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Volume 4 Black Sabbath.
Many, many, moons ago, I trundled orf at sparrows fart to a swap meet in Melbourne. The cheezunkisses stayed home in bed (wise move), but, I had a good time talking to hot rodders, and looking at this'un'that.
After my fill, I fired the old '39 up and headed for home. Well, half way back, the old girl gave a twitch, the horizon altered a tad, and I hit the brakes, just in time to see, what looked like a wheel similar to one of mine, overtake me!
I pulled to the left (off the road downunder), and to my dismay, found my rear passenger wheel AWOL! There was considerable mudguard (fender) damage - bloody naturally - but getting mobile was the priority.
So, fetched the wheel orf the fence, got the jack out of the boot, Hmmm!, no wheel nuts here, so, scavenge some orf the other wheels....guess what?
Somehow, most of my wheelnuts had vanished, and I couldn't rustle up enough to put this wheel back on....I reckon I was lucky to have any wheels left. A phone call to the Missus, and 2 hours later visiting wreckers, we were on the road again.
A hasty repair at the time, and now down the track, a more serious undertaking...make the old girl look pretty again...and you blokes are interfering!
There's a bit to be done allover, but, maybe I'll keep you posted.
Cheers Paddy
Power Amplifier is a famous and useful system. See more info:
www.home-theater-manufacturer-delhi.in/delhi/usb-amplifie...
First page: ACME, the Library of Novelties, number 15, Volume 7, part two.
Tuesday, Nov. 27, 2001
The Depressing Joy of Chris Ware
By Andrew D. Arnold
"The nut's a genius," maestro George Szell reportedly said about the eccentric Canadian pianist Glenn Gould. The quote describes comix artist Chris Ware as well. Author of last year's critically-acclaimed graphic novel, "Jimmy Corrigan: Smartest Kid on Earth," Ware has finally come out with issue fifteen in his comicbook series "The Acme Novelty Library." After a year and a half of waiting, rest assured that his reputation(s) remain intact.
Just look at the size of that thing. A foot and a half tall and over ten inches wide, it reaches the proportions of menus at Italian "family-style" restaurants. It sure doesn't look like a comicbook. But then, Ware has never produced anything that looked like a comicbook. It's part of his aesthetic. Sub-titled "Book of Jokes," it matches the dimensions of "Acme" number seven, from five years ago. It also follows that issue's format of putting a self contained "gag" on each page rather than a continuous story.
But first you have to get past the cover. It must be opened flat to be properly appreciated. A series of concentric circles form the center of a beautifully symmetric pattern. It resembles one of those mystical organization charts that some kook would meticulously work out, including the cycle of seasons, evolution, day into night, birth into death and all of human thought. Look more closely and you see it also involves Ware's particular motifs of stupidity, loneliness and the mundane.
Much of the jokes get their humor from this kind of existential shaggy dog structure. Quimby the mouse eats breakfast, takes a nap, rushes to the video store before it closes, chooses movies he's seen before but knows he likes and, in a jump of fifty years, lies on his deathbed in an empty hospital room. Or else, in a series of gags titled Tales of Tomorrow, an overfed man-child makes instant purchases on his view screen and schlurps product through a tube in the wall. A trip to the moon results in his doing more of the same in a different place.
Empty consumerism becomes the running theme of the book, typified by the series of stories about Rusty Brown, a nasty collector of pop-culture detritus. He lives in filth but owns the complete Summer of '87 Happy Meal toy series. It's the only work by Ware to clearly condemn a character without offering any sort of forgiveness. This gives the Rusty Brown vignettes a certain savagery but with limited scope. The whole book, owing chiefly to its "gag" format, begins to feel like the same note being hit over and over. It lacks the rich development of the Jimmy Corrigan series. Still, Ware's single note resonates like a tuning fork for America. After putting down "Acme" 15 I opened a piece of junk mail soliciting satellite TV that began, "Bring joy into your life." The Wareian "gag" completed itself in my head: the dish on the window sill, and me alone on the couch in my underwear staring at Jessica Alba.
Even if you don't like the jokes, you can always marvel at the design of the thing. "Acme Novelty Library" takes its title literally. You never get just comix. This issue has a special insert on cardstock of a cut-out, constructible miniature nickelodeon. It would probably work too. Elsewhere he fills an entire giant-sized page with a joke treatise, printed in a phone-book-sized font, on the different types of collectors. As always, even the indicia gets the Ware treatment, in that typically fussy prose of his: "Also, please note, should you be a German 'Hip Hop' band, or a Belgian night club, or a student filmmaker with a project due soon and no ideas — the contents of this volume fall under the general copyright" It goes on.
Those who have never picked up a copy of Chris Ware's "Acme Novelty Library" owe it to themselves to do so. His dedication to the holistic experience of a single comicbook issue has vastly increased the prestige of the medium. Being a stand-alone issue, number 15 will make an excellent introduction. Unlike some past issues he has made it easy to read. Just try not to get too creeped out by the monomaniacal amount of work he obviously puts into it.
"Acme Novelty Library #15" can be found at better comicbook stores and the publisher's website.
Copyright © 2009 Time Inc. All rights reserved. Reproduction in whole or in part without permission is prohibited.
I have actually been a bad, bad woman. I'm ousted - gotten rid of away to some farmhouse out in the center of Hickville, Missouri to be corrected by my ex-cop step-uncle, Charlie. I miss out on Chicago. I miss my pals. Most of all, I miss my bad kid stepbrother, Rick, the only individual worldwide that desires me
Doctor Who
The Eighth Doctor
Charlotte Pollard - The Further Adventuress
Big Finish Alternate Cover (Box Set: Classic Logo and Credits)
Beautiful hand-crafted work showing the best of independent fashion design on the Show Space catwalk.
International Art Event Design Festa Volume 32
I know this isn't a chair from a cafe, but the time I allotted for the drawing coincided with some icy weather and I opted to draw a living room chair.
Color Atlas of Microneurosurgery: Microanatomy, Approaches and Techniques, Volume 1: Intracranial Tumors, 2nd Edition0
A stunning use of color and shapes in this super-size live paint area piece.
International Art Event Design Festa vol.34
due to a large malign tumor (squamous cell carcinoma, see here for clinical image prior to the surgery), the mandibula has been replaced with a bone transplant (fibula) from 3-6 to 4-6.
the full story can be seen in this set.
/?d=7LEXTGOW (Volume 1)
/?d=7M8SGHVC (Volume 2)
/?d=228W46SZ (Volume 3)
(To had the complete web link, join the part of title with starting part of the description)
1964>1969 Tv Sessions Anthology, Volume 1 - 1h12
The Arthur Haynes Show
(ATV, Elstree Studios, Borehamwood, Hertfordshire)
Rec.: 7th february 1964 - Broad: 8th february 1964
1. I wanna be your man (John Lennon / Paul McCartney) - 1:49
2. You better move on (Arthur Alexander) - 0:59
NME Poll-Winners Concert / Big Beat 64
(ABC, Empire Pool, Wembley, Middlesex)
Rec.: 26th april 1964 - Broad: 3rd & 10th May 1964
3. Introduction - 0:45
4. Not fade away (Norman Petty / Charles Hardin Holly) - 2:21
5. I just want to make love to you (Willie Dixon) - 2:50
6. Iím alright (Ellas McDaniel) - 2:14
Hollywood Palace Show
(ABC, Los Angeles, California)
Rec.: 3th june 1964 - Broad: 13th june & 12th september 1964
7. I just want to make love to you (Willie Dixon) - 1:21
8. Not fade away (Norman Petty / Charles Hardin Holly) - 2:00
The Ed Sullivan Show
(CBS, New York City, New York)
Rec.-Broad: 25th october 1964
9. Around And Around (Chuck Berry) - 2:40
10. Time Is On My Side (Jerry Ragovoy) - 2:52
The TAMI Show
(Civic Auditorium, Santa Monica, California)
Rec.-Broad: 29th october 1964
11. Around And Around (Chuck Berry) - 2:17
12. Off the hook (Mick Jagger/ Keith Richard) -2:32
13. It's All Over Now (Bobby and Shirley Womack) - 3:01
14. Time Is On My Side (Jerry Ragovoy) - 2:29
15. Iím alright (Ellas McDaniel) - 3:10
16. (Let's) Get Together - 2:13
Shinding!
(ABC, Haliford Studios, Shepperton, Surrey)
Rec.: 15th december 1964 - Broad: 20th january & 3rd march 1965
17. Oh baby (We got a good thing goin') (Barbara Lynn Ozen) - 1:47
18. Down the road apiece (Don Raye) - 2:26
Six Five (BBC, Belfast, Ireland)
Rec.-Broad: 6th january 1965
19. Little red rooster (Willie Dixon) - 1:19
Ready! Steady! Go!
(ARtv, London)
Rec.-Broad: 26th february 1965
20. The last time (Mick Jagger / Keith Richards) - 3:05
21. Play with fire (Nanker Phelge) - 2:01
22. Everybody needs somebody to love (Russell/Burke/Wexler)
Pain in my heart (Allen Toussaint) - 2:24
Popside
(Swedish TV, Stockholm, Sweden)
Rec.: 2nd february 1965 - Broad: 8th february 1965
23. Introduction - 1:33
24 Everybody needs somebody to love (Russell /Burke /Wexler) - 2:19
25. Tell me (Mick Jagger / Keith Richards) - 3:22
26. Around And Around (Chuck Berry) - 3:10
27. Little red rooster (Willie Dixon) - 3:41
28. The last time (Mick Jagger / Keith Richards) - 3:44
Ready! Steady! Go!
(ARTV, Wembley, Middlesex)
Rec.-Broad: 9th april 1965
29. Everybody needs somebody to love (Russell/Burke/Wexler)-
Pain in my heart (Allen Toussaint) - 2:33
30. Iím alright (Ellas McDaniel) - 3:28
===============================================================
1964>1969 Tv Sessions Anthology, Volume 2 - 1h16
NME Poll-Winners Concert
(ABC, Empire Pool, Wembley, Middlesex)
Rec.-Broad: 11th april 1965
1. Introduction - 1:41
2. Around and around (Chuck Berry) - 2:13
3. The last time (Mick Jagger / Keith Richards) - 2:55
4. Everybody needs somebody to love (Russell/Burke/Wexler) - 2:53
The Ed Sullivan Show
(CBS, New York City, New York)
Rec.-Broad: 2th may 1965
5. The last time (Mick Jagger / Keith Richards) - 3:19
6. Little red rooster (Willie Dixon) - 2:38
7. Everybody needs somebody to love (Russell/Burke/Wexler) - 2:10
Shivaree
(ABC, Los Angeles, California)
Rec: 16th may 1965 - Broad: 5th june & 24th july 1965
8. Down the road apiece (Don Raye) - 3:02
9. Little red rooster (Willie Dixon) - 3:06
10. Play with fire (Nanker Phelge) - 2:15
11. The last time (Mick Jagger / Keith Richards) - 3:48
Shinding!
(ABC, Los Angeles, California)
Rec (music, RCA Studios*): 18th may
Rec (show): 20th may - Broad: 26th may 1965
12. Medley (Chuck Berry) / Down the road apiece (Don Raye) - 3:01
13. Little red rooster (Willie Dixon) - 2:41*
14. The last time (Mick Jagger / Keith Richards) - 3:11*
15. Play with fire (Nanker Phelge) - 2:10*
16. (I can't get no) Satisfaction (Mick Jagger / Keith Richards) - 2:41
Ready! Steady! Go!
(ARtv, Wembley, Middlesex)
Rec.-Broad: 4th june 1965
17. Iím moving on (Hank Snow) - 2:23
Ready! Steady! Go!
(ARtv, Wembley, Middlesex)
Rec: 2nd sept. 1965 - Broad: 10th sept. 1965
18. Oh baby (We got a good thing goin') (Barbara Lynn Ozen) - 1:30
19. Thatís how strong my love is (Roosevelt Jamison) - 2:17
20. (I can't get no) Satisfaction (Mick Jagger / Keith Richards) - 4:24
Ready! Steady! Go!
(ARtv, Wembley, Middlesex)
Rec.-Broad: 22th october 1965
21. Cry to me (Bert Russel) - 2:42
22. She said ëYeahí (Sonny Christy / Roddy Jackson) - 2:16
23. Get off of my cloud (Mick Jagger / Keith Richards) - 2:30
Hullaballoo Show
(NBC, Wembley, Middlesex)
Rec (vocals): 11th nov. 1965 - Broad: 15th nov. 1965
24. She said ëYeahí (Sonny Christy / Roddy Jackson) - 1:44
25. Get off of my cloud (Mick Jagger / Keith Richards) - 2:49
The Ed Sullivan Show
(CBS, New York City, New York)
Rec.-Broad: 13th february 1966
26. (I can't get no) Satisfaction (Mick Jagger / Keith Richards) - 2:47
27. As tears go by (Mick Jagger / Keith Richards) - 2:25
28. 19th nervous breakdown (Mick Jagger / Keith Richards) - 4:15
Ready! Steady! Go!
(ARtv, Wembley, Middlesex)
Rec.-Broad: 27th may 1966
29. I am waiting (Mick Jagger / Keith Richards) - 3:02
30. Under my thumb (Mick Jagger / Keith Richards) - 3:58
31. Paint it black (Mick Jagger / Keith Richards) - 2:21
===============================================================
1964>1969 Tv Sessions Anthology, Volume 3 - 1h14
The Ed Sullivan Show
(CBS, New York City, New York)
Rec.-Broad: 11th september 1966
1. Paint it black (Mick Jagger / Keith Richards) - 2:40
2. Lady Jane (Mick Jagger / Keith Richards) - 3:15
3. Have you seen your mother, baby, standing in the shadow? (Jagger/Richards) - 2:4
Top of the Pops (BBC, London)
Rec: 17th dec. 1966 - Broad: 22th dec. 1966
4. Have you seen your mother, baby, standing in the shadow? (Jagger/Richards) - 2:27
Ready! Steady! Go!
(ARtv, Wembley, Middlesex)
Rec.-Broad: 27th may 1966
5. I am waiting (Mick Jagger / Keith Richards) - 3:02
6. Under my thumb (Mick Jagger / Keith Richards) - 3:58
7. Paint it black (Mick Jagger / Keith Richards) - 2:21
The Ed Sullivan Show
(CBS, New York City, New York)
Rec.-Broad: 15th january 1967
8. Ruby Tuesday - Rehearsals (Mick Jagger / Keith Richards) - 3:36
9. Letís spend ësometimesí together - Rehearsals (Jagger /Richards) - 4:01
10. Ruby Tuesday (Mick Jagger / Keith Richards) - 3:26
11. Letís spend ësometimesí together (Mick Jagger / Keith Richards) - 3:11
Sunday Night At The London Palladium
(ATV, London)
Rec.-Broad: 22th january 1967
12. Connection (Mick Jagger / Keith Richards) - 2:25
13. Ruby Tuesday (Mick Jagger / Keith Richards) - 3:38
14. Itës all over now (Bobby & Shirley Womack) - 3:25
15. Letís spend sometimes together (Mick Jagger / Keith Richards) - 2:44
The David Frost Tv Show
(US Tv, Stonebridge House Studios, Wembley)
Rec.-Broad: 16th june 1969
16. You canít always get what you want (Mick Jagger / Keith Richards) - 4:51
17. Honky tonk women (Mick Jagger / Keith Richards) - 3:06
The Ed Sullivan Show
(CBS, Los Angeles, California)
Rec.-Broad: 18th november 1969
18. Gimme shelter (Mick Jagger / Keith Richards) - 4:33
19. Love in vain (Mick Jagger / Keith Richards) - 3:41
20. Honky tonk women (Mick Jagger / Keith Richards) - 3:19
Top Of The Pops (BBC1, London)
Rec.-Broad: 25th december 1969
21. Honky tonk women (Mick Jagger / Keith Richards) - 2:56
Pop Go To The Sixties (BBC1, London)
Rec.-Broad: 31th december 1969
22. Gimme shelter (Mick Jagger / Keith Richards) - 4:18
-- Page 40
DIAS
Destruction In Art
Symposium
9, 10, 11 September
1966
London
DIAS extends an invitation to all
artists who have employed the
element of DESTRUCTION
IN ART Symposium. If unable to
attend, artists are invited to send
documentation and photographs
for the exhibition.
DIAS also invites writers, psy-
chologists, sociologists and
others interested, to attend and
present papers that explore the re-
lations existing between aggres-
sion and destruction in society
and DESTRUCTION IN ART.
DIAS will sponsor a series of
events, Happenings, expendable
environments, films, music and
exhibitions that will take place in
London throughout September.
DIAS Honorary Committee:
Mario Amaya; Roy Ascott;
Enrico Baj (Milan); Bob Cobbing;
Ivor Davies; Jim Haynes; Dom
Sylvester Houedard; Milles; Frank
Popper (Paris); John Sharkey;
Wolf Vostell (Cologne); Hon-
orary Secretary; Gustav Metzger.
I wish to participate in the 3-day
Symposium (fee ￡2.0.0.)
I wish to attend the last (public)
day of the Symposium, Sunday,
11th September.
I wish to present an Event, etc., as
part of the DIAS programme.
Please send me the full pro-
gramme.
Symposium Fee: ￡2 Symposium,
public day, admission 10s.
PAPERS: Maximum length 20
minutes. Please send a summary.
PLEASE WRITE TO: BM/DIAS,
LONDON, WC1.
Art and Artists
Volume One, Number Five
August 1966
Edited by Mario Amaya
London: Hansom Books, 1966
Private Collection of Mikihiko Hori
"Art & Artists", "August, 1966", "Mario Amaya", "Art magazine", "London", "England", "Gallery Guide", "Destruction In Art Symposium", "DIAS", "Gustav Metzger", "Roy Ascott", "Enrico Baj", "Bob Cobbing", "Ivor Davies", "Jim Haynes", "Dom Sylvester Houedard", "Milles", "Frank
Popper", "John Sharkey", "Wolf Vostell"
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
"Destruction In Art Symposium (DIAS)" ad in "Gallery Guide" in "Art and Artists", August, 1966, Volume 1, No. 5 - 1
-- Page 40 & 41
DIAS
Destruction In Art
Symposium
9, 10, 11 September
1966
London
DIAS extends an invitation to all
artists who have employed the
element of DESTRUCTION
IN ART Symposium. If unable to
attend, artists are invited to send
documentation and photographs
for the exhibition.
DIAS also invites writers, psy-
chologists, sociologists and
others interested, to attend and
present papers that explore the re-
lations existing between aggres-
sion and destruction in society
and DESTRUCTION IN ART.
DIAS will sponsor a series of
events, Happenings, expendable
environments, films, music and
exhibitions that will take place in
London throughout September.
DIAS Honorary Committee:
Mario Amaya; Roy Ascott;
Enrico Baj (Milan); Bob Cobbing;
Ivor Davies; Jim Haynes; Dom
Sylvester Houedard; Milles; Frank
Popper (Paris); John Sharkey;
Wolf Vostell (Cologne); Hon-
orary Secretary; Gustav Metzger.
I wish to participate in the 3-day
Symposium (fee ￡2.0.0.)
I wish to attend the last (public)
day of the Symposium, Sunday,
11th September.
I wish to present an Event, etc., as
part of the DIAS programme.
Please send me the full pro-
gramme.
Symposium Fee: ￡2 Symposium,
public day, admission 10s.
PAPERS: Maximum length 20
minutes. Please send a summary.
PLEASE WRITE TO: BM/DIAS,
LONDON, WC1.
Art and Artists
Volume One, Number Five
August 1966
Edited by Mario Amaya
London: Hansom Books, 1966
Private Collection of Mikihiko Hori