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a bit scared
This is my favorite screenshot so far, she looks very lively and cute here 😍😄
Friends, I have a big request for you. This character has no name, so if you have a great one, write it in the comments 👇
I'll be appearing on the next episode of The Two Hosers Photo Show, and they've given me the weekly photo challenge.... "the longest day" (in honour of the summer solstice). Wide open to interpretation, and this is what I've come up with.
This image is photographed at The Wildflower Farm, a favourite location of mine to go shoot flower, insects and water droplets. Closed to the public, but they still let me poke around. One of the interesting things they have are these strange bicycle-based lawn mower contraptions. The front wheel is replaced with a grass-cutting blade apparatus, surely intended to make lawn mowing a faster task.... but it looks painfully labour intensive and time consuming.
Imagine cutting an entire field with a tool such as this? I think it would be the longest day of my life. Right behind this apple tree is a fledgling meadow, but the foreground grass is carefully manicured. I hope they aren't using these bikes to get the job done!
Oh, and this is a false-colour infrared image, shot with a modified camera. In infrared light, anything capable of photosynthesis typically glows brightly, giving a ghostly surreal look to the scene. The sky in this spectrum is often dark, and I was trying to frame the bright tree in the dark sky. This required me to set my tripod at nearly ground-level (thank you Gitzo for a removable center column) to find the right angle.
When shooting infrared, the camera will only capture the deepest reds in the visible spectrum, and also capture colours beyond our visual perception. These colours can be remapped into a range more natural to the way we see the world, usually done by swapping the red and blue colour channels as a starting point. I think I'll write a tutorial on my workflow in the near future. :)
My Portfolio: www.donkom.ca | Google+
After my experience of the picture"One Day Time lapse", which was composed of 1500 photos, I decided to come back in a "Another Milky Way" composed of 5000 photo taken within 48 hours. I said earlier in an interview with a foreign magazine that I always try to show natural things as abnormal, I mean, not because it is irrational, but to show how great it is.
If you have any question, please write it in a comment, and I will be happy to help you all!
see the video of the picture HERE
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بعد تجربة صورة "فاصل من الزمن" التي كانت تتكون من 1500 صورة، قررت ان اعود بصورة "درب آخر للتبانة" وهي عبارة عن 5000 صورة تم التقاطها خلال 48 ساعة. قلت سابقاً في لقاء مع احدى المجلات الاجنبية بأني احاول دائماً أن اظهر امور طبيعية تبدو بشكل غير طبيعي، اعقب على ذلك، ليست لانها غير منطقية بل لأظهار مدى عظمتها.
Mostafa Hamad
مصطفى حمد
Camera:Canon EOS 7D
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There are a lot of photographers don't know what does mean photograph many photos during a certain period of time .. The question is: Are all the 5000 images which taken during the 48 hours contains the same content found in the last picture?... The answer is simply no! .. The sun will shine in a time and sets at a time, and the moon as well and this means that part of the images does not contain the moon or the sun and at the same time when the photographer chooses a particular time for photographing the Milky way certainly in time with no existence of the moon or the sun. Overall, the photographer will receive a certain number of images for several moments (sunrise, sunset, moon, stars, etc.) for a full day or two days of photographing on one point or several connected points to be merged all together at the end. So, 5000 doesnt mean 5000 images overlayerd .. If you just overlayer it you will get NOTHING .. So i pick up the best momments (sunset, moving of the moon in 6 places, and the milky way, ) other pictures i use all of them to get the color of full day .. If someone thing its a big number, fine, but i like to capture big numbers of images, i have fun with it .. Summary of speech: Big nummber of images doesn't mean all the time "TIMELAPSE" and the Stars are lines or some poeple asked me about the disapperd 4994 moons in the picture. There are those who pick up a large number of images for a certain period of time to document the stages of one phase(exp. one day), like me, for example ..
FOLLOW ME ON
...even when they are only partially there themselves.
I don't have the time to really write tonight, I have to run here in a moment to go teach a class and if I don't post this now it will be really late by the time I get the chance to post again.
I will say that my assignment I will be giving the class tonight will be to choose a location close to home, somewhere within say, a five minute walk, somewhere they could easily go to every day, and then go to that place as many times as they can this week and to make photos. The idea being that on the second, third, fourth or fifth trip to a spot you look at it differently. It is an exercising in learning how to see. This bridge is my spot. I go there again and again, reminding myself that every time I go to look at it with fresh eyes no matter how familiar it may seem... it is never really the same bridge. This practice has served me well over the years, hopefully it helps my students too.
P.S. Saw a short video on-line today about Abelardo Morell. Do your inner photographer a favor and look him up. He has been a favorite of mine for many years now but his more recent tent camera work is so intriguing.
Innova 6x9 pinhole / Kodak Ektar 100
The skyline shot from 18th Street overlooking CN's Freeport Sub, and the Saint Charles Air Line was a must shoot on this recent trip to Chicago. With only a few freights to ply these rails a day, catching any westbound here had to matter.
Westbound CN M337, lead by a pair of BNSF ES44's, slowly trundle down the main on the near track as it curves out of the 16th Street interlocking just around the corner. Granted the right of way was overgrown, and the power wasn't anything to write home about, but a train is a train. I'll chalk this up as a win.
~ Gabriel Garcia Marquez
Secret #3: I've kept a journal since I was thirteen years old. Every year I buy a new journal and I like having a place to put down my thoughts. Writing things down has always helped me relieve stress. I kind of like it the old-fashioned way where I can write things down on paper and open up the journals years later. Some of them are still at my parents' home and I hope they don't go reading them!
I hate to post and run but I must today. Deadline calls...catch up with you later... =)
Este velero descansando de sus largos viajes, En la Isla de San Simón Cesantes. Pontevedra Ria dé Vigo.
Donde Julio Verne se inspiro en escribir 20.000 leguas de Viaje Submarino.
Este es también Camino a Santiago
This sailboat resting from its long trips, On the Island of San Simón Cesantes. Pontevedra Ria de Vigo.
Where Jules Verne was inspired to write 20,000 Leagues Under the Sea.
This is also the way to Santiago.
Active Assignment Weekly - monthly assignment: Window shopping. A shop on Queen Street West.
119 in 2019: Window shopping
In almost all of my photo columns that I write for the National Parks Traveler, I mention, at some point, of really observing your surroundings. I tell my readers to look around them to see if they can find patterns or textures that call out to them for a photo. If it catches their eye, then it's worth at least a single image.
While I was driving the dirt & gravel Howland Hill Road on the way to the Stout Grove parking lot in Jedediah Smith Redwoods State Park, I stopped to photograph one thing, then turned around to see this scene of straight (or almost straight) young tree trunks creating parallel lines in my composition.
Copyright Rebecca L. Latson, all rights reserved.
HOPE3506 PANCOLAR
Depold (Dipold) from Jihlava. He was a cross soldier who lived in this region and had the domain. He was a great friend of Frederick VI. Schwaben. de.wikipedia.org/wiki/Friedrich_VI._(Schwaben)
He was a brave soldier and commander of operations at Akkon.
On November 13, 1190, they take part in the Battle of Belus River and occupy an important bridge in Auku. There were only 300. It was a terrible massacre, says Chronicler Ansbert. The Byzantine chronicler writes: We have encountered murderous sculptures, not soldiers, where are they from?
Depold killed here 1500 Turks. They were killed by the Moravian soldiers, my ancestors. They spoke German and Czech. It is a pity that Hitler, the swine, has interrupted this symbiosis. Europe might look different.
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When I would play my song
You used to sing along.
I always seem to forget
How fragile are the very strong.
I'm sorry I can't steal you
I'm sorry I can't stay
So I put band-aids on your knees
And watch you fly away
I'm sending you away tonight
I'll put you on a bird's strong wing
I'm saving you the best way I know how
I hope again one day to hear you sing
You know we're not so far away
Get on a boat, get on a train
And if you ever think you're drowning
I'll try to slow the rain
In two years or so
Drop me a line
Write me a letter
I hope to find you're doing better, better than today, better everyday
I'm sending you away tonight
I'll put you on a bird's strong wing
I'm saving you the best way I know how
I hope again one day to hear you sing
I'm saving you the only way that I know how
I hope again one day to hear you sing
I hope again one day to see you bring your smile back around again
**New Poses for FLF coming to oOo Studio this Friday 8/9 "Melody"
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We hug and yes, we make love
And always just say "Goodnight" (la-la-la-la-la)
And we cuddle, sure, I do love it
But I need your lips on mine
Can you kiss me more?
We're so young, boy
We ain't got nothin' to lose, oh, oh
It's just principle
Baby, hold me
'Cause I like the way you groove, oh, oh
Boy, you write your name, I can do the same
Ooh, I love the taste, la-la-la-la
All on my tongue, I want it (la-la-la-la)
Boy, you write your name, I can do the same
Ooh, I love the taste, la-la-la-la-la
All on my tongue, I want it
I, I feel like fuckin' somethin'
But we could be corny, fuck it
Sugar, I ain't no dummy, dummy
I like to say, "What if?", but if
We could kiss and just cut the rubbish
Then I might be on to somethin'
I ain't givin' you one in public
I'm givin' you hundreds, fuck it
Somethin' we just gotta get into
Sign first, middle, last, on the wisdom tooth
Niggas wishin' that the pussy was a kissin' booth
Taste breakfast, lunch and gin and juice
And that dinner just like dessert too
And when we French, refresh, gimme two
When I bite that lip, come get me too
He want lipstick, lip gloss, hickeys too, huh
Can you kiss me more?
STEFANIA VISCONTI attrice, modella, actress, model, performer, trasformista, disponibile per collaborazioni artistiche di vario genere, teatro, cinema, tv, cortometraggi, shooting fotografici, esibizioni dal vivo. Disponibilità di spostamento in tutta Italia e all'Estero.
Per qualsiasi informazione ulteriore e collaborazione potete scrivere a viscontistefy@libero.it
STEFANIA VISCONTI is an Italian transgendered actress, model, chameleon-like performer, and activist. She is available for a variety of arts and entertainment projects, including theatrical performances, long and short films, TV programs, photo shootings, live performances. She is willing to travel anywhere in Italy and abroad. For further information, write to viscontistefy@libero.it. You will find other links to some of her personal pages below
Copyright © 2018 Hugo Peralta, all rights reserved.
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Oh, sing of summer and a sunset
And sing for us, so that we may remember
The day writes the words right across the sky
They go all the way up to the top of the night
Wow don't you hate when you write a nice long post and it doesn't upload?
I had written about some nice quality time I had spent with one of my best friends but something went squirrely when it was uploading.
UGH!
Anyway, we had a great time!
A replacement Bolingbroke Mk IVT was rebuilt to flying status in just five years and painted to represent a Blenheim Mk IV in RAF wartime service. It began appearing at air shows and exhibitions in the UK, flying since May 1993 and was used in the 1995 film version of Shakespeare's Richard III. This aircraft crashed on landing at Duxford on 18 August 2003; the crash was feared to have made it a write off.[56] but after extensive repair and conversion to the Mark I "Short nose" version by The Aircraft Restoration Company (ARC) at Duxford, was displayed to the public on 30 May 2014, and first flew for 29 minutes on 20 November 2014, following restoration at the Imperial War Museum Duxford, Cambridgeshire, England.[57] The aircraft appeared in the 2017 Christopher Nolan film Dunkirk.