View allAll Photos Tagged windowframe
Victorian trackside garage/workshop with major structural issues.
The bottom of the doors is the location of the original set of the Tom & Jerry cartoons.
On the right hand side (2nd window down), there is a conversation going on between a woman with her arms crossed and a bloke with his hands in his pockets, bending over backwards !.
LR3701
The waters of the Rochdale Can at Hebden Bridge reflecting colourful window frames
Hebden Bridge, Calderdale, West Yorkshire, UK
©SWJuk (2022)
All rights reserved
The university building on Thomas Street Sydney, with afternoon light across its vibrant windows and facade
2026 All images and use thereof are copyright of Daryl Hutchinson. Reproduction of them is forbidden without prior permission
Bus garage, concertina doors.
Post War, Brutalist/Modernist, Grade ll* Listed building, opened in 1952, built on a residential site that was destroyed in the Blitz.
LR3642
A monochrome portrait suspended between glow and shadow — the subject leaning into a window’s soft mercy while the darker room pulls at the edges. The light traces the cheekbone like a memory trying to return, while the curtain breathes its own quiet story. This is a moment of stillness that feels like a threshold: half confession, half invocation. A study in contrast, vulnerability, and the quiet power of being seen without armor.
I.
The window keeps its vigil, patient as an old friend,
letting the morning spill its truth across my face.
Shadow gathers behind me like a history I’ve outgrown,
yet still I lean toward the light, unafraid of its naming.
II.
Some rooms hold their breath when you enter,
as if waiting for the version of you that never arrived.
But here, the silence feels earned,
a soft throne carved from the ache of becoming.
III.
I tilt my head toward the brightness,
letting it map the terrain of my unspoken thoughts.
Every highlight a confession,
every shadow a promise I haven’t broken yet.
IV.
The curtain whispers its thin voiced blessing,
a veil between what I was and what I’m willing to claim.
Even the dust seems to rise in reverence,
catching the light like tiny, wandering saints.
V.
There is a tenderness in leaning,
in letting the world hold you without resistance.
The window frame becomes a quiet altar,
and I, a pilgrim of my own unfolding.
VI.
The dark behind me is not an enemy,
only the echo of rooms I’ve already survived.
It clings out of habit, not hunger,
and I no longer mistake its weight for destiny.
VII.
Light sketches me with deliberate hands,
as if sculpting a future I haven’t dared to imagine.
I feel the shape of myself returning,
slow, steady, sovereign.
VIII.
So I stay here, between glow and shadow,
letting both claim their rightful place.
For this is the portrait of a life in transition—
a face learning to remember its own radiance.
Mastercard, VISA or MAC are accepted here for purchases. SEPTA Train Station, Willow Grove, PA.
EF 85mm f/1.8 II USM
[ 0.013 sec (1/80) | f/1.8 | FLength 85 mm | ISO 400 ]
! Available at The Chapter Four now !
*:::ChicChica::: Grace Night M L
* Lina Sweater // N-2 // Maitreya
*LGL Reborn - S - (Black) Scalloped shorts + S (Black) Sleeveless knit top
*:NuDoLu: Mes essentiels en ete Lunette Monotone
*www.flickr.com/photos/jaimyhancroft/ (11.DRD towelbasket + poofwith books + box seating 1 + carpet + chests +
sidetable + hanging old cabinet + artframe + windowframe + standing lamp)
*{Cottage Life} Ladder + Hanging Jar
*Pewpew! Golden Dinner - Garlic + Bananas + Knife - Towel
*{Bad Seed} Displacer Beast Cub - Tramp
*Apt B // Eco Plant Plaques - Skull (rare)
A row of lanterns hang in the window of an abandoned mercantile buiding along Main Street in Bearcreek, Montana. Most of the town's 2,000 residents left after the Smith Mine disaster (1943) due to the affects of the tradegy on the mines and prople in the area combined with a national decline in coal prices and underground coal mining. The lamps hang in the window like they're beckoning the people (and the good old days) to come back to Bearcreek.
I took this shot in the windowframe of an abandoned house, covered with spider web. The subject is a chestburster from the Neca Ultimate Big Chap action figure, which I coated in ketchup to simulate blood.
A BTS video of this shot can be found on my Instagram account, @balance_in_the_toys
Close up : window frame with bunting
William Williams House - Lebanon, Connecticut
On the corner of the road leading from Lebanon to Windham is the house once occupied by the William Williams, one of the signers of the Declaration of Independence.
It has been slightly modified, but its general appearance is the same as it was during the revolution.
Located at the intersection of CT routes 207 and 87 in Lebanon.
Interesting ... I never used to click on the word Flickr (right before the words You, Explore and Create. For maybe a week, I have been clicking on it and this evening I left a thank you comment under today's main image and noticed that this main photo is nowhere to be seen on the Flickr page - vanished. My second and third photos are there and all three of yesterday's images and all sorts of old photos from deeper in my photostream. I wonder if this has been happening on other days. If so, then this would be something that affects views and comments on a particular photo. I never leave comments on other people's photos by scrolling down the Flickr page - I always go to My Contacts page and usually open their photostream and have a browse while I'm there. Hmm .... interesting.
HAPPY FIRST DAY OF FALL, everyone! This morning, the sky is somewhat overcast , and the temperature is 6°C (43°F), supposed to rise to 10°C (50°F) this afternoon. Rain is in the forecast.
I love this idea for an outside wall, seen at the Saskatoon Farm yesterday, 21 September 2016. This interesting place is maybe a 20-minute drive SE from the southern edge of Calgary. You can collect your own Saskatoon berries in season, look around their outside green houses, and their inside gift shop full of unusual things, and buy special baking, jams, teas and so on. They also have a restaurant that offers great food - I had a delicious meal of quiche and sweet potato fries.
The sky tonight went from pale yellows to a brilliant red and was reflected in these window in the building across from ours.
Photo was taken with Sony alpha 7 II and 28-70 mm/ f3.5-5.6 lens. All colors except red, blue and white were removed during raw-development.
Hannah was painting a house in the village where I live and I decided to ask whether I could take her photograph. She was more than happy for me to do so and told me she studied photography at university and was particularly interested in documentary photography. Since then we have had a lot of chats about photography and it seems I have inspired her to go out and buy a new camera and start photographing again. Hannah is part of my project to photograph 100 strangers www.flickr.com/groups/100strangers/
This is also another submission to the Human Family Group - for more photographs, see: www.flickr.com/groups/thehumanfamily/
I took this shot for fun, displaying the window curtain, a frog thermometer and the view of balcony and outdoor trees as seen through the window screen in late afternoon.
The interior appears to be the exterior, but whichever it is, it's empty.
We're Here, pretty vacant.
Hand-held & filter free digital medium format; leaf shutter. The big KerChunk!
Medium format lives at Pelcomb Portraits.
Was walking down one of the small main streets in the old part of Sopron Hungary and saw this window. Had to grab a shot for Window Wednesdays.
Like many of the old hearts of european cities the streets in Sopron were very small and twisty and tucked inside the more modern parts.
Most of the building are flat faced and sit very close to the street, with architectural decorations above doorways and windows. Many of the buildings are painted in bright colors, sometimes contrasted with white.
This building which I would guess by the Jackal, was from the late 1700 or early 1800s was sort of a sort purplish gray, the window frame and Jackal a warm light tan. {Might be the window to the Körmendi-Csák Gallery}
Image was captured in early October 2014, with Olympus E-M10, Edited on the iPad. First some minor straightening and crop adjustments in Snapseed, then into Alien Skin's AltPhoto app, where I applied the Vintage Color Faded effect and border.
The monochrome version of one posted in March.
An old abandoned railway station wall and window enveloped in Ivy.
Captured with iPhone in 2013, edited on the desktop in Photoshop and Alien Skin Exposure.
The black and white version was cropped more than the color one.
You can view the original post here if you care to compare.