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nikon d700, sigma art 35 f1.4

There is an unparalleled level of conversation happening in social media and with it potential opportunities for organisations to engage with consumers and generate brand loyalty. Subsequently a plethora of online monitoring tools is available on the web, from the free services which are often basic, yet functional, right up to the comprehensive, in-depth and expensive paid-for services. This whitepaper is designed to offer a brief explanation and appraisal of some of the online monitoring tools available.

 

www.dwpub.com/whitepapers.php?int=An_introduction_to_soci...

Era swap (es) token is a decentralized utility token to be used within multiple interlinked platforms of era swap ecosystem like smart contract driven Decentralized application to govern the generation & distribution of ES. unique affiliate program, decentralized storage, global p2p marketplace, connects local p2p outlets, monetize social activity, E-mart for skill development, decentralized prediction platform, p2p lending, and borrowing, farming ecosystem, next gen dating & matchmaking and many more.

 

Visit for more details:

eraswap.life/

 

Read for more: eraswaptoken.io/pdf/eraswap_whitepaper.pdf

 

Subscribe to our Channel for more:

www.youtube.com/channel/UCGCP4f5DF1W6sbCjS6y3T1g/videos

 

For more updates follow us on:

 

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On 1 August 2005, at 2pm, Chinedu Ani and his friend asked a politician for financial support for the friend’s football career. According to a witness, the politician became angry and told the two that he “would deal with them seriously”. The politician made a complaint at a police station, claiming the two men were “armed robbers”. Around an hour later, the two men were shot by police officers and taken to the police station in the boot of their car. They

were kept in the boot for hours, driven to state Criminal Investigation Department (CID) and back to Ogui police station, although no arms were found on them or in their car. After 5 pm, a police officer decided the men should go to hospital. When they reached the hospital at 6.15 pm, Chinedu Ani had already died; his friend was badly wounded. Chinedu Ani ’s family claim that the police prevented the two men for getting medical treatment. “My brother was losing blood fast. I demanded to see an officer to bring them to hospital. The police told me they don’t give hospital aid to criminals.”

 

On 9 September 2005, the Governor of Enugu State set up a Commission of Inquiry into the death of Chinedu Ani. The commission finalized the inquiry in November 2005 and sent its report to the Governor of Enugu State. To date, the report or the government’s whitepaper have not been made public, despite repeated requests by Chinedu Ani’s family. No steps have been taken to prosecute those responsible for his death. Chinedu Ani’s brother said of the one of the police officers involved: “After four years, he is still in the force; who knows how many people he has killed now.

 

Photo (c) Private

 

Location on map is approximate.

nikon d700, sigma art 35 f1.4

If the student authors of the Climate Leadership in Alberta Schools white paper are successful: "Students will be learning climate change and how to prevent and how to help climate change through all the subjects, all the courses and every year," says Helen Wang, a student from Westwood High School in Fort McMurray, Alberta. Photo David Dodge, Green Energy Futures See video, blog and photos: www.greenenergyfutures.ca/episode/150-students-meet-minis...

Community members gathered in Victoria to share their solutions and ideas for reducing barriers and increasing freedoms, as part of a comprehensive public consultation on issues facing people with disabilities in BC.

 

Join the online consultation until March 11th at 4 p.m.: www.engage.gov.bc.ca/disabilitywhitepaper

Find government services and supports: www.gov.bc.ca/disabilityservices

Launch of the Government's Consumer White Paper in London.

 

For more information, see here

Siretta Antennas and Oxford University collaborate to produce an innovative antenna design for African water pump. Water scarcity and a lack of safe drinking water is one of the world's major problems that affects over 1.1 billion people worldwide.

    

Oxford University asked Siretta Antennas to design a custom antenna for their low-cost data transmitter that immediately alerts an engineer if there is a problem with a water pump.

www.sequoia.co.uk/whitepaper.php#Siretta Water Pipe Antenna helps to supply African village with reliable access to clean water

Created and folded by whitepaper

(Lee in kyung)

one uncut square.

15cm x 15cm

Student representatives from the Alberta Climate Leadership project meeting with the Hon. Shannon Phillips, minister of environment and the Hon. David Eggen minister of Education. The students called for climate change to be infused into the curriculum and for schools to become models of sustainability. Photo David Dodge, GreenEnergyFutures.ca See video, blog and photos: www.greenenergyfutures.ca/episode/150-students-meet-minis...

Although it's tough to see this paper is slightly textured.

Tammy Tang of Queen Elizabeth High School says "Personally I think this [the Innovate program] provides me with a better learning experience all together and it really opens my perspective on what will dominate the new generation. Green technology in generally is becoming more and more popular in classrooms and everywhere and a better understanding of it is really important to me." Photo David Dodge, See video, blog and photos: www.greenenergyfutures.ca/episode/150-students-meet-minis...

RONIN wrote, designed and arranged the print of this new white paper from business improvement specialists, Oliver Wight. It's a really insightful and interesting document on Supply Chain Management and you can download it from www.oliverwight-eame.com

Error: undefined - Four-dimensional reality, portals, changes of perception, and Universal Expansion.

 

When we speak of reality, we actually speak of the four dimensions in which we express our views of the world we inter-act with: length, width, depth, and time. Our work deals with the tension between on the one hand our need for a tangible and verifiable reality, and on the other hand the inter-action between our creativity and its dimensional representation.

 

Dimensions are funny playthings in the generation of photographic imagery. Let's say I want to represent four dimensions in two; I'll select a long shutter speed, and photograph an object moving through three-dimensional space. The time period of the shutter opening will be represented in the motion blur of the object, and the total scene will be projected onto a two-dimensional plane, according to the perspective of the chosen focal length.

 

We can go further than that, and express everything in one-dimensional space. Technically this is impossible, because one dimension can – by definition - not express space... a one-dimensional representation is an incomprehensible and destructive projection of any four-dimensional space. It is best imagined as an infinitely small dot, and the finite resolution of even the most powerful electron microscope would not be sufficient to show an infinitely small dot. In fact, by virtue of the lovely mathematical construct of (minus) infinity, the smallness of the one-dimensional representation of reality can only be approximated.

 

One-dimensional space is therefore imaginary, and never real. The mere fact that we can imagine it, brings it into an existence of sorts, which is nonetheless undefinable. This paradoxical existence may have inspired Ellsworth Kelly to present us with a white canvas, and make us discuss usefulness, representation, and definitions of art, merely by representing nothing. This white canvas is a four-dimensional (real) depiction of one dimension, ironically yet empathetically laughing at our incapability to grasp (minus) infinity.

 

When we extend our imagination beyond four dimensions into the direction leading to (plus) infinity, we immediately stumble into Einstein's relativity theory, where time and space are relative as a function of velocity. Theoretically, if we would approach the speed of light, which is the highest velocity we have defined, time slows down. In an imaginary spaceship, travelling at light speed to some far away galaxy, and returning back to Mother Earth 20 years later, the astronauts would find a world inhabited with their grand grand grand grand children, who would be older than themselves, effectively turning them into space-time travellers. This first step beyond our four-dimensional reality transforms dimensions into relative entities, instead of the shapes, sizes, and timing we have grown accustomed to.

 

We are entering unknown territory now. If we accept the relativity of our four-dimensional reality, and the idea that a shift in these four dimensions (e.g. through extremely high velocity) alters the very nature of this reality, we are left with a nothingness that resembles one-dimensional representation of reality very well, but now in the direction of plus infinity. Depending on how we transform reality, we continuously create a limitless amount of relative dimensions. Reality is not distorted, there is no smoke & mirrors trickery or sleight of hand involved: it is as is, created as we consciously start to grasp it with our senses and imagination.

 

In our daily life, we rarely approach high enough velocities to notice these alterations of reality. In other words, our world is stable because the relative velocity of the objects inside it is not high enough to notice the relativity of reality. This doesn't mean that there are no more than four dimensions, it just means that, on average, we are extremely unlikely to directly observe them. The possible dimensional transformations can be imagined, though, which is exactly the playground described by our work. Our work presents portals to the observer, like the teleporters in science-fiction movies, inviting us to peer through them, and catch a glimpse of what reality lies on the other side. Through transformations of four-dimensional reality, realised with photographic and/or digitally created perspective distortions, we continuously push the uneasy boundaries of our comfortable presupposed world view, asking the question where the tangible ends, and where infinity starts to be imagined into existence. We would like to welcome you into the imagined reality of Universal Expansion.

The little man made this mask at school today. I think it's lovely.

Siretta Antennas and Oxford University collaborate to produce an innovative antenna design for African water pump. Water scarcity and a lack of safe drinking water is one of the world's major problems that affects over 1.1 billion people worldwide.

 

Oxford University asked Siretta Antennas to design a custom antenna for their low-cost data transmitter that immediately alerts an engineer if there is a problem with a water pump.

www.sequoia.co.uk/whitepaper.php#Siretta Water Pipe Antenna helps to supply African village with reliable access to clean water

Siretta Antennas and Oxford University collaborate to produce an innovative antenna design for African water pump. Water scarcity and a lack of safe drinking water is one of the world's major problems that affects over 1.1 billion people worldwide.

    

Oxford University asked Siretta Antennas to design a custom antenna for their low-cost data transmitter that immediately alerts an engineer if there is a problem with a water pump.

www.sequoia.co.uk/whitepaper.php#Siretta Water Pipe Antenna helps to supply African village with reliable access to clean water

Dear Peter:

 

Although we missed your lunch suggestions, we thank you for your interest in

our Art Director position at Sugar Publishing. You are among many

interested and qualified applicants for the job.

 

Just as we¹ve asked our editorial and video producer candidates to submit

writing samples and concept videos, respectively, we are asking candidates

interested in our Art Director position to complete an assignment. The

purpose is to not only assess the breadth and depth of your skills and

capabilities, but also to get a sense of your creative style.

 

Background:

* Your goal is to produce compelling creative assets that both highlight and

leverage the content and editorial of the Sugar Publishing Network to keep

our readers and viewers engaged

* The Sugar Publishing Network currently has 4 sites (and we¹re launching 4

more in the near future: BuzzSugar, FitSugar, GeekSugar, GiggleSugar):

> * PopSugar.com (celebrity gossip ­ entertainment news)

> * FabSugar.com (fashion)

> * DearSugar.com (advice)

> * TeamSugar.com (community)

* Our demographics (your audience):

> * Over 87% are between the ages of 18 and 35

> * Over 95% are female

> * Over 48% have an annual family income over $75k

> * Over 68% have a college education

> * 36% spend 20+ hours a week online

> * 26% have children in the household

 

Assignment:

1. Redesign TeamSugar.com homepage

> * Use existing TeamSugar.com content to create a layout that:

>> * Maximizes usability through design and organization of content (text,

>> images, banner ads, etc.)

>> * Makes most efficient use of space

> * Photoshop submissions are adequate

2. Design 3 banner ads

> * Ads should promote our new site, BuzzSugar.com, which is to ³Entertainment

> Weekly² what PopSugar.com is to ³Us Weekly²

>> * Content on site will cover tv, movies, books, music, etc.

>> * Features will include:

>>> * What to Tivo

>>> * What to Netflix

>>> * What do download, MP3s of the day

>>> * CD reviews

>>> * Coming attractions/embedded video trailers

>>> * Chick lit and other book reviews

>>> * TV/Movie/Music industry news

> * Creative units include:

>> * 728x90 Leaderboard

>> * 160x600 Wide Skyscraper

>> * 300x250 Medium Rectangle

> * Ads can be one of each size or any combination of the 3

> * Flash is preferred, so if you have those skills, please flex them.

> Otherwise, animated .gif or static images are okay, too.

3. Dress Fab

> * Each site has a unique personality (e.g., Pop, Fab, Dear, etc.) - please see

> the sites.

> * From time to time, advertising and marketing partners will commission us to

> dress the girls in their clothes (for example head-to-toe in Banana Republic

> or Gap)

> * Download this zip file which contains the two files you¹ll need at

> www.sugarpublishing.com/uploads/SugarPubArtDirector.zip

>> * Photoshop file of FabSugar

>> * Image of Gap outfit

> * Please dress FabSugar in the Gap outfit.

>> * Fab¹s pose will remain the same

>> * Fab¹s clothing, accessories, etc. should be changed to match the outfit

 

After creating your submissions, please ask yourself:

* Do I share the same passion for the content as the rest of the Sugar

Publishing team?

* Was this fun?

* Could I do this every day and deliver stylish and compelling creative

assets to highlight our addictive editorial and user-created content, drive

traffic, and resonate with our readers?

 

If you can answer yes to the above, then by all means, please submit your

best effort. If not, please reconsider your interest in joining our team.

 

Please submit your creative assets directly to me by Monday, October 30th

(end of day):

* Via e-mail (if < 20MB attachments)

* Post them online and send me the link

* In electronic format via regular mail to Sugar Publishing Inc., One Sutter

Street, 6th Floor, San Francisco, CA 94104, ATTN: Jason Rhee

 

PLEASE NOTE: All creative submissions become the property of Sugar

Publishing Inc. and will not be returned. Sugar Publishing Inc., however,

will not publish your art without permission from you.

 

We look forward to seeing your work. Please e-mail or call me with any

questions. Good luck!

 

Best regards,

Jason

 

--

Jason Rhee

VP Marketing

Sugar Publishing Inc.

jason@sugarpublishing.com

415-601-6373 (Mobile)

 

From: Peter Weiss

Reply-To: Peter Weiss

Date: Thu, 26 Oct 2006 16:23:53 -0700

To: ^Jobs

Conversation: Art Director (financial district)

Subject: Art Director (financial district)

 

Peter Weiss

peterweiss@gmail.com

www.360dvd.com 2741 College Avenue

Berkeley, CA 94705

510-689-3394

 

Multi-Media Publishing Objective Currently I am focused on how to

agnostically deliver online interactive video, photo, audio content in the

form of flash and java multimedia deployed and automatically published

within the web 2.0 online community with the use of creative deployment and

delivery methods across a variety of platforms including Blogs, Wikis, RSS

feeds, and Social Networking Portals.

 

TECHNOLOGY W2k XP XPe MAC UNIX Linux c++ java scripts php pearl web 2.0

html dhtml actionscripts SOFTWARE TMPGEnc VFAPI DVD2AVI Xilisoft Squeeze

4.2 Cleaner XL Windows Media Flash Dreamweaver Fireworks Photoshop

PageMaker Filemaker Visio Real Player QuickTime Vegas Video Virtual Dub

Premiere Pro Fraps Camtasia Sonic DVDit QuickBooks VNC Snag it Skype

Smart FTP NetDrive HARDWARE DV, NLE, 1394 Audio Mics Cables Connectors

Firewire 1394 Osprey video 16ch. DVR Card VOIP Routers Network hubs

Switchers PC Hardware JustPLAYS.com - September 2003 ­ August 2006

Interactive Multi-Media Consultant ~ In development of a mobile phone

video, photo, audio content management publishing system ~ Managed a team

of programmers, actionscripters, database engineers, and web developers

~ Designed and produced interactive flash video players, playlist, and hot

spot integration ~ Custom developed a online 400+ CCTV camera network for

Bay Area McDonalds Restaurants ~ Maintain technical documents, created

screencast tutorials, tech support via web & phone Rooster Media

³Emuzed, Inc.² September 2001-August 2003 Director of Media Services

~ Reduced video production equipment and accessories expenses by 50% to 80%

~ Created E-Learning Video Application for Sun Microsystems, UC Berkeley

Medical and Kaiser ~ Technically produced Live Webcast using Windows

Media using Speedera Networks ~ Custom built Video Capture and Optibase

MPEG I encoding lab for Wal-Mart Game Previews ~ Launched a successful

video Windows Media DRM campaign with RocketCASH & Sprite ~ Researched,

wrote and designed DVD Encoding & Internet Video whitepapers & diagrams

MyPrimeTime, Inc. November 1999 - January 2001 Director of Broadband

Technology ~ Managed by three former CNN executives ~ Invented ³patent

pending² a Broadband Digital Asset Management Infrastructure ~ Managed

Web Developers and Programmers using HTML, XML, C, C++, Java and FLASH ~

Coordinated Broadband Projects with Sales, Marketing, IT, and Web

Development Department ~ Videotaped and edited Television Shows for

Nightly Business Report and for the Web ~ Maintained Relationships with

Excite@Home, NBCi, NBR and PBS Affiliate Television Stations NASA Ames

Research Center ³Symtech Corporation² August 1998 ­ September 1999

Astrobiology Internet Video Producer ~ Produced, Videotaped and Edited a

series of Educational Astrobiology Videos ~ Configured Macintosh G3

computer with video editing compression software description ~ Optimized

Real Producer Plus to Stream Video at 28k, 56k and 100k Bit Rates PAST

EXPERIENCE & PROJECTS ~Technical Director for the San Francisco

International Fashion Show in 2005 ~Consulted with D1Athlethes.com on

interactive video backend platform on 2004 ~Guest speaker at DVExpo in

2001 and at StreamingMedia in 2002 ~Invented a Patent Pending DAM

Streaming Video Process in 2001 ~Recieved Television Certification at

Diablo Valley College in 1991 ~Video Production, DVD Authoring, Desktop

Publishing, since 1987 ~Won 1st Grade Art Contest titled "Creature Land"

in 1981 Online Portfolios

photobot.vieweye.net

whitepaper.vieweye.net Justplays.com

 

phoneit.vieweye.net sony.vieweye.net

peterweiss.info

gif20.vieweye.net myspace.vieweye.net

 

On Wednesday 23rd November Students at Cambridge University disrupted at talk by David Willetts, the Minister for Universities and Science, entitled "The Idea of a University". They used the "people's microphone" to broadcast their view of the higher education white paper and the future of universities, preventing Willetts from giving his speech.

A44-219

 

Canberra Airport, Majura

Canberra, Australian Capital Territory

 

In a rare mix by Canberra standards, there was a the combination of the Sultan of Brunei's private A340, as well as various ADF aircraft here for the Defence Whitepaper Announcement.

 

219 take-off pan (good ones few and far between; I need more practice at 1/50s). Forgot to dial the ISO back down after switching from Aperture priority to Shutter priority, whoops.

 

Wide 16:9 crop

jumping rope and apple - Jumping rope and red apple isolated on wooden textured. To Download this image without watermarks for Free, visit: www.sourcepics.com/free-stock-photography/24747367-jumpin...

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