symbolic gesture to proclaim Caligula's victory over the sea. Three years later, Claudius directed four legions to invade Britain and restore the exiled king Verica over the Atrebates. The Romans defeated the Catuvellauni, and then organized their conquests as the province of Britain. By 47 AD, the Romans held the lands southeast of the Fosse Way. Control over Wales was delayed by reverses and the effects of Boudica's uprising, but the Romans expanded steadily northward.

The conquest of Britain continued under command of Gnaeus Julius Agricola (77–84), who expanded the Roman Empire as far as Caledonia. In mid-84 AD, Agricola faced the armies of the Caledonians, led by Calgacus, at the Battle of Mons Graupius. Battle casualties were estimated by Tacitus to be upwards of 10,000 on the Caledonian side and about 360 on the Roman side. The bloodbath at Mons Graupius concluded the forty-year conquest of Britain, a period that possibly saw between 100,000 and 250,000 Britons killed. In the context of pre-industrial warfare and of a total population of Britain of c. 2 million, these are very high figures.

Under the 2nd-century emperors Hadrian and Antoninus Pius, two walls were built to defend the Roman province from the Caledonians, whose realms in the Scottish Highlands were never controlled. Around 197 AD, the Severan Reforms divided Britain into two provinces: Britannia Superior and Britannia Inferior. During the Diocletian Reforms, at the end of the 3rd century, Britannia was divided into four provinces under the direction of a vicarius, who administered the Diocese of the Britains. A fifth province, Valentia, is attested in the later 4th century. For much of the later period of the Roman occupation, Britannia was subject to barbarian invasions and often came under the control of imperial usurpers and imperial pretenders. The final Roman withdrawal from Britain occurred around 410; the native kingdoms are considered to have formed Sub-Roman Britain after that.

Following the conquest of the Britons, a distinctive Romano-British culture emerged as the Romans introduced improved agriculture, urban planning, industrial production, and architecture. The Roman goddess Britannia became the female personification of Britain. After the initial invasions, Roman historians generally only mention Britain in passing. Thus, most present knowledge derives from archaeological investigations and occasional epigraphic evidence lauding the Britannic achievements of an emperor. Roman citizens settled in Britain from many parts of the Empire.

History

Britain was known to the Classical world. The Greeks, the Phoenicians and the Carthaginians traded for Cornish tin in the 4th century BC. The Greeks referred to the Cassiterides, or "tin islands", and placed them near the west coast of Europe. The Carthaginian sailor Himilco is said to have visited the island in the 6th or 5th century BC and the Greek explorer Pytheas in the 4th. It was regarded as a place of mystery, with some writers refusing to believe it existed.

The first direct Roman contact was when Julius Caesar undertook two expeditions in 55 and 54 BC, as part of his conquest of Gaul, believing the Britons were helping the Gallic resistance. The first expedition was more a reconnaissance than a full invasion and gained a foothold on the coast of Kent but was unable to advance further because of storm damage to the ships and a lack of cavalry. Despite the military failure, it was a political success, with the Roman Senate declaring a 20-day public holiday in Rome to honour the unprecedented achievement of obtaining hostages from Britain and defeating Belgic tribes on returning to the continent.

The second invasion involved a substantially larger force and Caesar coerced or invited many of the native Celtic tribes to pay tribute and give hostages in return for peace. A friendly local king, Mandubracius, was installed, and his rival, Cassivellaunus, was brought to terms. Hostages were taken, but historians disagree over whether any tribute was paid after Caesar returned to Gaul.

Caesar conquered no territory and left no troops behind, but he established clients and brought Britain into Rome's sphere of influence. Augustus planned invasions in 34, 27 and 25 BC, but circumstances were never favourable, and the relationship between Britain and Rome settled into one of diplomacy and trade. Strabo, writing late in Augustus's reign, claimed that taxes on trade brought in more annual revenue than any conquest could. Archaeology shows that there was an increase in imported luxury goods in southeastern Britain. Strabo also mentions British kings who sent embassies to Augustus, and Augustus's own Res Gestae refers to two British kings he received as refugees. When some of Tiberius's ships were carried to Britain in a storm during his campaigns in Germany in 16 AD, they came back with tales of monsters.

Rome appears to have encouraged a balance of power in southern Britain, supporting two powerful kingdoms: the Catuvellauni, ruled by the descendants of Tasciovanus, and the Atrebates, ruled by the descendants of Commius. This policy was followed until 39 or 40 AD, when Caligula received an exiled member of the Catuvellaunian dynasty and planned an invasion of Britain that collapsed in farcical circumstances before it left Gaul. When Claudius successfully invaded in 43 AD, it was in aid of another fugitive British ruler, Verica of the Atrebates.

Roman invasion

The invasion force in 43 AD was led by Aulus Plautius,[26] but it is unclear how many legions were sent. The Legio II Augusta, commanded by future emperor Vespasian, was the only one directly attested to have taken part. The Legio IX Hispana, the XIV Gemina (later styled Martia Victrix) and the XX (later styled Valeria Victrix) are known to have served during the Boudican Revolt of 60/61, and were probably there since the initial invasion. This is not certain because the Roman army was flexible, with units being moved around whenever necessary. The IX Hispana may have been permanently stationed, with records showing it at Eboracum (York) in 71 and on a building inscription there dated 108, before being destroyed in the east of the Empire, possibly during the Bar Kokhba revolt.

The invasion was delayed by a troop mutiny until an imperial freedman persuaded them to overcome their fear of crossing the Ocean and campaigning beyond the limits of the known world. They sailed in three divisions, and probably landed at Richborough in Kent; at least part of the force may have landed near Fishbourne, West Sussex.

The Catuvellauni and their allies were defeated in two battles: the first, assuming a Richborough landing, on the river Medway, the second on the river Thames. One of their leaders, Togodumnus, was killed, but his brother Caratacus survived to continue resistance elsewhere. Plautius halted at the Thames and sent for Claudius, who arrived with reinforcements, including artillery and elephants, for the final march to the Catuvellaunian capital, Camulodunum (Colchester). Vespasian subdued the southwest, Cogidubnus was set up as a friendly king of several territories, and treaties were made with tribes outside direct Roman control.

Establishment of Roman rule

After capturing the south of the island, the Romans turned their attention to what is now Wales. The Silures, Ordovices and Deceangli remained implacably opposed to the invaders and for the first few decades were the focus of Roman military attention, despite occasional minor revolts among Roman allies like the Brigantes and the Iceni. The Silures were led by Caratacus, and he carried out an effective guerrilla campaign against Governor Publius Ostorius Scapula. Finally, in 51, Ostorius lured Caratacus into a set-piece battle and defeated him. The British leader sought refuge among the Brigantes, but their queen, Cartimandua, proved her loyalty by surrendering him to the Romans. He was brought as a captive to Rome, where a dignified speech he made during Claudius's triumph persuaded the emperor to spare his life. The Silures were still not pacified, and Cartimandua's ex-husband Venutius replaced Caratacus as the most prominent leader of British resistance.

On Nero's accession, Roman Britain extended as far north as Lindum. Gaius Suetonius Paulinus, the conqueror of Mauretania (modern day Algeria and Morocco), then became governor of Britain, and in 60 and 61 he moved against Mona (Anglesey) to settle accounts with Druidism once and for all. Paulinus led his army across the Menai Strait and massacred the Druids and burnt their sacred groves.

While Paulinus was campaigning in Mona, the southeast of Britain rose in revolt under the leadership of Boudica. She was the widow of the recently deceased king of the Iceni, Prasutagus. The Roman historian Tacitus reports that Prasutagus had left a will leaving half his kingdom to Nero in the hope that the remainder would be left untouched. He was wrong. When his will was enforced, Rome[clarification needed] responded by violently seizing the tribe's lands in full. Boudica protested. In consequence, Rome[clarification needed] punished her and her daughters by flogging and rape. In response, the Iceni, joined by the Trinovantes, destroyed the Roman colony at Camulodunum (Colchester) and routed the part of the IXth Legion that was sent to relieve it. Paulinus rode to London (then called Londinium), the rebels' next target, but concluded it could not be defended. Abandoned, it was destroyed, as was Verulamium (St. Albans). Between seventy and eighty thousand people are said to have been killed in the three cities. But Paulinus regrouped with two of the three legions still available to him, chose a battlefield, and, despite being outnumbered by more than twenty to one, defeated the rebels in the Battle of Watling Street. Boudica died not long afterwards, by self-administered poison or by illness. During this time, the Emperor Nero considered withdrawing Roman forces from Britain altogether.

There was further turmoil in 69, the "Year of the Four Emperors". As civil war raged in Rome, weak governors were unable to control the legions in Britain, and Venutius of the Brigantes seized his chance. The Romans had previously defended Cartimandua against him, but this time were unable to do so. Cartimandua was evacuated, and Venutius was left in control of the north of the country. After Vespasian secured the empire, his first two appointments as governor, Quintus Petillius Cerialis and Sextus Julius Frontinus, took on the task of subduing the Brigantes and Silures respectively.[38] Frontinus extended Roman rule to all of South Wales, and initiated exploitation of the mineral resources, such as the gold mines at Dolaucothi.

In the following years, the Romans conquered more of the island, increasing the size of Roman Britain. Governor Gnaeus Julius Agricola, father-in-law to the historian Tacitus, conquered the Ordovices in 78. With the XX Valeria Victrix legion, Agricola defeated the Caledonians in 84 at the Battle of Mons Graupius, in north-east Scotland. This was the high-water mark of Roman territory in Britain: shortly after his victory, Agricola was recalled from Britain back to Rome, and the Romans initially retired to a more defensible line along the Forth–Clyde isthmus, freeing soldiers badly needed along other frontiers.

For much of the history of Roman Britain, a large number of soldiers were garrisoned on the island. This required that the emperor station a trusted senior man as governor of the province. As a result, many future emperors served as governors or legates in this province, including Vespasian, Pertinax, and Gordian I.

Roman military organisation in the north

In 84 AD

In 155 AD

Hadrian's Wall, and Antonine Wall

There is no historical source describing the decades that followed Agricola's recall. Even the name of his replacement is unknown. Archaeology has shown that some Roman forts south of the Forth–Clyde isthmus were rebuilt and enlarged; others appear to have been abandoned. By 87 the frontier had been consolidated on the Stanegate. Roman coins and pottery have been found circulating at native settlement sites in the Scottish Lowlands in the years before 100, indicating growing Romanisation. Some of the most important sources for this era are the writing tablets from the fort at Vindolanda in Northumberland, mostly dating to 90–110. These tablets provide evidence for the operation of a Roman fort at the edge of the Roman Empire, where officers' wives maintained polite society while merchants, hauliers and military personnel kept the fort operational and supplied.

Around 105 there appears to have been a serious setback at the hands of the tribes of the Picts: several Roman forts were destroyed by fire, with human remains and damaged armour at Trimontium (at modern Newstead, in SE Scotland) indicating hostilities at least at that site.[citation needed] There is also circumstantial evidence that auxiliary reinforcements were sent from Germany, and an unnamed British war of the period is mentioned on the gravestone of a tribune of Cyrene. Trajan's Dacian Wars may have led to troop reductions in the area or even total withdrawal followed by slighting of the forts by the Picts rather than an unrecorded military defeat. The Romans were also in the habit of destroying their own forts during an orderly withdrawal, in order to deny resources to an enemy. In either case, the frontier probably moved south to the line of the Stanegate at the Solway–Tyne isthmus around this time.

A new crisis occurred at the beginning of Hadrian's reign): a rising in the north which was suppressed by Quintus Pompeius Falco. When Hadrian reached Britannia on his famous tour of the Roman provinces around 120, he directed an extensive defensive wall, known to posterity as Hadrian's Wall, to be built close to the line of the Stanegate frontier. Hadrian appointed Aulus Platorius Nepos as governor to undertake this work who brought the Legio VI Victrix legion with him from Germania Inferior. This replaced the famous Legio IX Hispana, whose disappearance has been much discussed. Archaeology indicates considerable political instability in Scotland during the first half of the 2nd century, and the shifting frontier at this time should be seen in this context.

In the reign of Antoninus Pius (138–161) the Hadrianic border was briefly extended north to the Forth–Clyde isthmus, where the Antonine Wall was built around 142 following the military reoccupation of the Scottish lowlands by a new governor, Quintus Lollius Urbicus.

The first Antonine occupation of Scotland ended as a result of a further crisis in 155–157, when the Brigantes revolted. With limited options to despatch reinforcements, the Romans moved their troops south, and this rising was suppressed by Governor Gnaeus Julius Verus. Within a year the Antonine Wall was recaptured, but by 163 or 164 it was abandoned. The second occupation was probably connected with Antoninus's undertakings to protect the Votadini or his pride in enlarging the empire, since the retreat to the Hadrianic frontier occurred not long after his death when a more objective strategic assessment of the benefits of the Antonine Wall could be made. The Romans did not entirely withdraw from Scotland at this time: the large fort at Newstead was maintained along with seven smaller outposts until at least 180.

During the twenty-year period following the reversion of the frontier to Hadrian's Wall in 163/4, Rome was concerned with continental issues, primarily problems in the Danubian provinces. Increasing numbers of hoards of buried coins in Britain at this time indicate that peace was not entirely achieved. Sufficient Roman silver has been found in Scotland to suggest more than ordinary trade, and it is likely that the Romans were reinforcing treaty agreements by paying tribute to their implacable enemies, the Picts.

In 175, a large force of Sarmatian cavalry, consisting of 5,500 men, arrived in Britannia, probably to reinforce troops fighting unrecorded uprisings. In 180, Hadrian's Wall was breached by the Picts and the commanding officer or governor was killed there in what Cassius Dio described as the most serious war of the reign of Commodus. Ulpius Marcellus was sent as replacement governor and by 184 he had won a new peace, only to be faced with a mutiny from his own troops. Unhappy with Marcellus's strictness, they tried to elect a legate named Priscus as usurper governor; he refused, but Marcellus was lucky to leave the province alive. The Roman army in Britannia continued its insubordination: they sent a delegation of 1,500 to Rome to demand the execution of Tigidius Perennis, a Praetorian prefect who they felt had earlier wronged them by posting lowly equites to legate ranks in Britannia. Commodus met the party outside Rome and agreed to have Perennis killed, but this only made them feel more secure in their mutiny.

The future emperor Pertinax (lived 126–193) was sent to Britannia to quell the mutiny and was initially successful in regaining control, but a riot broke out among the troops. Pertinax was attacked and left for dead, and asked to be recalled to Rome, where he briefly succeeded Commodus as emperor in 192.

3rd century

The death of Commodus put into motion a series of events which eventually led to civil war. Following the short reign of Pertinax, several rivals for the emperorship emerged, including Septimius Severus and Clodius Albinus. The latter was the new governor of Britannia, and had seemingly won the natives over after their earlier rebellions; he also controlled three legions, making him a potentially significant claimant. His sometime rival Severus promised him the title of Caesar in return for Albinus's support against Pescennius Niger in the east. Once Niger was neutralised, Severus turned on his ally in Britannia; it is likely that Albinus saw he would be the next target and was already preparing for war.

Albinus crossed to Gaul in 195, where the provinces were also sympathetic to him, and set up at Lugdunum. Severus arrived in February 196, and the ensuing battle was decisive. Albinus came close to victory, but Severus's reinforcements won the day, and the British governor committed suicide. Severus soon purged Albinus's sympathisers and perhaps confiscated large tracts of land in Britain as punishment. Albinus had demonstrated the major problem posed by Roman Britain. In order to maintain security, the province required the presence of three legions, but command of these forces provided an ideal power base for ambitious rivals. Deploying those legions elsewhere would strip the island of its garrison, leaving the province defenceless against uprisings by the native Celtic tribes and against invasion by the Picts and Scots.

The traditional view is that northern Britain descended into anarchy during Albinus's absence. Cassius Dio records that the new Governor, Virius Lupus, was obliged to buy peace from a fractious northern tribe known as the Maeatae. The succession of militarily distinguished governors who were subsequently appointed suggests that enemies of Rome were posing a difficult challenge, and Lucius Alfenus Senecio's report to Rome in 207 describes barbarians "rebelling, over-running the land, taking loot and creating destruction". In order to rebel, of course, one must be a subject – the Maeatae clearly did not consider themselves such. Senecio requested either reinforcements or an Imperial expedition, and Severus chose the latter, despite being 62 years old. Archaeological evidence shows that Senecio had been rebuilding the defences of Hadrian's Wall and the forts beyond it, and Severus's arrival in Britain prompted the enemy tribes to sue for peace immediately. The emperor had not come all that way to leave without a victory, and it is likely that he wished to provide his teenage sons Caracalla and Geta with first-hand experience of controlling a hostile barbarian land.

Northern campaigns, 208–211

An invasion of Caledonia led by Severus and probably numbering around 20,000 troops moved north in 208 or 209, crossing the Wall and passing through eastern Scotland on a route similar to that used by Agricola. Harried by punishing guerrilla raids by the northern tribes and slowed by an unforgiving terrain, Severus was unable to meet the Caledonians on a battlefield. The emperor's forces pushed north as far as the River Tay, but little appears to have been achieved by the invasion, as peace treaties were signed with the Caledonians. By 210 Severus had returned to York, and the frontier had once again become Hadrian's Wall. He assumed the title Britannicus but the title meant little with regard to the unconquered north, which clearly remained outside the authority of the Empire. Almost immediately, another northern tribe, the Maeatae, went to war. Caracalla left with a punitive expedition, but by the following year his ailing father had died and he and his brother left the province to press their claim to the throne.

As one of his last acts, Severus tried to solve the problem of powerful and rebellious governors in Britain by dividing the province into Britannia Superior and Britannia Inferior. This kept the potential for rebellion in check for almost a century. Historical sources provide little information on the following decades, a period known as the Long Peace. Even so, the number of buried hoards found from this period rises, suggesting continuing unrest. A string of forts were built along the coast of southern Britain to control piracy; and over the following hundred years they increased in number, becoming the Saxon Shore Forts.

During the middle of the 3rd century, the Roman Empire was convulsed by barbarian invasions, rebellions and new imperial pretenders. Britannia apparently avoided these troubles, but increasing inflation had its economic effect. In 259 a so-called Gallic Empire was established when Postumus rebelled against Gallienus. Britannia was part of this until 274 when Aurelian reunited the empire.

Around the year 280, a half-British officer named Bonosus was in command of the Roman's Rhenish fleet when the Germans managed to burn it at anchor. To avoid punishment, he proclaimed himself emperor at Colonia Agrippina (Cologne) but was crushed by Marcus Aurelius Probus. Soon afterwards, an unnamed governor of one of the British provinces also attempted an uprising. Probus put it down by sending irregular troops of Vandals and Burgundians across the Channel.

The Carausian Revolt led to a short-lived Britannic Empire from 286 to 296. Carausius was a Menapian naval commander of the Britannic fleet; he revolted upon learning of a death sentence ordered by the emperor Maximian on charges of having abetted Frankish and Saxon pirates and having embezzled recovered treasure. He consolidated control over all the provinces of Britain and some of northern Gaul while Maximian dealt with other uprisings. An invasion in 288 failed to unseat him and an uneasy peace ensued, with Carausius issuing coins and inviting official recognition. In 293, the junior emperor Constantius Chlorus launched a second offensive, besieging the rebel port of Gesoriacum (Boulogne-sur-Mer) by land and sea. After it fell, Constantius attacked Carausius's other Gallic holdings and Frankish allies and Carausius was usurped by his treasurer, Allectus. Julius Asclepiodotus landed an invasion fleet near Southampton and defeated Allectus in a land battle.

Diocletian's reforms

As part of Diocletian's reforms, the provinces of Roman Britain were organized as a diocese governed by a vicarius under a praetorian prefect who, from 318 to 331, was Junius Bassus who was based at Augusta Treverorum (Trier).

The vicarius was based at Londinium as the principal city of the diocese. Londinium and Eboracum continued as provincial capitals and the territory was divided up into smaller provinces for administrative efficiency.

Civilian and military authority of a province was no longer exercised by one official and the governor was stripped of military command which was handed over to the Dux Britanniarum by 314. The governor of a province assumed more financial duties (the procurators of the Treasury ministry were slowly phased out in the first three decades of the 4th century). The Dux was commander of the troops of the Northern Region, primarily along Hadrian's Wall and his responsibilities included protection of the frontier. He had significant autonomy due in part to the distance from his superiors.

The tasks of the vicarius were to control and coordinate the activities of governors; monitor but not interfere with the daily functioning of the Treasury and Crown Estates, which had their own administrative infrastructure; and act as the regional quartermaster-general of the armed forces. In short, as the sole civilian official with superior authority, he had general oversight of the administration, as well as direct control, while not absolute, over governors who were part of the prefecture; the other two fiscal departments were not.

The early-4th-century Verona List, the late-4th-century work of Sextus Rufus, and the early-5th-century List of Offices and work of Polemius Silvius all list four provinces by some variation of the names Britannia I, Britannia II, Maxima Caesariensis, and Flavia Caesariensis; all of these seem to have initially been directed by a governor (praeses) of equestrian rank. The 5th-century sources list a fifth province named Valentia and give its governor and Maxima's a consular rank. Ammianus mentions Valentia as well, describing its creation by Count Theodosius in 369 after the quelling of the Great Conspiracy. Ammianus considered it a re-creation of a formerly lost province, leading some to think there had been an earlier fifth province under another name (may be the enigmatic "Vespasiana"), and leading others to place Valentia beyond Hadrian's Wall, in the territory abandoned south of the Antonine Wall.

Reconstructions of the provinces and provincial capitals during this period partially rely on ecclesiastical records. On the assumption that the early bishoprics mimicked the imperial hierarchy, scholars use the list of bishops for the 314 Council of Arles. The list is patently corrupt: the British delegation is given as including a Bishop "Eborius" of Eboracum and two bishops "from Londinium" (one de civitate Londinensi and the other de civitate colonia Londinensium). The error is variously emended: Bishop Ussher proposed Colonia, Selden Col. or Colon. Camalodun., and Spelman Colonia Cameloduni (all various names of Colchester); Gale and Bingham offered colonia Lindi and Henry Colonia Lindum (both Lincoln); and Bishop Stillingfleet and Francis Thackeray read it as a scribal error of Civ. Col. Londin. for an original Civ. Col. Leg. II (Caerleon). On the basis of the Verona List, the priest and deacon who accompanied the bishops in some manuscripts are ascribed to the fourth province.

In the 12th century, Gerald of Wales described the supposedly metropolitan sees of the early British church established by the legendary SS Fagan and "Duvian". He placed Britannia Prima in Wales and western England with its capital at "Urbs Legionum" (Caerleon); Britannia Secunda in Kent and southern England with its capital at "Dorobernia" (Canterbury); Flavia in Mercia and central England with its capital at "Lundonia" (London); "Maximia" in northern England with its capital at Eboracum (York); and Valentia in "Albania which is now Scotland" with its capital at St Andrews. Modern scholars generally dispute the last: some place Valentia at or beyond Hadrian's Wall but St Andrews is beyond even the Antonine Wall and Gerald seems to have simply been supporting the antiquity of its church for political reasons.

A common modern reconstruction places the consular province of Maxima at Londinium, on the basis of its status as the seat of the diocesan vicarius; places Prima in the west according to Gerald's traditional account but moves its capital to Corinium of the Dobunni (Cirencester) on the basis of an artifact recovered there referring to Lucius Septimius, a provincial rector; places Flavia north of Maxima, with its capital placed at Lindum Colonia (Lincoln) to match one emendation of the bishops list from Arles;[d] and places Secunda in the north with its capital at Eboracum (York). Valentia is placed variously in northern Wales around Deva (Chester); beside Hadrian's Wall around Luguvalium (Carlisle); and between the walls along Dere Street.

4th century

Emperor Constantius returned to Britain in 306, despite his poor health, with an army aiming to invade northern Britain, the provincial defences having been rebuilt in the preceding years. Little is known of his campaigns with scant archaeological evidence, but fragmentary historical sources suggest he reached the far north of Britain and won a major battle in early summer before returning south. His son Constantine (later Constantine the Great) spent a year in northern Britain at his father's side, campaigning against the Picts beyond Hadrian's Wall in the summer and autumn. Constantius died in York in July 306 with his son at his side. Constantine then successfully used Britain as the starting point of his march to the imperial throne, unlike the earlier usurper, Albinus.

In the middle of the century, the province was loyal for a few years to the usurper Magnentius, who succeeded Constans following the latter's death. After the defeat and death of Magnentius in the Battle of Mons Seleucus in 353, Constantius II dispatched his chief imperial notary Paulus Catena to Britain to hunt down Magnentius's supporters. The investigation deteriorated into a witch-hunt, which forced the vicarius Flavius Martinus to intervene. When Paulus retaliated by accusing Martinus of treason, the vicarius attacked Paulus with a sword, with the aim of assassinating him, but in the end he committed suicide.

As the 4th century progressed, there were increasing attacks from the Saxons in the east and the Scoti (Irish) in the west. A series of forts had been built, starting around 280, to defend the coasts, but these preparations were not enough when, in 367, a general assault of Saxons, Picts, Scoti and Attacotti, combined with apparent dissension in the garrison on Hadrian's Wall, left Roman Britain prostrate. The invaders overwhelmed the entire western and northern regions of Britannia and the cities were sacked. This crisis, sometimes called the Barbarian Conspiracy or the Great Conspiracy, was settled by Count Theodosius from 368 with a string of military and civil reforms. Theodosius crossed from Bononia (Boulogne-sur-Mer) and marched on Londinium where he began to deal with the invaders and made his base.[ An amnesty was promised to deserters which enabled Theodosius to regarrison abandoned forts. By the end of the year Hadrian's Wall was retaken and order returned. Considerable reorganization was undertaken in Britain, including the creation of a new province named Valentia, probably to better address the state of the far north. A new Dux Britanniarum was appointed, Dulcitius, with Civilis to head a new civilian administration.

Another imperial usurper, Magnus Maximus, raised the standard of revolt at Segontium (Caernarfon) in north Wales in 383, and crossed the English Channel. Maximus held much of the western empire, and fought a successful campaign against the Picts and Scots around 384. His continental exploits required troops from Britain, and it appears that forts at Chester and elsewhere were abandoned in this period, triggering raids and settlement in north Wales by the Irish. His rule was ended in 388, but not all the British troops may have returned: the Empire's military resources were stretched to the limit along the Rhine and Danube. Around 396 there were more barbarian incursions into Britain. Stilicho led a punitive expedition. It seems peace was restored by 399, and it is likely that no further garrisoning was ordered; by 401 more troops were withdrawn, to assist in the war against Alaric I.

End of Roman rule

The traditional view of historians, informed by the work of Michael Rostovtzeff, was of a widespread economic decline at the beginning of the 5th century. Consistent archaeological evidence has told another story, and the accepted view is undergoing re-evaluation. Some features are agreed: more opulent but fewer urban houses, an end to new public building and some abandonment of existing ones, with the exception of defensive structures, and the widespread formation of "dark earth" deposits indicating increased horticulture within urban precincts. Turning over the basilica at Silchester to industrial uses in the late 3rd century, doubtless officially condoned, marks an early stage in the de-urbanisation of Roman Britain.

The abandonment of some sites is now believed to be later than had been thought. Many buildings changed use but were not destroyed. There was a growing number of barbarian attacks, but these targeted vulnerable rural settlements rather than towns. Some villas such as Chedworth, Great Casterton in Rutland and Hucclecote in Gloucestershire had new mosaic floors laid around this time, suggesting that economic problems may have been limited and patchy. Many suffered some decay before being abandoned in the 5th century; the story of Saint Patrick indicates that villas were still occupied until at least 430. Exceptionally, new buildings were still going up in this period in Verulamium and Cirencester. Some urban centres, for example Canterbury, Cirencester, Wroxeter, Winchester and Gloucester, remained active during the 5th and 6th centuries, surrounded by large farming estates.

Urban life had generally grown less intense by the fourth quarter of the 4th century, and coins minted between 378 and 388 are very rare, indicating a likely combination of economic decline, diminishing numbers of troops, problems with the payment of soldiers and officials or with unstable conditions during the usurpation of Magnus Maximus 383–87. Coinage circulation increased during the 390s, but never attained the levels of earlier decades. Copper coins are very rare after 402, though minted silver and gold coins from hoards indicate they were still present in the province even if they were not being spent. By 407 there were very few new Roman coins going into circulation, and by 430 it is likely that coinage as a medium of exchange had been abandoned. Mass-produced wheel thrown pottery ended at approximately the same time; the rich continued to use metal and glass vessels, while the poor made do with humble "grey ware" or resorted to leather or wooden containers.

Sub-Roman Britain

Towards the end of the 4th century Roman rule in Britain came under increasing pressure from barbarian attacks. Apparently, there were not enough troops to mount an effective defence. After elevating two disappointing usurpers, the army chose a soldier, Constantine III, to become emperor in 407. He crossed to Gaul but was defeated by Honorius; it is unclear how many troops remained or ever returned, or whether a commander-in-chief in Britain was ever reappointed. A Saxon incursion in 408 was apparently repelled by the Britons, and in 409 Zosimus records that the natives expelled the Roman civilian administration. Zosimus may be referring to the Bacaudic rebellion of the Breton inhabitants of Armorica since he describes how, in the aftermath of the revolt, all of Armorica and the rest of Gaul followed the example of the Brettaniai. A letter from Emperor Honorius in 410 has traditionally been seen as rejecting a British appeal for help, but it may have been addressed to Bruttium or Bologna. With the imperial layers of the military and civil government gone, administration and justice fell to municipal authorities, and local warlords gradually emerged all over Britain, still utilizing Romano-British ideals and conventions. Historian Stuart Laycock has investigated this process and emphasised elements of continuity from the British tribes in the pre-Roman and Roman periods, through to the native post-Roman kingdoms.

In British tradition, pagan Saxons were invited by Vortigern to assist in fighting the Picts, Scoti, and Déisi. (Germanic migration into Roman Britannia may have begun much earlier. There is recorded evidence, for example, of Germanic auxiliaries supporting the legions in Britain in the 1st and 2nd centuries.) The new arrivals rebelled, plunging the country into a series of wars that eventually led to the Saxon occupation of Lowland Britain by 600. Around this time, many Britons fled to Brittany (hence its name), Galicia and probably Ireland. A significant date in sub-Roman Britain is the Groans of the Britons, an unanswered appeal to Aetius, leading general of the western Empire, for assistance against Saxon invasion in 446. Another is the Battle of Deorham in 577, after which the significant cities of Bath, Cirencester and Gloucester fell and the Saxons reached the western sea.

Historians generally reject the historicity of King Arthur, who is supposed to have resisted the Anglo-Saxon conquest according to later medieval legends.

Trade

During the Roman period Britain's continental trade was principally directed across the Southern North Sea and Eastern Channel, focusing on the narrow Strait of Dover, with more limited links via the Atlantic seaways. The most important British ports were London and Richborough, whilst the continental ports most heavily engaged in trade with Britain were Boulogne and the sites of Domburg and Colijnsplaat at the mouth of the river Scheldt. During the Late Roman period it is likely that the shore forts played some role in continental trade alongside their defensive functions.

Exports to Britain included: coin; pottery, particularly red-gloss terra sigillata (samian ware) from southern, central and eastern Gaul, as well as various other wares from Gaul and the Rhine provinces; olive oil from southern Spain in amphorae; wine from Gaul in amphorae and barrels; salted fish products from the western Mediterranean and Brittany in barrels and amphorae; preserved olives from southern Spain in amphorae; lava quern-stones from Mayen on the middle Rhine; glass; and some agricultural products. Britain's exports are harder to detect archaeologically, but will have included metals, such as silver and gold and some lead, iron and copper. Other exports probably included agricultural products, oysters and salt, whilst large quantities of coin would have been re-exported back to the continent as well.

These products moved as a result of private trade and also through payments and contracts established by the Roman state to support its military forces and officials on the island, as well as through state taxation and extraction of resources. Up until the mid-3rd century, the Roman state's payments appear to have been unbalanced, with far more products sent to Britain, to support its large military force (which had reached c. 53,000 by the mid-2nd century), than were extracted from the island.

It has been argued that Roman Britain's continental trade peaked in the late 1st century AD and thereafter declined as a result of an increasing reliance on local products by the population of Britain, caused by economic development on the island and by the Roman state's desire to save money by shifting away from expensive long-distance imports. Evidence has been outlined that suggests that the principal decline in Roman Britain's continental trade may have occurred in the late 2nd century AD, from c. 165 AD onwards. This has been linked to the economic impact of contemporary Empire-wide crises: the Antonine Plague and the Marcomannic Wars.

From the mid-3rd century onwards, Britain no longer received such a wide range and extensive quantity of foreign imports as it did during the earlier part of the Roman period; vast quantities of coin from continental mints reached the island, whilst there is historical evidence for the export of large amounts of British grain to the continent during the mid-4th century. During the latter part of the Roman period British agricultural products, paid for by both the Roman state and by private consumers, clearly played an important role in supporting the military garrisons and urban centres of the northwestern continental Empire. This came about as a result of the rapid decline in the size of the British garrison from the mid-3rd century onwards (thus freeing up more goods for export), and because of 'Germanic' incursions across the Rhine, which appear to have reduced rural settlement and agricultural output in northern Gaul.

Economy

Mineral extraction sites such as the Dolaucothi gold mine were probably first worked by the Roman army from c. 75, and at some later stage passed to civilian operators. The mine developed as a series of opencast workings, mainly by the use of hydraulic mining methods. They are described by Pliny the Elder in his Natural History in great detail. Essentially, water supplied by aqueducts was used to prospect for ore veins by stripping away soil to reveal the bedrock. If veins were present, they were attacked using fire-setting and the ore removed for comminution. The dust was washed in a small stream of water and the heavy gold dust and gold nuggets collected in riffles. The diagram at right shows how Dolaucothi developed from c. 75 through to the 1st century. When opencast work was no longer feasible, tunnels were driven to follow the veins. The evidence from the site shows advanced technology probably under the control of army engineers.

The Wealden ironworking zone, the lead and silver mines of the Mendip Hills and the tin mines of Cornwall seem to have been private enterprises leased from the government for a fee. Mining had long been practised in Britain (see Grimes Graves), but the Romans introduced new technical knowledge and large-scale industrial production to revolutionise the industry. It included hydraulic mining to prospect for ore by removing overburden as well as work alluvial deposits. The water needed for such large-scale operations was supplied by one or more aqueducts, those surviving at Dolaucothi being especially impressive. Many prospecting areas were in dangerous, upland country, and, although mineral exploitation was presumably one of the main reasons for the Roman invasion, it had to wait until these areas were subdued.

By the 3rd and 4th centuries, small towns could often be found near villas. In these towns, villa owners and small-scale farmers could obtain specialist tools. Lowland Britain in the 4th century was agriculturally prosperous enough to export grain to the continent. This prosperity lay behind the blossoming of villa building and decoration that occurred between AD 300 and 350.

Britain's cities also consumed Roman-style pottery and other goods, and were centres through which goods could be distributed elsewhere. At Wroxeter in Shropshire, stock smashed into a gutter during a 2nd-century fire reveals that Gaulish samian ware was being sold alongside mixing bowls from the Mancetter-Hartshill industry of the West Midlands. Roman designs were most popular, but rural craftsmen still produced items derived from the Iron Age La Tène artistic traditions. Britain was home to much gold, which attracted Roman invaders. By the 3rd century, Britain's economy was diverse and well established, with commerce extending into the non-Romanised north.

Government

Further information: Governors of Roman Britain, Roman client kingdoms in Britain, and Roman auxiliaries in Britain

Under the Roman Empire, administration of peaceful provinces was ultimately the remit of the Senate, but those, like Britain, that required permanent garrisons, were placed under the Emperor's control. In practice imperial provinces were run by resident governors who were members of the Senate and had held the consulship. These men were carefully selected, often having strong records of military success and administrative ability. In Britain, a governor's role was primarily military, but numerous other tasks were also his responsibility, such as maintaining diplomatic relations with local client kings, building roads, ensuring the public courier system functioned, supervising the civitates and acting as a judge in important legal cases. When not campaigning, he would travel the province hearing complaints and recruiting new troops.

To assist him in legal matters he had an adviser, the legatus juridicus, and those in Britain appear to have been distinguished lawyers perhaps because of the challenge of incorporating tribes into the imperial system and devising a workable method of taxing them. Financial administration was dealt with by a procurator with junior posts for each tax-raising power. Each legion in Britain had a commander who answered to the governor and, in time of war, probably directly ruled troublesome districts. Each of these commands carried a tour of duty of two to three years in different provinces. Below these posts was a network of administrative managers covering intelligence gathering, sending reports to Rome, organising military supplies and dealing with prisoners. A staff of seconded soldiers provided clerical services.

Colchester was probably the earliest capital of Roman Britain, but it was soon eclipsed by London with its strong mercantile connections. The different forms of municipal organisation in Britannia were known as civitas (which were subdivided, amongst other forms, into colonies such as York, Colchester, Gloucester and Lincoln and municipalities such as Verulamium), and were each governed by a senate of local landowners, whether Brythonic or Roman, who elected magistrates concerning judicial and civic affairs. The various civitates sent representatives to a yearly provincial council in order to profess loyalty to the Roman state, to send direct petitions to the Emperor in times of extraordinary need, and to worship the imperial cult.

Demographics

Roman Britain had an estimated population between 2.8 million and 3 million people at the end of the second century. At the end of the fourth century, it had an estimated population of 3.6 million people, of whom 125,000 consisted of the Roman army and their families and dependents.[80] The urban population of Roman Britain was about 240,000 people at the end of the fourth century. The capital city of Londinium is estimated to have had a population of about 60,000 people. Londinium was an ethnically diverse city with inhabitants from the Roman Empire, including natives of Britannia, continental Europe, the Middle East, and North Africa. There was also cultural diversity in other Roman-British towns, which were sustained by considerable migration, from Britannia and other Roman territories, including continental Europe, Roman Syria, the Eastern Mediterranean and North Africa. In a study conducted in 2012, around 45 percent of sites investigated dating from the Roman period had at least one individual of North African origin.

Town and country

During their occupation of Britain the Romans founded a number of important settlements, many of which survive. The towns suffered attrition in the later 4th century, when public building ceased and some were abandoned to private uses. Place names survived the deurbanised Sub-Roman and early Anglo-Saxon periods, and historiography has been at pains to signal the expected survivals, but archaeology shows that a bare handful of Roman towns were continuously occupied. According to S.T. Loseby, the very idea of a town as a centre of power and administration was reintroduced to England by the Roman Christianising mission to Canterbury, and its urban revival was delayed to the 10th century.

Roman towns can be broadly grouped in two categories. Civitates, "public towns" were formally laid out on a grid plan, and their role in imperial administration occasioned the construction of public buildings. The much more numerous category of vici, "small towns" grew on informal plans, often round a camp or at a ford or crossroads; some were not small, others were scarcely urban, some not even defended by a wall, the characteristic feature of a place of any importance.

Cities and towns which have Roman origins, or were extensively developed by them are listed with their Latin names in brackets; civitates are marked C

Alcester (Alauna)

Alchester

Aldborough, North Yorkshire (Isurium Brigantum) C

Bath (Aquae Sulis) C

Brough (Petuaria) C

Buxton (Aquae Arnemetiae)

Caerleon (Isca Augusta) C

Caernarfon (Segontium) C

Caerwent (Venta Silurum) C

Caister-on-Sea C

Canterbury (Durovernum Cantiacorum) C

Carlisle (Luguvalium) C

Carmarthen (Moridunum) C

Chelmsford (Caesaromagus)

Chester (Deva Victrix) C

Chester-le-Street (Concangis)

Chichester (Noviomagus Reginorum) C

Cirencester (Corinium) C

Colchester (Camulodunum) C

Corbridge (Coria) C

Dorchester (Durnovaria) C

Dover (Portus Dubris)

Exeter (Isca Dumnoniorum) C

Gloucester (Glevum) C

Great Chesterford (the name of this vicus is unknown)

Ilchester (Lindinis) C

Leicester (Ratae Corieltauvorum) C

Lincoln (Lindum Colonia) C

London (Londinium) C

Manchester (Mamucium) C

Newcastle upon Tyne (Pons Aelius)

Northwich (Condate)

St Albans (Verulamium) C

Silchester (Calleva Atrebatum) C

Towcester (Lactodurum)

Whitchurch (Mediolanum) C

Winchester (Venta Belgarum) C

Wroxeter (Viroconium Cornoviorum) C

York (Eboracum) C

Religion

The druids, the Celtic priestly caste who were believed to originate in Britain, were outlawed by Claudius, and in 61 they vainly defended their sacred groves from destruction by the Romans on the island of Mona (Anglesey). Under Roman rule the Britons continued to worship native Celtic deities, such as Ancasta, but often conflated with their Roman equivalents, like Mars Rigonemetos at Nettleham.

The degree to which earlier native beliefs survived is difficult to gauge precisely. Certain European ritual traits such as the significance of the number 3, the importance of the head and of water sources such as springs remain in the archaeological record, but the differences in the votive offerings made at the baths at Bath, Somerset, before and after the Roman conquest suggest that continuity was only partial. Worship of the Roman emperor is widely recorded, especially at military sites. The founding of a Roman temple to Claudius at Camulodunum was one of the impositions that led to the revolt of Boudica. By the 3rd century, Pagans Hill Roman Temple in Somerset was able to exist peaceably and it did so into the 5th century.

Pagan religious practices were supported by priests, represented in Britain by votive deposits of priestly regalia such as chain crowns from West Stow and Willingham Fen.

Eastern cults such as Mithraism also grew in popularity towards the end of the occupation. The London Mithraeum is one example of the popularity of mystery religions among the soldiery. Temples to Mithras also exist in military contexts at Vindobala on Hadrian's Wall (the Rudchester Mithraeum) and at Segontium in Roman Wales (the Caernarfon Mithraeum).

Christianity

It is not clear when or how Christianity came to Britain. A 2nd-century "word square" has been discovered in Mamucium, the Roman settlement of Manchester. It consists of an anagram of PATER NOSTER carved on a piece of amphora. There has been discussion by academics whether the "word square" is a Christian artefact, but if it is, it is one of the earliest examples of early Christianity in Britain. The earliest confirmed written evidence for Christianity in Britain is a statement by Tertullian, c. 200 AD, in which he described "all the limits of the Spains, and the diverse nations of the Gauls, and the haunts of the Britons, inaccessible to the Romans, but subjugated to Christ". Archaeological evidence for Christian communities begins to appear in the 3rd and 4th centuries. Small timber churches are suggested at Lincoln and Silchester and baptismal fonts have been found at Icklingham and the Saxon Shore Fort at Richborough. The Icklingham font is made of lead, and visible in the British Museum. A Roman Christian graveyard exists at the same site in Icklingham. A possible Roman 4th-century church and associated burial ground was also discovered at Butt Road on the south-west outskirts of Colchester during the construction of the new police station there, overlying an earlier pagan cemetery. The Water Newton Treasure is a hoard of Christian silver church plate from the early 4th century and the Roman villas at Lullingstone and Hinton St Mary contained Christian wall paintings and mosaics respectively. A large 4th-century cemetery at Poundbury with its east–west oriented burials and lack of grave goods has been interpreted as an early Christian burial ground, although such burial rites were also becoming increasingly common in pagan contexts during the period.

The Church in Britain seems to have developed the cust

Crossrail PB 15 - Roosendaal 🇳🇱 03-08-2019. by Stephan Breugelmans

**Bezoek en volg ook mijn andere Flickr account als je foto's van reguliere reizigerstreinen en trams wilt zien!**

www.flickr.com/photos/185557432@N07/

*English description available below.*

(NL)

Smokin' Shed Power!

Een in mooi blauw gespoten Class 66 na revisie in Longport stond al enige tijd op mijn lijstje en nu ik dan ook op vrijdagavond las dat één van deze locs met een trein onderweg was die op zaterdagochtend terug zou komen was de keuze snel gemaakt en werden zelfs de plannen met vrienden op pad te gaan geannulleerd zodat ik mijn eigen plan kon trekken. Waar het mijn eigen plan behelst staat 'Let's get a shed!' hoe dan ook altijd bovenaan!

Omdat de trein gedurende zijn rit een halfuur eerder bleek te zijn dan gedacht werd een wat landelijker plekje in Etten-Leur niet langer tijdig bereikt en moest ik gaan voor plan B, en dat werd in dit geval de Badhuisstraat in Roosendaal. Terwijl de stoptrein naar Puurs, de Intercity's van/naar Vlissingen en twee goederentreinen voor gingen op mijn doel werd het sein naar België uiteindelijk toch groen en moest dan nu de prachtige PB 15 met zijn goed beladen Neuss-shuttle als trein 44560 naar Antwerpen Bundel Krommenhoek passeren.

In alle rust slingert de trein zich door een groot aantal wissels om helemaal aan de linkerzijde van alle sporen te komen om vervolgens flink tractie te geven om de reis naar het Belgische te aanvaarden. Dat laatste ging samen met een grootse rookpluim die doet denken aan de betere dag van een Ludmilla en daarbij groeide voor mij de hoop dat hij dat ook nog zou doen wanneer hij mijn camera bereikte. En wat heet, met alleen maar meer rook brult het nog enige échte beest te zien op het Nederlandse spoor aan me voorbij. Uiteindelijk was deze plek dus een véél leukere keuze voor een gaaf resultaat!

Tenslotte maakte mijn enthousiasme dat ik even vergat dat ik iets hoger stond dan gedacht en me bezeerde aan het hek met een schaafwondje en een pijnlijk aanvoelende arm als gevolg. Een flesje water om het wondje schoon te maken was gelukkig meer dan voldoende om ongestoord verder te gaan met de nog erg leuke plannen voor de rest van deze dag!

_______________

(ENG)

Smokin' Shed Power!

Just a small step back in time brings us to the 1st of april 2019 being the day a third 66 arrived at EMD workshop Longport for big maintenance. Still being in the dark green Ascendos Leasing colors new fresh paint was added to the PB 15 (92 80 1266 066-0 D-BRLL) which is hired by Crossrail since 2008. To be fine with UK rules PB 15 got numbered as 66997 during transport through England just being put on a small paper behind the cab windows. About two months later it returned to the Netherlands and hunt was on for me as soon as it would get back on track!

Being back operating Crossrail trains since july I got my chance to catch it on the 44560 service working from Neuss to the biggest container terminal of Europe called MPET and located in the Port of Antwerp. This route contains a 2 hour ride through the Netherlands crossing the border with Germany near Venlo and the border with Belgium near Roosendaal which I live fairly close too.

Crossrail PB 15 is seen running 90 minutes late while crossing the yard just south of Roosendaal railway station to reach the right track heading for Belgium. Smoke generators are turned on while the powerfull V12 two stroke diesel engine revs up to gain speed getting up mainline 12 towards Antwerp. That's what we call a shed showing off the best way possible, and I love it!

Night shot at Hænuvík by Thosrsteinn Asgeirsson

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The West Fjords account for about half of Iceland's total shoreline. The shore is everywhere, infinitely varied, changing with the seasons, lying on the mystical border between different worlds. Seals bask on the rocks, huge colonies of seabirds are seen as the king of the skies, the white-tailed eagle is watching over them. Bay Patreksfjordur branches into two smaller fjords, Patreksfjordur and Talknafjordur. A fishing village by the same name rests on the 15 km long and nearly 4 km wide bay.

Patreksfjordur is an old trading place dating back to the 16th century. Fishing and derivative industries and services are the mainstays of the economy in Patreksfjordur. In the past years, the emphasis on alternative industries has been more visible, similar to other fishing villages in Iceland.

Patreksfjordur in the summertime, is very pleasant, and there are so many things to explore, for instance the most beautiful waterfall in Iceland.

And when you drive on the south side of the fjord, then you are heading to Latrabjarg. You can find a really beautiful farm, Hænuvík, where you can rent a small summerhouse ( as pictured ). This shack is located down by the shore where you can smell and hear the soft sound of the north ocean, and the sunset is one you can't find a better place to capture in the solstice. Close by there is a lighthouse if you want to add more beauty to your picture. Staying awake at night, at the time of the solstice is worth at lot where you can both look at the sun hovering over the shore and be in the arm of your lover.

The numbers don't add up by Katie Cassap

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Accounting Office by Grapf

The Fuzzy Tree by Jeff Damron

From the summer trip to San Francisco. This will be my last post on this account - at least for a while. But I will be back soon with a new, less bloated, more focused, account (and an email to friends with new name/address).

by An Deceuninck

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Thank you Scott Belew, for buying me the pro-account!

Belgian governement is very good for its invalids or disabled people, but they don't allow us having creditcards, visa or other shit .. because our life expectations, quality, state of mind ... is unreliable, risky ... understandable .. i'm so happy

31-365 (Year 8) Accounts by George Redgrave

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I've been keeping a track of the money I spend for many years – though it doesn't make much difference. I total up on Saturday and start again on Sunday. Sometimes I can't account for things which I've probably forgotten – or lost – hence the question marks.

(Regular viewers will notice that I use my "ordinary" handwriting rather than either of my two "neat" styles :)

The five columns are :

a & b spending on two credit cards

c what it was for

d cash in

e cash spent

Dissociative identity # multiple personality # dissociative fugue # Borderline personality # bipolar #dédoublement de la personnalité by Hughes Songe

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Dissociative identity disorder (DID), previously known as multiple personality disorder (MPD), is an extremely rare mental disorder characterized by at least two distinct and relatively enduring identities or dissociated personality states that alternately control a person's behavior, and is accompanied by memory impairment for important information not explained by ordinary forgetfulness. These symptoms are not accounted for by substance abuse, seizures, other medical conditions, nor by imaginative play in children. Diagnosis is often difficult as there is considerable comorbidity with other mental disorders. Malingering should be considered if there is possible financial or forensic gain, as well as factitious disorder if help-seeking behavior is prominent.

DID is one of the most controversial psychiatric disorders with no clear consensus regarding its diagnosis or treatment. Research on treatment effectiveness still focuses mainly on clinical approaches and case studies. Dissociative symptoms range from common lapses in attention, becoming distracted by something else, and daydreaming, to pathological dissociative disorders.[6] No systematic, empirically-supported definition of "dissociation" exists.

Although neither epidemiological surveys nor longitudinal studies have been done, it is thought DID rarely resolves spontaneously. Symptoms are said to vary over time.In general, the prognosis is poor, especially for those with co-morbid disorders. There are few systematic data on the prevalence of DID. The International Society for the Study of Trauma and Dissociation states that the prevalence is between 1 and 3% in the general population, and between 1 and 5% in inpatient groups in Europe and North America.[5] DID is diagnosed more frequently in North America than in the rest of the world, and is diagnosed three to nine times more often in females than in males. The prevalence of DID increased greatly in the latter half of the 20th century, along with the number of identities (often referred to as "alters") claimed by patients (increasing from an average of two or three to approximately.DID is also controversial within the legal system[3] where it has been used as a rarely-successful form of the insanity defense.The 1990s showed a parallel increase in the number of court cases involving the diagnosis.

Dissociative disorders including DID have been attributed to disruptions in memory caused by trauma and other forms of stress, but research on this hypothesis has been characterized by poor methodology. So far, scientific studies, usually focusing on memory, have been few and the results have been inconclusive. An alternative hypothesis for the etiology of DID is as a product of techniques employed by some therapists, especially those using hypnosis, and disagreement between the two positions is characterized by intense debate.DID became a popular diagnosis in the 1970s, 80s and 90s but it is unclear if the actual incidence of the disorder increased, if it was more recognized by clinicians, or if sociocultural factors caused an increase in iatrogenic presentations. The unusual number of diagnoses after 1980, clustered around a small number of clinicians and the suggestibility characteristic of those with DID, support the hypothesis that DID is therapist-induced.[15] The unusual clustering of diagnoses has also been explained as due to a lack of awareness and training among clinicians to recognize cases of DID

Signs and symptoms]

According to the fifth Diagnostic and Statistical Manual of Mental Disorders (DSM), DID includes "the presence of two or more distinct identities or personality states" that alternate control of the individual's behavior, accompanied by the inability to recall personal information beyond what is expected through normal forgetfulness. In each individual, the clinical presentation varies and the level of functioning can change from severely impaired to adequate. The symptoms of dissociative amnesia, dissociative fugue and depersonalization disorder are subsumed under the DID diagnosis and are not diagnosed separately. Individuals with DID may experience distress from both the symptoms of DID (intrusive thoughts or emotions) as well as the consequences of the accompanying symptoms (dissociation rendering them unable to remember specific information). The majority of patients with DID report childhood sexual and/or physical abuse, though the accuracy of these reports is controversial. Identities may be unaware of each other and compartmentalize knowledge and memories, resulting in chaotic personal lives.Individuals with DID may be reluctant to discuss symptoms due to associations with abuse, shame and fear. DID patients may also frequently and intensely experience time disturbances.

The number of alters varies widely, with most patients identifying fewer than ten, though as many as 4,500 have been reported. The average number of alters has increased over the past few decades, from two or three to now an average of approximately 16. However it is unclear whether this is due to an actual increase in alters, or simply that the psychiatric community has become more accepting of a high number of alters.The primary identity, which often has the patient's given name, tends to be "passive, dependent, guilty and depressed" with other personalities or "alters" being more active, aggressive or hostile, and often containing more complete memories. Most identities are of ordinary people, though fictional, mythical, celebrity and animal alters have also been reported.

Developmental trauma]

People diagnosed with DID often report that they have experienced severe physical and sexual abuse, especially during early to mid-childhood, (although the accuracy of these reports has been disputed and others report an early loss, serious medical illness or other traumatic event. They also report more historical psychological trauma than those diagnosed with any other mental illness.[not in citation given]Severe sexual, physical, or psychological trauma in childhood has been proposed as an explanation for its development; awareness, memories and emotions of harmful actions or events caused by the trauma are removed from consciousness, and alternate personalities or subpersonalities form with differing memories, emotions and behavior. DID is attributed to extremes of stress or disorders of attachment. What may be expressed as post-traumatic stress disorder in adults may become DID when occurring in children, possibly due to their greater use of imagination as a form of coping. Possibly due to developmental changes and a more coherent sense of self past the age of six, the experience of extreme trauma may result in different, though also complex, dissociative symptoms and identity disturbances. A specific relationship between childhood abuse, disorganized attachment, and lack of social support are thought to be a necessary component of DID. Other suggested explanations include insufficient childhood nurturing combined with the innate ability of children in general to dissociate memories or experiences from consciousness.

Delinking early trauma from the etiology of dissociation has been explicitly rejected by those supporting the early trauma model. However, a 2012 review article supports the hypothesis that current or recent trauma may affect an individual's assessment of the more distant past, changing the experience of the past and resulting in dissociative states. Giesbrecht et al. have suggested there is no actual empirical evidence linking early trauma to dissociation, and instead suggest that problems with neuropsychological functioning, such as increased distractibility in response to certain emotions and contexts, account for dissociative features. A middle position hypothesizes that trauma, in some situations, alters neuronal mechanisms related to memory. Evidence is increasing that dissociative disorders are related both to a trauma history and to "specific neural mechanisms". It has also been suggested that there may be a genuine but more modest link between trauma and DID, with early trauma causing increased fantasy-proneness, which may in turn render individuals more vulnerable to socio-cognitive influences surrounding the development of DID.

dédoublement de personnalité

Il est important de différencier deux termes : le dédoublement de la personnalité et la personnalité multiple.

En effet, la définition donnée est celle de la , qui fait qu'une personne possède deux (voire plus) personnalités complètement différentes, chacune ayant une vie sociale et professionelle distinctes, parfois un nom propre à chacune d'entre elles et étant parfaitement adaptées à leur(s) milieu(x). Ce n'est pas vraiment un trouble, mais une surconstruction personnelle donnant naissance à plusieurs personnalités au lieu d'une seule.

Le dédoublement de personnalité, en revanche, est un trouble de la personnalité provoqué par le subconscient, qui impose occasionnellement à la personnalité "normale" un comportement incohérent, parfois violent, incontrôlé. Il arrive que la personnalité première ne se rende plus compte de ce qu'elle fait (elle est "déconnectée") ce qui donne l'impression d'une autre personnalité, inadaptée socialement , sentimentalement et intellectuelement.

Ce sujet prète à polémique, car certains se contentent du terme troubles dissociatifs de l'identité (Dissociative Identity Disorder) pour englober les deux cas. La différence est de taille : avec cette notion, il n'y aurait pas plusieurs personnalités égales, mais une majeure à laquelle on doit redonner pleine maîtrise de son corps. Comme expliqué plus haut, ce serait dans un cas de dédoublement que l'on peut envisager cette façon de voir les personnalités, et non dans un cas de multiples personnalités. En effet, comment décider qu'une personnalité a plus de droit qu'une autre sur un corps, lorsqu'il n'y en a pas d'originelle ?

Je pense que le sens donné est le sens courant, non ? On peut rajouter des précisions ou mises en garde sur le sens technique du point de vue médical. Lmaltier 18 décembre 2007 à 17:05 (UTC)

En fait, les deux sont liées pour la plupart des gens, c'est pour cela qu'il faut les différencier : on a tendance à croire que les personnes ayant des personnalités multiples sont dangeureuses, peuvent avoir des accès de violence incontrolée dirigés par une personnalité instable. Ce n'est souvent pas le cas (même si c'est possible, comme pour n'importe quelle personnalité dite "normale"). Ce n'est donc pas sur un plan médical qu'il est important de les différencier, mais sur un plan humain : les personnalité multiples sont des personnalités tout ce qu'il y a de plus banales, mais sont persécutées à cause de la mauvaise image que l'on a d'elles, dûe aux dédoublement de personnalités qui, eux, sont des cas de dissociation de personnalités potentiellement dangereux car instables. S Vidal 20 décembre 2007 à 13:20 (UTC)

Peut-être, mais on étudie le mot, pas la maladie (faut voir Wikipédia pour ça). On peut mettre en garde sur les différents sens utilisés, mais c'est tout. Lmaltier 20 décembre 2007 à 17:21 (UTC)

mais justement, le problème est là ! on utilise un même mot pour deux choses différentes... si la définition du mot est faussée, l'étude de ce mot n'a pas lieu d'être, pas sans précisions...

PRECISION:

Il n'y a pas de différence entre ces deux troubles, ils n'en forment en vérité qu'un seul. Le trouble de la personnalité multiple était le nom donné auparavent à cet état, et maintenant il s'appelle Trouble dissociatif de l'identité. Dans les deux cas (puisque ça n'est en fait qu'une maladie) des traumas subits de façon répétitifs ont poussé la personnalité de l'enfant à se dissocier, pour pouvoir supporter les chocs traumatiques, le manque d'attention, etc. Les personnalités apparaissent à différents moments, et peuvent même restées complètement cachées jusqu'assez tard dans la vie d'un individu, avant les premières vraies crises, souvent dues à un stress ou un choc émotionnel important. Elles ont différent degrés de constructions émotionnelles, intellectuelles et sociales, ce qui peut penser à une structure de multiples personnalités toutes égales. Il n'en est en fait rien. même quand on parle de personnalité hote qui doit rester alors que les autres doivent disparaitre, ce n'est pas encore tout à fait juste. Toutes les peronnalités doivent, petit à petit à petit et au long d'une thérapie qui apprendra au patient multiple à se construire et trouver le moyen d'affronter autrement ses traumas passés et à venir, fusionner et ne redevenir qu'une seule et même entité, plus stable, et capable de vivre pleinement sa vie.

dédoublement de la personnalité[modifier]

Ma soeur jumelle souffre de ce trouble depuis l'âge de 16 ans mais ne le reconnait que depuis peu,depuis sa première grosse crise. Elle peut changer de comportement d'une minute à l'autre,laissant place à une femme extravertie et sans limites..alcool,hommes,jeux.. Souvent il lui arrive de se réveiller sans souvenirs de la veille et découvre que son compte en banque a fondu p.ex. Elle devient également plus brusque,plus mauvaise.quand l'alcool s'en mêle elle n'a plus de limites et se bagarre violement(en général avec des hommes)et fini parfois à l'hôpital après avoir brutalisé le personnel infirmier.La plupart du temps perd connaissance. Mais reste persuadée que rien de tout ça ne s'est produit.. Qu'y a-t-il à faire pour atténuer cette maladie?Existe-t-il un moyens de guérison?

Ma plus grande question,pouvons-nous faire confiance aux personnes atteintes de ce trouble?

Il existe un moyen. Il faut emmener la personne a l'hopital, et les medecins vous donnerons un planing a respecter. (ex: ce coucher a une heure exacte et ne pas manger n'importe quoi). mais attention il faut emmener la personne au plus vite a l'hopital car elle peut passer a l'acte.

Vintage B&W. July 1954. On a freighter in the Bay of Biscay with a bandaged foot. by Jean-Paul Margnac

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Account of a crossing of the Bay of Biscay in 1954.

"It was with the help of a pair of crutches that I boarded a cargo ship leaving for Casablanca on July 8, 1954 in Rouen.

To reach Casablanca, five days and five nights of navigation. The crossing of the Bay of Biscay was epic. The wound being still fresh, it was impossible to set foot on the ground. In the great roll of the Gulf, I progressed in the passageways by clinging to the metal beams of the upper deck, as on an inverted ladder."

* * *

Récit d'une traversée du Golfe de Gascogne en 1954.

"C’est en m’aidant d’une paire de béquilles que j’embarquais à à bord d'un cargo en partance pour Casablanca le 8 juillet 1954 à Rouen.

Pour atteindre Casablanca, cinq jours et cinq nuits de navigation . La traversée du Golfe de Gascogne fut épique. La blessure étant encore fraiche, impossible de poser le pied par terre. Dans le gros roulis du Golfe, je progressais dans les coursives en m’agrippant aux barrots métalliques du pont supérieur, comme sur une échelle inversée."

Presses de la Cité 63 _ 1951 by Uilke

1951; Réglement de Comptes [Account Rendered] by Peter Cheyney. Cover art by Rognan

“This shipment was supposed to be here 2 hours ago...” by TheHighGround2187

AP-5 and some Astromech droids are in charge of making sure all supplies are accounted for on Atollon.

_let_op by uli b

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1 (698) by Lily Pip

Her account likedools.blogspot.com/2020/05/blog-post.html

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Closeup of medallion on gold hairnet, depicting Aphrodite and Eros by Stephen Chappell (aka Chapps)

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** Updated photos - earlier ones remain in my account **

Closeup of the medallion with the repoussé figures of Aphrodite with a tiny Eros on her shoulder.

This elaborate gold hairnet is one of the few surviving from antiquity (the contemporary “Schimmel” hairnet in the Metropolitan Museum, New York, inv. no. 1987.220, is another) and is an example of the extraordinary level of achievement that was possible for goldsmiths in the 3rd century BC. It is considered to have been made in the same goldsmith’s workshop, probably in Alexandria, Egypt, as the Diadem. The hairnet consists of four elements: the central medallion, the tassels and chains, the net, and the circular clasp. Made to enclose a gathered bun of hair at the back of the head, the fabrication of the hairnet is remarkable for the quality of its execution. The medallion consists of a central repoussé bust of Aphrodite with Eros clinging to the drapery on her left shoulder. The Ptolemaic queens often presented themselves as descendants of Aphrodite; here, the goddess’s features and hairstyle are similar to those of Queen Arsinoe II (ca. 316 – ca. 270 BC). Two concentric bands of filigree separated by rows of beads surround the center. The innermost band consists of a running pattern of framed acanthus leaves (identical to the inner frieze on the Schimmel hairnet noted above); the outer band is filigreed with a step pattern perhaps once inlaid with enamel, now lost. Running filigree as used here, constructed from lengths of wire rather than short pieces connected together, can also be seen on the Diadem and indicates the work of a master gold-smith. Garnet and gold beaded tassels dangle from the medallion and clasp. The net is comprised of bands of gold spool beads linked by tiny filigreed chains, their intersecting points articulated with tiny masks of Dionysos and actors. The circular clasp is embellished with a large Herakles knot, floral tendrils, ivy leaves, and berries.

The association of Arsinoe II with Aphrodite on the hairnet finds parallels on other items in the Assemblage of Ptolemaic Gold Jewelry, such as the identification of Tyche/Fortuna with Arsinoe II on the carnelian ring. Commonalities between the materials and the workmanship of many objects in this group indicate they were made by Greek goldsmiths working in more than one workshop in Alexandria, Egypt, and were created to be worn as an ensemble. While a royal context can be ascribed to the group, the association cannot be extended to the royals themselves. It therefore seems possible that the original owner was an elite of the exclusive circle of dynastic princesses, who, ornamented in her golden finery, served the queen in one of the royal cults devoted to her worship.

Ptolemaic Greek, ca. 225–175 BCE. Created in Egypt, probably Alexandria. Gold, garnets, and glass paste

Getty Villa Museum, Pacific Palisades, California (92.AM.8.1)

*NOTE* This was one of several Ptolemaic gold jewelry pieces sold by the infamous looted antiquities trafficker Robin Symes. They were purchased from him by the Fleischman family, who sold the lot to the Getty.

DSC00266 by Pinkrover

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1 (707) by Lily Pip

Her account likedools.blogspot.com/2020/05/blog-post.html

city paths by Frame Fiction

Analogue Account

www.flickr.com/photos/pamt12/

Hippie city #livethere by Eleonore Bridge

via Instagram, follow me at ift.tt/1Nnn7Af - To see all my pictures, visit my instagram - If you want to use one of my pictures please link to my instagram (not my flickr account)

Tag game: random questions by TheGreatZenda2

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i was tagged by lagoonalicious (meiyin) a very long time ago on my old account, and i still haven't done it, so why not?

Fave color? Orange, i don't really know why :P

Biggest dream? Being in the avatar world, it would be awesome to bend elements :D

Lucky or favorite number? 7

Celeb crush: Tarja Turunen, when she was still together with Nightwish ..

Sexuality? Straight

If you could meet anyone on earth, who would it be? Team Avatar and Tarja Turunen :p

Middle name? Daniel, i know, it is ugly but okay :P

Believe in love at the first sight? Not really.,

Allergies? I'm not sure but i think none..

Addiction? Avatar and internet.

Fave serial killer? I have no idea...

Birthday? 03/09

Best friends: On the internet Meiyin, and i think that is the only real friend on the internet i have :P In real life I have a lot of friends, but only Some of them are real friends. (And all of them are girls lol :P)

Fave food? Pizza from dr. oetker :D

Milkshakes or yoghurt? None :p

Cheetos or fritos? Cheetos

Favorite social media site? Flickr, Facebook and Youtube

Current mood: Sad, because next week school starts again in Belgium :((((

Age? 12

Have you ever stolen anything? Yes, the diary of my pixie magic stella. xD

When did you get your first kiss? When I was 4

What is the weirdest food you like? It depends on what you call weird.

Have you ever cheated on somebody? No

How long have you waited before you took a shower? I take a shower everyday so yeah..

Ever been in love with 'just a friend'? Not really, but to be honest, I wouldn't care if my best friends (girls) would be in love with me xD

How many girls have you dated? 1

What is your favorite movie? Kampioen zijn blijft plezant, Interstellar, The Conjuring and a lot of other movies :)

Do you remember a lot of your dreams? Mostly, especially when it was a bad dream :o

What do you like about yourself? I'm good in learning languages. I speak Dutch, English and French, I follow Latin and Greek at school, and I also speak a little bit Swedish and Finnish :D

What is your favorite sport? Swimming

Do you smoke? No

Do you drink? No

Do you like to play video games? Yes :D Especially Minecraft!

What do you think of Valentine's day? It is just a normal day to me..

How do you feel about tattoos? They're cool in my opinion xD

Do you like anyone? Yes :p

Have you ever broken a bone? Yeah... -_- 4 times. 3 times my left arm and 1 time my other arm.. :/

If you could live anywhere, where would it be? At one of the air temples, i would love to be an air nomad xD

What is your biggest regret? I have no idea xD

If you could change one thing about yourself, what would it be? I just hate that i always cry, even when i don't feel sad :/

What was the name of your favorite toy as a kid? All Winx stuff, Barbie dolls and Playmobil

What is the name of your favorite sugary cereal? i never eat cereal.

Do you like cheese? Yes

Who are you talking to right now? To you? :p

When did you go to sleep last night? 11.40 pm

Do you have armpit hair? No

What is your favorite TV show? Avatar: The last airbender, The legend of Korra and Winx season 1-4

What is your longest relationship? 5 years

If you could travel anywhere in the world, where would it be? Avatar world, Finland, Sweden or Norway.

Favorite song(s)? Ghost love score and 10th man down by Nightwish and compass by Two Steps From Hell.

What do you want to be when you grow up? i don't know.

What is the naughtiest thing you've ever done? i don't know… again :P

What is your favorite animal? Cats

Would you rather have love or a million dollars? Love

How many kids do you want? Probaply 3

Do you like messages? yes :D

Okay that was it :D

Kings Cave (Gundungurra Country, Australia's Blue Mountains) by Buddy Patrick

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This site is not well documented. The cave does not feature in any of the early traveller's accounts which describe the road between Linden and Woodford, and the cave is not specifically marked on any of the early survey plans of the Western Road. William Cox's Journal for 4 September 1814 referred to the only water supply in the Linden area as being a mile from the Bluff Bridge in a gully 'to the right'. He also referred to 'Evan's Cave' as being in the vicinity of 'Caley's Repulse'. It is not clear from his account, whether Evan's Cave (which is otherwise unidentified) might be the same as the present day King's Cave.

Early editions of the Parish Map identify 'King's Cave' from the 1890s and a 1915 railway survey plan of the area from Linden to Woodford which records several features in the locality, also includes 'King's Cave'.

In the early twentieth century Frank Walker began his research on the early Western Road. He spoke to local residents and compiled notes based on their recollections and anecdotes about the history of the road. Walker described the cave as the hideout of a desperate bushranger named King who was reputed to have shot a local constable, Donohoe. Several people questioned his assumptions including some who wrote to the Royal Australian Historical Society, however, Walker remained undeterred and published his version in the early RAHS journal and in his Centenary History of the First Crossing.

Local historian Allan Searle has provided a discussion of the possible attributions of the name, and suggested that it is most likely the name of the cave related to its use by His Majesty's 4th Regiment of Foot, known as the 'King's Own Regiment' which was stationed in the area during the 1830s. Searle suggests that King's Cave would therefore relate to the reigning monarch William IV, rather than a local bushranger.

Source: New South Wales Heritage Register.

2021 Arctic Air Cooled Car Show by Bran Beckman

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My alt account is for car shows.

I have an alternate account for the local Arctic Air Cooled VWs Car Club. I am not active on the account, but I've been posting all the photos from local car shows I go to over here: flic.kr/ps/3T11rn

Yesterday was the 16'th annual Family Reunion car show for AACVWs (and my second time at the show!)

Today my legs are feeling ALL the squats i did to catch photos of all the cars!

St George, Ivychurch, Romney Marsh, Kent by Whipper_snapper

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St.George's at Ivychurch, is another Romney Marsh church and one which gets me into the realms of what appears to be a bit of local rivalry. The British Army is quite familiar with what it calls 'cap badge rivalry' - as in 'my regiment is better than your regiment'. In the case of St George's the church guide claims it to be the Cathedral of Romney Marsh while nearby Lydd church claims the alternative title of the Cathedral of the Marsh. Clearly what we are dealing with here is not cap badge rivalry but 'dog collar rivalry'.

www.flickr.com/photos/barryslemmings/albums/7215767442257... to see the full set.

As approached the church appears to be pure 14th century Perpendicular but the full colour guidebook presents us with a very detailed map which shows that a little of the present building dates from the Early English Period (1180 to 1280) while excavations have revealed the foundations of this smaller church under, and within, the footprint of the larger current building. The pillars supporting the north and south arcades vary geologically from high quality imported Caen stone in some pillars to the more local Kentish Ragstone in others. It is to be supposed that the earlier material was imported by the Normans and is a further survivor from the early building.

The tower is awkwardly skewed some five degrees out of alignment with both the original and the current building. A recent survey suggests that the tower was actually separate to the main building which was later extended to link up with the tower. Supporting evidence for this appears to be the inclusion of the original free-standing tower's buttresses into the new west wall.

As churches go it is quite wide and this is accounted for by the inclusion of a south chapel dedicated to St Catherine and a north Lady chapel. A chantry chapel also once existed somewhere in the north aisle. Most medieval churches were unfurnished and the congregation stood. In the south aisle there is the remnant of a bench (from the earlier church) where the elderly and infirm could sit, the supposed origin of the term 'the weakest go to the wall'.

The tower is 68 feet high while the large south porch contains a parvis chamber for a visiting priest and, possibly, the original store for church documents and Communion plate. There are five bells but these have been silent since 1972 but a restoration is contemplated. The problem with older churches is that deterioration of the wood sub-frame or the structural mortar can lead to collapse. Ringing a couple of tons of bells imposes considerable shock and vibration.

Despite being a grand building today it has had a very chequered history. A visitation in 1511 found the church 'sorely decayed' and the churchwardens were threatened with excommunication. Like most medieval churches it fared badly in the Reformation with the loss of the wall paintings and the coloured glass. Any that survived the 16th century would have fallen foul of the Puritans in the 17th century. It was a lose/lose period for medieval churches. A little surviving wall painting was uncovered in 2009. One story has it that the Rood screen survived until the early 19th century when a drunken ex-navy curate took an axe to it. He thought he'd improve the view, so the story goes.

Decay in the early years of the 20th century was halted and repaired, along with the removal of the rotten box pews which opened up the interior. The Second World War found the village in the front line of the Battle of Britain with the village being hit by six bombs in 1940, which blew out church windows, while V-1 Flying Bombs (Doodlebugs) caused further damage in 1944. Wartime shortage of glass (reserved for repairing bombed homes) meant that the gaping windows had to be covered with blackout curtain. Post-war repairs in 1948 included new window glass. Periodic repairs and restorations continue. Today part of the north aisle is an agricultural museum.

Instagram account by Focale 74

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www.instagram.com/invites/contact/?i=57g9dwuzoj50&utm...

LEGO Account Inactive by Jared If only I remembered....

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Thanks for all the good times! Gonna miss everyone!

Email: jaderosenblitt@gmail.com

Leningrad by Süleyman (Deceased 04.2012)

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Manufactured by GOMZ , (ГОМЗ), ( Государственный оптико-механический завод, Ленинград = Gosularstvennyi Optiko-Mekhanicheskii Zavod =State Optical-Mechanical Factory), Leningrad, USSR

Model: 1957, Type 1b, (produced only in 1957)

All Leningrad produced between 1956-68, Quantity: 76.385 units.

As to Alexander Komarov

35mm Rangefinder film camera with spring motor driven

Engraving on the front: GOMZ logo and Ленинград (Leningrad)

Lens: Jupiter-8 (ИНДУСТАР), 50mm f/2, coated, Mount: M39 screw,

filter thread 35mm, serial no. 5724763, made by KMZ

Lens release: simply turn to anti-clockwise

Aperture: f/2 -f/22, setting: dial and ring on the lens

Focusing: match the rangefinder split images in the viewfinder, by turning the focusing ring on the lens, w/ distance and DOF scales

Focus range: 1-20m +inf

Shutter: rubberized silk double cloth curtain, horizontal focal plane, speeds: 1-1/1000 +B, setting: dial on the top plate, lift and set

Spring motor drive: a spring-powered mechanical motor and takes about 20 pictures after one full actuation of the spring, it is possible 3 frames per second if you can do it,

Attention: for every frame you must release the shutter. There's absolutely No way to advance film and to cock the shutter other than via the spring motor.

**There are engravings on the right side of the top plate as 0-5-10-15-20, with a pointer beneath the motor drive knob shows the count of frames that will be taken when the spring drive is cocking

Motor drive knob: a big knob on the right of the top plate, after setting, when you take a picture it automatically cocks the shutter and winds the film, film-advance spring in it

Shutter release: on the top plate, w/ cable release socket

Frame counter: an open window, just beside the motor drive knob, advance type, manual resets by a knob on the back of the top plate

Viewfinder: coupled viewfinder/rangefinder, bright frame lines for 35, 50, 85 and 135mm lenses, and a split image rangefinder,

diopter adjustment ring on the eye-piece

Re-wind knob: on the left of the top plate, a flat knurled disc that you have to unscrew by pressing it with the ball of your thumb

Re-wind release: lever on the top plate, set the selector lever to B (Rewind)

Flash PC socket: on front of the camera, flash sync: X 1/25, Adjustable synch delay 5 - 20 milliseconds

Cold-shoe

Memory dial: on the re-wind knob, Peremotna (ПЕРЕМOТНА) word in memo disk, which was typical on some earliest cameras only.

Self-timer: a lever on the front of the camera, an inoperable self-timer is a common problem on the Leningrad because if the timer is set without the camera being wound, it breaks

Back cover: Removable with the bottom plate, opens turning the pop-up lever on the left side of the bottom plate, then unscrew a knurled ring on the other side, concentric with the rewind disc by a folding lever, on the bottom plate

Film loading: The film take-up system is unique as it ignores sprocket holes on 35mm film. Instead it winds the film onto a fat take-up spool like a drum. No account is taken of the increasing diameter of this spool as film is wound onto it, resulting in increasingly wide gaps between the frames on a roll. Modern automated negative cutting will not adjust for the unique frame layout, and negatives and slides must be ordered from labs uncut.

Tripod socket: 3/8’’

Strap lugs

Supporting leg on the bottom plate

Body: metal; Weight: 850g

serial no. 573581, first two digits show the manufacturing year, in the cold shoe

This type 1b is a rare one. With type 1a this camera is earliest so far known productional version of Leningrad.

Built very sturdily, and to a very high degree of precision (unlike most Soviet rangefinders), the Leningrad is said to be the most advanced (and expensive) Soviet rangefinder ever made. Many were given as presents to party members and visiting dignitaries. At the 1958 World Exposition in Brussels, the Leningrad was awarded the "Grand Prix de Bruxelles”. Modified Leningrads were used in the Soviet space program.

Note: If Leningrad suddenly decides not to advance the film after you've taken try turning the shutter speed dial slightly counterclockwise against spring tension, then letting it snap back. Often this will release the mechanism and let the film advance to the next frame. And since (as noted above) there's no alternate manual way to advance the film, you'd better hope this trick works!

More info: by Aidas Pikiotas in SovietCams, by Karen Nakamura, Camerapedia

New account by Julien Lejeune

Follow me on my profie - www.flickr.com/jlnljnphotography @jlnljnphotography

self-p by Mansur Salim

S, Mansur by Mansoor Saleem

Some notes ABOUT MY WORK (a brief sample of local or regional anthropology at micro level):

The word "Gravity" is a symbol of reality that exists. Similarly E=mc2 is a combination of symbols trying to express some reality. In similar fashion my depiction of flashes (kashf) should be conceived that they are equations not in math but in language that nature uses. Perhaps fate had dropped flashes in my lap and I am depicting these flashes for world to know how to derive knowledge out of these flashes. May be from Archetypal plane I am receiving flashes and transforming these into phenomenal plane, but for more perfect transformation, sponsorship is required, like flashes roughly depicted demands super realistic treatment or animations at some points, or arrangements in 3- Dimension or performing activities or etc. at some other points, because each of my work either illustrated or arranged for photo is a part of animation and is just a one shot from one angle of bigger reality, therefore I am not a sur-realist. For deriving knowledge from my flashes their access to wider researchers in form of website, book, Museum, CD, video, etc. are required. And due to unavailability of resources, most of the paintings were sold before I could photographed these works which basically are like the fossils of the time and region and are done with hope that in future in order to get some data out of these works, the dimensions of anthropology, psychology, historiography, neurology, neuro-physics and other aspects will also be taken into account and the result may benefit in understanding some aspect of the complex Nature. The importance of flashes can be realized from the ripple effect observable in art and multi-media community that somehow came in contact with the work and hijacked ideology out of these flashes, such benefits, scientific community has not taken yet. From art point of view the art community produced high quality variations out of flashes but their work lack archetypal dimension which is one of the aspect, useful for scientific community to explore.

For cataloguing purpose somewhere title or art terminology like: "oil on canvas", "collage", "performance", "installations", "construction", etc. are used has nothing to do with meaning of the work, flashes are independent of these terminologies borrowed from art for cataloguing purpose only, flashes are beyond art. Flashes can include any ism, any element, bizarre thing, anything or things we don't know, that's why thousands of my flashes goes waste due to lack of energy and resources. Besides colorful images, performance and animation, Flashes also comes in form of sound as well, for instance I heard the sound: "Quranic archaeology is a mighty subject," this flash took me into the archaeology.

Researchers are invited to reply on enigma of colorful flashes. From where they come? they come to all or to few,? Few interesting pieces of writing below could be the starting point for debate: One is by David V. Tansley in his book: 'Subtle body' , author writes,..."the pineal gland has been found to contain vestigial traces of optic tissue. Experiments have shown that nerve impulses arise in the pineal in response to stimulation by light. Galen claimed that the pineal was a regulator of thought, and the Greeks said that the soul was anchored there. According to esoteric tradition this gland is the focal point for the masculine positive energy of spirit which is represented by the first hexagram of l-Ching, its six yang lines symbolizing the primal power of heaven and the creative action of the holy man".

But spirituality or metaphysical dimension is relevant in my case or not is a question unsolved or perhaps I should confine myself to physical dimension of Flashes (or call it images) which stay in my eyes just for less than a half second, perhaps for 0.01 second and I simply illustrate these Flashes and what it holds for future Fine Art, Sciences, Meta-science or Spirituality, I do not know yet, so I isolate myself from dada and sur-realism because I avoid title and avoid mixing my imagination or experimentation in recording of Flashes which is very rare or unrecorded. In dada and sur-realism we do read about dreams and drug infused random thoughts, but not flashes, so far no word about flashes I find even in Freud or Jungian psychology, they talk about dream importance. And in Christian art history so far I have only observed mixing of dream and inspiration from Bible. No body so far I have read in Dada and sur-realism that somebody is claiming that he is depicting Flashes or depicting flashes without mixing his imagination or experimentation. After seeing the difference between two (1) Pure Flashes and (2) some of my work based on mixing of imagination or experimentation with Flashes, now I can pin point the Flash, mixed or unmixed. My major work which is unmixed are pure Flashes (1) and my mixed work (2) can be termed as sur-realistic which I did for commercial reason on client's demand who was mad of sur-realism, I wish I could destroy these sur-realistic works. Since I can now perceive the difference between Flashes and work based on mixing of imagination or experimentation, now I can pin point the Flash, mixed or unmixed, so my major work should not be equate with William Blake, Dali, De Chirico, Carra, Marcel Duchamp, Magrette, etc., because I am not competing in art aesthetic, or in painterly compositions, I have no experience of spirituality, so my work should not also be confuse with any oriental mystics or artists who refer to the metaphysical in some form or another.

My work from (1974-81) of installations, performances based on flashes is still unpublished, so new generation do not know about it, in South Asian art also so far, no artist has ever claimed flashes mixed or un-mixed. For future science world, un-mixed flashes will be more important. Please inform on email mansursalim@hotmail.com, if reader come up with something related to science of flashes, or near to it, for instance few near relevant things I found are:

Physicist Mitchell Feigenbaum (reported in the New York Times, 1984), that when inspiration came to Feigenbaum, it was in the form of a picture, a mental image of two small wavy forms and one big one. This gave him an idea about scaling, the way the small features of a thing relate to the large features, it gave him the path he needed. For period doubling, scaling showed not only when one value-a total population or a fluid speed-would break into two, but also just where the new values would be found, Scaling was an intimate feature of the peculiar world Feigenbaum was beginning to explore.

Arthur I. Miller in a discussion of "redefining visualizability" makes it clear...the experimental evidence prevents us from forming a mental image bridging the wave-particle duality, such an image is available by 'Anschaulichheit' (German term for intuition, plus more) of another kind. It is the kind of image the physicist Werner Heisenberg had in mind when he asserted that, although the causality of classical mechanics has no access to quantum theory, quantum mechanics should not be considered unanschaulich, that is, excluded from imagery (Miller, Imagery in Scientific Thought). One example of such image is Albert Einstein's famous thought experiment in which he demonstrated the equivalence of inertia and gravitation by imagining an observer pulled through empty space in a closed container. Such images, however, lead by degrees of abstraction to others limited to spatial diagrams of a theoretical situation. Sigmund Freud, for example, writes, "We assume that the psychic life has the function of an apparatus, to which we attribute spatial extension and which we imagine as being composed of several pieces, similar to a telescope or microscope" Although such an image provides complementarity with a concrete percept of its models, it would not seem to provide it with a representable reality. But some physicists disagree that Niels Bohr never apply his notion of complementarity to subject other than physics. But for some physicists the contrary is true. (From Rudolf Arnheim's essay: “Complementarity from the outside” in book: Rescue of art).

May be or may not be these above references are relevant here for flashes I do not know, but for scientific analysis it is important to state briefly here the background of how I realized the importance of these flashes, but for scientific cause I have to write what I should not. I hope my friends will forgive me for this cause, because for good Gestalt one should have all the possible details in mind, it is beyond humans to perceive Perfect Gestalt, only Allah knows everything. A year before Metric and much before Diploma in fine art, my art works (flashes, mixed and unmixed) since 1974 were on display at Atelier BM and at Indus gallery, and since then I am observing the ripple effect of those works. After solo show of my works at Pakistan American Cultural Center, January 1979, I went to CIAC, Karachi Arts Council, to check effects of my Flash-works among artists. Before flashes since 1973 I was only doing super realistic sort of paintings of surrounding and of interior Sindh culture and capturing the local environment to come up with something: Pakistani avant-garde which I displayed at PACC solo show in Jan. 1979. But was ignored by media, only small press coverage came with a suggestion: "Mansoor has to stick to his remarkably sound realistic style instead of delving into many styles". (Art show, Daily News, Jan. 9, 1979). But anyhow I was realizing the importance of my flashes which were inspiring the most intelligent and talented of artist community for example: Ghalib Baqar changed his Dali sort of Sur realism into experimental water color, other water colorists like Abdul Hayee, Ather Jamal, Zahin Ahmad, Hanif Shezad, etc. added Karachi and interior Sindh imagery into their work. But at the same time I was learning the techniques of art from them. From Hayee and Baqar I learned the techniques of water color, from Farhan Ehsan I learned the techniques of drawing and calligraphy, from Amir Khan Tareen I learned the techniques of Rembrandt, from Abul Fateh I learned the techniques of ceramics, from Dr. Sajid Khan and Naseem Khan I learned the techniques of photography, from A.G. Khalid I learned the techniques of using computer and so on.

One of world's best super realist artist Shakil Siddiquei changed his Rembrandt sort of style into super realistic abstraction, for instance his paintings of Book shelf, Notice board, door, windows, composition with Dawn news paper, Sindhi dari, fruit packing wooden peyti, Chilmun and etc., in subject matter, were directly inspired by my flashes in form of photos or artworks I shared with him. Art critic Dr. S. Amjad Ali in his article: "Growing trend towards realism", wrote;..."Saleem Mansoor was the first to begin this kind of realism in Karachi but he was well advised to give up after creating a few interesting pieces. It is a good way of gaining command over technique and then putting it to other use in which more thought and feeling comes into play." (Dawn, April 20, 1984).

Ejazul Hassan wrote in Page 17, 123 in the catalogue of 5th National Exhibition, 1985, Published by Idara Saqafat Pakistan, written by Ejazul Husan.

"Young Mansoor Saleem has his own unusual way with objects and space. He sometimes likes to call his work as "installation" in the environment around him. He always wants to place things where he thinks these should be placed. The coiled wire, with a crescent on top, placed on a gray composition is evidence of his restless imagination. The title "Pakistani Avant Garde" also shows his wit." (—page 123, Ejazul Husan)

"The young painter Saleem Mansoor....investigates new methods and techniques not only meant to widen the scope and definition of realism but also to discover fresh methods to stimulate the viewers' response. His 'painting' titled The Pakistani Avant-garde' is wittily fabricated with tan-gue-in-cheek humor making an apt comment on elitist attitudes and trends in modern art."—(page: 17, from the introduction of 5th National Exhibition by Ejazul Hasan)

Most helping and highly creative artist and multi media man Imran Mir in 1975 appreciated my work in high remarks when he was discussing with Bashir Mirza at Atelier BM. BM was telling him that before going to Canada what Imran observed in art scene was still the same when he returned after many years, that Ahmed Pervaiz is repeating Allen Davy, and Shakir Ali, Mansur Rahi and their students were repeating Picasso and Braque's cubism in Indian or Bengali styles and Jamil Naqsh, Lubna Agha, Mansur Aye, Mashkoor, and others are repeating the same compositions, Rabia Zuberi and Shahid Sajjad repeating Henry Moor and so on. Imran pointing towards my work replied: "he is the change"! and BM acknowledged it. Imran like Zahoor ul Akhlaque, also absorbed elements from my flashes (like geometry, etc) but both only absorbed post modern art-elements from my flashes (but they absorbed postmodern element from other sources like we see in work of Herbert Bayer, Jennifer Bartlett, Ross Blacker, Sean Scully and etc) which not much is my concerned.

During my slide show at NCA in 1981, Zahoor and his wife asked me about my future plan, they were surprised to hear that I will soon be joining Archaeology Department in some university because from inside I am an anthropologist also. All my work is not only a statement in anthropology, but is also a statement in neurology, physics, and other sciences. Imran sincerely wanted to bring post modern trends in the region, perhaps for variety he introduced me to many artists, for instance, one day Imran came to me and carried my work's photos in his car and took me to David Alesworth's house and showed my work to him and his wife Durriya and Imran told them to do something like that and after one month of that, Imran's wife Nighat, told me; "Mansoor! You know Durriya is taking your sort of Truck art from Karachi to Peshawar". Nighat was saying that because she much before this event has written an article in press on my 1977 Truck art collection and Sara Irshad has written on my 1981 work: "Taking art show on donkey cart to the folk". Durriya and David not only took the advantage of my flashes but others also followed similar ideology, for instance Ruby Chisti, Masooma Syed, Naiza Khan, Adeela Khan, Rashid Rana, Noorjehn Bilgramy, Huma Mulji, Farida Batool, Ali Raza, Sophie Ernst, Faiza But, M. Ali Talpur, Imran Qureshi, Ameen Gulgee, Jamal Shah, Nazish Ataullah, Aaisha Khalid, Risham Syed and many others who spread the ideology to Melbourne, Dubai, London, New York, Berlin, etc.

Before their first thesis, IVSAA'S principal invited me for slide show of my work, but to my surprise only the faculty staff was invited and not the students. After a month or so one of the faculty member Kamran Hamid told me, "Mansoor go and see student's thesis at IVSAA where teachers has influenced students to do work which is similar to your ideology"." Now it is a tradition there. Even their very architecture is based on the ideology of some of my old flashes and on article published in press. Against me, I even find wrong propaganda by hijackers of my work. And rather through lobby in media they even sensor or edit my interviews according to their need of representing me with those works which they have not preferred to hijack from my flashes. In Shisha, Shanakht, Carce, IVSAA, Fomma and VASL works I have observed direct influence of ideologies, imageries derived out of my flashes. For assessment of the influence, historiographical approach is required. For commercial reason, they can ignore me too but future history will not. Local art magazine and art book writers were chased to ignore me.

I also held slide show of the work at NCA in 1981, where Zahoor-ul-Akhlaque, his wife and his students saw the show. Salima Hashmi wrote an article on my exhibition at Alhambra gallery Lahore, in March, 1984. The effort bore its fruit, through historiography one can trace after 1981, the change in NCA and change in Zahoor, Ejazul Hasan, Salima Hashmi, Shahid Sajjad, Mehar Afroze, etc., and change in their younger generation of students. They and other agents and technology (since 1974 perhaps) spread the influence of my flashes abroad as well, for instance on Beverly Pepper, Nicole Eisenman, Anish Kapoor, Mohsin Zaidi, Susanne Kessler and etc.

All the names mentioned above have the right to disagree with me, these are just friendly assumptions for researchers to look at such debate too to guess what the Flashes are? I too was inspired by many but after receiving Flashes from nature, I painted these with realization that they are more important than Mona Lisa, E=mc2 or Taj Mahal. I have no solo shows in prestigious gallery abroad I have no big post, scholarship or any sponsorship or awards, etc. But what Nature has given me in form of Flashes is more important that they are prototype for all time to come, back to the future or forward into the past. All artists are free to make anything they wish or according to market forces but I have to make (for science) what I receive in form of Flashes. Historiographicaly speaking Flashes' influence is more than what the work of Shakir Ali, Sadequein, Gulgee, M.F. Hussain and etc. had. But no comment I see in the catalogue of 2007- National exhibition, even the Karachiets have ignored me too. Sindh Governor is not using his Legend Fund; I now in time of Parkinson disease need sponsorship to continue the mission, if possible Inshallah. ...MS

Mansoor Saleem's solo show, May, 2008

Shakil Ismail Art Gallery

Ground Floor, Marine Point, Block 9, Clifton Karachi. Tel: 0321-2409949, E-mail: shakilismailartgallery@yahoo.com

Gallery is not responsible what artists express freely

Twitter by approved.design

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Finally got a Twitter account

www.twitter.com/networkosaka

Twitter will allow me to be more proactive when trying to communicate with you guys.

I also set up a blog where I'll be posting sneak peeks of upcoming work, post site updates and announcements, and links of interest from time to time :-)

blog.networkosaka.com

Check the 2nd blog entry... You have to watch that film. It's amazing.

New account by Flea Man

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Accounts book by Alexander Baxevanis

17 2

At Blandy's Wine Lodge, Funchal, Madeira

Account Was Suspended by Jenny Feingemacht

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"Your account has been determined to contain prohibited content, specifically videos containing Restricted content"

Which has now forced me to keep my content here to a minimum.

114-365 (Year 8) Ruling account sheets by George Redgrave

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I was sent this very nice thin paper for my Pocket Filofax recently – it works a treat :)

Cuicocha, Ecuador by Loïc Brohard

Follow me on my TRAVEL Instagram account ► www.instagram.com/travel.explore.photos

The 150th Anniversary of the Battle of the Washita (3/7) by Conspiracy of Cartographers

November 27 marks the 150th anniversary of the Battle of the Washita, where George Armstrong Custer’s 7th Cavalry fell upon the Cheyenne village under Black Kettle in northern Oklahoma.

In my posts today, I’ll detail the battle from eyewitness accounts.

Lt. Col. Custer gave this brief account of the battle shortly afterwards. It is, more or less, accurate – except when it comes to the casualty counts. In its brevity, much of the story is absent, but we’ll get to that shortly.

Custer:

There never was a more complete surprise. My men charged the village and reached the lodges before the Indians were aware of our presence. The moment the charge was ordered the band struck up “Garry Owen,” and with cheers that strongly reminded me of scenes during the war, every trooper, led by his officer, rushed towards the village.

The Indians were caught napping for once. The warriors rushed from their lodges and posted themselves behind trees, and in the deep ravines, from which they began a most determined defense.

The lodges and all their contents were in our possession within 10 minutes after the charge was ordered, but the real fighting, such as has rarely if ever been equaled in Indian warfare, began when attempting to clear out or kill the warriors posted in ravine or underbrush; charge after charge was made, and most gallantly, too, but he Indians had resolved to sell their lives as dearly as possible.

After a desperate conflict of several hours, our efforts were crowned by a most complete and gratifying success.

The entire village, numbering 47 lodges of Black Kettle’s band of Cheyennes, two lodges of Arapahoes, and two lodges of Sioux- 51 lodges in all – under command of their principal chief, Black Kettle, fell into our hands.

By actual and careful examination after the battle, the following figures give some of the fruits of our victory: The Indians left on the ground and in our possession the bodies of 103 of their warriors including Black Kettle himself, whose scalp is now in the possession of our Osage guides.

[…]

We destroyed everything of value to the Indians, and have now in our possession, as prisoners of war, 53 squaws and their children.

Camera: Intrepid Mk3 (2018)

Lens: Schneider-Kreuznach Symmar-S 5.6/210mm

Exposure: f/64; 1sec; Red Filter

Film: Kodak Super XX (x-09/1976)

Process: HC-110B; 8.5min

Washita Battlefield, Oklahoma

A new photo technique for me. by Chris Firth

18 28

I haven't uploaded this image on account of any photographic merit, but simply as a first attempt at photo stitching. For some reason I have struggled to find some software to carry out this task. It would seem that at long last I might have unlocked the "Photoshop Elements" process. This particular view comprises two shots taken last week of Terry approaching the summit of Base Brown. They weren't taken in readiness for stitching, it was just a coincidence that they were compatible. Fingers crossed next time on the hills I can shoot something a little more noteworthy.

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