View allAll Photos Tagged visualization
Image taken from Christensen, V., S. Guénette, J. J. Heymans, C.J. Walters, R. Watson, D. Zeller and D. Pauly. 2003. Hundred year decline of North Atlantic predatory fishes. Fish and Fisheries 4(1): 1-24. [link]
See the snazzier visualization by David McCandless (Information is Beautiful) at The Guardian's article
architectural visualization www.newvisual3d.com，
architectural rendering www.archeast.com，
Free internet home : www.internethome.me，
Free Online Translation: www.internethome.me/translation/，
Visualizing the journey, now and in the future.
Orchestrating Experiences: Collaborative Design for Complexity, Risdon, Quattlebaum, 2018, New York: Rosenfeld Media
Some experiments in data visualization from some data from our computer labs at University Park. This shows number of pages printed by students in the college of the liberal arts during the spring 2011 semester. This isn't truly accurate as I was more interested in building the mobile app to dynamically visualize the data. Really just a proof of concept.
Visualization Exercise:
It's a prayer for peace,
may those who lied their way into taking a nation to war be held accountable to the fullest extent.
The most loving action we could take for people like Richard Cheney and Donald Rumsfeld, the architects of war, would be to arrest them, and investigate their actions regarding war, so that they may have opportunity to repay their tremendous debt to society and humanity, and thereby be able restore their position amongst the human family.
We really need an investigation into the alleged crimes of war of Cheney, Rumsfeld, et al.. And so do they. We owe it to them, and to everyone - to all of humanity.
3D model of the interaction of the Earth's magnetosphere and the solar wind. It is a particle-in-cell model developed by Peter MacNeice (Hughes STX) on the MasPar MP-1 at NASA/GSFC, circa 1993. The animation shows a volume rendering of the ion density of the solar wind, with the Earth (not shown) near the center.
Like me, anyone working on the abstract visualization of book texts will have been inspired by Stephanie Posavec's "Writing Without Words" (2006), a project she did on the Central Saint Martins MA in Communication Design. A friend from work took that inspiration several stages further. Since reading and rereading Darwin's "On the Origin of the Species" during his doctorate Greg McInerny has been obsessed by the text: the ideas contained in Darwin's book, and the history of the text itself. Being an ecologist/biologist Greg is also obsessed by those old botanical collection book plates by the like of John Stevens Henslow and Ernst Haeckel. So Greg pored over the text using R to analyse and build Posavec-style diagrams of the developments and changes Darwin made between editions of his book. But the links are tighter. Stephanie is Greg's sister-in-law and so they teamed up to take Greg's analysis and render them with the exquisite beauty we're use to in Stephanie's work, both spending time on the design details needed to present the visualisations as if they were part of those old botanical collections. The whole venture was spurred on by the realisation that they were not the only ones working on this. Like Darwin and Alfred Russel Wallace, Ben Fry came to a workshop Greg organised for doctoral level ecologists and after Ben's talk they realised that they were both working on visualizing changes between the editions of Darwin's work. Ben's just put his visualization up online: http://benfry.com/traces/. Stephanie and Greg's work is also online (http://www.itsbeenreal.co.uk/index.php?/on-going/about/ & http://research.microsoft.com/en-us/projects/TextVis/) but to see it at its best you have to see the huge prints they made for the Darwin 2009 exhibition at the Cambridge University Centre. The exhibition ran from the 3rd of July 2009 to the 20th, but luckily for me Stephanie and Greg have been tardy in removing their work so you can still see them hanging in the Main Dining Hall, Cambridge University Centre on Granta Place, Cambridge.
N.B. I also took some photos of the work Stephanie and Greg did for the RA Summer Exhibition (though it was rejected) using what Greg and I call Posavec Diagrams, what Stephanie calls Sentence Diagrams: http://www.flickr.com/photos/dumbledad/sets/72157619825788142/. And Stephanie's husband / Greg's brother Steve took some great shots of this '(En)tangled Word Bank'exhibition at the openning: http://www.flickr.com/photos/sharp-sharp/sets/72157621146041024/.
The same query as in the previous image, only 42 hours after launch...
More info here: postspectacular.com/work/socialcollider/start
Part of the official Google Chrome collection of original experiments demonstrating the superior JavaScript performance of Google's browser, the Social Collider reveals cross-connections between conversations on Twitter.
With the Internet's promise of instant and absolute connectedness, two things appear to be curiously underrepresented: both temporal and lateral perspective of our data-trails. Yet, the amount of data we are constantly producing provides a whole world of contexts, many of which can reveal astonishing relationships if only looked at through time.
This experiment explores these possibilities by starting with messages on the microblogging-platform Twitter. One can search for usernames or topics, which are tracked through time and visualized much like the way a particle collider draws pictures of subatomic matter. Posts that didn't resonate with anyone just connect to the next item in the stream. The ones that did, however, spin off and horizontally link to users or topics who relate to them, either directly or in terms of their content.
The Social Collider acts as a metaphorical instrument which can be used to make visible how memes get created and how they propagate. Ideally, it might catch the Zeitgeist at work.
Credits
Karsten Schmidt - concept, design & programming
Sascha Pohflepp - concept, design
Follow us on Twitter for updates:
Ascent Penthouse
Client: Mr Dung - IAM Architecture
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@ Long Nguyen & Thu Nguyen
Architecture - Interior Design & 3D Visualization
0979 962 864, Ho Chi Minh City
advlongnguyen@gmail.com
Architecture 3D Visualization
Client & Architect:
Chronos, Maas und Partner
Location: Münster, Hafen
Visualization: Renderfriends UG
Annual beer consumption, 8 different ways.
Client work:
www.sloshspot.com/blog/10-09-2008/The-Year-in-Beer-Beer-D...
Fresh House | Visualization Project
Project : L.A Apartment
Co-op with the company in Norway
Visualized by Fresh House
Ascent Penthouse
Client: Mr Dung - IAM Architecture
---
@ Long Nguyen & Thu Nguyen
Architecture - Interior Design & 3D Visualization
0979 962 864, Ho Chi Minh City
advlongnguyen@gmail.com
PhraseNet of family tree in the Bible. Live visualization available on Many Eyes at: manyeyes.alphaworks.ibm.com/manyeyes/visualizations/afc4d...
Fresh House | Visualization Project
Project : L.A Apartment
Co-op with the company in Norway
Visualized by Fresh House
VersuS visualizing the realtime lives of cities: Riots in Rome Oct. 15th
www.artisopensource.net/2011/10/16/versus-rome-october-15...
The peaks and contours you see represent the intensity of the communication and conversations that was taking place from the start of the protest (at 3pm local time) up until its approximate end (at 8pm local time).
VersuS is a spin-off of the ConnectiCity project, and is intended to create tools that enable us to imagine, design and create new tools for the city.
In VersuS the possibility to capture and understand the conversations on social networks is transformed into a tool with infinite uses, whose main goal is to propose new forms of citizenship and human relation, and to also suggest institutions and organizations new methodologies and strategies to innovate their understanding of their cities and to design and enact strategies which leverage new possible sensibilities to the desires, wishes and creativity of people.
These and other topics will be discussed at the Share Festival and at the FabLab Italia during the first week of November 2011, where we will present the “VersuS” project.
"Visualization of MSC-derived RNA transfer using the CROSS-FIRE system"
This is an image of a 5-day co-culture of HEK293T reporter cells (red) expressing Cas9 and a fluorescent Stoplight reporter alongside immortalized mesenchymal stem cells (hTERT-MSCs; gray) that express a sgRNA that targets the fluorescent Stoplight reporter. Transfer of sgRNAs from the MSC donor cells to the HEK293T reporter cells results in a Cas9-mediated genomic frameshift that permanently activates eGFP expression (green). As such, the green cells in this image represent HEK293T cells that have received RNA from MSC cells. As this intact sgRNA molecule is present in EVs, and as blocking EV release in donor cells and EV uptake in reporter cells inhibits RNA transfer in this assay, we hypothesize that this transfer is, at least in part, EV-mediated.
A pie chart. Yes, taken the idea from someone else, but they only offered it very low res, and with rather poor design otherwise.
Exploring one million manga images on 287 megapixel HIPerSpace on supervisualization system at Calit2, San Diego.
This photo: Jeremy Douglass (Post-doctoral researcher, Software Studies Initiative) and Florian Wiencek (Jacobs-University, Bremen)
FISH, FLAMENCO, FOREST GUARD, FIRE - sent to my group www.flickr.com/groups/abc-visualized - supporting a big project 1. the offering, 2. Ortega y Gasset, 3. Italians, 4. b3053_3_1_2: Winter Comfort
Fresh House | Visualization Project
Project : L.A Apartment
Co-op with the company in Norway
Visualized by Fresh House
Fresh House | Visualization Project
Project : L.A Apartment
Co-op with the company in Norway
Visualized by Fresh House
Satellite: Sentinel-2. Sensor: MSI (MultiSpectral Instrument).
Visualization RGB: bands 12 (red), 11 (green), 4 (blue). False color urban.
La imagen tiene 133 km de ancho (aprox.)
Saarloq es una localidad en la municipalidad de Kujalleq, al sur de Groenlandia, ubicado exactamente a 60°32′N 46°03′O, a unos 20 km de Qaqortoq. Tiene una población de 50 habitantes. (Wikipedia)
En el mar de Labrador, al sur de Groenlandia, se forman estas revueltas corrientes que parecen formar borrascas. Pero estas corrientes (de color azul intenso en la imagen) se hallan en la superficie del mar. Las nubes se ven en color blanco, como las que aparecen a la izquierda en la imagen. Este color azul representa zonas nevadas sobre tierra firme, como en las islas que se ven arriba y a la derecha en la imagen, donde se encuentra la citada localidad de Saarloq. Supongo que en el mar se trata de aguas muy frías, con temperaturas cercanas a la congelación.
Saarloq is a settlement in the Kujalleq municipality in southern Greenland. Its population was 21 in 2020. It is located on a small island with the same name off the Labrador Sea coast, at the mouth of the Qaqortoq Fjord, west of Alluitsup Paa and 20 km south of Qaqortoq.
The settlement is the southernmost of the three settlements—along Eqalugaarsuit and Qassimiut—that made up the former Qaqortoq municipality. The settlements are presently governed by a joint settlement council. (en.wikipedia.org/wiki/Saarloq)
Esta imagen ha sido procesada con el navegador EO Browser (apps.sentinel-hub.com/eo-browser) de Sentinel Hub. Sentinel Hub es un motor de procesamiento de datos satelitales, dentro del programa de observación de la Tierra Copernicus (copernicus.eu) de la Unión Europea, operado por la empresa Sinergise. EO Browser es gratuito y fácil de usar. El norte siempre está arriba.
This image has been processed using the EO Browser (apps.sentinel-hub.com/eo-browser) by Sentinel Hub. Sentinel Hub is a satellite data processing engine, within the European Union's Earth observation programme Copernicus (copernicus.eu), operated by the Sinergise company. EO Browser is free and easy to use. North is always up.