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Comparison of different paper brands, all exposed to afternoon sunlight for between 4-8 hours. All using hydrangea leaves.
From left to right (row 1):
Kodak Polymax RC paper
Oriental VC FB Warmtone paper
Bergger Prestige Variable CB paper
Arista VC FB paper
Fomalux RC Contact paper
From left to right (row 2):
Kodabrome II RC F3 paper
Bergger Prestige Variable NB FB paper (with fresh hydrangea leaf)
Kodak Elite Fine Art S3P FB paper
Kentmere VC Select RC paper (with fresh hydrangea leaf)
Agfa MC Classic FB paper
Photograph made the last day this horse, Doc, was alive. The owner knew she had to put him down the next day. Poor horse had cancer in one eye. After surgically removing that eye he was fine for six years and then developed cancer in his remaining eye, so he would be blind.
I hope the print shows just how much she loved her horse.
This 14x14" silver gelatin print will be delivered to the owner on the three year anniversary of Doc's passing.
I had to scan the print in four pieces and stitch them together, so it might look a bit uneven.
Hasselblad camera, Kodak TMY-2 film, processed in Xtol.
Printed on Ilford Warmtone in Ethol LPD, toned in Moersch MT-3 and Selenium.
Capital of one of the gigantic Doric columns
Taken with my Anba Ikeda 4x5 with the f7.7/203 Ektar lens.
the light shifted, warming his face, and his eyes looked out with a quiet resolve. here, the artist is a man—human, reflective, steady. the colors around him muted, drawing you to the tones of his skin, the ink of his craft, and the calm in his gaze. kratos tattoo palma holds this moment like a still heartbeat.
Bathed in sunset glow, a shy bunny stands guard between two rose bushes. The rich amber light turns the leaves and wall into a glowing frame, giving this quiet moment the feel of a hidden storybook scene.
View over Króksfjarðarnes in Iceland
Hasselblad, 50mm acros film, printed on Ilford warmtone, toned with selenium
The Old Spring House at the Stonecipher-Kelly House just South of Wartburg, TN. The house was built around 1814 and was part of the first permanent white settlement in the area.
4x5 Wisner Technical Field Camera
150mm f/6.3 Fujinon W
Ilford FP4 Plus stand developed with Caffenol C-L
Printed on Ilford Warmtone FB paper developed in ID-78
Nikon F2; Nikkor 50mm f1.4; Kodak Tri-X; Ilford Ilfotec DD-X; llford MGFB Multigrade Warmtone Glossy
Hand made lith print on Agfa Portriga-speed PN318PE warmtone paper, developed in Moersch Easy Lith 1+1+30.
Lake Michigan
Equipment Used: Hasselblad 501CM - 60mm Distagon
Film & Developer: Neopan 400 - Pyrocat HD
Paper & Developer: Ilford Warmtone - Dektol - Selenium
Filter: red
Either in regards to grammar or rhetoric. Call it.
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Inspired by hours of rummaging through piles of old photographs at the antique store.
f/4.5 - 5 minutes
#1 1/2 filter
Ilford Warmtone MGIV
Neutol WA (1+14)
Holga
Ilford HP5+
HC110 - b
very early in the morning, backlight at sunrise
Hasselblad, Distagon 50mm
FP4 N-2 development (rated at ISO 125, N speed is ISO 200) in Tanol Speed
Ilford MG Warmtone, Zweibad/two tray Amidol + VGT (A+B)
Tonung MT10 Gold 1min
Photographer,Camera, film: unknown
The boy is my father in the 1930th.
After his death I received a few boxes with a lot of medium format negatives.
Of course I might scan them, but I don´t want to.
It´s like finishing another person´s work. I think the person who took the photo composed it very consciously and in the darkroom it felt a bit strange to look at the picture with the eyes of this person who already died a long time ago. To see like he saw, to be aware of the scene like he (or she?) was.
I printed this old medium format negativ on Ilford MGWT in Moersch Meritol, it is Selenium toned, then bleached and toned in Moersch MT3
Harlem Valley Psychiatric Center, closed 1994. The facility operated from 1924-1994. In it's heyday, up to 5500 resident patients were housed here in the dozens of buildings. The entire campus spreads over 700+ acres in the peaceful little rural town of Wingdale, NY. Originally constructed to be used as a prison, but that plan was met with much disdain by the local residents who fought the plan whereas it was subsequently converted for use as a state psychiatric hospital.
We were told that a Korean organization has now purchased the entire operation with a plan to restore the buildings and convert all for use of an Evangelist Christian university. (not confirmed) Apparently, OSHA has a permanent party resident there, and there has been fines levied against the owners because of workers found working in asbestos, lead paint, and overall toxic environments.
All interior shots were done through windows, many of which were broken. Obviously, entry into any of the buildings was not available, nor was it an option.
Holga 120N, Plus-x @250ASA in efd
warmtone development
Overexposure and highly diluted developer causes warm tones.
Best suitable papers for this treatment are chloride- or chlorobromide emulsions without incorporated accelerators (phenidones) as some Foma or Forte papers, or this new one.
Of course the formulation of the developer is important, but some well known (old recipes) warmtone developers doesn´t match as expected with modern papers.
Best choice are hydroquinon or catechol, or glycine developers with low content of accelerators ("superadditive substances" - e.g. Metol , Phenidone), less sulfite and much bromide. Anyway the use of a common developer is possible when it is highly diluted, but with higher dilution the shades are muddy. Two tray development with lith developer solves this problem.
Erlkönig (#23)
1st developer lith (SE5 1+10) 5-6 minutes, followed by SE2 Warm 1+80 2 minutes
Tower Folding by Sears, Roebuck & Co.
Tower Lens
1/50, B
120
2 1/4 x 3 1/4
Acros 100
D-76 1:2 12.5 Min. 68 F.
Scanned from print developed in Legacy Pro Liquid Paper Developer 1:14
Ilford MG RC Warmtone
SEE THE CAMERA AT THE LINK BELOW:
www.flickr.com/photos/vikingphotos/15460555687/in/album-7...
Mamiya 7ii, Mamiya 43mm f/4.5L, Orange filter, Shanghai GP3. XTOL 1:1 - negative printed on FB Warmtome paper and Selenium toned - this is all detail for my geeksome pleasure and you may forget it entirely.
Firstly, the darkroom is going very well. It is an immensely peaceful activity, very difficult and very time consuming. I revel in it. Please find a scan of a print which doesn't do justice to what is probably a middling sort of print. I am still coming to terms with photographs being physical objects. I've just made the step up to fibre based paper. The photograph becomes a weighty thing.
The tone seems impossible to get right with a scan though.
Secondly, oh dear, what were Yahoo thinking. You think they might have asked a few people. I ask you - how are you supposed to present your sets to people. They aren't going to go looking are they? And the black/white thing is quite visually jarring - the lightbox was fine before when you wanted to do that sort of thing. Tsk. I will be paying 50 bucks a year to get stats? Faaack. Anyway, I won't be going anywhere else but with my beloved Google Reader kicked into touch, it is difficult not to feel like the star's tennis balls innit.
Split grade print.
Bronica C. Nikkor 75/2.8.
Kodak Tri X 120 400 @ 250.
Scan from 17x17 cm gelatine silver print. Ilford Warmtone RC paper developed in Ilford Harman Warmtone.
❤️ More photos from this shooting → Patreon
❤️ Больше кадров с этой съемки → Boosty
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