View allAll Photos Tagged visualization
Fresh House | Visualization Project
Project : L.A Apartment
Co-op with the company in Norway
Visualized by Fresh House
Fresh House | Visualization Project
Project : L.A Apartment
Co-op with the company in Norway
Visualized by Fresh House
The Man-Monster exhibit raises questions about the historical depiction of an African American male, Peter Sewally in a lithograph created in 1836. Dressed as a woman, Sewally had recently been found guilty of picking men’s pockets while having sex with them.
This exhibit's purpose is to activate the historical imagination of viewers. It aims to help viewers understand this image in its original historical context.
outhistory.org/wiki/Visualizing_the_Man-Monster:_Peter_Se...
Ascent Penthouse
Client: Mr Dung - IAM Architecture
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@ Long Nguyen & Thu Nguyen
Architecture - Interior Design & 3D Visualization
0979 962 864, Ho Chi Minh City
advlongnguyen@gmail.com
Stunning visualization of death over space and time. Turn up the volume too.
Two nights ago I attended Scott Bourne's (free!) lecture in Seattle about pre-visualization. Although the topic itself was mostly a refresher from my days as a photo major at GVSU, I noticed a couple of things must have stuck in my head.
He mentioned photographing places that he walked by every day, just to capture it for himself the way he wanted to.
Every day I walk up and down from my apartment - the staircase is open to the outside. I have quietly admired the ever-changing graffiti in this alley. In fact I've kicked myself already for not catching some of my favorites. I think it's easy to forget to document the place you call 'home', because you take it for granted. Even moments after I took these series of images, the man working on the roof climbed down and took the ladder and van with him - which would have removed a lot of the visual interest for me!
He also went through a series of slides that said, for example, "If you daydream in HDR, go shoot HDR" or "If you daydream in panoramic, go shoot panoramic". I have not used this technique in a long time, but thought it appropriate for subject. The movement / lack of continuation from frame to frame reiterates that feeling of constant change.
I always like to attend as many seminars and workshops as possible because just being around other creative people makes me think again :)
Fresh House | Visualization Project
Project : L.A Apartment
Co-op with the company in Norway
Visualized by Fresh House
✰ This photo was featured on The Epic Global Showcase here: bit.ly/1RDlf6w
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Beautiful and cute by @murka.art tag your art #arts_visualization for a possible feature. #instaartist #art #artist_4_shoutout #blvart #art_spotlight #art_collective #art_empire #artextreme #imaginationarts #artistic_support #artistic_nation #worldofartists #phanasu #mizu_art#worldofpencils #drawing_feature#drawings #drawing#mixedmedia #artsanity#pencildrawing#artoftheday#cute#beautiful #amazing by @arts_visualization bit.ly/1SabdFW
Germans, Goose, Gypsy Guitar, Gymnastic Girl - 1. Die Deutschen, 2. Paparazzi........... To get out .... being away, 3. greg ruby with favino, 4. bee happy :) - sent to my group www.flickr.com/groups/abc-visualized
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The same query as in the previous image, only 42 hours after launch...
More info here: postspectacular.com/work/socialcollider/start
Part of the official Google Chrome collection of original experiments demonstrating the superior JavaScript performance of Google's browser, the Social Collider reveals cross-connections between conversations on Twitter.
With the Internet's promise of instant and absolute connectedness, two things appear to be curiously underrepresented: both temporal and lateral perspective of our data-trails. Yet, the amount of data we are constantly producing provides a whole world of contexts, many of which can reveal astonishing relationships if only looked at through time.
This experiment explores these possibilities by starting with messages on the microblogging-platform Twitter. One can search for usernames or topics, which are tracked through time and visualized much like the way a particle collider draws pictures of subatomic matter. Posts that didn't resonate with anyone just connect to the next item in the stream. The ones that did, however, spin off and horizontally link to users or topics who relate to them, either directly or in terms of their content.
The Social Collider acts as a metaphorical instrument which can be used to make visible how memes get created and how they propagate. Ideally, it might catch the Zeitgeist at work.
Credits
Karsten Schmidt - concept, design & programming
Sascha Pohflepp - concept, design
Follow us on Twitter for updates:
Image taken from Christensen, V., S. Guénette, J. J. Heymans, C.J. Walters, R. Watson, D. Zeller and D. Pauly. 2003. Hundred year decline of North Atlantic predatory fishes. Fish and Fisheries 4(1): 1-24. [link]
See the snazzier visualization by David McCandless (Information is Beautiful) at The Guardian's article
Ascent Penthouse
Client: Mr Dung - IAM Architecture
---
@ Long Nguyen & Thu Nguyen
Architecture - Interior Design & 3D Visualization
0979 962 864, Ho Chi Minh City
advlongnguyen@gmail.com
Visualization Exercise:
It's a prayer for peace,
may those who lied their way into taking a nation to war be held accountable to the fullest extent.
The most loving action we could take for people like Richard Cheney and Donald Rumsfeld, the architects of war, would be to arrest them, and investigate their actions regarding war, so that they may have opportunity to repay their tremendous debt to society and humanity, and thereby be able restore their position amongst the human family.
We really need an investigation into the alleged crimes of war of Cheney, Rumsfeld, et al.. And so do they. We owe it to them, and to everyone - to all of humanity.
Architecture 3D Visualization
Client & Architect:
Chronos, Maas und Partner
Location: Münster, Hafen
Visualization: Renderfriends UG
Annual beer consumption, 8 different ways.
Client work:
www.sloshspot.com/blog/10-09-2008/The-Year-in-Beer-Beer-D...
Jeffrey M. Drazen, Editor-in-Chief, New England Journal of Medicine, USA, Juliana Chan, Professor of Medicine and Therapeutics, Chinese University of Hong Kong, Hong Kong SAR, David Cook, Chief Clinical and Operating Officer, Jiahui Health, People’s Republic of China, Richard Nieman, Global Medical Officer; Senior Vice-President, Teva Pharmaceutical, USA and Mike Moradi, Founder and Chief Executive Officer, Sensulin, USA; Young Global Leader capture during the Session: "Visualizing Disease" at the World Economic Forum - Annual Meeting of the New Champions in Dalian, People's Republic of China 2017. Copyright by World Economic Forum / Sikarin Fon Thanachaiary
Fresh House | Visualization Project
Project : L.A Apartment
Co-op with the company in Norway
Visualized by Fresh House
www.emergencyrooms.org/sprengelmuseum.html
----------Sprengel Museum exhibition Press release ----------
Sprengel Museum Hannover
PHOTOGRAPHY CALLING!
09. October 2011 – 15. January 2012
Sprengel Museum HannoverSprengel Museum Hannover
IN ASSOCIATION WITH THE
LOWER SAXONY SAVINGS BANK FOUNDATION
PHOTOGRAPHY CALLING! is an exhibition of the works of 31 photographers on a floor area of over 2,000 square metres. Since HOW YOU LOOK AT IT in 2000, this exhibition is the first and only one to provide an all-embracing overview of artistic photography from the 1960s to the present day. The exhibition has been organized by the Sprengel Museum Hannover in collaboration with the Lower Saxony Savings Bank Foundation. Starting out from the Foundation’s collection of large groups of works by both American and European photographers, the only collection of its kind in Europe, the exhibition explores the history and perspectives of the ‘documentary style’ of photography.
PHOTOGRAPHY CALLING! constitutes yet a further step towards establishing Hanover as an important centre for artistic photography in the north of Germany.
The starting points of the exhibition are the works of Robert Adams, Diane Arbus, Lewis Baltz, Bernd and Hilla Becher, William Eggleston, Lee Friedlander, John Gossage, Nicholas Nixon, Martin Parr and Michael Schmidt. The artist photographers Rineke Dijkstra, Paul Graham, Thomas Struth and the photographers of the generations that followed, such as Jitka Hanzlová, Stephen Gill, Jochen Lempert, Elisabeth Neudörfl, Heidi Specker and Tobias Zielony, visualize the world with a style of photography that adheres strictly to the medium and yet is highly subjective. Max Baumann, Boris Mikhailov, Rita Ostrowskaja and Helga Paris extend the perspective with experiences of their own confrontations with different political systems, while Laura Bielau, Thomas Demand, Hans-Peter Feldmann, Andreas Gursky, Thomas Ruff, Wolfgang Tillmans and Jeff Wall use the documentary style of photography as a means of exemplifying the phenomena of visual perception. Many of the works are being exhibited for the very first time.
Integrated into the exhibition are three successive Project Rooms organized by three guest curators and each taking place for the duration of one month. They thematize three different methods of collecting and three different ways of using photography.
From 9.10. until 30.10.2011 the artist Thierry Geoffroy will investigate the idea behind the title of the exhibition – PHOTOGRAPHY CALLING! – and ask: Who calls whom and what, and for what purpose, and out of what interests? On 1.11.2011 Markus Schaden will be setting up a study room devoted to the photography book as a ‘storage medium’ and collector’s item. From 6.12.2011 until 15.1.2012 Wilhelm Schürmann will be exposing the obsessions that can be the driving force behind a private collection of photographs, graphics, paintings and sculptures.
In the run-up to the exhibition HOW YOU LOOK AT IT at the Sprengel Museum Hannover, which was curated by Thomas Weski and Heinz Liesbrock on the occasion of EXPO 2000, the Lower Saxony Savings Bank Foundation began to purchase comprehensive groups of works by selected American and European photographers. Since then, the collecting activity of the Foundation has been focused on those works of photography that may be understood to be in the tradition of the ‘documentary style’ (Walker Evans, 1903-1975) and have been exercising a strong influence on photography since the end of the 1960s. Thus it has been possible – thanks not least to the recommendations of a high-calibre advisory board – to build up a photographic collection distinguished by its concentration on groups of works. In this regard the collection is unique in Europe.
The Lower Saxony Savings Bank Foundation’s collection and its perspective are now to be the subject of the present exhibition, which is being mounted jointly with the Sprengel Museum Hannover and also in the context of the Museum’s own well-cultivated photography tradition, which began in 1979 and can boast exhibitions of such great exponents of photography as Karl Blossfeldt, El Lissitzky, Judith Joy Ross and Michael Schmidt, to name only a few of many, or the “SPECTRUM” International Prize for Photography of the Foundation of Lower Saxony. ‘Collecting’ manifests itself here as an open system that operates self-reflexively in the aforementioned Project Rooms and is future-oriented and discussion-friendly in the exhibition’s supplementary events.
PHOTOGRAPHY CALLING! is accompanied by a copious publication (Steidl, Göttingen). Visitors will also be offered a comprehensive information programme.
The exhibition has been curated by Inka Schube, Curator for Photography and Media Art, Sprengel Museum Hannover, and Thomas Weski, Professor of “Curatorial Cultures”, Academy of Visual Arts, Leipzig.
Each pixel in "original" size is 5 square miles.
The darkest pixels are where a geotagged picture was posted in May, 2004, the oldest data I have, and get lighter and lighter by month for places where the oldest available picture is more and more recent. The areas that are totally white have no geotagged pictures at all.
Fresh House | Visualization Project
Project : L.A Apartment
Co-op with the company in Norway
Visualized by Fresh House
The economy is a mess, but it doesn't mean your understanding has to be.
Client work:
www.mint.com/blog/finance-core/a-visual-guide-to-the-fina...
Not quite sure what this tells you, though. (The various shades of blue are a mess of interesting folk from various industries around the globe.)
VersuS visualizing the realtime lives of cities: Riots in Rome Oct. 15th
www.artisopensource.net/2011/10/16/versus-rome-october-15...
The peaks and contours you see represent the intensity of the communication and conversations that was taking place from the start of the protest (at 3pm local time) up until its approximate end (at 8pm local time).
VersuS is a spin-off of the ConnectiCity project, and is intended to create tools that enable us to imagine, design and create new tools for the city.
In VersuS the possibility to capture and understand the conversations on social networks is transformed into a tool with infinite uses, whose main goal is to propose new forms of citizenship and human relation, and to also suggest institutions and organizations new methodologies and strategies to innovate their understanding of their cities and to design and enact strategies which leverage new possible sensibilities to the desires, wishes and creativity of people.
These and other topics will be discussed at the Share Festival and at the FabLab Italia during the first week of November 2011, where we will present the “VersuS” project.
Visualizing Palestine is committed to social justice and change for the better in Palestine. It focuses on the failure of the organizations involved in the Israeli-Palestinian conflict, effective deployment of communication tools (and not relying exclusively on dry-as-dust reports, tables and graphics) and the inability of the media to deliver unbiased coverage (instead of providing one-sided reportage that concentrates on Hamas).
Credit: Florian Voggeneder
PhraseNet of family tree in the Bible. Live visualization available on Many Eyes at: manyeyes.alphaworks.ibm.com/manyeyes/visualizations/afc4d...