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A grainy photo showing an Inuit camp at night on an island in lake Tasiujaq (formerly Richmond Gulf and Lac Guillaume-Delisle), Nunavik, Canada.
Lake (lac) Tasiujaq drains several large rivers and is bordered on its west shore by steep cliffs (Hudsonian Cuestas) that are the highest in the province of Quebec.
Lake Tasiujaq is a vast brackish water lake with a narrow opening (called the Goulet) between cuestas to Hudson’s Bay. A large volume of water surges through this bottleneck and is driven by the rise and fall of the tides. The powerful flow ensures that the waters of the Goulet never freeze in winter. Lake Tasiujaq is one of the largest natural lakes in Quebec and is included in the boundaries of Tursujuq national park.
For more information see: en.wikipedia.org/wiki/Lake_Tasiujaq
Photo taken 29 August 2018 on a kayaking expedition.
Camera: Olympus EM1 Mark II
Lens: Olympus 12- 40mm f2.8
P8290294
CREDITS:
Unorthodox- Volume Hair @MAINSTORE
CHUCK'S SHIRT FELIPE BLACK @MOM
LeLUTKA Connor Head EVOX 3.1 @MAINSTORE
SIGNATURE GIANNI BODY
Photo taken at SUNDVIK
❱❱❱ For more details (Taxis/Credits) search for MALAMANHADO FASHION BLOG on GOOGLE. Thanks!!!
Victoria and Albert Museum:
Examples of the works of Art in the Museum – South Kensington Museum – Published in 2 Volumes in 1881 – Book 1
Sometime ago I posted some of the illustrations from the above book and I hoped that would be able to find them physically in the museum and photograph them. I took the second set of 15 illustrations from this book and went on the V & A website; Search the Collections. My results were based upon the following criteria:
(1) Items I couldn’t find anywhere
(2) Items that were in storage
(3) Items I did locate and photograph.
So I will be posting them, along with their locations in the museum, against the original plate and photograph from storage (where possible). The original price and any further information I might find.
One thing I didn’t count on, was that internal renovations would alter the interior of the building so drastically. I have found it very difficult to pin some of these locations down but in the main they have been found which now completes Volume 1.
* It was cold and showery when we went to Loch Ness but from time to time the sun did make an appearance . It looks the best part of the day to drive round the Loch with stops for walks. Its a very long narrow Loch and the road on the southern side is single track so progress is slow . And before anyone asks we did not see the the monster frankly its as likely at Trump telling the truth
Loch Ness is a large freshwater loch in the Scottish Highlands extending for approximately 23 miles southwest of Inverness. It takes its name from the River Ness, which flows from the northern end..At 22 sq mi, Loch Ness is the second-largest Scottish loch by surface area after Loch Lomond, but due to its great depth it is the largest by volume in Great Britain. Its deepest point is 755 feet, making it the second deepest loch in Scotland after Loch Morar. It contains more water than all the lakes in England and Wales combined,
THANKS FOR YOUR VISIT TO MY STREAM.
I WOULD BE VERY GRATEFUL IF YOU COULD NOT FAVE A PHOTO
WITHOUT ALSO LEAVING A COMMENT
Europe, Portugal, Região Norte, Distrito de Porto, Douro, Villa Nova de Gaia, Burmester porthouse, Pipa, Volume gauge (uncut)
The volume gauge of a giant wooden port barrel (the port production is artisanal ánd high volume), shot in the Burmester port house.
This is number 64 of the Porto - Vila Nova de Gaia & region album. and 1318 of Minimalism/Explicit graphism.
These are the next upcoming bags @ Fleshtone.
They'll be released individually in the next couple of weeks :)
Fleshtone hasn't released anything in a while, so I wanted to give you guys something to look forward to !
XOXO - Edie & Gisele
Photo taken at the Pelham waterfall on Dunlop brook. The volume of water was what really impressed on this day. It was much stronger than any I've seen before, Also what stuck in my mind was the transitions between winter and spring, illustrated by the bit of remaining ice. It was quite a magnificent show.
Compare with a similar photo in the fall, www.flickr.com/photos/ole_g/53240700813/in/dateposted-fam...
Works best in large.
Happy Tuesday all!
“Hay cosas que sólo pueden verse entre tinieblas - insinuó mi padre blandiendo una sonrisa enigmática que probablemente había tomado prestada de algún tomo de Alejandro Dumas...”
[C.R. Zafon]
“There are things which can only be seen in darkness - my father suggested brandishing an enigmatic smile that probably had borrowed from a volume of Alexandre Dumas…”
[C.R. Zafon]
“Ci sono cose che possono essere viste solo nel buio – mi suggerì mio padre brandendo un sorriso enigmatico, che probabilmente aveva preso in prestito da un volume di Alessandro Dumas…”
[C.R. Zafon]
in explore 4oct09 - highest position: 134 on monday, oct 5, 2009
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I needed to warm up for the night shot. To get into the comfort zone for me a natural start was to go for Black & White pictures. This trip's theme was long exposures with water. The hydro-station at Boen would be a good starting point. You can really feel the change in air pressure as you climb along the massive waterfall. You're really met with a huge roaring volume of water.
Bubbles in the ice of Abraham Lake in Alberta Canada. Thanks for commenting and looking. Chip
Many techniques used on this image are demonstrated in my recently released set of videos "Image Editing Volume I". A link can be accessed through my Flickr profile. Due to more strict enforcement of their rules, Flickr has asked me and many others to take down info such as links to personal websites, workshop information, and editing videos. However, it is still allowed to have such information in one's Flickr Profile.
Florida Everglades ~ #149 in Explore 6/18/16
Sunset ~ Spring 2016 ~ South Florida U.S.A.
My fifth image of this series that will have a half-dozen
or so... It was a magical "once-a-year" night of drama...
(five more photos 'of this night' in the comments)
Architecte : Jacques Ferrier.
La singularité du bâtiment de Jacques Ferrier se fonde sur le lien que le nouveau siège communautaire crée avec le paysage de Rouen. Son profil contraste avec l’omniprésence des plans horizontaux qui caractérise ce site portuaire, et sa silhouette fait écho aux bâtiments industriels rénovés de la rive droite. Les obliques du volume répondent aux silhouettes des grues et des objets portuaires, aux étraves des navires qui passent. Le bâtiment révèle et se sert de la puissance du site pour intensifier la vie urbaine sur la rive gauche. En prolongement du futur parc, le bâtiment est à son tour créateur de contexte pour le futur écoquartier dont il sera la proue.
Son architecture facettée et transparente est conçue pour jouer des variations de lumière du ciel normand, des reflets de l’eau et des couleurs du climat. Le bâtiment est revêtu d’une façade d’écailles de verre colorées. Irisant et diffractant la lumière solaire, elles parent le bâtiment de touches de couleur qui se démultiplient avec les reflets du fleuve. Ce registre poétique est inspiré de l’impressionnisme et de Claude Monet. Le verre est revêtu d’une couche d’oxydes métalliques qui, de l’extérieur crée un reflet iridescent coloré, et s’efface vu de l’intérieur, n’altérant pas la vision des espaces de travail.
Architect: Jacques Ferrier.
The singularity of Jacques Ferrier’s building is based on the link that the new community headquarters creates with the landscape of Rouen. Its profile contrasts with the omnipresence of horizontal planes that characterize this port site, and its silhouette echoes the renovated industrial buildings on the right bank. The oblique lines of the volume respond to the silhouettes of cranes and port objects, and to the bows of passing ships. The building reveals and uses the power of the site to intensify urban life on the left bank. As an extension of the future park, the building is in turn a creator of context for the future eco-district of which it will be the prow.
Its faceted and transparent architecture is designed to play on the variations in light of the Normandy sky, the reflections of the water and the colors of the climate. The building is clad in a façade of colored glass scales. Iridescent and diffracting sunlight, they adorn the building with touches of color that multiply with the reflections of the river. This poetic register is inspired by impressionism and Claude Monet. The glass is coated with a layer of metallic oxides which, from the outside creates a colored iridescent reflection, and fades when seen from the inside, not altering the vision of the work spaces.
My Amazon Book "Film Work": Volume 8 - book cover image taken with a Nikon N8008 and 28-80 Nikkor lens on Kodak BW400CN 35mm film. All my published books, available world wide, can be viewed here:
www.amazon.com/stores/Paul-Moore/author/B0075LNIO2?ref=ap...
This image is included in a gallery "Paesaggi 24" curated by
Stefano Bacci.
The Hopewell Rocks are located in New Brunswick, Canada, within one hour of the nearest airport in Moncton, N.B.
An UNESCO site, the Hopewell Rocks, also called the Flowerpots Rocks or simply The Rocks, are rock formations caused by tidal erosion in The Hopewell Rocks Ocean Tidal Exploration Site in New Brunswick. Carved by melting glaciers, then sculpted by the world's highest and most artistic tides, these stacks stand 40–70 feet tall. They are located on the shores of the upper reaches of the Bay of Fundy at Hopewell Cape near Moncton.
Due to the extreme tidal range of the Bay of Fundy, the base of the formations are covered in water twice a day. The formations consist of dark sedimentary conglomerate and sandstone rock. The large volume of water flowing in to and out of the Bay of Fundy modifies the landscape surrounding it. Each day 160 billion tonnes of seawater flows in and out of the Bay of Fundy during one tide cycle, more than the combined flow of the world’s freshwater rivers! After the retreat of the glaciers in the region following the last ice age, surface water filtering through cracks in the cliff has eroded and separated the formations from the rest of the cliff face. Meanwhile, advancing and retreating tides and the associated waves have eroded the base of the rocks at a faster rate than the tops, resulting in their unusual shapes.
Because the Fundy Bay is funnel-shaped - wide and deep at one end and shallow at the other, tides are pushed increasingly higher as they move up the Bay. By the time they reach "The Rocks" they are over four stories high! Although the tides vary from day to day, the high tide can be as high as 16 metres (52ft) and an average of 10.7 metres (35ft), giving the Hopewell Rocks one of the highest average tides in the world.
We only had barely over an hour's time there because the tide was coming in very fast. Luckily the light was reasonably good.
My entry for the FLICKR "Your Worst Shot 2020" group.
Hard for me to choose, as there are so many. I try hard to compensate for that problem with VOLUME. I think what happened here is I was foolishly using a monopod and ballhead with this unwieldy heavy lens - this choice in the interest of mobility.
The volume of snow locally has gone down quite a bit since this was taken. However, there's another winter storm on the way.
Macro Mondays: Four
Prince Caspian -- Volume 4 in the Complete Chronicles of Narnia. Re-print from Fontana Lions (1986). Frame is about 1.75" across.
The numbers for this afternoons sunset had been good since Monday ... and didn't change.
Got to the harbour with a half hour to spare and hoped that things might pan out for those old slipway rails that I'm so fond of.
A bit of a study in 5 images ... I hope you enjoy these as much as I did taking them :-)
When light takes more place than everything,
Darkness seems to the only private place.
Hasselblad 500C/M + Zeiss Planar 80mm f/2.8+ Ilford FP4 125 (expired since 1983) + Kodak Tmax RS + Epson V700 Scan
Bruno Servant © All rights reserved - Downloading and using images without permission is illegal. PoissonSoluble92@hotmail.fr
I have finally updated the EvoX neck blender... now includes our 20 tones, plus a tintable addon at 10% opacity, it has a better gradient too, it will be on sale for Goat66 from April 7-13
If you already have it, use the redelivery terminal to get the new tones. The Evo, Genus and Catwa versions will remain on volume 7.1
"This autumn issue explores how refining our senses - taste, sight, sound, touch, and smell - enriches the experiences we have with each other."
Pretty excited about this volume, not only because it's beautiful & always exciting to receive in the mail, but because I got a chance to contribute. I, with the help of Eric, (who is honestly much better with words) wrote an essay about taking the time to slow down and enjoy brewing coffee in the morning. The essay is featured next to photos by the talented Chantelle Grady, who photographed a Kyoto drip coffee maker & a page with different old time brewing methods.
There's a few more shots on the blog as well, along with pictures of our homemade s'mores that turned out far better than I thought- I'll just say that graham cracker dough is stickier than I expected!