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Volume Footprint with VWAP below, Footprint bar stats on bottom, and Footprint price stats along right axis.
The Volume art installation outside the Royal Festival Hall, London. "A luminous responsive installation using an array of light-emitting columns, Volume is a responsive installation that invites you to create a new performance and to consider your relationship with your fellow performers. Walk around inside the grid - your movements create patterns of light and sound that interact with those created by the people around you."
An exhibitor in maid costume poses with her handmade work.
International Art Event Design Festa Volume 31
STEWART, James. Cálculo: volume 2. [Calculus - early transcendentals, 4th ed. (inglês)]. Tradução de Antonio Carlos Moretti e Antonio Carlos Gilli Martins. 4 ed. São Paulo: Cengage Learning, 2002. v. 2. xxv, [580-1151]. ISBN 852210235X. Contém respostas dos exercícios; Inclui índice; il. graf. tab.; 21x26cm.
Palavras-chave: CALCULO.
CDU 517 / S849c / v. 2 / 4 ed. / 2002
Year Made: 1951
Glassmaker: Anchor Hocking Plant 5, South Connellsville, PA
Color: clear
Product: ginger ale soda
Bottler: Canada Dry Bottling Company, Madison, Wisconsin
Volume: 7 fluid ounces
Height: 8 inches
Weight: 12 ounces
Diameter: 2 1/4 inches
Seams: 2 seams all the way to top
Label Type: ACL
Closure Type: pry-off metal cap
Embossed on bottom: " 8556 / 5 / [ anchor over H logo ] / 51 / 38 "
Low volume string quilt blocks. Using some of my precious text fabrics, HR prints, and KJR yellow/brown dots.
This is just a small sampling of the 50+ blocks I've finished already.
Those little piggy toes are pretty precious to me too. :)
last year's show at Sternstudio in Vienna.
multiple generative processes fused, but maintaining their respective specificities on the peripheries
Interesting consequences of camera malfunction.
Volume by United Visual Artists and one point six at the Victoria & Albert Museum in London.
Voici quelques photos de Bonnie, fraichement custo. Je lui ai mis des Animal Eyes orange irisés ainsi que la wig courte de Marilyn (Papin). J'avais peur de lui retirer ses boucles rousses... ça la change complétement mais je l'adore comme ça! ;) Je trouve que ce nouveau look colle plus à son style ;)
J'espère qu'elle vous plait comme ça! ^^
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Séance inspirée par Nana, que je relis en ce moment ;)
"Dis Nana,
Tant qu'on garde espoir
Il y a toujours un lendemain
C'est toi qui me l'as appris
Mais la pluie de ce jour là
Continue de tremper mes joues encore aujourd'hui
Il pleuvait si fort ce jour là... "
Description: One handwritten letter written by Charles Dickens to Perkins founding director, Samuel Gridley Howe in 1868. In the letter Dickens is asking for the cost of printing copies of "The Old Curiosity Shop." Charles Dickens is written. The top of the letter contains a handwritten note in script, "Charles Dickens" and the page number one half corresponding to the page formerly bound in a volume of correspondence. The signature of Dickens includes about an inch of descending lines similar to the shape of a tornado.
Accessibility Note: A transcription of the translated letter in its entirety can be requested by contacting the Perkins Archives.
Full text:
Charles Dickens
Boston, Sunday Twenty Third February
1868
Dear Dr. Howe,
Before I answer your letter written will you have a calculation made, and kindly reply to the following question:- What would be the cost of printing in raised letters for the use of the blind, an edition of say 250, or 500 copies, of the old Curiosity shop?
Faithfully yours,
Charles Dickens
Creator: Dickens, Charles, 1812-1870, author
Date: 1868 February 23
Format: Communication
Genre: Correspondence
Language/Script: Materials entirely in English.
Subjects:
Blind--Books and reading
Dickens, Charles, 1812-1870
Howe, S. G. (Samuel Gridley), 1801-1876
Place of Origin: Boston, Suffolk, Massachusetts
Historical Note:
In 1842, British writer Charles Dickens visited Perkins and wrote of his encounter with Laura Bridgman, a student who was deafblind, in his book, "American Notes." Dickens described the twelve-year-old girl in sentimental terms, dwelling upon her innocence and childish beauty, and likened her to a prisoner liberated from a vault of isolation. This effusive praise increased her celebrity and popularity throughout the world. Dickens also offered to pay for the printing of "The Old Curiosity Shop" for readers who were blind. The books were printed in Boston Line Type at Perkins in 1869 at the author's expense.
Sources: McGinnity, B.L., Seymour-Ford, J. and Andries, K.J. (2004) Laura Bridgman. Perkins History Museum, Perkins School for the Blind, Watertown, MA.
Biographical Note:
Charles Dickens (1812-1870) was a popular English author, known for such books as "A Christmas Carol", "A Tale of Two Cities", and "Great Expectations."
Source:
Collins, Philip. Charles Dickens". Encyclopedia Britannica, 20 Aug. 2022. Accessed 25 August 2022.
Collection: Perkins Correspndence Collections
Series: Correspondence from Charles Dickens
Extent: 1 page letter
Physical Collection: AG53 Perkins Correspondence collection
Location: Perkins Archives, Perkins School for the Blind, Watertown, MA
Related Materials:
Dickens letters lovingly restored story on Perkins.org
Laura Bridman story on Perkins.org
Notes: Title supplied by cataloger.
Conservation Note: Conservation treatment by NEDCC in 2016. Letter disbound from a volume of bound correspondence.
Terms of Access and Use: Archives reserves the right to deny physical access to materials available in a digital format. Copyright undetermined. This image is the property of Perkins School for the Blind and use of this image requires written permission. For more information, please visit Perkins.org/image-licensing.
Digital Identifier: ag53_016_002_0001
Profissional Pinça de extensão de pestanas de volume
▪Alta precisão ▪ponta fina
▪Teste manual ▪Preços por atacado
Профессиональный объемный пинцет для наращивания ресниц
▪ Высоко Точный ▪Точный совет
▪Ручное тестирование ▪Оптовые цены
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Two candy-striped twinning friends in their own adorable, handmade designs.
International Art Event Design Festa Volume 33
The University of Santo Tomas will launch the two-volume “A History of the University of Santo Tomas: Four Centuries of Higher Education in the Philippines (1611-2011)” by the highly respected Spanish Dominican historian Fr. Fidel Villarroel, OP, on Jan. 24, 6 p.m., at the UST Miguel de Benavides Central Library.
Published by the UST Publishing House, the history volumes promise to become the most comprehensive and most definitive yet of UST, Asia’s oldest university.
Because of their scope and exhaustiveness, the history books are also a veritable history of education in the Philippines.
In the book, Father Villarroel, who systematized the UST Archives and is mentor to several historians and researchers, corrects a number of “faulty” items of history.
Villarroel, for example, corrects certain details about the assassination on Oct. 11, 1719, of Gov. Fernando Bustamante, whose “character and…administration of the Islands have been judged differently by various historians.”
Villarroel takes issue with Felix Resurreccion Hidalgo’s mural at the National Art Gallery of the National Museum, which illustrates a mob of Dominican friars murdering the governor.
Villarroel writes to straighten this anomaly in history: “[Hidalgo was] misled by some advisers [to] wrongly [portray] the Spanish missionaries as the promoters of the tragic murder.” Antonio Regidor, a mason prominent for his anticlerical sentiments, was the painter’s adviser, he explains.
Villarroel said the governor and the Church came into conflict when the governor’s soldiers stormed the Manila Cathedral, thereby violating the right of sanctuary. The violation was due to the governor’s orders to recover the government inventories and official records held by a notary public who was then taking refuge in the cathedral.
Upon consultation by Bishop Francisco de la Cuesta, the Dominican experts of canon law from UST declared that “under no circumstances or conditions could civil authorities exercise jurisdiction within sacred places, even under the orders of the governor and of the audiencia.”
The governor responded by imprisoning the prelate and higher ecclesiastics, including Dominicans, Villarroel writes.
The historian’s conclusion: “At the moment of the assassination of the governor, [the friars] were far away from the scene. They were in jail.”
‘Sad Night’ account
After taking up his masters in history from the University of London, Villarroel was assigned to the Philippines to head the Spanish department of UST in 1957 and university archivist in 1959.
Villarroel also became for more than 20 years a secretary at the Apostolic Nunciature.
But perhaps Villarroel’s highest achievement would be the positio, or historical research, that he made for the beatification of Lorenzo Ruiz and companion-martyrs. As a result of Villarroel’s solid historical research, Pope John Paul II beatified Lorenzo Ruiz in 1981 in the first beatification in history outside of Rome. (Lorenzo Ruiz de Manila and his companions were canonized by the same pope in 1987.)
In 2010, the Order of Preachers (the Dominican Order) made Father Villarroel a “Master of Theology,” along with Peruvian Dominican Fr. Gustavo Gutierrez, “the Father of Liberation Theology.”
He was responsible for transforming the university archives situated in a small room—“unkempt, very dusty, disorganized and dark, with termites eating up some of the books”—in front of the UST Fathers’ Residence into one of the best facilities of research in the country where scholars, even from abroad, would do their work.
Among the important records that Villarroel catalogued were student records of UST between 1619 and 1673. The records indicated the beginnings of higher education in the Philippines.
“The degree was earned after passing a series of tests and examinations, which were prescribed by the colegio’s statutes…,” Villarroel writes about the exams in the 17th century.
There was an air of sacredness in the examination rites and practices, he writes. “These were, in fact, faithfully followed with occasional updating, until the end of the Spanish period.”
Before the conferment of a degree, he writes, the candidate must undergo the “lengthy proceedings leading to the much-feared examination, [which] was so dreaded that the examination period was referred to as the Noche Triste (Sad Night).”
The tests, Villarroel writes, required proving a candidate’s competence to a panel of experts, who would not stop throwing questions until they were satisfied.
World-class mind
The history book highlights the achievement of Cardinal Zeferino Gonzalez, “the best philosopher the [UST] has ever produced.”
“His philosophical writings contributed greatly to the historic revival of scholasticism and Thomism in Spain and in the Spanish-speaking world in the 19th century,” Villarroel writes. “In fact, he was one of the most prominent philosophers in Europe.”
A rather extensive chapter is devoted to the Thomasian cardinal in Volume II, which tackles the decline of Scholasticism that followed the Age of Enlightenment.
The restoration of Thomism (the philosophy of St. Thomas Aquinas), which was spearheaded by Gonzalez, “received ecclesiastical approval and support when the Holy See officially recognized its merits,” Villarroel explains.
“Fifteen years after the publication of [Gonzalez’] ‘Estudios sobre la Filosofia de Santo Tomás,’ Pope Leo XIII issued a historic encyclical letter, Aeteni Patris, dated Aug. 4, 1879, a document considered as the Magna Carta of the revival of Thomism,” Villarroel continues.
The longtime university archivist also tells about the encyclical’s “unmistakable references to Zeferino’s [‘Estudios’],” that when it arrived in the country in 1880, the university rejoiced and, in the traditional way of Dominicans in celebrating momentous events, conducted literary programs (writing contests, performance arts and classical debate on philosophical issues), pageantry and elaborate festivals.
Meanwhile, the university press (the oldest in Asia and the second oldest in the world up to this day) immediately reprinted the encyclical in “an elegantly ornamented edition,” which was sent to the Pope as a form of thanksgiving.
While the series, of course, includes the usual narratives such as the foundation of the university and alumni like José Rizal, Villarroel objectively provides perspective and goes in-depth.
In the chapter “Student Unrest and Gom-Bur-Za (1869-1872),” the historian traces the connection between the national hero and Fr. Jose Burgos, who had received all his degrees from UST where he was also a professor.
In sum, “A History of the University of Santo Tomas,” with its 68 chapters, deserves to be the highlight of the conclusion of the fourth centennial of UST, as it affords everyone a look back and forward of a glorious institution that has withstood the test of time.
Source:
lifestyle.inquirer.net/32045/2-volume-ust-history-charts-...
Finished quilt will be 6x7 blocks. I'll quilt it so that the larger secondary overlapping squares made up of the triangles are highlighted.
Photo taken with my phone and the skylight is covered in snow so no natural light. I should really use the proper camera! It's much lighter in person.
Patterned fabric from the low volume swap, solids are from the kona neutrals charm pack.
From the archives of the Voina group "Cock In the Ass" oi! concert on May 29 '09 in the Taganskiy district court of Moscow - a punk interruption of the hearing of the Yerofeev-Samodurov case. See the full flickr set.
Art and Artists
Volume One, Number Five
August 1966
Edited by Mario Amaya
London: Hansom Books, 1966
"AUTO DESTRUCTIVE"
"august new idioms
september jim dine
(london period 1966)
october richard hamilton
(the solomon
r. guggenheim)
november claus oldenburg
(1964-1966)
robert fraser gallery 69 duke street grosvenor square london w.1"
Private collection of Mikihiko Hori
Part of Bristol Light Festival 2025
Anthems: Volume One is an immersive laser installation celebrating Bristol’s epic Drum & Bass legacy, created by artist Marcus Lyall, with a soundtrack compiled by Bristol DnB Collective, RUN. The installation fuses choreographed laser animation and a high-quality sound system to create a synaesthetic experience that brings some of Bristol’s best loved sounds to life. Taking over an empty shop near Cabot Circus, Anthems: Volume One is designed to be a thrilling but accessible experience, bringing together music and art lovers alike.
Artist: Marcus Lyall & RUN Collective
Quaker's Friars, Bristol
Please do not use my photos without permission. Feel free to contact me if you have a request.
Fender Musicmaster Bass.
Controllo del Volume con anche un pò di polvere :)
Fender Musicmaster Bass. -
Please don't use this image on websites, blogs or other media without my explicit permission. © All rights reserved
Volume control with powder.
Title: Block Catalpa Bungeii [sic]
Alternative Title: [Block of Catalpa Bungei Trees]
Creator: Unknown
Date: ca. 1904-1918
Part of: George W. Cook Dallas/Texas image Collection
Series: Series 3: Photographs
Series 3, Subseries 4, Albums
Texas Nursery Company, Sherman, Texas, Photo Series
Place: Sherman, Grayson County, Texas
Physical Description: 1 photographic print (postcard); gelatin silver, part of 1 volume (37 prints); 9 x 14 cm
File: a2014_0020_3_4_02_13_r_catalpa.jpg
Rights: Please cite DeGolyer Library, Southern Methodist University when using this file. A high-resolution version of this file may be obtained for a fee. For details see the sites.smu.edu/cul/degolyer/research/permissions/ web page. For other information, contact degolyer@smu.edu.
For more Information, see: digitalcollections.smu.edu/cdm/singleitem/collection/gcd/...
Introducing the third installment of The Shop's popular photocopy noise textures, the photocopy noise texture pack volume 03!
This time, the set features twenty-nine (29) base textures. They were printed using an unhappy laser copier, low on toner. Then, they were scratched, creased, crumpled, rubbed, and scraped, to unveil some lovely wear patterns. The wear ranged from soft, subtle, all the way to nuclear devastation.
After that analog processing, the textures were scanned in at 1,200 ppi, adjusted for lighting in Photoshop, and then converted to 18"x24" @ 300 ppi documents. They are crisp as a winter morning.
Each texture is available in a positive (mostly black), and negative (mostly white) version.
Additionally, the set features each textures as transparent PNGs (ideal to quickly add in a design, and to color them using a color overlay), and bitmap TIFFs (perfect to use in Illustrator for great, detailed texture effects without hogging down your system resources).
Noise and dust textures are perfect to add a subtle depth to your designs. Using them is very simple: just switch your layer's blending mode to "Screen," and play with the opacity slider.
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- Twenty-nine (29) raster textures of toner noise and dust
- Sized to fit an 18"x24" canvas @ 300 ppi
- Bonus: negative versions
- Bonus: transparent PNG versions (download link included in product archive)
- Bonus: bitmap TIFF format for Illustrator (dense & large dot halftone versions)
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- Photocopy noise textures volume 01: crmrkt.com/MqjoV
- Photocopy noise textures volume 02: crmrkt.com/NvKqd
- Photocopy noise textures volume 03: crmrkt.com/bxAM5z
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Learn a few of the ways to use these textures by following these tutorials I wrote:
- www.gomediazine.com/tutorials/illustrator/introducing-the...
- www.designcuts.com/design-cuts-deals/the-ultimate-vintage...
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