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The West Fjords account for about half of Iceland's total shoreline. The shore is everywhere, infinitely varied, changing with the seasons, lying on the mystical border between different worlds. Seals bask on the rocks, huge colonies of seabirds are seen as the king of the skies, the white-tailed eagle is watching over them. Bay Patreksfjordur branches into two smaller fjords, Patreksfjordur and Talknafjordur. A fishing village by the same name rests on the 15 km long and nearly 4 km wide bay.

 

Patreksfjordur is an old trading place dating back to the 16th century. Fishing and derivative industries and services are the mainstays of the economy in Patreksfjordur. In the past years, the emphasis on alternative industries has been more visible, similar to other fishing villages in Iceland.

Patreksfjordur in the summertime, is very pleasant, and there are so many things to explore, for instance the most beautiful waterfall in Iceland.

 

And when you drive on the south side of the fjord, then you are heading to Latrabjarg. You can find a really beautiful farm, Hænuvík, where you can rent a small summerhouse ( as pictured ). This shack is located down by the shore where you can smell and hear the soft sound of the north ocean, and the sunset is one you can't find a better place to capture in the solstice. Close by there is a lighthouse if you want to add more beauty to your picture. Staying awake at night, at the time of the solstice is worth at lot where you can both look at the sun hovering over the shore and be in the arm of your lover.

Taken on Wiirral. Trying to reset my Flickr account! Bear with!!!!

Dissociative identity disorder (DID), previously known as multiple personality disorder (MPD), is an extremely rare mental disorder characterized by at least two distinct and relatively enduring identities or dissociated personality states that alternately control a person's behavior, and is accompanied by memory impairment for important information not explained by ordinary forgetfulness. These symptoms are not accounted for by substance abuse, seizures, other medical conditions, nor by imaginative play in children. Diagnosis is often difficult as there is considerable comorbidity with other mental disorders. Malingering should be considered if there is possible financial or forensic gain, as well as factitious disorder if help-seeking behavior is prominent.

DID is one of the most controversial psychiatric disorders with no clear consensus regarding its diagnosis or treatment. Research on treatment effectiveness still focuses mainly on clinical approaches and case studies. Dissociative symptoms range from common lapses in attention, becoming distracted by something else, and daydreaming, to pathological dissociative disorders.[6] No systematic, empirically-supported definition of "dissociation" exists.

Although neither epidemiological surveys nor longitudinal studies have been done, it is thought DID rarely resolves spontaneously. Symptoms are said to vary over time.In general, the prognosis is poor, especially for those with co-morbid disorders. There are few systematic data on the prevalence of DID. The International Society for the Study of Trauma and Dissociation states that the prevalence is between 1 and 3% in the general population, and between 1 and 5% in inpatient groups in Europe and North America.[5] DID is diagnosed more frequently in North America than in the rest of the world, and is diagnosed three to nine times more often in females than in males. The prevalence of DID increased greatly in the latter half of the 20th century, along with the number of identities (often referred to as "alters") claimed by patients (increasing from an average of two or three to approximately.DID is also controversial within the legal system[3] where it has been used as a rarely-successful form of the insanity defense.The 1990s showed a parallel increase in the number of court cases involving the diagnosis.

Dissociative disorders including DID have been attributed to disruptions in memory caused by trauma and other forms of stress, but research on this hypothesis has been characterized by poor methodology. So far, scientific studies, usually focusing on memory, have been few and the results have been inconclusive. An alternative hypothesis for the etiology of DID is as a product of techniques employed by some therapists, especially those using hypnosis, and disagreement between the two positions is characterized by intense debate.DID became a popular diagnosis in the 1970s, 80s and 90s but it is unclear if the actual incidence of the disorder increased, if it was more recognized by clinicians, or if sociocultural factors caused an increase in iatrogenic presentations. The unusual number of diagnoses after 1980, clustered around a small number of clinicians and the suggestibility characteristic of those with DID, support the hypothesis that DID is therapist-induced.[15] The unusual clustering of diagnoses has also been explained as due to a lack of awareness and training among clinicians to recognize cases of DID

  

Signs and symptoms]

 

According to the fifth Diagnostic and Statistical Manual of Mental Disorders (DSM), DID includes "the presence of two or more distinct identities or personality states" that alternate control of the individual's behavior, accompanied by the inability to recall personal information beyond what is expected through normal forgetfulness. In each individual, the clinical presentation varies and the level of functioning can change from severely impaired to adequate. The symptoms of dissociative amnesia, dissociative fugue and depersonalization disorder are subsumed under the DID diagnosis and are not diagnosed separately. Individuals with DID may experience distress from both the symptoms of DID (intrusive thoughts or emotions) as well as the consequences of the accompanying symptoms (dissociation rendering them unable to remember specific information). The majority of patients with DID report childhood sexual and/or physical abuse, though the accuracy of these reports is controversial. Identities may be unaware of each other and compartmentalize knowledge and memories, resulting in chaotic personal lives.Individuals with DID may be reluctant to discuss symptoms due to associations with abuse, shame and fear. DID patients may also frequently and intensely experience time disturbances.

The number of alters varies widely, with most patients identifying fewer than ten, though as many as 4,500 have been reported. The average number of alters has increased over the past few decades, from two or three to now an average of approximately 16. However it is unclear whether this is due to an actual increase in alters, or simply that the psychiatric community has become more accepting of a high number of alters.The primary identity, which often has the patient's given name, tends to be "passive, dependent, guilty and depressed" with other personalities or "alters" being more active, aggressive or hostile, and often containing more complete memories. Most identities are of ordinary people, though fictional, mythical, celebrity and animal alters have also been reported.

Developmental trauma]

 

People diagnosed with DID often report that they have experienced severe physical and sexual abuse, especially during early to mid-childhood, (although the accuracy of these reports has been disputed and others report an early loss, serious medical illness or other traumatic event. They also report more historical psychological trauma than those diagnosed with any other mental illness.[not in citation given]Severe sexual, physical, or psychological trauma in childhood has been proposed as an explanation for its development; awareness, memories and emotions of harmful actions or events caused by the trauma are removed from consciousness, and alternate personalities or subpersonalities form with differing memories, emotions and behavior. DID is attributed to extremes of stress or disorders of attachment. What may be expressed as post-traumatic stress disorder in adults may become DID when occurring in children, possibly due to their greater use of imagination as a form of coping. Possibly due to developmental changes and a more coherent sense of self past the age of six, the experience of extreme trauma may result in different, though also complex, dissociative symptoms and identity disturbances. A specific relationship between childhood abuse, disorganized attachment, and lack of social support are thought to be a necessary component of DID. Other suggested explanations include insufficient childhood nurturing combined with the innate ability of children in general to dissociate memories or experiences from consciousness.

Delinking early trauma from the etiology of dissociation has been explicitly rejected by those supporting the early trauma model. However, a 2012 review article supports the hypothesis that current or recent trauma may affect an individual's assessment of the more distant past, changing the experience of the past and resulting in dissociative states. Giesbrecht et al. have suggested there is no actual empirical evidence linking early trauma to dissociation, and instead suggest that problems with neuropsychological functioning, such as increased distractibility in response to certain emotions and contexts, account for dissociative features. A middle position hypothesizes that trauma, in some situations, alters neuronal mechanisms related to memory. Evidence is increasing that dissociative disorders are related both to a trauma history and to "specific neural mechanisms". It has also been suggested that there may be a genuine but more modest link between trauma and DID, with early trauma causing increased fantasy-proneness, which may in turn render individuals more vulnerable to socio-cognitive influences surrounding the development of DID.

dédoublement de personnalité

Il est important de différencier deux termes : le dédoublement de la personnalité et la personnalité multiple.

En effet, la définition donnée est celle de la , qui fait qu'une personne possède deux (voire plus) personnalités complètement différentes, chacune ayant une vie sociale et professionelle distinctes, parfois un nom propre à chacune d'entre elles et étant parfaitement adaptées à leur(s) milieu(x). Ce n'est pas vraiment un trouble, mais une surconstruction personnelle donnant naissance à plusieurs personnalités au lieu d'une seule.

Le dédoublement de personnalité, en revanche, est un trouble de la personnalité provoqué par le subconscient, qui impose occasionnellement à la personnalité "normale" un comportement incohérent, parfois violent, incontrôlé. Il arrive que la personnalité première ne se rende plus compte de ce qu'elle fait (elle est "déconnectée") ce qui donne l'impression d'une autre personnalité, inadaptée socialement , sentimentalement et intellectuelement.

 

Ce sujet prète à polémique, car certains se contentent du terme troubles dissociatifs de l'identité (Dissociative Identity Disorder) pour englober les deux cas. La différence est de taille : avec cette notion, il n'y aurait pas plusieurs personnalités égales, mais une majeure à laquelle on doit redonner pleine maîtrise de son corps. Comme expliqué plus haut, ce serait dans un cas de dédoublement que l'on peut envisager cette façon de voir les personnalités, et non dans un cas de multiples personnalités. En effet, comment décider qu'une personnalité a plus de droit qu'une autre sur un corps, lorsqu'il n'y en a pas d'originelle ?

Je pense que le sens donné est le sens courant, non ? On peut rajouter des précisions ou mises en garde sur le sens technique du point de vue médical. Lmaltier 18 décembre 2007 à 17:05 (UTC)

En fait, les deux sont liées pour la plupart des gens, c'est pour cela qu'il faut les différencier : on a tendance à croire que les personnes ayant des personnalités multiples sont dangeureuses, peuvent avoir des accès de violence incontrolée dirigés par une personnalité instable. Ce n'est souvent pas le cas (même si c'est possible, comme pour n'importe quelle personnalité dite "normale"). Ce n'est donc pas sur un plan médical qu'il est important de les différencier, mais sur un plan humain : les personnalité multiples sont des personnalités tout ce qu'il y a de plus banales, mais sont persécutées à cause de la mauvaise image que l'on a d'elles, dûe aux dédoublement de personnalités qui, eux, sont des cas de dissociation de personnalités potentiellement dangereux car instables. S Vidal 20 décembre 2007 à 13:20 (UTC)

Peut-être, mais on étudie le mot, pas la maladie (faut voir Wikipédia pour ça). On peut mettre en garde sur les différents sens utilisés, mais c'est tout. Lmaltier 20 décembre 2007 à 17:21 (UTC)

mais justement, le problème est là ! on utilise un même mot pour deux choses différentes... si la définition du mot est faussée, l'étude de ce mot n'a pas lieu d'être, pas sans précisions...

PRECISION:

Il n'y a pas de différence entre ces deux troubles, ils n'en forment en vérité qu'un seul. Le trouble de la personnalité multiple était le nom donné auparavent à cet état, et maintenant il s'appelle Trouble dissociatif de l'identité. Dans les deux cas (puisque ça n'est en fait qu'une maladie) des traumas subits de façon répétitifs ont poussé la personnalité de l'enfant à se dissocier, pour pouvoir supporter les chocs traumatiques, le manque d'attention, etc. Les personnalités apparaissent à différents moments, et peuvent même restées complètement cachées jusqu'assez tard dans la vie d'un individu, avant les premières vraies crises, souvent dues à un stress ou un choc émotionnel important. Elles ont différent degrés de constructions émotionnelles, intellectuelles et sociales, ce qui peut penser à une structure de multiples personnalités toutes égales. Il n'en est en fait rien. même quand on parle de personnalité hote qui doit rester alors que les autres doivent disparaitre, ce n'est pas encore tout à fait juste. Toutes les peronnalités doivent, petit à petit à petit et au long d'une thérapie qui apprendra au patient multiple à se construire et trouver le moyen d'affronter autrement ses traumas passés et à venir, fusionner et ne redevenir qu'une seule et même entité, plus stable, et capable de vivre pleinement sa vie.

dédoublement de la personnalité[modifier]

 

Ma soeur jumelle souffre de ce trouble depuis l'âge de 16 ans mais ne le reconnait que depuis peu,depuis sa première grosse crise. Elle peut changer de comportement d'une minute à l'autre,laissant place à une femme extravertie et sans limites..alcool,hommes,jeux.. Souvent il lui arrive de se réveiller sans souvenirs de la veille et découvre que son compte en banque a fondu p.ex. Elle devient également plus brusque,plus mauvaise.quand l'alcool s'en mêle elle n'a plus de limites et se bagarre violement(en général avec des hommes)et fini parfois à l'hôpital après avoir brutalisé le personnel infirmier.La plupart du temps perd connaissance. Mais reste persuadée que rien de tout ça ne s'est produit.. Qu'y a-t-il à faire pour atténuer cette maladie?Existe-t-il un moyens de guérison?

Ma plus grande question,pouvons-nous faire confiance aux personnes atteintes de ce trouble?

  

Il existe un moyen. Il faut emmener la personne a l'hopital, et les medecins vous donnerons un planing a respecter. (ex: ce coucher a une heure exacte et ne pas manger n'importe quoi). mais attention il faut emmener la personne au plus vite a l'hopital car elle peut passer a l'acte.

   

1951; Réglement de Comptes [Account Rendered] by Peter Cheyney. Cover art by Rognan

TIME OUT LONDON, VISIT LONDON, LONDONIST & "I KNOW THIS GREAT..." if you use my photo can you please put the credit link to my Facebook Page rather than my Flickr Account. Thank you.

 

All pictures in my photostream are Copyrighted © Umbreen Hafeez All Rights Reserved

Please do not download and use without my permission.

 

You can also find me on Facebook, Instagram and Twitter.

"Save the girl child campaign (an internet-driven advocacy mission) by SOCIAL GEOGRAPHIC"

Photo: Firoz Ahmad Firoz

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"Worst of all, violence against women and girls continues unabated in every continent, country and culture. It takes a devastating toll on women’s lives, on their families and on society as a whole. Most societies prohibit such violence -- yet the reality is that, too often, it is covered up or tacitly condoned." (UN SECRETARY-GENERAL in International Women’s Day 2007 Message.)

 

“Almost every country in the world still has laws that discriminate against women, and promises to remedy this have not been kept.” (UN High Commissioner for Human Rights on the eve of International Women's Day 2008)

 

According to one United Nations estimate, 113 to 200 million women are “demographically missing” from the world today. That is to say, there should be 113 to 200 million more women walking the earth, who aren’t. By that same estimate, 1.5 to 3 million women and girls lose their lives every year because of gender-based neglect or gender-based violence and Sexual Violence in Conflict ( Read more about UN Action against Sexual Violence in Conflict www.stoprapenow.org/ ). Millions of young women disappear in their native land every year. Many of them are found later being held against their will in other places and forced into prostitution. According to the UNICEF ( www.unicef.org/gender/index_factsandfigures.html ),Girls between 13 and 18 years of age constitute the largest group in the sex industry. It is estimated that around 500,000 girls below 18 are victims of trafficking each year. United Nations agencies estimated that every year 3 million girls are at risk of undergoing the procedure – which involves the partial or total removal of external female genital organs – that some 140 million women, mostly in Asia, the Middle East and in Africa, have already endured. We can point a finger at poverty. But poverty alone does not result in these women’s deaths and suffering; the blame also falls on the social system and attitudes of the societies.

 

India alone accounts for more than 50 million of the women who are “missing” due to female foeticide - the sex-selective abortion of girls, dowry death, gender-based neglect and all forms of violence against women.

 

Since the late 1970s when the technology for sex determination first came into being, sex selective abortion has unleashed a saga of horror in India. Experts are calling it "sanitized barbarism".The 2001 Census conducted by Government of India, showed a sharp decline in the child sex ratio in 80% districts of India. The Census Report of 2001 reveals a highly skewed child sex ratio (0-6 year-olds), that fell from 945 females per 1,000 males in 1991 to an all-time low of 927 in 2001. Additional data from the India’s birth and death registration service indicates that the figures have further fallen to fewer than 900 females per 1,000 men over the last few years. In some parts of the country, the sex ratio of girls to boys has dropped to less than 800:1,000. It's alarming that even liberal states like those in the northeast have taken to disposing of girls. Worryingly, the trend is far stronger in urban rather than rural areas, and among literate rather than illiterate women, exploding the myth that growing affluence and spread of basic education alone will result in the erosion of gender bias.

 

The United Nations has expressed serious concern about the situation.

Over the years, laws have been made stricter and the punishment too is more stringent now. But since many people manage to evade punishment, others too feel inclined to take the risk. Just look at the way sex-determination tests go on despite a stiff ban on them. Only if the message goes out loud and clear that nobody who dares to snuff out the life of a female foetus would escape effective legal system would the practice end. It is only by a combination of monitoring, education, socio-cultural campaigns, and effective legal implementation that the deep-seated attitudes and practices against women and girls can be eroded.

 

The decline in the sex ratio and the millions of Missing Women are indicators of the feudal patriarchal resurgence. Violence against women has gone public – whether it is dowry murders,the practice of female genital mutilation , honour killings, sex selective abortions or death sentences awarded to young lovers from different communities by caste councils, rapes and killings in communal and caste violence, it is only women’s and human rights groups who are protesting – the public and institutional response to these trends is very minimal.

 

Millions of women suffer from discrimination in the world of work. This not only violates a most basic human right, but has wider social and economic consequences. Most of the governments turn a blind eye to illegal practices and enact and enforce discriminatory laws. Corporations and private individuals engage in abusive and discriminatory practices without fear of legal system. Sexual harassment and violence in the workplace are common and constant threats to working women’s lives and livelihoods.

 

More women are working now than ever before, but they are also more likely than men to get low-productivity, low-paid and vulnerable jobs, with no social protection, basic rights nor voice at work according to a new report by the International Labour Organization (ILO) issued for International Women’s Day 2008.

  

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Unite To End Violence Against Women!

Say No To Sex Selection and Female Foeticide!!

Say No To Female Genital Mutilation!!!

Say No To Dowry and Discrimination Against Women!!!!

Say Yes To Women’s Resistance, Education and Empowerment!!!!!

 

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www.un.org/womenwatch/

www.un.org/women/endviolence/

www.saynotoviolence.org/

www.womenfightpoverty.org/

 

Hey guys! I'm super excited about the new app called brickly. I just started my account, and if any of you guys have an account on there as well, feel free to check mine out!

 

Also, expect a new MOC in a week or two! :)

Make sure to click here to view the larger image as Flickr's resizing creates moiré artifacts and dulls the brilliance of the compound eyes!

 

This beautiful little Ommatius female caught my eye one miserably hot day last August while I was fruitlessly chasing Holcocephala robbers around a swampy area. She seemed to be relatively unfazed by my presence and was perched atop a secure stick in the shade, so I decided to try for a few shots. After carefully clearing a little spot to sit near her and upon noticing how cooperative she was, I proceeded to spend the next hour watching her hunt. Due to my soft spot for the Holcocephala robbers of this area, I’d largely overlooked these pretty little (~11mm) asilids that occupy the same areas up until this encounter. She was an absolute joy to watch and photograph – leaping from her perch constantly only to reappear at the exact same perch seconds later – each time with a new pierced captive. She was so fast I could never see where she was going, but her lightning quick hunts always seemed to be successful. These Ommatius species must have fantastic vision.

 

As of writing this, I’m not quite sure which species she is – I’ve read that the only definitive way to identify robbers within this genus is to analyze the genitalia of male specimens. Visually, they all look quite similar to me. Here’s a great page from Herschel Raney with a bit of an introduction to Ommatius robbers: www.hr-rna.com/RNA/Rfly Another thing worth pointing out – the compound eyes were a beautiful deep metallic green to my eyes in the sunlight, but somehow my diffused flash picked up the reddish hue you see in the eyes above and below. Maybe I’ll have to try a combination of natural light and a fill-flash should I attempt to photograph this species again next summer. The image above is a crop from a focus stack of about 6 images taken with the 50mm reversed on a set of extension tubes.

 

Sorry about the infrequent uploads – I’ve been quite busy lately and after all it is winter here. Currently it’s about 10° F and windy in Oklahoma. If you’re interested in more things Thomas, head on over to my artwork account here: www.flickr.com/panbasket

 

...or if you’re really bored, I use this account for just documenting vintage illustrations: www.flickr.com/49580580@N02/

 

🔍 Plaghunter protects this beautiful picture against image theft. Get your own account for free! 👊

Sevenoaks Wildlife Reserve - finally bit the bullet and updated to a Flickr Pro account, as today is the last day to get a 30% discount. Not sure what I'll gain apart from the fact I can have more than 1000 images in my photostream, and hence none will have to be deleted come January 2019. Will review the situation this time next year!

“K15” 25 Interlocking Tetrahedra 150 units

5-fold view.

While considering less trivial weaving variations of “K14” (see my account on Instagram for a photo of this compound), I quickly came across a weaving pattern very similar to K10, the only primary differences being the inversion of the chirality of the exterior 2-fold axial whorls and the fact that the resulting compound happened to be the other enantiomorph. At the paper proportions used for “K14,” this resulted in a rather loose construction, since the proportions here are much thinner than those of “K10.” Consequently, I figured it worthwhile to complete the compound with an additional 5 tetrahedra, which is directly analogous to what Dirk Eisner did with his compound of 4 tetrahedra. The extra tetrahedron to each 4 tetrahedra cluster is untransformed; this is, it is neither translated nor rotated nor scaled from the tetrahedron which forms the symmetry polyhedron for each four-compound. The extra five tetrahedra would be a rather trivial addition if not for the fact that the 5th tetrahedron added to each 4 tetrahedra cluster has a different weaving relationship with the rest of the model than the other 4 tetrahedra. Thus, by my definition, this compound is a composition: although it is composed of only one type of frame and one paper proportion, that frame has 2 different independent weaving relationships, so that this could be perceived as 20+5 tetrahedra. The paper proportions are now comfortably tight, although the compound is still not rigid.

Paper proportions: .875”x11”

Designed by me.

Folded out of copy paper.

 

"Your account has been determined to contain prohibited content, specifically videos containing Restricted content"

 

Which has now forced me to keep my content here to a minimum.

At Blandy's Wine Lodge, Funchal, Madeira

At the Lawrence display, Goodwood Revival 2012. He was killed riding a Brough, but it was an SS100, not this lower spec model. This last Brough of his, restored, is in the Imperial War Museum. Each of his bikes he christened "Boanerges", shortened to just Boa as a rule. It means "Son of Thunder" in Aramaic.

 

Here is Lawrence's own account of his famous race encounter with a Bristol Fighter - written while he had reenlisted as TE Ross, trying to avoid recognition following his arab campaign fame.

 

The Road

 

The extravagance in which my surplus emotion expressed itself lay on the road. So long as roads were tarred blue and straight; not hedged; and empty and dry, so long I was rich.

 

Nightly I’d run up from the hangar, upon the last stroke of work, spurring my tired feet to be nimble. The very movement refreshed them, after the day-long restraint of service. In five minutes my bed would be down, ready for the night: in four more I was in breeches and puttees, pulling on my gauntlets as I walked over to my bike, which lived in a garage-hut, opposite. Its tyres never wanted air, its engine had a habit of starting at second kick: a good habit, for only by frantic plunges upon the starting pedal could my puny weight force the engine over the seven atmospheres of its compression.

 

Boanerges’ first glad roar at being alive again nightly jarred the huts of Cadet College into life. ‘There he goes, the noisy bugger,’ someone would say enviously in every flight. It is part of an airman’s profession to be knowing with engines: and a thoroughbred engine is our undying satisfaction. The camp wore the virtue of my Brough like a flower in its cap. Tonight Tug and Dusty came to the step of our hut to see me off. ‘Running down to Smoke, perhaps?’ jeered Dusty; hitting at my regular game of London and back for tea on fine Wednesday afternoons.

 

Boa is a top-gear machine, as sweet in that as most single-cylinders in middle. I chug lordlily past the guard-room and through the speed limit at no more than sixteen. Round the bend, past the farm, and the way straightens. Now for it. The engine’s final development is fifty-two horse-power. A miracle that all this docile strength waits behind one tiny lever for the pleasure of my hand.

 

Another bend: and I have the honour of one of England’s straightest and fastest roads. The burble of my exhaust unwound like a long cord behind me. Soon my speed snapped it, and I heard only the cry of the wind which my battering head split and fended aside. The cry rose with my speed to a shriek: while the air’s coldness streamed like two jets of iced water into my dissolving eyes. I screwed them to slits, and focused my sight two hundred yards ahead of me on the empty mosaic of the tar’s gravelled undulations.

 

Like arrows the tiny flies pricked my cheeks: and sometimes a heavier body, some house-fly or beetle, would crash into face or lips like a spent bullet. A glance at the speedometer: seventy-eight. Boanerges is warming up. I pull the throttle right open, on the top of the slope, and we swoop flying across the dip, and up-down up-down the switchback beyond: the weighty machine launching itself like a projectile with a whirr of wheels into the air at the take-off of each rise, to land lurchingly with such a snatch of the driving chain as jerks my spine like a rictus.

 

Once we so fled across the evening light, with the yellow sun on my left, when a huge shadow roared just overhead. A Bristol Fighter, from Whitewash Villas, our neighbour aerodrome, was banking sharply round. I checked speed an instant to wave: and the slip-stream of my impetus snapped my arm and elbow astern, like a raised flail. The pilot pointed down the road towards Lincoln. I sat hard in the saddle, folded back my ears and went away after him, like a dog after a hare. Quickly we drew abreast, as the impulse of his dive to my level exhausted itself.

 

The next mile of road was rough. I braced my feet into the rests, thrust with my arms, and clenched my knees on the tank till its rubber grips goggled under my thighs. Over the first pot-hole Boanerges screamed in surprise, its mud-guard bottoming with a yawp upon the tyre. Through the plunges of the next ten seconds I clung on, wedging my gloved hand in the throttle lever so that no bump should close it and spoil our speed. Then the bicycle wrenched sideways into three long ruts: it swayed dizzily, wagging its tail for thirty awful yards. Out came the clutch, the engine raced freely: Boa checked and straightened his head with a shake, as a Brough should.

 

The bad ground was passed and on the new road our flight became birdlike. My head was blown out with air so that my ears had failed and we seemed to whirl soundlessly between the sun-gilt stubble fields. I dared, on a rise, to slow imperceptibly and glance sideways into the sky. There the Bif was, two hundred yards and more back. Play with the fellow? Why not? I slowed to ninety: signalled with my hand for him to overtake. Slowed ten more: sat up. Over he rattled. His passenger, a helmeted and goggled grin, hung out of the cock-pit to pass me the ‘Up yer’ Raf randy greeting.

 

They were hoping I was a flash in the pan, giving them best. Open went my throttle again. Boa crept level, fifty feet below: held them: sailed ahead into the clean and lonely country. An approaching car pulled nearly into its ditch at the sight of our race. The Bif was zooming among the trees and telegraph poles, with my scurrying spot only eighty yards ahead. I gained though, gained steadily: was perhaps five miles an hour the faster. Down went my left hand to give the engine two extra dollops of oil, for fear that something was running hot: but an overhead Jap twin, super-tuned like this one, would carry on to the moon and back, unfaltering.

 

We drew near the settlement. A long mile before the first houses I closed down and coasted to the cross-roads by the hospital. Bif caught up, banked, climbed and turned for home, waving to me as long as he was in sight. Fourteen miles from camp, we are, here: and fifteen minutes since I left Tug and Dusty at the hut door. (end of extract)

 

These bikes are one of the world's most in-demand collectable motorcycles, commanding eye watering sums at ultra posh auctions. Godin Banks has one for sale right now for £44,995. The SS100 commonly fetches a LOT more than that if in top order.

 

The engine shown here is a JAP (JA Prestwich) sidevalve motor of just under a litre. All these engines were long stroke units delivering large amounts of torque rather than spectacular HP figures. Even these SV engines would be capable of providing most of the performance that it was possible to use regularly on the poor roads of the time. George Brough is reported to have ridden an SS80 at Brooklands, lapping at 100mph and setting a record as the first sidevalve engined machine to do so.

 

Later examples were fitted with Matchless/AMC power units. Rolls Royce sent an investigator to inspect the Brough production line because of George's claim that Broughs were "The Rolls Royce of Motorcycles" . He went away, satisfied that the claim was just - and RR endorsed Brough's claim.

Juvenile European Robin photographed at the Wildonline Meadow Hide

 

The adult European robin is 12cm long and weighs between 15 to 22 g with a wingspan of 20–22 cm . The male and female bear similar plumage; an orange breast and face lined by a bluish grey on the sides of the neck and chest. The upperparts are brownish, or olive-tinged in British birds, and the belly whitish, while the legs and feet are brown. The bill and eyes are black.

 

Juveniles are a spotted brown and white in colouration, with patches of orange gradually appearing. Male robins are noted for their highly aggressive territorial behaviour. They will fiercely attack other males and competitors that stray into their territories and have been observed attacking other small birds without apparent provocation. There are instances of robins attacking their own reflection. Territorial disputes sometimes lead to fatalities, accounting for up to 10% of adult robin deaths in some areas

 

Read more at wildonline.blog/2024/02/28/wildlife-the-robin/

Image of Savings Accounts #2. Perfect for reviews, blogs on savings accounts, bank reviews, etc.

 

Free to use this photo please reference the photo credit to ComplexSearch www.complexsearch.com.

Example: [Photo Credit: ComplexSearch]

Mosses account for more than half of all vegetation cover in Iceland and are particularly dominant in areas where there is little soil and growing conditions are unfavourable. Moss heath is common both in lava fields and at higher altitudes, where vascular plant growth is generally sparse. Vascular plant species found on moss heath include stiff sedge (Carex bigelowii), fescues (Festuca spp.), bentgrasses (Agrostis spp.), Bellard's kobresia (Kolbresia myosuroides), three-leaved rush (Juncus trifidus), willows (Salix spp. including Salix herbacea), crowberry (Empetrum nigrum), bog bilberry (Vaccinium uliginosum), heather (Calluna vulgaris), thrift (Armeria maritima) and alpine bistort (Bistorta vivipara).

People think that those cables dangling above your heads along the streets of Bangkok look rather chaotic, but this picture proves that everybody is properly accounted for...

If you're tagged, that means i'm part of your BNTM, you're part of mine or you've said you will enter, or you're just good friends with me!:D

Just letting everyone know I've now got a new account! I changed Facebook accounts but since I log into flickr with my old one(now deactivated) I wanted to log in with my new one! That proved trouble, so I made a whole new account!

www.flickr.com/photos/119129024@N05/

Piper Alpha was a North Sea oil production platform operated by Occidental Petroleum (Caledonia) Ltd.

 

The platform began production in 1976, first as an oil-only platform and later converted to add gas production. An explosion, and the resulting oil and gas fires, destroyed it on 6 July 1988, killing 167, including two crewmen of a rescue vessel; 61 survived.

 

The total insured loss was about £1.7 billion (US$3.4 billion). At the time of the disaster, the platform accounted for approximately ten percent of North Sea oil and gas production, and the accident was the worst offshore oil disaster in terms of lives lost and industry impact.

 

The Kirk of St Nicholas in Union Street, Aberdeen has dedicated a chapel in memory of those who perished and there is a memorial sculpture in the Rose Garden of Hazlehead Park in Aberdeen. Thirty bodies were never recovered.

 

During the late 1970s, major works were carried out to enable the platform to meet UK Government gas export requirements and after this work had been completed, Piper Alpha was operating in what was known as phase 2 mode (operating with the Gas Conservation Module (GCM)) since the end of 1980 up until July 1988; phase 2 mode was its normal operating state. In the late 1980s, major construction, maintenance and upgrade works had been planned by Occidental and by July 1988, the rig was already well into major work activities, with six major projects identified including the change-out of the GCM unit which meant that the rig had been put back into its initial phase 1 mode (i.e. operating without a GCM unit).

 

Despite the complex and demanding work schedule, Occidental made the decision to continue operating the platform in phase 1 mode throughout this period and not to shut it down, as had been originally planned. The planning and controls that were put in place were thought to be adequate. Therefore, Piper continued to export oil at just under 120,000 barrels per day and to export Tartan gas at some 33 MMSCFD (million standard cubic feet per day) during this demanding period.

 

Because the platform was completely destroyed, and many of those involved died, analysis of events can only suggest a possible chain of events based on known facts. Some witnesses to the events question the official timeline.

 

12:00 noon Two condensate pumps, designated A and B, displaced the platform's condensate for transport to the coast. On the morning of 6 July, Pump A's pressure safety valve (PSV #504) was removed for routine maintenance. The pump's two-yearly overhaul was planned but had not started. The open condensate pipe was temporarily sealed with a disk cover (flat metal disc also called a blind flange or blank flange). Because the work could not be completed by 6:00 p.m., the disc cover remained in place. It was hand-tightened only. The on-duty engineer filled in a permit which stated that Pump A was not ready and must not be switched on under any circumstances.

6:00 p.m. The day shift ended, and the night shift started with 62 men running Piper Alpha. As he found the on-duty custodian busy, the engineer neglected to inform him of the condition of Pump A. Instead he placed the permit in the control centre and left. This permit disappeared and was not found. Coincidentally there was another permit issued for the general overhaul of Pump A that had not yet begun.

 

7:00 p.m. Like many other offshore platforms, Piper Alpha had an automatic fire-fighting system, driven by both diesel and electric pumps (the latter were disabled by the initial explosions). The diesel pumps were designed to suck in large amounts of sea water for fire fighting; the pumps had an automatic control to start them in case of fire (although they could not be remotely started from the control room in an emergency). However, the fire-fighting system was under manual control on the evening of 6 July: the Piper Alpha procedure adopted by the Offshore Installation Manager(OIM) required manual control of the pumps whenever divers were in the water (as they were for approximately 12 hours a day during summer) although in reality, the risk was not seen as significant for divers unless a diver was closer than 10–15 feet (3–5 m) from any of the four 120 feet (40 m) level caged intakes.

 

A recommendation from an earlier audit had suggested that a procedure be developed to keep the pumps in automatic mode if divers were not working in the vicinity of the intakes as was the practice on the Claymore platform, but this was never developed or implemented.

9:45 p.m. Because of problems with the methanol system earlier in the day, methane clathrate (a flammable ice) had started to accumulate in the gas compression system pipework, causing a blockage. Due to this blockage, condensate (natural gas liquids NGL) Pump B stopped and could not be restarted. As the entire power supply of the offshore construction work depended on this pump, the manager had only a few minutes to bring the pump back online, otherwise the power supply would fail completely. A search was made through the documents to determine whether Condensate Pump A could be started.

 

9:52 p.m. The permit for the overhaul was found, but not the other permit stating that the pump must not be started under any circumstances due to the missing safety valve. The valve was in a different location from the pump and therefore the permits were stored in different boxes, as they were sorted by location. None of those present were aware that a vital part of the machine had been removed. The manager assumed from the existing documents that it would be safe to start Pump A. The missing valve was not noticed by anyone, particularly as the metal disc replacing the safety valve was several metres above ground level and obscured by machinery.

 

9:55 p.m. First Explosion Condensate Pump A was switched on. Gas flowed into the pump, and because of the missing safety valve, produced an overpressure which the loosely fitted metal disc did not withstand.

Gas audibly leaked out at high pressure, drawing the attention of several men and triggering six gas alarms including the high level gas alarm. Before anyone could act, the gas ignited and exploded, blowing through the firewall made up of 2.5 by 1.5 m (8 by 5 ft) panels bolted together, which were not designed to withstand explosions. The custodian pressed the emergency stop button, closing huge valves in the sea lines and ceasing all oil and gas extraction.

Theoretically, the platform would then have been isolated from the flow of oil and gas and the fire contained. However, because the platform was originally built for oil, the firewalls were designed to resist fire rather than withstand explosions. The first explosion broke the firewall and dislodged panels around Module (B). One of the flying panels ruptured a small condensate pipe, creating another fire.

 

10:04 p.m. The control room of Piper Alpha was abandoned. "Mayday" was signalled via radio by radio operator David Kinrade. Piper Alpha'sdesign made no allowances for the destruction of the control room, and the platform's organisation disintegrated. No attempt was made to use loudspeakers or to order an evacuation.

Emergency procedures instructed personnel to make their way to lifeboat stations, but the fire prevented them from doing so. Instead many of the men moved to the fireproofed accommodation block beneath the helicopter deck to await further instructions. Wind, fire and smoke prevented helicopter landings and no further instructions were given, with smoke beginning to seep into the personnel block.

As the crisis mounted, two men donned protective gear and attempted to reach the diesel pumping machinery below decks and activate the firefighting system. They were never seen again.

The fire would have burnt out were it not being fed with oil from both Tartan and the Claymore platforms, the resulting back pressure forcing fresh fuel out of ruptured pipework on Piper, directly into the heart of the fire. The Claymore platform continued pumping oil until the second explosion because the manager had no permission from the Occidental control centre to shut down. Also, the connecting gas pipeline to Tartan continued to pump, as its manager had been directed by his superior. The reason for this procedure was the huge cost of such a shut down. It would have taken several days to restart production after a stop, with substantial financial consequences.

Gas pipelines of both 16 in (41 cm) and 18 in (46 cm) diameter ran to Piper Alpha. Two years earlier Occidental management ordered a study, the results of which warned of the dangers of these gas lines. Because of their length and diameter, it would have taken several hours to reduce their pressure, which meant fighting a fire fuelled by them would have been all but impossible. Although the management admitted how devastating a gas explosion would be, Claymore and Tartan were not switched off with the first emergency call.

 

10:05 p.m. The Search and Rescue station at RAF Lossiemouth receives the first call notifying them of the possibility of an emergency, and a No. 202 Sqn Sea King helicopter, "Rescue 138", takes off at the request of the Coastguardstation at Aberdeen. The station at RAF Boulmer is also notified, and a Hawker Siddeley Nimrod from RAF Kinloss is sent to the area to act as "On-Scene Commander" and "Rescue Zero-One".

 

10:20 p.m. Tartan Gas Line Rupture Tartan's gas line (pressurised to 120 Atmospheres) melted and ruptured, releasing 15-30 tonnes of high pressure gas every second, which immediately ignited. From that moment on, the platform's destruction was assured.

10:30 p.m. The Tharos, a large semi-submersible fire fighting, rescue and accommodation vessel, drew alongside Piper Alpha. The Tharos used its water cannon where it could, but it was restricted, because the cannon was so powerful it would injure or kill anyone hit by the water.

 

10:50 p.m. MCP-01 Gas Line Rupture The second gas line ruptured (the riser for the MCP-01 platform), ejecting millions of cubic feet of gas into the conflagration and increased its intensity. Huge flames shot over 300 ft (90 m) in the air. The Tharos was driven off by the fearsome heat, which began to melt the surrounding machinery and steelwork. It was only after this explosion that the Claymore platform stopped pumping oil. Personnel still left alive were either desperately sheltering in the scorched, smoke-filled accommodation block or leaping from the various deck levels, including the helideck, 175 ft (50 m) into the North Sea. The explosion also killed two crewmen on a fast rescue boat launched from the standby vessel Sandhaven and the six Piper Alpha crewmen they had rescued from the water.

 

11:18 p.m. Claymore Gas Line Rupture The gas pipeline connecting Piper Alpha to the Claymore Platform ruptured, adding even more fuel to the already massive firestorm that engulfed Piper Alpha.

 

11:35 p.m. Helicopter "Rescue 138" from Lossiemouth arrives at the scene.

11:37 p.m. Tharos contacts Nimrod "Rescue Zero-One" to appraise him of the situation. A standby vessel has picked up 25 casualties, including three with serious burns, and one with an injury. Tharos requests the evacuation of its non-essential personnel to make room for incoming casualties. "Rescue 138" is requested to evacuate 12 non-essential personnel from Tharos to transfer to Ocean Victory, before returning with paramedics.

 

11:50 p.m. With critical support structures burned away, and with nothing to support the heavier structures on top, the platform began to collapse. One of the cranes collapsed, followed by the drilling derrick. The generation and utilities Module (D), which included the fireproofed accommodation block, slipped into the sea, taking the crewmen huddled inside with it. The largest part of the platform followed it. "Rescue 138" lands on Tharos and picks up the 12 non-essential personnel, before leaving for Ocean Victory.

 

11:55 p.m. "Rescue 138" arrives at Ocean Victory and lands the 12 passengers before returning to Tharos with 4 of Ocean Victory's paramedics.

  

00:07 a.m., 7 July "Rescue 138" lands paramedics on Ocean Victory.

00:17 a.m. "Rescue 138" winches up serious burns casualties picked up by the Standby Safety Vessel, MV Silver Pit.

00:25 a.m. First seriously-injured survivor of Piper Alpha is winched aboard "Rescue 138".

00:45 a.m. The entire platform had gone. Module (A) was all that remained of Piper Alpha.

00:48 a.m. "Rescue 138" lands on Tharos with three casualties picked up from MV Silver Pit.

00:58 a.m. Civilian Sikorsky S-61 helicopter of Bristow Helicopters arrives at Tharos from Aberdeen with Medical Emergency Team.

01:47 a.m. Coastguard helicopter land on Tharos with more casualties.

02:25 a.m. First helicopter leaves Tharos with casualties for Aberdeen Royal Infirmary.

03:27 a.m. "Rescue 138" lands on Tharos with the bodies of two fatalities. "Rescue 138" then leaves to refuel on the drilling rig Santa Fe 140.

05:15 a.m. "Rescue 137" arrives at Tharos and after landing, then leaves taking casualties to Aberdeen.

06:21 a.m. Uninjured survivors of Piper Alphaleave Tharos by civilian S-61 helicopter for Aberdeen.

07:25 a.m. "Rescue 138" picks up remaining survivors from Tharos for transfer to Aberdeen.

At the time of the disaster 226 people were on the platform; 165 died and 61 survived. Two men from the Standby Vessel Sandhaven were also killed.

Red inflicts: size 10 7/10

Green Asics: size 11 8/10

Adidas slays: size 10 fit small 6/10

Hi Everyone!

 

I can't use this flickr account anymore sadly, I didn't get the confirmation email to my yahoo email adress, altough I tried to resend the confirmation request many times :(

 

If you have some advice what can I do in this case, please let me know.

 

Thank you! :) Here's my new flickr: www.flickr.com/photos/182576136@N07/

 

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Eszter :)

   

The stories below are flood stories from the world's folklore. I have included stories here if they are stories; they are folklore, not historical accounts or fiction by a known author; and they involve a flood. In most borderline cases, I included the story here anyway. For example, one story (Hopi) tells of a flood which was avoided and never occurred. The stories are summarized both to save space and to avoid copyright infringements, but I have attempted to preserve all the motifs and all the names that were given in the cited account. However, where the story gives intricate account of events before and/or after the flood (such as in the Zhuang story of Bubo vs. the Thunder God), some of the details peripheral to the flood itself may have been summarized out of existence. In a few cases, two or more overlapping and non-contradictory fragments from the same culture were combined into one summary. Complete references are given at the end; consult them for more details. Within each continent or region, stories are grouped by language family. See Language Grouping for Flood Stories for elaboration of the language groups which, as best I can determine, the stories belong to.

Zeus sent a flood to destroy the men of the Bronze Age. Prometheus advised his son Deucalion to build a chest. All other men perished except for a few who escaped to high mountains. The mountains in Thessaly were parted, and all the world beyond the Isthmus and Peloponnese was overwhelmed. Deucalion and his wife Pyrrha (daughter of Epimetheus and Pandora), after floating in the chest for nine days and nights, landed on Parnassus. When the rains ceased, he sacrificed to Zeus, the God of Escape. At the bidding of Zeus, he threw stones over his head; they became men, and the stones which Pyrrha threw became women. That is why people are called laoi, from laas, "a stone." [Apollodorus, 1.7.2]

 

The first race of people was completely destroyed because they were exceedingly wicked. The fountains of the deep opened, the rain fell in torrents, and the rivers and seas rose to cover the earth, killing all of them. Deucalion survived due to his prudence and piety and linked the first and second race of men. Onto a great ark he loaded his wives and children and all animals. The animals came to him, and by God's help, remained friendly for the duration of the flood. The flood waters escaped down a chasm opened in Hierapolis. [Frazer, pp. 153-154] An older version of the story told by Hellanicus has Deucalion's ark landing on Mount Othrys in Thessaly. Another account has him landing on a peak, probably Phouka, in Argolis, later called Nemea. [Gaster, p. 85] The Megarians told that Megarus, son of Zeus, escaped Deucalion's flood by swimming to the top of Mount Gerania, guided by the cries of cranes. [Gaster, p. 85-86] An earlier flood was reported to have occurred in the time of Ogyges, founder and king of Thebes. The flood covered the whole world and was so devastating that the country remained without kings until the reign of Cecrops. [Gaster, p. 87] Nannacus, king of Phrygia, lived before the time of Deucalion and foresaw that he and all people would perish in a coming flood. He and the Phrygians lamented bitterly, hence the old proverb about "weeping like (or for) Nannacus." After the deluge had destroyed all humanity, Zeus commanded Prometheus and Athena to fashion mud images, and Zeus summoned winds to breathe life into them. The place where they were made is called Iconium after these images. [Frazer, p. 155] "Many great deluges have taken place during the nine thousand years" since Athens and Atlantis were preeminent. Destruction by fire and other catastrophes was also common. In these floods, water rose from below, destroying city dwellers but not mountain people. The floods, especially the third great flood before Deucalion, washed away most of Athens' fertile soil. [Plato, "Timaeus" 22, "Critias"

 

The gods had decided to destroy mankind. The god Enlil warned the priest-king Ziusudra ("Long of Life") of the coming flood by speaking to a wall while Ziusudra listened at the side. He was instructed to build a great ship and carry beasts and birds upon it. Violent winds came, and a flood of rain covered the earth for seven days and nights. Then Ziusudra opened a window in the large boat, allowing sunlight to enter, and he prostrated himself before the sun-god Utu. After landing, he sacrificed a sheep and an ox and bowed before Anu and Enlil. For protecting the animals and the seed of mankind, he was granted eternal life and taken to the country of Dilmun, where the sun rises. [Hammerly-Dupuy, p. 56; Heidel, pp. 102-106]

 

Three times (every 1200 years), the gods were distressed by the disturbance from human overpopulation. The gods dealt with the problem first by plague, then by famine. Both times, the god Enki advised men to bribe the god causing the problem. The third time, Enlil advised the gods to destroy all humans with a flood, but Enki had Atrahasis build an ark and so escape. Also on the boat were cattle, wild animals and birds, and Atrahasis' family. When the storm came, Atrahasis sealed the door with bitumen and cut the boat's rope. The storm god Adad raged, turning the day black. After the seven-day flood, the gods regretted their action. Atrahasis made an offering to them, at which the gods gathered like flies, and Enki established barren women and stillbirth to avoid the problem in the future. [Dalley, pp. 23-35]

 

The gods, led by Enlil, agreed to cleanse the earth of an overpopulated humanity, but Utnapishtim was warned by the god Ea in a dream. He and some craftsmen built a large boat (one acre in area, seven decks) in a week. He then loaded it with his family, the craftsmen, and "the seed of all living creatures." The waters of the abyss rose up, and it stormed for six days. Even the gods were frightened by the flood's fury. Upon seeing all the people killed, the gods repented and wept. The waters covered everything but the top of the mountain Nisur, where the boat landed. Seven days later, Utnapishtim released a dove, but it returned finding nowhere else to land. He next returned a sparrow, which also returned, and then a raven, which did not return. Thus he knew the waters had receded enough for the people to emerge. Utnapishtim made a sacrifice to the gods. He and his wife were given immortality and lived at the end of the earth. [Sandars, chpt. 5] Sharur destroyed Asag, demon of sickness and disease, by flooding his abode. In the process, "The primeval waters of Kur rose to the surface, and as a result of their violence no fresh waters could reach the fields and gardens." [Kramer, p. 105]

 

The god Chronos in a vision warned Xisuthrus, the tenth king of Babylon, of a flood coming on the fifteenth day of the month of Daesius. The god ordered him to write a history and bury it in Sippara, and told him to build and provision a vessel (5 stadia by 2 stadia) for himself, his friends and relations, and all kinds of animals. Xisuthrus asked where he should sail, and Chronos answered, "to the gods, but first pray for all good things to men." Xisuthrus built a ship five furlongs by two furlongs and loaded it as ordered. After the flood had come and abated somewhat, he sent out some birds, which returned. Later, he tried again, and the birds returned with mud on their feet. On the third trial, the birds didn't return. He saw that land had appeared above the waters, so he parted some seams of his ship, saw the shore, and drove his ship aground in the Corcyraean mountains in Armenia. He disembarked with his wife, daughter, and pilot, and offered sacrifices to the gods. Those four were translated to live with the gods. The others at first were grieved when they could not find the four, but they heard Xisuthrus' voice in the air telling them to be pious and to seek his writings at Sippara. Part of the ship remains to this day, and some people make charms from its bitumen. [Frazer, pp. 108-110; G. Smith, pp. 42-43] According to accounts attributed to Berosus, the antediluvians were giants who became impious and depraved, except one among them that reverenced the gods and was wise and prudent. His name was Noa, and he dwelt in Syria with his three sons Sem, Japet, Chem, and their wives Tidea, Pandora, Noela, and Noegla. From the stars, he foresaw destruction, and he began building an ark. 78 years after he began building, the oceans, inland seas, and rivers burst forth from beneath, attended by many days of violent rain. The waters overflowed all the mountains, and the human race was drowned except Noa and his family who survived on his ship. The ship came to rest at last on the top of the Gendyae or Mountain. Parts of it still remain, which men take bitumen from to make charms against evil. [H. Miller, pp. 291-292]

 

God, upset at mankind's wickedness, resolved to destroy it, but Noah was righteous and found favor with Him. God told Noah to build an ark, 450 x 75 x 45 feet, with three decks. Noah did so, and took aboard his family (8 people in all) and pairs of all kinds of animals (7 of the clean ones). For 40 days and nights, floodwaters came from the heavens and from the deeps, until the highest mountains were covered. The waters flooded the earth for 150 days; then God sent a wind and the waters receded, and the ark came to rest in Ararat. After 40 days, Noah sent out a raven, which kept flying until the waters had dried up. He next sent out a dove, which returned without finding a perch. A week later he set out the dove again, and it returned with an olive leaf. The next week, the dove didn't return. After a year and 10 days from the start of the flood, everyone and everything emerged from the ark. Noah sacrificed some clean animals and birds to God, and God, pleased with this, promised never again to destroy all living creatures with a flood, giving the rainbow as a sign of this covenant. Animals became wild and became suitable food, and Noah and his family were told to repopulate the earth. Noah planted a vineyard and one day got drunk. His son Ham saw him lying naked in his tent and told his brothers Shem and Japheth, who came and covered Noah with their faces turned. When Noah awoke, he cursed Ham and his descendants and blessed his other sons. [Genesis 6-9]

 

Men lived at ease before the flood; a single harvest provided for forty years, children were born after only a few days instead of nine months and could walk and talk immediately, and people could command the sun and moon. This indolence led men astray, especially to the sins of wantonness and rapacity. God determined to destroy the sinners, but in mercy he instructed Noah to warn them of the threat of a flood and to preach to them to mend their ways. Noah did this for 120 years. God gave mankind a final week of grace during which the sun reversed course, but the wicked men did not repent; they only mocked Noah for building the ark. Noah learned how to make the ark from a book, given to Adam by the angel Raziel, which contained all knowledge. This book was made of sapphires, and Noah put it in a golden casket and, during the flood, used it to tell day from night, for the sun and moon did not shine at that time. The flood was caused by male waters from the sky meeting the female waters from the ground. God made holes in the sky for the waters to issue from by removing two stars from the Pleiades. He later closed the hole by borrowing two stars from the Bear. That is why the Bear always runs after the Pleiades. The animals came to the ark in such numbers that Noah could not take them all; he had them sit by the door of the ark, and he took in the animals which lay down at the door. 365 species of reptiles and 32 species of bird were taken. Since seven pairs of each kind of clean animal were taken, the clean animals outnumbered the unclean after the flood. One creatures, the reem was so big it had to be tethered outside the ark and follow behind. The giant Og, king of Bashan, was also too big and escaped the flood sitting atop the ark. In addition to Noah, his wife Naamah, and their sons and sons' wives, Falsehood and Misfortune also took refuge on the ark. Falsehood was initially turned away when he presented himself without a mate, so he induced Misfortune to join him and returned. When the flood began, the sinners gathered around it and rushed the door, but the wild beasts aboard the ark guarded the door and set upon them. Those which escaped the beasts drowned in the flood. The ark, and the animals in it, were tossed around on the waters for a year, but Noah's greatest difficulty was feeding all the animals, for he had to work day and night to feed both the diurnal and nocturnal animals. When Noah once tarried in feeding the lion, the lion gave him a blow which made him lame for the rest of his life and prevented him from serving as a priest. On the tenth day of the month of Tammuz, Noah sent forth a raven, but the raven found a corpse to devour and did not return. A week later Noah sent out a dove, and on its third flight it returned with an olive leaf plucked from the Mount of Olives in Jerusalem, for the Holy Land had not suffered from the flood. Noah wept at the devastation when he left the ark, and Shem offered a thank-offering; Noah could not officiate due to his encounter with the lion. [Ginzberg, pp. 319-335; see also Frazer, pp. 143-145] Aprocryphal scripture tells that Adam directed that his body, together with gold, incense, and myrrh, should be taken aboard the Ark and, after the flood, should be laid in the middle of the earth. God would come from thence and save mankind. [Platt, p. 66, 80 (2 Adam 8:9-18, 21:7-11)] A woman "clothed with the sun" gave birth to a man child who was taken up by God. The woman then lived in the wilderness, where the Devil-dragon, cast down to earth, persecuted her. At one time he cast a flood of water from his mouth trying to wash her away, but the earth helped the woman and swallowed the flood. [Revelation 12]

 

Yima, under divine superintendence, reigned over the world for 900 years. As there was no disease or death, the population increased so that it was necessary to enlarge the earth after 300 years; Yima accomplished this with the help of a gold ring and gold-inlaid dagger he had received from Ahura Mazda, the Creator. Enlargement of the earth was necessary again after 600 years. When the population became too great after 900 years, Ahura Mazda warned Yima that destruction was coming in the form of winter, frost, and subsequent melting of the snow. He instructed Yima to build a vara, a large square enclosure, in which to keep specimens of small and large cattle, human beings, dogs, birds, red flaming fires, plants and foodstuffs, two of every kind. The men and cattle he brought in were to be the finest on earth. Within the enclosure, men passed the happiest of lives, with each year seeming like a day. [Frazer, pp. 180-182; Dresden, p. 344]

 

In early times, the earth was full of malign creatures fashioned by the evil Ahriman. The angel Tistar (the star Sirius) descended three times, in the form of man, horse, and bull respectively, causing ten days and nights of rain each time. Each rain drop became as big as a bowl, and the water rose the height of a man over the whole earth. The first flood drowned the creatures, but the dead noxious creatures went into holes in the earth. Before returning to cause the second flood, Tistar, in the form of a white horse, battled the demon Apaosha, who took the form of a black horse. Ormuzd blasted the demon with lightning, making the demon give a cry which can still be heard in thunderstorms, and Tistar prevailed and caused rivers to flow. The poison washed from the land by the second flood made the seas salty. The waters were driven to the ends of the earth by a great wind and became the sea Vourukasha ("Wide-Gulfed"). [Carnoy, p. 270; Vitaliano, pp. 161-162; H. Miller, p. 288]

 

Allah sent Noah to warn the people to serve none but Allah, but most of them would not listen. They challenged Noah to make good his threats and mocked him when, under Allah's inspiration, he built a ship. Allah told Noah not to speak to Him on behalf of wrongdoers; they would be drowned. In time, water gushed from underground and fell from the sky. Noah loaded onto his ship pairs of all kinds, his household, and those few who believed. One of Noah's sons didn't believe and said he would seek safety in the mountains. He was among the drowned. The ship sailed amid great waves. Allah commanded the earth to swallow the water and the sky to clear, and the ship came to rest on Al-Judi. Noah complained to Allah for taking his son. Allah admonished that the son was an evildoer and not of Noah's household, and Noah prayed for forgiveness. Allah told Noah to go with blessings on him and on some nations that will arise from those with him. [Koran 11:25-48]

 

Manu, the first human, found a small fish in his washwater. The fish begged protection from the larger fishes, in return for which it would save Manu. Manu kept the fish safe, transferring it to larger and larger reservoirs as it grew, eventually taking it to the ocean. The fish warned Manu of a coming deluge and told him to build a ship. When the flood rose, the fish came, and Manu tied the craft to its horn. The fish led him to a northern mountain and told Manu to tie the ship's rope to a tree to prevent it from drifting. Manu, alone of all creatures, survived. He made offerings of clarified butter, sour milk, whey, and curds. From these, a woman arose, calling herself Manu's daughter. Whatever blessings he invoked through her were granted him. Through her, he generated this race. [Gaster, pp. 94-95; Kelsen, p. 128; Brinton, pp. 227-228]

 

The great sage Manu, son of Vivasvat, practiced austere fervor. He stood on one leg with upraised arm, looking down unblinkingly, for 10,000 years. While so engaged on the banks of the Chirini, a fish came to him and asked to be saved from larger fish. Manu took the fish to a jar and, as the fish grew, from thence to a large pond, then to the river Ganga, then to the ocean. Though large, the fish was pleasant and easy to carry. Upon being released into the ocean, the fish told Manu that soon all terrestrial objects would be dissolved in the time of the purification. It told him to build a strong ship with a cable attached and to embark with the seven sages (rishis) and certain seeds, and to then watch for the fish, since the waters could not be crossed without it. Manu embarked as enjoined and thought on the fish. The fish, knowing his desire, came, and Manu fastened the ship's cable to its horn. The fish dragged the ship through roiling waters for many years, at last bringing it to the highest peak of Himavat, which is still known as Naubandhana ("the Binding of the Ship"). The fish then revealed itself as Parjapati Brahma and said Manu shall create all living things and all things moving and fixed. Manu performed a great act of austere fervor to clear his uncertainty and then began calling things into existence. [Frazer, pp. 185-187]

 

The heroic king Manu, son of the Sun, practiced austere fervor in Malaya and attained transcendent union with the Deity. After a million years, Brahma bestowed on Manu a boon and asked him to choose it. Manu asked for the power to preserve all existing things upon the dissolution of the universe. Later, while offering oblations in his hermitage, a carp fell in his hands, which Manu preserved. The fish grew and cried to Manu to preserve it, and Manu moved it to progressively larger vessels, eventually moving it to the river Ganga and then to the ocean. When it filled the ocean, Manu recognized it as the god Janardana, or Brahma. It told Manu that the end of the yuga was approaching, and soon all would be covered with water. He was to preserve all creatures and plants aboard a ship which had been prepared. It said that a hundred years of drought and famine would begin this day, which would be followed by fires from the sun and from underground that would consume the earth and the ether, destroying this world, the gods, and the planets. Seven clouds from the steam of the fire will inundate the earth, and the three worlds will be reduced to one ocean. Manu's ship alone will remain, fastened by a rope to the great fish's horn. Having announced all this, the great being vanished. The deluge occurred as stated; Janardana appeared in the form of a horned fish, and the serpent Ananta came in the form of a rope. Manu, by contemplation, drew all creatures towards him and stowed them in the ship and, after making obeisance to Janardana, attached the ship to the fish's horn with the serpent-rope. [Frazer, pp. 188-190] At the end of the past kalpa, the demon Hayagriva stole the sacred books from Brahma, and the whole human race became corrupt except the seven Nishis, and especially Satyavrata, the prince of a maritime region. One day when he was bathing in a river, he was visited by a fish which craved protection and which he transferred to successively larger vessels as it grew. At last Satyavrata recognized it as the god Vishnu, "The Lord of the Universe." Vishnu told him that in seven days all the corrupt creatures will be destroyed by a deluge, but Satyavrata would be saved in a large vessel. He was told to take aboard the miraculous vessel all kinds of medicinal herbs, food esculant grains, the seven Nishis and their wives, and pairs of brute animals. After seven days, the oceans began to overflow the coasts and constant rain began flooding the earth. A large vessel floated in on the rising waters, and Satyavrata and the Nishis entered with their wives and cargo. During the deluge, Vishnu preserved the ark by again taking the form of a giant fish and tying the ark to himself with a huge sea serpent. When the waters subsided, he slew the demon who had stolen the holy books and communicated their contents to Satyavrata. [H. Miller, pp. 289-290; Howey, pp. 389-390; Frazer, pp. 191-193] One windy day, the sea flooded the port city of Dwaravati. All its occupants perished except Krishna, an avatar of Vishnu, and his brother Balarama, who were walking in the forests of Raivataka Hill. Krishna left his brother alone. Sesha, the serpent who supports the world, withdrew his energy from Balarama; in a jet of light, Balarama's spirit entered the sea, and his body fell over. Krishna decided that tomorrow he would destroy the world for all its evils, and he went to sleep. Jara the hunter passed by, mistook Krishna's foot for the face of a stag, and shot it. The wound to Krishna's foot was slight, but Jara found Krishna dead. He had saffron robes, four arms, and a jewel on his breast. The waters still rose and soon lapped at Jara's feet. Jara felt ashamed but helpless; he left deciding never to speak of the incident. [Buck, pp. 408-409]

 

The Supreme Sovereign ordered the water god Gong Gong to create a flood as punishment and warning for human misbehavior. Gong Gong extended the flood for 22 years, and people had to live in high mountain caves and in trees, fighting with wild animals for scarce resources. Unable to persuade the Supreme Sovereign to stop the flood, and told by an owl and a turkey about _Xirang_ or Growing Soil, the supernatural hero Gun stole Growing Soil from heaven to dam the waters. Before Gun was finished, however, the Supreme Sovereign sent the fire god Zhu Rong to execute him for his theft. The Growing Soil was taken back to heaven, and the floods continued. However, Gun's body didn't decay, and when it was cut apart three years later, his son Yu emerged in the form of a horned dragon. Gun's body also transformed into a dragon at that time and thenceforth lived quietly in the deeps. The Supreme Sovereign was fearful of Yu's power, so he cooperated and gave Yu the Growing Soil and the use of the dragon Ying. Yu led other gods to drive away Gong Gong, distributed the Growing Soil to remove most of the flood, and led the people to fashion rivers from Ying's tracks and thus channel the remaining floodwaters to the sea. [Walls, pp. 94-100] The goddess Nu Kua fought and defeated the chief of a neighboring tribe, driving him up a mountain. The chief, chagrined at being defeated by a woman, beat his head against the Heavenly Bamboo with the aim of wreaking vengeance on his enemies and killing himself. He knocked it down, tearing a hole in the sky. Floods poured out, inundating the world and killing everyone but Nu Kua and her army; her divinity made her and her followers safe from it. Nu Kua patched the hole with a plaster made from stones of five different colors, and the floods ceased. [Werner, p. 225; Vitaliano, p. 163]

 

www.talkorigins.org/faqs/flood-myths.html

From a Shooting with the beautiful Vivienne. I used my Hasselblad 500c with an Ilford HP5+. Developer was the ARS-Imago Monobath.

 

Check our her Insta Account: www.instagram.com/vivv_k/

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An ant lit by the morning sun in Ubud, Bali.

 

Explore on 1 Jun 2013 #461

 

Getty Images

I'll be with the non-pro account for a while and there will be no massive uploads until sometime in June.

I'm still uploading some old pictures that being stacked in my HDD

Cheers

[order] Charadriiformes | [family] Scolopacidae | [latin] Calidris minuta | [UK] Little Stint | [FR] Bécasseau minute | [DE] Zwergstrandläufer | [ES] Correlimos Menudo | [IT] Gambecchio comune | [NL] Kleine Strandloper | [IRL] Gobadáinín beag

 

spanwidth min.: 27 cm

spanwidth max.: 30 cm

size min.: 14 cm

size max.: 15 cm

Breeding

incubation min.: 20 days

incubation max.: 21 days

fledging min.: 0 days

fledging max.: 0 days

broods 1

eggs min.: 3

eggs max.: 4

 

Little Sandpiper

 

Status: Scarce passage migrant - occurs while on passage from northern Scandinavia and Russia between August & October.

 

Conservation Concern: Green-listed in Ireland. The European population has been evaluated as Secure.

 

Identification: The smallest regularly occurring wader in Ireland, mostly seen on passage from August to October. It is roughly two-thirds the size of a Dunlin, with which it often associates. Its small size, rufous tones on the upperparts contrasting with a white underparts and agitated rapid feeding action all help to identify it. It has black legs and a small pointed bill. Most of the birds occurring here are juveniles, which show a distinctive white "V" on the back - visible as the bird bends to feed. Usually seen singly or in groups of less than five.

 

Similar Species: Dunlin

 

Call: Sharp, short, high-pitched 'stit' in flight. Song is a weak and repeated 'swee', with the occasional 'svirr-r-r'.

 

Diet: Feeds on invertebrates found on mudflats.

 

Breeding: Does not breed in Ireland. Passage birds seen in Ireland breed on the tundra of northern Siberia.

 

Wintering: Little Stints winter on the Mediterranean coast, as well as tropical Africa.

 

Where to see: Mid-Clare Coast (Mal Bay-Doonbeg Bay) in County Clare, Ballycotton and Shanagarry in County Cork, as well as Tacumshin in County Wexford are reliable sites. Very few records from November to July.

  

Physical characteristics

 

Tiny, stint with short bill, feathers of upperparts have dark brown cintres and pale rufous fringes or tips. Mantle with yellowish edges forming distinct "V". Head, neck and breast rufous buff with brown streaks, rest of underparts, throat and chin white. Female averages larger. Non-breeding adult has brownish grey upperparts mottled dark and fringed pale, crown gey, streaked dark, eyestripe and sides of breast dull grey, rest of face and underparts white.

 

Habitat

 

Tundra, chiefly on dry ground, often among dwarf willows, near swampy areas or salt marshes. On migration found at small inland waters and riverbanks, or coastal, on mudflats and seashore. In winter quarters mainly coastal, at estuarine mudflats, enclosed lagoons, tidal creeks, also at inland fresh waters.

 

Other details

 

Calidris minuta breeds in the arctic north of Norway and Russia, with Europe accounting for less than half of its global breeding range. Although estimates of its European breeding population vary widely, it is probably relatively large (as many as 460,000 pairs), and was stable between 1970-1990. Although there were fluctuations in Norway during 1990-2000, the stronghold population in Russia was stable, and the species probably remained stable overall.

 

Feeding

 

Feeds by rapid pecking actions, sometimes probes. Detects prey by sight. Gregarious, in small to large flocks, sometimes up to several thousand birds, and sometimes defends feeding territory.

 

Breeding

 

Bredding in June-July. Monogamous, polygynous or polyandrous. Little or no fidelity to breeding site. Nest on ground, exposed, but sometimes covered by vegetation, and lined with leaves and pieces of grass. 4 eggs, incubation 21 days, by both parents, but in cases of polygamy by male or female only. Polyandrous females may incubate a second clutch. Chick orange to tawny, mottled above with black bands and dense rows of white or pale down tips, white underparts. Chic care by one parent.

 

Migration

 

Migratory; in broad front across much of W Palearctic; movements S-SW in Jul-Nov, birds returning mid-May to early Jun. Juveniles probably migrate farther W than adults, due to weather displacement. Finnish and Swedish population crosses C Europe, Italy, Mediterranean, France and Tunisia; also major routes between C Mediterranean and Black Sea, and via Caspian Sea and Kazakhstan lakes to and from E & S Africa, apparently following route via Rift Valley lakes; W & C Siberian breeders presumably winter in India, passing through Kazakhstan and also N through Mongolia and Tuva. In Britain, commoner in autumn than in spring, with few birds passing winter. Small numbers may migrate along E Asian coasts, including Hong Kong and Philippines. Many immatures remain S all year. Typical migrating flocks comprise 20-30 birds.

 

This is a re-post for this evening that I put up here on Flickr when I first opened the account in 2009. The photo holds many special memories for me for a number of reason.

 

It was in August of 1957 and was our first trip "out West" that I can remember taking as a family. There was an earlier trip that I took in about 1953 with my mother, but that was a somewhat painful journey and shan't be recounted here. The 1957 trip was wonderful, and HOT, as you can see from the time and temperature sign on the Cities Service Building. The location of the photo, I found out later, was on the NW corner of Dewey and perhaps at 4th or 5th street. I was seven years old at the time and it is the first photograph that I can remember ever having taken.

 

I was in the driver's side back seat of my uncle's new 1957 Ford Fairlane. Not only did the car have "AIR CONDITIONING" but it also had power windows.

He and my aunt drove us everywhere, but wanted us to get to Bartlesville in order to see the "newly constructed" (1956) Price Tower that was designed by Frank Lloyd Wright.

 

My dad had an Argus camera at the time that used 120 film. While not an expensive camera then, nor now, it was his pride and joy and he was very protective of it. As my uncle drove us down the street, he came upon this location and mentioned that this would make a great photograph.

 

My dad gave his camera to me, my uncle stopped the car and let "me" push the button to roll down the window, I put my knees on the seat, leaned out the window, and "here" is the result.

 

Not too shabby I suppose.

The State Hermitage Museum is a museum of art and culture in Saint Petersburg, Russia. It was founded in 1764 when Empress Catherine the Great acquired a collection of paintings from the Berlin merchant Johann Ernst Gotzkowsky. The museum celebrates the anniversary of its founding each year on 7 December, Saint Catherine's Day. It has been open to the public since 1852. The Art Newspaper ranked the museum 10th in their list of the most visited art museums, with 2,812,913 visitors in 2022.

 

Its collections, of which only a small part is on permanent display, comprise over three million items (the numismatic collection accounts for about one-third of them). The collections occupy a large complex of six historic buildings along Palace Embankment, including the Winter Palace, a former residence of Russian emperors. Apart from them, the Menshikov Palace, Museum of Porcelain, Storage Facility at Staraya Derevnya, and the eastern wing of the General Staff Building are also part of the museum. The museum has several exhibition centers abroad. The Hermitage is a federal state property. Since July 1992, the director of the museum has been Mikhail Piotrovsky.

 

Of the six buildings in the main museum complex, five—namely the Winter Palace, Small Hermitage, Old Hermitage, New Hermitage, and Hermitage Theatre—are all open to the public. The entrance ticket for foreign tourists costs more than the fee paid by citizens of Russia and Belarus. However, entrance is free of charge the third Thursday of every month for all visitors, and free daily for students and children. The museum is closed on Mondays. The entrance for individual visitors is located in the Winter Palace, accessible from the Courtyard.

 

Originally, the only building housing the collection was the "Small Hermitage". Today, the Hermitage Museum encompasses many buildings on the Palace Embankment and its neighbourhoods. Apart from the Small Hermitage, the museum now also includes the "Old Hermitage" (also called "Large Hermitage"), the "New Hermitage", the "Hermitage Theatre", and the "Winter Palace", the former main residence of the Russian tsars. In recent years, the Hermitage has expanded to the General Staff Building on the Palace Square facing the Winter Palace, and the Menshikov Palace.

 

The Western European Art collection includes European paintings, sculpture, and applied art from the 13th to the 20th centuries.

 

Since 1940, the Egyptian collection, dating back to 1852 and including the former Castiglione Collection, has occupied a large hall on the ground floor in the eastern part of the Winter Palace.

 

The collection of classical antiquities occupies most of the ground floor of the Old and New Hermitage buildings. The interiors of the ground floor were designed by German architect Leo von Klenze in the Greek revival style in the early 1850s, using painted polished stucco and columns of natural marble and granite.

 

The Room of the Great Vase in the western wing features the 2.57 m (8.4 ft) high Kolyvan Vase, weighing 19 t (42,000 lb), made of jasper in 1843 and installed before the walls were erected. While the western wing was designed for exhibitions, the rooms on the ground floor in the eastern wing of the New Hermitage, now also hosting exhibitions, were originally intended for libraries.

 

The collection of classical antiquities features Greek artifacts from the third millennium – fifth century BC, ancient Greek pottery, items from the Greek cities of the North Pontic Greek colonies, Hellenistic sculpture and jewellery, including engraved gems and cameos, such as the famous Gonzaga Cameo, Italic art from the 9th to second century BC, Roman marble and bronze sculpture and applied art from the first century BC - fourth century AD, including copies of Classical and Hellenistic Greek sculptures. One of the highlights of the collection is the Tauride Venus, which, according to latest research, is an original Hellenistic Greek sculpture rather than a Roman copy as it was thought before. There are, however, only a few pieces of authentic Classical Greek sculpture and sepulchral monuments.

 

On the ground floor in the western wing of the Winter Palace the collections of prehistoric artifacts and the culture and art of the Caucasus are located, as well as the second treasure gallery. The prehistoric artifacts date from the Paleolithic to the Iron Age and were excavated all over Russia and other parts of the former Soviet Union and Russian Empire. Among them is a renowned collection of the art and culture of nomadic tribes of the Altai from Pazyryk and Bashadar sites, including the world's oldest surviving knotted-pile carpet and a well-preserved wooden chariot, both from the 4th–3rd centuries BC. The Caucasian exhibition includes a collection of Urartu artifacts from Armenia and Western Armenia. Many of them were excavated at Teishebaini under the supervision of Boris Piotrovsky, former director of the Hermitage Museum.

 

Four small rooms on the ground floor, enclosed in the middle of the New Hermitage between the room displaying Classical Antiquities, comprise the first treasure gallery, featuring western jewellery from the 4th millennium BC to the early 20th century AD. The second treasure gallery, located on the ground floor in the southwest corner of the Winter Palace, features jewellery from the Pontic steppes, Caucasus and Asia, in particular Scythian and Sarmatian gold.

 

Pavilion Hall, designed by Andrei Stackenschneider in 1858, occupies the first floor of the Northern Pavilion in the Small Hermitage. It features the 18th-century golden Peacock Clock by James Cox and a collection of mosaics. Two galleries spanning the west side of the Small Hermitage from the Northern to Southern Pavilion house an exhibition of Western European decorative and applied art from the 12th to 15th century and the fine art of the Low Countries from the 15th and 16th centuries.

 

The rooms on the first floor of the Old Hermitage were designed by Andrei Stakenschneider in revival styles in between 1851 and 1860, although the design survives only in some of them. They feature works of Italian Renaissance artists, including Giorgione, Titian, Veronese, as well as Benois Madonna and Madonna Litta attributed to Leonardo da Vinci or his school.

 

The Italian Renaissance galleries continues in the eastern wing of the New Hermitage with paintings, sculpture, majolica and tapestry from Italy of the 15th–16th centuries, including Conestabile Madonna and Madonna with Beardless St. Joseph by Raphael.

 

The first floor of New Hermitage contains three large interior spaces in the center of the museum complex with red walls and lit from above by skylights. These are adorned with 19th-century Russian lapidary works and feature Italian and Spanish canvases of the 16th–18th centuries, including Veronese, Giambattista Pittoni, Tintoretto, Velázquez and Murillo.

 

The Knights' Hall, a large room in the eastern part of the New Hermitage originally designed in the Greek revival style for the display of coins, now hosts a collection of Western European arms and armour from the 15th–17th centuries, part of the Hermitage Arsenal collection.

 

The Gallery of the History of Ancient Painting adjoins the Knights' Hall and also flanks the skylight rooms. It was designed by Leo von Klenze in the Greek revival style as a prelude to the museum and features neoclassical marble sculptures by Antonio Canova and his followers. In the middle, the gallery opens to the main staircase of the New Hermitage, which served as the entrance to the museum before the October Revolution of 1917, but is now closed.

 

The rooms and galleries along the southern facade and in the western wing of the New Hermitage are now entirely devoted to Dutch Golden Age and Flemish Baroque painting of the 17th century, including the large collections of Van Dyck, Rubens and Rembrandt.

 

The first floor rooms on the southern facade of the Winter Palace are occupied by the collections of German fine art of the 16th century and French fine art of the 15th–18th centuries, including paintings by Poussin, Lorrain, Watteau. The collections of French decorative and applied art from the 17th–18th centuries and British applied and fine art from the 16th–19th century, including Thomas Gainsborough and Joshua Reynolds, are on display in nearby rooms facing the courtyard.

 

The richly decorated interiors of the first floor of the Winter Palace on its eastern, northern and western sides are part of the Russian culture collection and host the exhibitions of Russian art from the 11th-19th centuries.

 

French Neoclassical, Impressionist and post-Impressionist art, including works by Renoir, Monet, Van Gogh and Gauguin, are displayed on the fourth floor of the Eastern Wing of the General Staff Building. Also displayed are paintings by Camille Pissarro (Boulevard Montmartre, Paris), Paul Cézanne (Mount Sainte-Victoire), Alfred Sisley, Henri Morel, and Degas.

 

Modern art is displayed in the General Staff Building (Saint Petersburg). It features Matisse, Derain and other fauvists, Picasso, Malevich, Petrocelli, Kandinsky, Giacomo Manzù, Giorgio Morandi and Rockwell Kent. A large room is devoted to the German Romantic art of the 19th century, including several paintings by Caspar David Friedrich. The second floor of the Western wing features collections of the Oriental art (from China, India, Mongolia, Tibet, Central Asia, Byzantium and Near East).

ripe sungrown tomatoes, Granny Smith apples, brown onions, spices, sugar, vinegar, garlic, chilli, salt - that accounts for 4 of the 18 kilos - Tomato chutney

Why is it that I feel like the accounting machine and the train both make roughly the same chuff-chuff-chuff noise?

 

From a series of ads that National ran during the 50s and 60s showing off the companies that use their equipment. I am sure I will run more,. Here's one I posted already:

www.flickr.com/photos/hollywoodplace/3021832847/

 

Parent Wabash Railroad used subsidiary NJI&I reporting marks for apparent accounting reasons like on this boxcar. Bement was the junction of two Wabash lines in Downstate Illinois.

 

The New Jersey, Indiana & Illinois Railroad (NJI&I) was originally created by the Singer sewing machine company and named after states in which it had factories. It is also my favorite shortline railroad that no longer exists.

 

The NJI&I was based in South Bend and gave Singer access to yet another railroad, the Wabash Railroad some ten miles south of the city. Eventually the Wabash acquired the NJI&I which served a number of South Bend industries including Studebaker. The NJI&I came under control of the Norfolk & Western with its Wabash purchase and disappeared by the time Norfolk Southern took over.

 

In the mid-2000s NS rationalized and realigned much of its inherited collection of former NYC, NJI&I, and Indiana Northern industrial trackage on South Bend's southwest side. Bits and pieces of the NJI&I are still in use today to service five NS customers in the city.

 

Scan of a M. E. Vaughan duplicate slide in my collection.

Leticia, 2020 (2). IMG_1868 @sick0fhappiness. Follow my Instagram account: @archerphoto. If you need pictures, contact me today. Sigue mi cuenta de Instagram, @archerphoto. Si necesitas fotos, contacta conmigo hoy mismo. Maquillaje: @the_trendy_girl

 

Fotógrafo Valencia

 

Pic by Sergi Albir, photographer in Albacete, Aarhus, Athens, Avignon and even more places. Contact me today if you need any kind of pictures.

 

More pics from this session in archerphoto.eu/sesion-de-fotos-en-valencia-con-leticia/

 

Washington, D.C. (est. 1790, pop. ~690,000)

 

• Ford’s Theatre, site of assassination of U.S. President Abraham Lincoln

 

• theater’s site previously occupied by First Baptist Church of Washington (1834) [photo] • services held until 1859 • John Thompson Ford, Baltimore theatrical manager, leased the church bldg., converted it into a theatre • inaugurated Dec., 1861 as The "George Christy Opera House," presenting popular blackface troupe, Christy’s Minstrels

 

• following their final performance 27 Feb., 1862, further renovations made for presentation of theatrical (rather than musical) plays • 3 wks. later venue, renamed “Ford’s Atheneum,” entered Washington’s Civil War theater scene • presented excellent companies & first rate stars • Pres. Lincoln first attended Ford's on 28 May, 1862 • venue was profitable until the evening of 30 Dec, 1862, when it burned

 

• 2 mos.later, the cornerstone of a new theater was laid on this site by James J. Gifford, chief carpenter, architect & builder • the brick structure, modeled after the late Victorian design of Baltimore’s Holliday Street Theatre [photo], seated ~1,700 w/ 8 private boxes, two upper, two lower, located on either side of stage

 

• opened evening of 27 Aug., 1863 with “The Naiad Queen,” a "Fairy Opera" [photo] presented to a capacity audience • became one of the most successful entertainment venues in Washington —Ford’s Theatre, National Historic Site

 

• as Ford’s ventures prospered, a future competitor was making history • Mary Francis Moss was born, 1826, in Winchester, England • during childhood was a frequent visitor to the studio of "old man" J.M.W, Turner, the celebrated painter —The Life of Laura Keene [photo]

 

• married at age 18 to former British Army officer, Henry Wellington Taylor • 7 yr. marriage produced 2 daughters • husband was arrested for an undocumented crime, sent to Australia on a prison ship • to support her family, Mary Taylor became British stage actress Laura Keene, who made her professional debut in London, Oct., 1851 —Wikipedia

 

• in 1852, less than a year into her acting career, accepted an offer from impresario J.W. Wallack to travel to New York City, to audition for leading lady of the Wallack’s Theater stock company • became a popular star performer [photo] • began considering a move into an entrepreneurial role

 

• took over Baltimore's Charles Street Theatre, 24 Dec, 1853, w/ financial assistance from wealthy Washingtonian, John Lutz • managed it for 2 months, qualifying her as USA’s first female theater manager • Lutz became her business manager & by some unverifiable accounts, her husband, though she was still married to Taylor — Androom Archives

 

• moved to San Francisco & the Metropolitan Theatre [photo] • played opposite Edwin Booth, brother of John Wilkes Booth • toured Australia with Edwin, 1854

 

• by 1855 she had returned to NYC • retained architect, John M. Trimble, a theater specialist • the new theater, built to her specifications, was named the Laura Keene’s Varieties [photo], aka Laura Keene’s Theatre [photo], or Third Olympic Theatre • opened at 622 Broadway on 18 Nov., 1856 • managed by Keene until 1863 when she assumed the lease & took over D.C.’s Washington Theatre [photo] [ad] from lessee, manager & self-proclaimed “People’s Favorite Tragedian,” John Wilkes Booth

 

• in 1858, having returned to Laura Keene's Theatre in NYC, premiered Our American Cousin,” [script] a 3-act farce starring Laura Keene [photo], written by English playwright Tom Taylor, U.S./Canada rights owned by Keene • with a run of 150 nights, set new standards for New York theater

 

• synopsis: a coarse but honest American, Asa Trenchard, arrives at the British Trenchard estate to claim an inheritance as the last named heir • meets Lord Dundreary & other snooty relatives who are trying to keep up appearances & marry off daughters • servants gossip, villains emerge from the shadows, true love conquers all in the end, a farce satirizing pretension & manners —Helytimes

 

• this is the play Laura Keene chose for her 14 Apr., 1865 Ford’s Theatre engagement, a benefit & farewell performance [ad] for the beloved star [playbill] • “Our Leading Lady,” is a 2007 comedy inspired by Keene’s role in the events surrounding this performance

 

• Laura Keene would play her usual role as Trenchard’s wife, Florence • Harry Hawk [photo], a member of Keene’s NY company, was to play the boorish American, Asa Trenchard • the classic role of brainless aristocrat Lord Dundreary was given to Edwin "Ned" Emerson [photo], leading man in the Ford Stock Company, brother of a Confederate soldier killed in action in 1862 & close friend of John Wilkes Booth

 

"I knew John Wilkes Booth well," wrote Edwin Emerson, "having played with him in dozens of cities, throughout the East and Middle West. He was a kind-hearted, genial person, and no cleverer gentleman ever lived. Everybody loved him on the stage, though he was a little excitable and eccentric."

 

• while Ford's was presenting Keene's famous play, arch-rival Grover's Theatre aka Grover’s National Theatre, offered “Aladin and The Wonderful Lamp” • Leonard Grover advertised his theatre as the capital’s only “Union” playhouse, highlighting John Ford’s more “Secesh” (secessionist) sentiments • “Doubtless [Ford’s] personal sympathies were with his State and with that portion of the country in which he was born and reared.” —Leonard Grover

 

• according to Grover, during the four years of [Lincoln’s] administration, he visited his theater “probably more than a hundred times. He often came alone, many times brought his little son Tad, and on special occasions, Mrs. Lincoln.” The President also once told Grover, ”I really enjoy a minstrel show," • when Grover responded that Hooley's Minstrels [photo] were soon to appear, Lincoln laughed. "Well, that was thoughtful of you." • “[Lincoln] was exceedingly conversant with Shakespeare. He enjoyed a classical representation, of which I gave many” —Lincoln's Interest in the Theater, Leonard Grover

 

• the National’s policy of segregating blacks began when it opened in 1835 • a portion of the gallery was set apart for "persons of color" • it is not known how many black theatergoers were in the 5 Mar., 1845 audience for “Beauty & the Beast,” “Stage Struck Nigger” & the Congo Melodists, a Boston blackface minstrel group [photo], but Washington’s 7 Mar. “National lntelligencer” reported that the cause of the fire which had demolished the theatre on the 5th was "a candle without a stick left burning on a table by a negro...."

 

• although the Grover-managed version of the National also had its "colored parterre,” Ford's Theatre, excluded blacks entirely from its performances • the exclusion of black Washingtonians from public places in the nation’s capital helped secure the passing of the Civil Rights Act of 1875 which, in 1889, the Supreme Court held unconstitutional. —The National Theatre in Washington: Buildings and Audiences, 1835-1972

 

• Mary Lincoln had tickets to Grover’s but preferred seeing Laura Keene in “Our American Cousin” • with little interest, the president said he would take care of the tickets • a messenger was sent to the theatre around 10:30 A.M. to secure the state box for the evening • the Lincolns’ son, Tad, opted for Grover’s, thus would not be with his parents at Ford’s that night

 

General Grant accepted Lincoln’s invitation to join them in the Presidential box, but when Julia Grant objected to spending the evening with the sharp-tongued First Lady, he canceled • Secretary of War Edwin Stanton, Speaker of the House Schuyler Colfax & son Robert Todd Lincoln also declined before Clara Harris (1834-1883), daughter of New York Senator Ira Harris (1802-1875), and her fiancé, Major Henry Rathbone (1837-1911), accepted. —History Channel

 

The theatre as it appeared the night of Lincoln's assassination:

• the stage

presidential box

 

• “Laura Keene was on stage with E, A. Emerson when the Presidents' party entered the theatre. As the party made its way, Miss Keene halted the play, Conductor William Withers [photo] led the orchestra in Hail to the Chief,'

and the audience rose and greeted the President with 'vociferous cheering.' President Lincoln came to the front of the box, acknowledged the reception, [set his silk hat on the floor], and the actors resumed where they had left off.

 

“The fatal shot was fired during the second scene of the third act. Laura Keene was standing in the first entrance (wing), stage right, facing the audience, awaiting her cue for the next scene

 

“On stage, just prior to the shooting, Mrs. Mountchessington was squelching Asa Trenchard: I am aware, Mr. Trenchard, you are not used to the manners of good society, and that alone will excuse the impertinence of which you have been guilty. (Exit)

 

“This left Asa Trenchard (Harry Hawk) alone on the stage… The audience was silent, expectantly awaiting the punch line from Asa. Miss Harris and Major Rathbone were ‘intently observing’ the scene on stage.The President ‘was leaning upon one hand, and with the other was adjusting a portion of the drapery‘ which hung at the side of the box opening. [photo]

 

“At this moment John Wilkes Booth stood silently in the shadows of the state box, four or five feet directly behind the President. Probably the last words heard by Lincoln were spoken by Harry Hawk:

 

“ASA: Don’t know the manners of good society, eh? Wal, I guess I know enough to turn you inside out, old gal — you sockdologizing old mantrap.

 

“The audience roared. Then penetrating the laughter was the distinct sound of a shot. A puff of smoke drifted from the box, and Major Rathbone “saw through the smoke, a man between the door and the President. He ‘instantly sprang toward him,’ but the assassin wrested from his grasp and slashed Rathbone with a dagger across the left arm. Meanwhile, Harry Hawk looked up from the stage to see a man, knife in hand, leaping over the balustrade of the President's box onto the stage apron. Fearing he would be attacked Hawk ran off the stage.’ Booth ran across the stage, [illustration] brushed past Miss Keene in the wings…

—Harbin, Billy J. “Laura Keene at the Lincoln Assassination,” Educational Theatre Journal 18, no. 1 (1966): 47–54

 

• Edwin Emerson: “…near the beginning of the third act… I was standing in the wings, just behind a piece of scenery, waiting for my cue to go on, when I heard a shot. I was not surprised, nor was anyone else behind the scenes. Such sounds are too common during the shifting of the various sets to surprise an actor. For a good many seconds after that sound nothing happened behind the footlights. Then, as I stood there in the dimness, a man rushed by me, making for the stage door. I did not recognize Booth at the time, nor did anyone else, I think, unless, someone out on the stage, when he stood a moment and shouted with theatrical gesture, ‘Sic Semper Tyrannis!' (So perish all tyrants!) Even after he flashed by, there was quiet for a few moments among the actors and the stage hands. No one knew what had happened.”—Find a Grave

 

• running from the stage Booth exited the building into Baptist Alley, a public alleyway laid out in 1792 • grabbed the reins of his horse & rode off, turning right on F Street to head for the safety of of the Maryland night

 

• James S. Knox, witness: “…The shrill cry of murder from Mrs. Lincoln first roused the horrified audience, and in an instant the uproar was terrible. The silence of death was broken by shouts of "kill him," "hang him" and strong men wept, and cursed, and tore the seats in the impotence of their anger, while Mrs. Lincoln, on her knees uttered shriek after shriek at the feet of the dying President.” —Library of Congress

 

video: Charles L. Willis, J.W. Epperson eyewitness accounts of the assassination

 

• according to legend, Laura Keene rushed to Lincoln’s box w/a pitcher of water • cradled his head, staining her cuff w/ his blood.

 

The Night Lincoln Was Shot: Minute-by-Minute Backstage With John Wilkes Booth at Ford's Theatre

 

“In the lobby of Grover’s, as Tad Lincoln awaited his parents' carriage to take him back to the White House, he learned that his father had been shot • Grover, who was in New York, received a telegram from his associate manager: President shot tonight at Ford's Theatre. Thank God it wasn't ours. C. D. Hess."

 

“[two doctors] now arrived and after a moments consultation we agreed to have him removed to the nearest house… I called out twice 'Guards clear the passage,' which was so soon done that we proceeded… with the President and were not in the slightest interrupted until he was placed in bed in the house of Mr. Peterson… During the night the room was visited by many of his friends. Mrs Lincoln with Mrs. Senator Dixon came into the room three or four times during the night. The Presidents son Captn R. Lincoln, remained with his father during the greater part of the night.

 

“At 7.20 a.m. he breathed his last and “the spirit fled to God who gave it… Immediately after death had taken place, we all bowed and the Rev. Dr. Gurley supplicated to God in behalf of the bereaved family and our afflicted country.” —Report on the Assassination of Abraham Lincoln by Dr. Charles Leale [photo]

 

• Secy. of War Stanton ordered guards posted at the building [photo] & future dramatic productions canceled • later that year, attempts by Ford to reopen the theatre aroused public indignation • War Dept. ordered it closed, Ford threatened legal action, federal government responded by leasing & later purchasing the bldg.

 

• American newspapers report the shocking news in a country still younger than some of its citizens

 

• Willie Clark, the Petersen House boarder who lived in the room in which President Lincoln died, wrote to his sister four days after Lincoln's death...

 

“The past few days have been of intense excitement. Arrests are numerously made, of any party heard to utter secesh sentiments. The time has come when people cannot say what they please, the people are awfully indignant. Leinency is no longer to be thought of. A new code must be adopted.

 

“They talk of the tyranical administration of Mr. Lincoln, but we have a man now for a president who will teach the south a lesson they will know well how to appreciate…

 

“…Everybody has a great desire to obtain some memento from my room so that whoever comes in has to be closely watched for fear they will steal something.

 

“I have a lock of his hair which I have had neatly framed, also a piece of linen with a portion of his brain, the pillow and case upon which he lay when he died and nearly all his wearing apparel but the latter I intend to send to Robt. Lincoln as soon as the funeral is over, as I consider him the one most justly entitled to them.

 

“The same matrass (sic.) is on my bed, and the same coverlit (sic.) covers me nightly that covered him while dying.

 

“Enclosed you will find a piece of lace that Mrs. Lincoln wore on her head during the evening and was dropped by her while entering my room to see her dying husband It is worth keeping for its historical value.

 

“The cap worked by Clara and the cushion by you, you little dreamed would be so historically connected with such an event.”

 

“They talk of the tyranical administration of Mr. Lincoln, but we have a man now for a president who will teach the south a lesson they will know well how to appreciate. — Remembering Lincoln

 

• Lincoln's death was not universally mourned by Northeners even though his decision to resupply Ft. Sumter forced the Confederates into firing the 1st shots, an attack that triggered anger, patriotism & widespread support from Northerners • nevertheless, some who thought him too dictatorial & some Radical Republicans who thought him too lenient toward the enemy welcomed his assassination • Congressman George Julian recorded in his diary that the “universal feeling among radical men here is that his death is a godsend” Michigan Senator Zachariah Chandler wrote to his wife that God had permitted Lincoln to live only “as long as he was useful and then substituted a better man (Johnson) to finish the work.”—History Channel

 

• In the 2 wks. following the assassination, hundreds were detained, questioned, & some imprisoned • nearly all the personnel at Ford’s (actors, stage hands, musicians, etc.) were arrested & questioned • John T. Ford was visiting Richmond the night of the assassination • he & 2 brothers spent 39 days in the Old Capitol Prison before being cleared & released

 

• the Old Capitol Prison [photo] gained an association with the Lincoln assassination when it lodged several (but not all) suspected Lincoln assassination conspirators who, by order of the Secty. Of War, wore cotton hoods —Smithsonian

.

• 5 days after the assassination, Laura Keene & 2 other cast members arrested in Harrisburg PA, returned to Washington & released by order of the Secretary of War the moment he heard of their unauthorized detention

 

Louis J. Weichmann often stayed at the Surratt Boarding House, in contact with the Surratts, & John Wilkes Booth • arrested as a potential accomplice but became a star witness for the prosecution, his testimony helping to convict Mary Surratt

 

• Pres. Andrew Johnson & Secy. of War Edwin M. Stanton insisted on trying the conspirators before a nine-member military commission, where 5 of the 9 judges—rather than a unanimous vote like in a civilian trial—were required to establish guilt. 6 votes could impose the death penalty

 

• Federal authorities argued that because Washington, D.C., was a war zone in April 1865—Confederate troops were still in the field—the assassination was an act of war • opponents argued that a civilian court would allow for a fairer trial [photo]

 

• for 7 weeks in May & June 1865, nation’s attention riveted on the 3rd floor of Old Arsenal Penitentiary (now Fort McNair) [photo], where the alleged conspirators were on trial for their lives [photo]

 

• one of the first U.S. trials where “colored” Americans, e.g. Ford’s stagehand Joe Simms & cleaner Mary Anderson, were allowed to testify against white Americans in open court • their testimony was included throughout the trial —Ford’s Theatre

 

• accused were allowed by attorneys to question the 366 witnesses, but not permitted to speak on their own behalf —Ford’s Theatre

 

• All defendants found guilty, 30 June, 1865 • Mary Surratt, Lewis Powell, David Herold, & George Atzerodt sentenced to death by hanging [photo]

 

Samuel Mudd, Samuel Arnold, & Michael O'Laughlen sentenced to life in prison • Ford’s stagehand Edmund Spangler sentenced to 6 yrs. in prison •all incarcerated at Fort Jefferson, off of Key West, Florida, pardoned by Pres. Johnson, 1869.

 

trial of the conspirators.

 

• following the assassination, [photo]Ford attempted to reopen on 7 July, 1865 but public outcry & threats forced him to cancel the performance, issue refunds & close the still-unfinished theater • bldg. seized July, 1865 by order of the Secretary of War

 

• interior torn out in August, 1865 • converted into 3-story office bldg housing the Army Medical Museum & Surgeon General • used for govt. purposes for several decades. —Ford’s Theatre National Historic Site

 

• 40-foot section of the facade collapsed from the 3rd floor, killing 22 War Department personnel, 1893 • alterations, including the facade, 1894 • building repaired, continued as government warehouse & storeroom until 1911 • vacant until taken over by Office of Public Buildings & Public Parks of the National Capital, 1928 • Lincoln museum opened 12 Feb., 1932, 123rd anniversary of Lincoln’s birth

• bldg. transferred to National Parks Service through executive order, 1933 —Ford’s Theatre, Washington, D.C.

 

• funding for restoration approved, 1964 • original building plans lost • relied on investigative work to extrapolate floor levels & wall locations from known “good” points in the building, w/ photographs & drawings providing supplementary detail • project supervised by Charles W. Lessig • restoration to its 1865 appearance completed, 1968 • theatre reopened 30 Jan., 1968 • following restoration, Presidential Box never occupied. —Ford’s Theatre

 

• externally west facade & north & south walls remain of the original theatre, although subject to modification, repair & remodeling over time • rear (east) wall, site of Booth’s escape door, is completely rebuilt—Restoration of Ford’s Theatre, Washington

 

• now a popular tourist destination & working theatre presenting a varied schedule of theatrical & live entertainment events • over 650,000 visitors/yr.

 

Pennsylvania Avenue National Historic Site National Register # 66000865, 1966

• Ford’s Theatre National Historic site, National Register # 66000034, 1966

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