View allAll Photos Tagged visualization
A 3D data visualization tool for viewing word frequencies as they change over time or sequential texts. This data set represents words occurring in the State of the Union speeches from Reagan to Obama (developed by Ross Tredinnick and Carrie Roy)
How to visualize memory usage on Linux
If you would like to use this photo, be sure to place a proper attribution linking to xmodulo.com
A visualization of 1 million Manga images on 287 megapixel HIPerSpace supervisualization system at Calit2, San Diego.
This photo: a close-up of the visualization across all 70 screens of HIPerSpace system.
Fresh House | Visualization Project
Project : L.A Apartment
Co-op with the company in Norway
Visualized by Fresh House
Available at: www.hypefortype.com/?page=22&ID=21
Helvetica's 50-year anniversary celebrations in 2007 were overwhelming and contagious. We saw the movie. Twice. We bought the shirts and the buttons. We dug out the homage books and re-read the hate articles. We mourned the fading non-color of an old black shirt proudly exclaiming that "HELVETICA IS NOT AN ADOBE FONT". We took part in long conversations discussing the merits of the Swiss classic, that most sacred of typographic dreamboats, outlasting its builder and tenants to go on alone and saturate the world with the fundamental truth of its perfect logarithm. We swooned again over its subtleties ("Ah, that mermaid of an R!"). We rehashed decades-old debates about "Hakzidenz," "improvement in mind" and "less is more." We dutifully cursed every single one of Helvetica's knockoffs. We breathed deeply and closed our eyes on perfect Shakti Gawain-style visualizations of David Carson hack'n'slashing Arial - using a Swiss Army knife, no less - with all the infernal post-brutality of his creative disturbance and disturbed creativity. We then sailed without hesitation into the absurdities of analyzing Helvetica's role in globalization and upcoming world blandness (China beware! Helvetica will invade you as silently and transparently as a sheet of rice paper!). And at the end of a perfect celebratory day, we positively affirmed √ la Shakti, and solemnly whispered the energy of our affirmation unto the universal mind: "We appreciate Helvetica for getting us this far. We are now ready for release and await the arrival of the next head snatcher." The great hype of Swisspalooza '07 prompted a look at Max Miedinger, the designer of Neue Haas Grotesk (later renamed to Helvetica). Surprisingly, what little biographical information available about Miedinger indicates that he was a typography consultant and type sales rep for the Haas foundry until 1956, after which time he was a freelance graphic designer - rather than the full-time type designer most Helvetica enthusiasts presume him to have been. It was under that freelance capacity that he was commissioned to design the regular and bold weights of Neue Haas Grotesk typeface. His role in designing Helvetica was never really trumpeted until long after the typeface attained global popularity. And, again surprisingly, Miedinger designed two more typefaces that seem to have been lost to the dust of film type history. One is called Pro Arte (1954), a very condensed Playbill-like slab serif that is similar to many of its genre. The other, made in 1964, is much more interesting. Its original name was Horizontal. Here is the long awaited Version 2 of Meidinger.
sent to my group www.flickr.com/groups/abc-visualized for the letter A:
1. Port Lockroy and the Europa., 2. A, 3. Looking Back..., 4. Landing
Newer, faster supercomputers have allowed scientists to create detailed models of blood flow that help doctors understand what happens at the molecular level and, consequently, how heart and blood diseases can be treated.
~ 100 words
day 7::365::01/07/11
My friend told me today that when she finds herself worrying about something she imagines Gods hands lowering a big basket where she places whatever she is worrying about into. Once in the basket she thinks oh ya that one's gone now. See once you hand over your worries to God they are gone and you can't worry about it anymore. She says some of her friends put lids on their baskets but her, she leaves it open and has put just about everything in it.
Ascent Penthouse
Client: Mr Dung - IAM Architecture
---
@ Long Nguyen & Thu Nguyen
Architecture - Interior Design & 3D Visualization
0979 962 864, Ho Chi Minh City
advlongnguyen@gmail.com
To watch the entire video : www.youtube.com/PausaManzothaBEEF
Never Get Out Of Bed Before Noon.
contains footage from:
Robocop -
Crash(1996) -
Insidious -
Clash Of The Titans(1981) -
Rampart -
Cube -
Do The Right Thing -
GodKiller -
Ghosts Of Mars -
Domovoid's ArtWork : www.myspace.com/domovoid / www.youtube.com/domovoid -
Contains audio from:
Anthrax = finale -
Dälek = Classical Homicide(edited by thaBEEF) -
Atari Teenage Riot = raver bashing -
Downset = Anger -
Visualization of "I am watching you", "precize", or even the term "visualization" itself.
Copyright: like recommendation of the flickr-visualization-group:
Free of charge for company internal presentations if you cite the author and the group.
Euro 5,-- for 1 slide at company-external presentations:
www.heisss.at/pay/copyright.htm
For details see the group recommendations at:
WolfVision Visualizer presentation, and collaboration solutions are used in universities, businesses, and other organizations worldwide. www.wolfvision.com
Outdoor & Recreational Areas with pool and coold unbrella , dust view with a free and confortable feeling
Finished by 3dmax, vray & ps
made by frontop
Part of a 5 house visualization project for ARCHIPOD.
Furniture models in this image are part of the model supplied in the latest 3dallusions - Charette#15 - Quinta House
Transit (Orange) is bus, Bart, car; walking in green. These data (like all data) are imperfect. Data collection via Moves (now owned by Facebook); data visualization via Halftone's Move-O-Scope: move-o-scope.halftone.co
A anunciação, Botticelli
(Tentativa de) análise dos filtros de organização.
Uma mínima variação nos parâmetros de agrupamento das cores pode ser a diferença entre uma paleta organizada ou caótica. Outras questões que apareceram no processo: o quão clara é uma cor pra ser agrupada como branca? O quão escura pra ser preta?
Infográfico para a revista Superinteressante de junho de 2012. Direção de arte de Fabrício Miranda e edição de texto de Karin Hueck.
Feito com Processing.
Ascent Penthouse
Client: Mr Dung - IAM Architecture
---
@ Long Nguyen & Thu Nguyen
Architecture - Interior Design & 3D Visualization
0979 962 864, Ho Chi Minh City
advlongnguyen@gmail.com
Descrição do Projecto:
Estas infografias representam os resultados dos inquéritos aos alunos, acerca da actividade lectiva do professor Pedro Brito, durante o 1º periodo (2010| 2011).
Photo of a Man on Sunset Drive: 1914, 2008
by: Richard Blanco
And so it began: the earth torn, split open
by a dirt road cutting through palmettos
and wild tamarind trees defending the land
against the sun. Beside the road, a shack
leaning into the wind, on the wooden porch,
crates of avocados and limes, white chickens
pecking at the floor boards, and a man
under the shadow of his straw hat, staring
into the camera in 1914. He doesn't know
within a lifetime the unclaimed land behind
him will be cleared of scrub and sawgrass,
the soil will be turned, made to give back
what the farmers wish, their lonely houses
will stand acres apart from one another,
jailed behind the boughs of their orchards.
He'll never buy sugar at the general store,
mail love letters at the post office, or take
a train at the depot of the town that will rise
out of hundred-million years of coral rock
on promises of paradise. He'll never ride
a Model-T puttering down the dirt road
that will be paved over, stretch farther and
farther west into the horizon, reaching for
the setting sun after which it will be named.
He can't even begin to imagine the shadows
of buildings rising taller than the palm trees,
the street lights glowing like counterfeit stars
dotting the sky above the road, the thousands
who will take the road everyday, who'll also
call this place home less than a hundred years
after the photograph of him hanging today
in City Hall as testament. He'll never meet
me, the engineer hired to transform the road
again, bring back tree shadows and birdsongs,
build another promise of another paradise
meant to last another forever. He'll never see
me, the poet standing before him, trying
to read his mind across time, wondering if
he was thinking what I'm today, both of us
looking down the road that will stretch on
for years after I too disappear into a photo.
Dr. Ann McCaughan, a professor in Human Development Counseling, listens as students in her Multicultural Counseling course take turns explaining how photographs they took illustrate the concept of privilege. Dr. McCaughan used the photo assignment as a way for students to develop insight into their own experiences as individuals in society.
How to visualize memory usage on Linux
If you would like to use this photo, be sure to place a proper attribution linking to xmodulo.com