View allAll Photos Tagged worktable
Aicci DL1 desk lamps provide optimal light for office and computer work at the office and home office.
Aicci DL1 desk lamps, mount on the edge of the desk, taking up very little space on the tabletop and move with the height-adjustable and movable desk, providing an optimal, ergonomically comfortable and adjustable wide-angle lighting for work, preventing eye fatigue and irritation. The light of the desk lamp can be adjusted by the built-in dynamic Bluetooth Casambi lighting control. The luminaires have a modular design, which allows the creation of different lighting conditions, facilitates the organisation of power cables and wiring, the integration of functional accessories and the serviceability of the desk lamps.
This picture shows the wide beam distribution of the Aicci DL1 table luminaire directed downwards.
Built from reclaimed marble, recovered by reuse action (reuseaction.com) from a lavatory renovation in one of the Buffalo Public Schools. It was a stall partition, so a close inspection shows who loved who, and all sorts of school age nonsense scratched into the marble. We cut it down to size for the customer and left the markings in the marble as part of its charm. The legs, undercarriage and mounting brackets are all made of reclaimed house trim. The marble installed originally in the 1920s, most likely by Italian immigrant craftsmen. In this city the old wood work was done by Poles and Germans, while the stone work was done by the Italians. crafts they brought from their home countries. Without rescuing this material it (and its heritage) would be in the landfill.
Each piece we build is unique and imbued with history...and keeping materials out of landfills.
Im trying to make my plushies while misty decides to spread herself out. She has tacken over my bead mat so she can sleep on it.
"All I Want for Christmas is Cats," ep. 4 of 10: The letter from the cat shelter has made it to Santa's Workshop! But what a huge pile of mail is on Robin the Elf's worktable! (You may remember our 2022 story, "The Littlest Elf," when Robin got lost at the Campgrounds and was reunited with Santa with the help of the campers.)
ROBIN: Look at all the mail from today! And Christmas is right around the corner! We'll do our best, but still, some of these wishes will have to wait till next year....
This photo is taken by Andry York for UX Store, explaining why prototype is important. A prototype is a quick model explaining the actual plans for the final product. Designing prototypes is one part of the process, very important in the first stages of creation of a product.
Products used on photo:
Framer Stencil (Plastic Ruler)
Photo: www.instagram.com/andry.yorke/ For: uxstore.com
Popcorn Furniture is a leading manufacturer and supplier of school laboratories in India. Biology lab from the house of Popcorn furniture is a modern lab set-up catering to the requirements of modern Biology education in schools.
The laboratory is equipped with worktables that have sinks, a water supply, and natural gas and electrical outlets to support a laboratory/field-oriented biology course. Adequate space for storage of materials and secure areas for storage of solvents, reactants or potentially hazardous or dangerous chemicals.
Il lavoro intellettuale: sessanta fermacarte ('The intellectual work: sixty paperweights'), 2010
Various materials
In this work, pages from notebooks of great thinkers, artists and scientists, including musical scores and manuscripts, are anchored with paperweights. The installation evokes a worktable, where fragmented ideas emerge and their originator attempts to capture them before they disappear.
It suggests Mari's desire to preserve his own archive for posterity. The paperweights are an assortment of found objects, which Mari collected throughout his life.*
From the exhibition
Enzo Mari
(March – September 2024)
This major exhibition celebrates the life and work of one of the greatest Italian designers of the 20th century, Enzo Mari, whose designs have inspired generations of creatives around the world)
Not only one of the 20th century’s most significant designers, Mari was also an artist, teacher, theorist, and more. During his prolific career, he created countless enduring and timeless designs, filling the homes and streets of the Milanese and beyond. An outspoken critic of the design industry, his uncompromising belief in the social responsibility of design resonates powerfully today, as we face ecological and ethical issues with ever greater urgency.
This unmissable retrospective which was produced and presented by Triennale Milano in 2020, spans Mari’s 60-year career and brings together hundreds of his projects, ranging from furniture, children’s books and games, product and graphic design, to more conceptual installation-based works. Archival material provides greater insight into Mari’s research process, and the key principles that guided and unified his work.
[*Design Museum]
Taken in the Design Museum
Unless otherwise stated, work is by Enzo Mari
Keith Monsour specializes in artfully-crafted jewelry for men and women.
Keith's e-mail: klmmatt1designs@aol.com
ARD M60CA (YR 1998) Used CNC EDM For Sale
Model: M60CA
Year: 1998
Work Tank Dimensions: 1000 x 600 x 350mm
Table Dimensions: 600 x 400mm
X Axis Travel: 400mm
Y Axis Travel: 300mm
Z Axis Travel: 300mm
Max. Distance From Quill To Worktable: 500mm
Nominal Current: 60A
Max. Stock Removal Rate (mm3/min): 500
Best Surface Roughness: Ra0.1μm
Best Electrode Wearing Rate: ＜0.1％
Max. Electrode Weight: 60kgs
Max. Workpiece Weight: 2000kgs
Dielectric Tank Capacity: 400L
Floor Space (LxW): 2170 x 2000mm
Machine Weight: 2300kgs
Asset Info: gobigcat.com/product.php?id=315
Let us know your interest, please contact us: info@gobigcat.com
Aperature- F5.6
Shutter Speed- 1.6
My grandfather is a carpenter, among other handy skills. He has a workshop filled with "toys." His saws, drills, sanders, paintbrushes (etc.) are all contained there. The night I shot photographs there, he had a lone worklight shining onto his tools. This cast such a dramatic glow onto his worktable that I had to snap the shot. Turns out, this one is my favorite.
Saturday, February 1, 2025, 5:00-7:00pm
The Stacks at 224 is an exhibition by Forrest Sincoff Gard, 2023-2024 Artist In Residence at the Office for the Arts Ceramics Program. The exhibition features all new work by Forrest that was conceptualized and made during his residency.
The Stacks is the newest addition to his Built to Play body of work, which highlights the importance of play throughout our entire lives. In the Built to Play series, Forrest focuses on the mundane parts of life, such as toasting a waffle, folding socks, or putting a book on a shelf. He turns those moments into ceramic art objects as well as risk-and-reward games that are specific for the gallery, often challenging expectations for that space.
Sincoff Gard drew inspiration for The Stacks from the bookshelves in his South End apartment as well as from Boston Public Library, Harvard’s Widener Library, and MassArt’s Morton R. Godine Library, which is where the artist collected discarded books that he used to make plaster molds. These molds were used to create the ceramic books on display. The Stacks also features other objects one might find inside a library—a large hand-built globe, a playable board game, and a wheel-thrown wall clock. Forrest’s decision to include an open plaster mold was inspired by the worktable seen on display as part of the Glass Flowers exhibition at Harvard’s Natural History Museum. He desires to share how the work was made and to remind viewers that these books were made out of clay.
During the reception, visitors had the chance to interact with the work by playing a stacking game. The player who made the tallest stack won a prize: their choice of book from the stack. There was no penalty for smashing a book.
31091 A “Considerable Force” – George Mason’s Gunston Hall Plantation, 10709 Gunston Road, Mason Neck, Fairfax, Virginia. April 24, 2026. Decimal degrees: 38.6677611, -77.169326, GPS: N 38 40.066, W 77 10.160
“A ‘Considerable Force”
“Gunston Hall in the Masons’ time included many structures, roads, gardens, and far-off landscapes built or tended by the Masons’ enslaved workers. Today, the mansion house remains the largest surviving physical site of their labor. What John Mason called a ‘considerable Force’ of house workers could be passed into service at any time, day or night. Notable individuals included George Mason’s trusted manservant James, housemaids Poll and Nell. Dick (probably a footman or butler), and the courier Joe. Laboring amidst the Masons and visitors, enslaved house staff served meals, provided childcare, and cleaned the home. In the course of their day, enslaved workers observed Mason family intimacies. They also overheard talk of current events on the plantation and in the world beyond.
The ideals of freedom sparked by the American Revolution inspired some Chesapeake slave owners to manumit (free) the people they owned. George Mason described slavery as a ‘slow poison,’ but he never freed the people he enslaved. Instead, at his death in 1792, he willed all of the men, women, and children to his own nine offspring. Of the twenty enslaved siblings listed, fourteen were separated from their families.”
“Working behind-the-scenes”
“Enslaved domestic staff were also busy in several outbuildings in the nearby kitchen yard.”
“Placed within sight and sound of the mansion, these structures included the kitchen, dairy, poultry houses, and laundry. Many times a day, workers crisscrossed the yard, which was a crowded and lively area enclosed by a tall fence.
We do not know what the original kitchen yard looked like. These reconstructed buildings show our conjecture, base on written accounts, archaeology, and original buildings from other mid-18th-century Chesapeake plantations.”
“A cook’s experience”
“Cooking required physical strength and stamina, sharp sense, the ability to multi-task, and good judgment.”
“Enslaved cooks knelt and crouched at open hearths They stood and paced for hours on hard surfaces, moving between worktables and fireplace, as well as out to the smokehouse, dairy, and mansion.
Cooks used expensive and exotic ingredients imported from abroad including sugar, tea, and chocolate. They also soured local provisions raised on the Masons’ plantations, such as fruits and vegetables, meat, grains, fish, and eggs.
Ann Mason instructed her staff on what food to prepare, and many of her recipes followed English traditions. But the enslaved cook’s knowledge of African flavors and cooking styles likely made meals at Gunston Hall uniquely Virginian.”
The Sweet Potatoes Stewed”
“Wash and wipe them, and if they be large, cut them in two lengths; put them at the bottom of a stew-pan, lay over some slices of boiled ham, and on that, one or two chickens cut up with pepper, salt and a bundle of herbs; pour in some water and stew them ‘til done, the take out the herbs, serve the stew in a deep dish-thicken the gravy, and pour over it.”
Below recipe:
“Mary Randolph, The Virginia Housewife, ‘Sweet Potatoes Stewed,’ 1828”
“Recipes collected and published by Mary Randolph reflected-established Virginia cooking practices. This dish was likely a familiar one to 18th-century resident of Gunston Hall.”
Beside artifact:
“Fork, c.1750”
“Board of Regents, Gunston Hall”
“Archaeologists rarely discover whole items. Imagine their surprise when they uncovered this iron and bone fork in the kitchen yard. An enslaved person such as Nell or Poll may have carried it from the kitchen to the mansion while working.”
Under photograph:
“Reproduction Kitchen, 2017”
Saturday, February 1, 2025, 5:00-7:00pm
The Stacks at 224 is an exhibition by Forrest Sincoff Gard, 2023-2024 Artist In Residence at the Office for the Arts Ceramics Program. The exhibition features all new work by Forrest that was conceptualized and made during his residency.
The Stacks is the newest addition to his Built to Play body of work, which highlights the importance of play throughout our entire lives. In the Built to Play series, Forrest focuses on the mundane parts of life, such as toasting a waffle, folding socks, or putting a book on a shelf. He turns those moments into ceramic art objects as well as risk-and-reward games that are specific for the gallery, often challenging expectations for that space.
Sincoff Gard drew inspiration for The Stacks from the bookshelves in his South End apartment as well as from Boston Public Library, Harvard’s Widener Library, and MassArt’s Morton R. Godine Library, which is where the artist collected discarded books that he used to make plaster molds. These molds were used to create the ceramic books on display. The Stacks also features other objects one might find inside a library—a large hand-built globe, a playable board game, and a wheel-thrown wall clock. Forrest’s decision to include an open plaster mold was inspired by the worktable seen on display as part of the Glass Flowers exhibition at Harvard’s Natural History Museum. He desires to share how the work was made and to remind viewers that these books were made out of clay.
During the reception, visitors had the chance to interact with the work by playing a stacking game. The player who made the tallest stack won a prize: their choice of book from the stack. There was no penalty for smashing a book.