View allAll Photos Tagged warmtones
Fireplace is all that's left....on the way to St. Elmo, hasselblad, 120mm lens, Acros, Ilford Multigrade
A lone plant stands silhouetted against a blazing sunset, its details etched in contrast as the last light fades behind it. This quiet moment—captured in rural Colorado—highlights nature’s stark beauty when shadows and light collide.
Hasselblad 500C/M Zeiss Planar 80mm f2.8 T*, Fuji Neopan Acros developed in XTOL 1:?. Darkroom printed on Ilford Warmtone FB
Small steps, warm light and one of those fleeting childhood moments that seem ordinary at the time, yet stay in memory forever.
printing vs scanning:
a new printed version of this image: www.flickr.com/photos/itsevolutionbaby/2530902557/
Bergger Baryt warmtone paper, Agfa Neutol Wa...
love it!
München, Dezember 2017
Rolleiflex 2,8/80F, Ilford HP5+, 800 ASA, in ID-11 entwickelt
printed on Ilford MG FB Warmtone
Moersch SE6 Blue (1+10) mit 5ml Finisher Blue
3 min 00 sec
Bleiche 1:100, 60 sec
Carbontoner 1+30, 45 sec
Lobostab, 1 min
3024_12_I_Spitzengitter
#portfolio_shoot
In frame: Sabrina Tonni
Makeup: Hasan Khan
Photographist: Ali Emad Sarker
follow me on www.instagram.com/gallery_of_ali_emad_sarker/
On the Washington State coast.....120mm macro Hasselblad with a tube, acros film, printed on Ilford warmtone plus selenium toning
Handmade lumen print of crocus flowers using Ilford MG RC warmtone paper. Created on February 27, 2013 using flowers from our garden.
Cultivation and harvesting of Crocus sativus for saffron was first documented in the Mediterranean, notably on the island of Crete. Frescos showing them are found at the Knossos site on Crete,[7] as well as from the comparably aged Akrotiri site on Santorini.
The first crocus seen in the Netherlands, where crocus species are not native, were from corms brought back in the 1560s from Constantinople by the Holy Roman Emperor's ambassador to the Sublime Porte, Ogier Ghiselin de Busbecq. A few corms were forwarded to Carolus Clusius at the botanical garden in Leiden. By 1620, the approximate date of Ambrosius Bosschaert's painting (illustration, below), new garden varieties had been developed, such as the cream-colored crocus feathered with bronze at the base of the bouquet, similar to varieties still on the market. Bosschaert, working from a preparatory drawing to paint his composed piece spanning the whole of spring, exaggerated the crocus so that it passes for a tulip, but its narrow, grass-like leaves give it away. Source: en.wikipedia.org/wiki/Crocus
München, Juli 2019
Rolleiflex 2,8/80F, Ilford HP5+, in Moersch efd entwickelt
printed on Ilford MG FB Warmtone
Moersch SE4 Neutral (1+10),
3 min
Selentonung Moersch ST1 (1+10), 1 min
Lobostab, 1 min
3294_9_I_WEB_Yuli_und_Andy
My mom and I were waiting around for Planet Hollywood and ended up at the end of the street at House of Blues and decided to eat there.
On my new year: it's hard to say that I have any resolutions because it just seems like a bunch of excuses. I want to really go out with my photography this year. I've gotten braver with my camera but I'm still so shy about snapping a picture. I want to really expand my body of work into people. I love photographing people more than anything else.
2013 should be a big, good year for me.
Mid-Atlantic Air Museum
Leica M6, Summitar 50mm, FP4. Developed in Perceptol 1:1, printed on Oriental Warmtone FB.
A pair of substantial barn doors on a friend's property. Shot in monochrome with a Panasonic Lumix SM II.
A studio study built around line, balance and contrast.
The extended leg gives the pose its unmistakable character, while the nostalgic wooden chair grounds the image in warmth and memory. What I like here is the tension between the modern bikini silhouette and the old-fashioned craftsmanship of the chair.
The dark studio backdrop lets both elements breathe: the model’s poised geometry and the quiet dignity of the furniture.
AI-assisted image composition.
This week's collaboration between my lovely partner Smaranda* and me.
On top her contribution and below mine.
Camera: Pentax 6x7 MLU
Lens: SMC Pentax-6x7 90/2.8
Filter: None
Film: Ilford Pan F Plus 50 120
Developed in D-76 1:2 12 MIn. 68 F.
Enlarged with reversed wide angle lens beneath enlarging lens.
Scanned from print developed in caffenol-c.
Ilford MG RC Warmtone
SEE THE CAMERA AT THE LINK BELOW:
Mamiya RB67, Mamiya-Sekor 90mm. Kodak Tri-X, Xtol, printed on Oriental Warmtone FB. Scanned on HP Photosmart 4599.
Found this little beauty whilst clearing up some old pictures and making room for new ones...
bigger image: www.flickr.com/photos/kerto/17193479390/sizes/o/
Toyo View 810M / Nikkor-M 9/300
Tri-X 320 / HC-110
Gelatin Silver Print 29x58cm
Ilford MG Warmtone / ECO 4812
bleach 1+60, 50s whole picture
... and partly sub-areas without toning
MT5 Sepia 1+60, 50s
MT1 Selenium 1+20, 90s
Canon FTb, 17mm
Kodak HIE infrared film, f11 1/60, red 25 filter
Lith print on Seagull Warmtone RC - no omega, but toned in selenium.
I had Korean BBQ for dinner today. Super delicious. And this shot- I noticed some Christmas lights at the back, and just felt like snapping away :)
Holga shot at the late afternoon, taken on Monday 31 December
printed one week later on Kentmere FP Warmtone in SE5 Lith followed by Omega
my cat.
we tried to get better shots, but there wasn't much better than this. we caught a ton of butterflies and released them all while taking pictures with burst shooting but it wasn't fast enough :\
so, here's my cat.
Mamiay RB67, Mamiya-Sekor 90mm. Ilford FP4, Xtol 1:2. Printed on Oriental Warmtone FB, scanned on HP Photosmart 4599
Camera: Canon AE-1 Program
Lens: Canon FD 50mm 1.8
Hoya Infrared R72 Filter
Film: Rollei Infrared 400
D-76 1:1 7.5 Min. @ 73 degrees
Scanned from lith print. (Ilford MGRC Warmtone Pearl)
Developed in Arista Liquid Lith, bleached, and redeveloped in lith.
SEE THE CAMERA AT THE LINK BELOW:
www.flickr.com/photos/vikingphotos/5344848758/in/set-7215...
This is the landscape looking down from the balloon. I was fascinated by the patterns and textures and I decided to make it more abstract looking. Olga
Nikkormat EL, 50mm Nikkor-H lens with extension tube. Ilford FP4. Developed Xtol 1:1, printed on Oriental Warmtone FB, scanned on HP Photosmart 4599.