View allAll Photos Tagged workflow
I generally do not like to complain...about anything. BUT I need some relief! She's only 7 lbs. but she's either in my lap (worse) or on the keyboard or in front of the screen. If I lock her out she scratches at the door and wines. My wife helps but she's got the sister cat to contend with. That's right - double trouble!
It's a wonder I get anything done.
Part of the set bilderordner album: "res noscenda note notiz sketch skizze material sammlung collection entwurf entwurfarbeit überlegung gedanke brainstorming musterbogen schnittmuster zwischenbilanz bestandsaufnahme rückschau vorschau" 365-days project 2: construction weaving loom, mounting mirror background, bau Webstuhl. Montage Spiegel Hintergrund, Unterlegung // Nonsense Analogie schuh werkstatt weben haus bauen torte backen auflauf kochen // Szenen ohne Ehe, selbst ist die Frau
used photos:
DMC-GH3 - P1100035 - 2015-11-09
DMC-GH3 - P1100036 - 2015-11-09
DMC-GH3 - P1100041 - 2015-11-09
DMC-GH3 - P1100044 - 2015-11-09 #variation #draughtsman #problem #leiermann #leier #improvisation #raster #handwerk #chrysalis #chrysalides #chrysalises #haushalt #analogie #haus #bauen #baustelle #hausbauen #weben #leere #lehre #sinnlos #falsch #widerlegen #beweis #beweisführung #gegenbeweis #inhalt #erklärung #erläuterug #loom #webstuhl #bau #construction #öffentlich #rede #einblick #anblick #ausblick #weiß #white #bunt #work #arbeit #profession #beruf #handwerk #theater #diagramm #schaubild #linie #line #linear #trash #müll #mist #abfall #recycling #upcycling #idee #konzept #überlegung #gedanke #napkin #serviette #unterlegung #herbstlicht #herbst #autumn #licht #light #sonnig #sunny #sun #sonne #schatten #shadow #arbeitslicht #gold #silber #private #privat #privateness #metapher #symbol #lampion #green #grün #bilderzyklus #tapestry #tapisserie #tapis #wandteppich #küche #kitchen #bildwirkerei #bildteppich #textilkunst #carpet #teppich #rug #schatten #shadow #szene #scene #review #preview #kaleidoskop #kaleidoscope #heute #neu #neuer #neuest #beobachtung #view #blick
So... I'm trying out DXO's PureRAW and I took one of my "depth finding" shots of the Levy Semaphores. These are throwaway shots used to judge what the shot will look like in a short amount of time... By cranking up the ISO to some ungodly number... in this case, 51200. Completely useless for sharing, but great for telling me in the field what's my image going to look like.
Thanks to DXO's Pure Raw 4, The middle image came out into the world. Further processing in Lightroom classic and Nik ColorEffex results in the lower one... One that's, well, actually usable.
More probally to come now.
Visit my website at akikorhonen.org for more projects, thanks!
_____________________________________________
My DIY ringflash that I've been doing for the last few days.
(Photo, starting from top left) Description
(1) I started with a 24 cm diameter steel bown and a normal food can.
(2) Added some tape on the bowl and drew the cutting lines with the can as a guide.
(3) Bottom from the bowl and can removed. I also shortened the cat a little bit. I first drilled a hole on the bottom of the bowl and then cut the metal with metal cutters.
(4) The two parts connected with strong epoxy that was meant for metals.
(5) Hole for the flash made and few connecting holes drilled. Also the needed aluminum parts are cut and bent in shape.
(6) The bottom part covered with black hockey tape. In the photo it has a Manfrotto quick attachment plate on it. Also has a hole for attaching it to the tripod mount of the camera.
(7) The top part where the flash is attached. Made some holes for the DIY TTL flash cord.
(8) I added some plastic parts for the flash hole to make it look nicer and to prevent light from escaping too much. Next I added some putty to finish it (wasn't necessary but I got too carried away again with the building).
(9) Putty and the bowl fully sanded and waiting for some gray primer and matte black finish.
(10) Painted and finished. Added some black hockey tape on the can's edge to prevent it from scratching the camera.
(11) Close up of the flash hole. A little bit of aluminum foil tape on the inside and black hockey tape on the edge.
(12) White thin fabric streched and being glued on the edges to get some diffusion to the light. There is a rubber band holding the fabric to the can.
See the finished righflash:
* DIY ringflash finished, without camera
* DIY ringflash finished, with camera
Cost: bowl 3€, can 0€, aluminum 1€ + some extra costs from paints etc. but I'm not going to count them to the total. Cheap anyway.
20090114: Added to favorites 100 times.
Today working on blur and camera raw touches.
Next week a full stream dedicated to hair to wrap up the series
Video available as well as previous workflow videos
â–º I have created a free eBook for you called HDR Top Tips.
This eBook contains 10 handy tips for your HDR work (plus a bonus tip). The range of tips covers the entire HDR workflow starting with shooting your source photos, via the preparation and the merging of the images, all the way to the tone-mapping and post-processing phase.
Workshop "workflow/Photoshop/Lightroom"
Vrijdag 21 september
10:00-13:00
50.00
Nog 2 plekken vrij voor deze zeer informatieve workshop aanstaande vrijdag.
Veel tips en technieken voor een snelle en professionele retouch workflow.
Werken met kleurkanalen, unieke tints zelf maken, foto's van zero naar hero brengen in Photoshop, werken met focus verloop, achtergronden smooth maken, huid en digitale make-up, kleur manipulatie, automatiseren van retouching processing binnen Photoshop, hyperverscherping, beste plugins en veel meer
Zie het gehele programma op www.fotografie-workshops.nl
Inschrijven via info at Frankdoorhof punt com
ODC Theme: Work
Even though currently I don't make my main income from photography I hope someday I will.
1. Enderezado de la imagen, he tomado como referencia los pilares de la casa, su linea vertical
2. Correccion perfil de lente, aberracion cromatica y correccion de perspectiva automatica
3 Equilibrio de blancos temperatura 5900 matiz +6
4. Ajustes basicos
Exposicion -0.65
Contraste +24
Iluminaciones -100
Sombras +79
Blancos +63
Negros -6
Claridad +30
Intensidad +18
Saturacion +8
HSL TONO
Rojo +13
Naranjas -26
Amarillos +29
Verdes +12
Aguamarinas +13
Azules +28
Purpuras +8
HSL SATURACION
Rojo +4
Naranjas +17
Amarillos +8
Verdes -4
Aguamarinas -26
Azules +52
HSL LUMINANCIA
Rojo +14
Naranjas -32
Amarillos -13
Verdes -33
Aguamarinas -54
Azules -59
Purpuras -38
CURVAS
Parametrico
Iluminaciones -6
Claros +9
Oscuros -6
Sombras +8
Punto Rojo
He levantado muy levemente los tonos medios a rojo
Verde
Las iluminaciones las he bajado muy levemente a magenta y las sombras muy levemente hacia verde
Azul
Las iluminaciones he bajado bastante a amarillo, los tonos medios lo he bajado a amarillo levemente al igual que sombras.
RGB
Solo he dado mas luz pero muy levemente a las sombras
Filtro radial para cielo
temperatura -6
Exposicion -0.25
Contraste 25
Iluminaciones -35
Sombras +32
Blancos +7
Negros +1
Claridad +31
Saturacion 14
Filtro radias para tierra
Temperatura +2
Matiz -3
Exposicion +0.1
Contraste +26
Iluminaciones -65
Sombras +57
Blancos +22
Negros +6
Claridad 15
Saturacion +14
ENFOQUE
Cantidad 62
Radio 0.8
Detalle 32
Mascara 43
workflow: Nikon D600, RawVision, PixlrExpress, Snapseed on an SamsungTab3 (For Tryout in HDR Mode with Snapseed)
New photoshop workflow based on some ideas from Vermeer's painting techniques.
Compare with www.flickr.com/photos/dougr/9511082879
Best viewed *big* using a color corrected browser (Safari or Firefox). Check out my best stuff at www.pacificaphoto.net and follow my new work on twitter @doug_r
This full, free video tutorial is now available for you to download and watch! It shows how to create this image, from beginning to end, and it includes the raw files and my luminance mask action set!
- I have a small request -
If you've enjoyed my materials and found them useful, please can you share the link below to others who you think will also enjoy them.
By doing so you will be helping to support this resource and helping it to grow. The more interest/demand I have in these workflows the more of them I can make.
Thank you and I hope enjoy this new video
www.throughstrangelenses.com/2013/09/08/full-free-post-pr...
Probably the question that I get asked more than any other is about my photography workflow. I actually feel like my photography workflow is pretty simple so I thought I'd write up a brief post documenting my process all the way from photo capture to photo publishing. Feel free to ask any questions if you need me to elaborate on things.
1. Step one, capture the image: I carry my Canon 5D and 5 lenses (24mm, 14mm, 50mm, 135mm, 100mm macro) with me in a backpack every where I go. I take advantage of the routine time wasted in a day to turn that time into photography. Walking to and from the BART train. Going out for lunch. Waiting in line somewhere. All kinds of everyday moments become photographic opportunities.
Of course I also go out on specific photowalks all the time. Sometimes these are weekend trips away from home, other times they are just evenings out shooting with friends or with my wife. I use 2 8GB SanDisk cards.
To learn more about what is in my camera bag you can read this post here.
2. Step two, transfer the image to the computer: Here I use a high speed USB card reader. All card readers are not created equal. Spend the extra few bucks and get a high speed reader. Every day or other day I use my card reader to offload images on my camera card to my computer. In my case when I plug in my card reader Canon's "Camera Window" software automatically loads. This software then pulls all of my images off of my CF card and puts them into folders on my computer titled by date taken. After my images are transferred to my MacBook Pro I then put the card back in the camera and delete the images off of it. If I'm on an all day shoot I'll take breaks during my day (coffee, lunnch, etc.) to take a moment and clear out my cards.
Bonus Link: 13 Tips for Using and Caring for Memory Cards.
3. Step three, sort photos: Here I open the folder that has all of the RAW files from a given day's images using Adobe's Bridge software. I create a subfolder in the dated folder called "maybe." I go through the day's photographs and I drag anything that I think might have potential into the "maybe" folder.
4. Step four, first pass processing using Adobe Camera RAW: My next step is to open all images in a day's maybe folder using Adobe Camera RAW (comes with both Photoshop CS3 and Lightroom). You simply select all of the images in your maybe folder, right click, and select "Open in Camera RAW." This is where 95% of my photo processing is done.
With camera RAW you can adjust the contrast of a photo, the exposure of a photo, the saturation of a photo. You can adjust the temperature of a photo (the reason why some white lights are sulfur yellow and other white lights are soft blue), you can adjust the vignette (black or white edges around a photo), fill lighting, etc. Adobe Camera RAW uses sliders to make these adjustments and it is easy as pie.
After I get an individual image to where I want it I will use the "Save" button in camera RAW to save that finished photo as a JPG in a new folder "Finished Images."
After I process my first pass imagery I move that date's archive folder off my Mac and onto my drobo to back it up and store it more safely. Note, none of my RAW files are ever saved as processed. I consider my RAW files my negatives and always want to be able to go back to them and process from scratch if need be.
5. Step five, 2nd pass processing: Once I've finished my first pass processing I will point Bridge to the "finished images" folder. Here I will look at each finished JPG image in as large a format as possible looking for photos that need additional work. Typically less than 10% of my photos need additional work beyond camera RAW.
The type of work here is all done in Photoshop. As I go through the images I look for a few things consistently. Images that need slight sharpening. Images that have dust spots on them that need to be fixed with the cloning tool in Photoshop. Images that could benefit from dodging or burning, etc. As I see an image in Bridge that needs additional fine tuning I will double click on the image in Photoshop, make my edits, save the file and close it.
6. Step six, keywording: My next step is to keyword all of my photos using Adobe Bridge. Adobe Bridge has pretty powerful keywording capabilities. I can batch and bulk keyword photos. I might start out, for instance, keywording every single photo I just processed as "Las Vegas" "DMU Las Vegas Meetup 2008" "Vegas". From there I then might go through sub batches and keyword them (say Caeser's or Wynn or Venetian). From there I might then bulk keyword certain frequently used attributes (neon, mannequin, graffiti, night, etc.). And then I go through each image individually adding any final keywords image by image.
Keywording is important because these keywords will be automatically read as tags by sites like Flickr and Zooomr. It also allows you better to search your finished imagery in the future on your computer. The Importance of Keywording Your Photos.
7. Step seven, geotagging: Here I use a free program called Geotagger. Geotagger works with Google Earth and allows you to pinpoint a spot on the planet using Google Earth and then drag and drop any images from that location onto the program and geotags them with that coordinate. Geotagger only works for the Mac but there are lots of other free geotagging programs like Geotagger out there that work with Windows. When you geotag your photos at the file level both Flickr and Zooomr automatically add them to the meta data on your photo and place them on their site maps.
8. Step eight, sort finished photos into A or B to be uploaded folders: My next step is to go through my imagery and basically sort 80/20. What I feel are my strongest 20% go into a folder "B." The rest go into a folder "C."
9. Step nine, publish: I publish twice a day usually but this is by no means a hard and fast rule. Once in the morning and once in the evening. I typically publish 10-15 photos at a time selected mostly at random from my growing pool of "to be uploadeds."
I make sure that when I upload these 10 or 15 shots in a batch that the "B" shots are uploaded last as Flickr and Zooomr only highlight the last 5 shots that you upload in an upload batch. I want these to be what I feel are my better images.
And that's it. I'm sure that there are more efficient ways that I could be processing my imagery but this has worked for me for a while now. Feel free to ask any questions as the above might sound a bit complicated to some.
Additional reading: Thomas Hawk's Principles and Guidelines for the Modern Photowalker . Brian Auer's Your Guide to Adobe Bridge: Useful Tips and Tricks.
More comments and a conversation about this post over at FriendFeed.