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Visualization is the key to many things, including photography. In this case, visualizing a great performance, from the gun to the end of the track and over all the hurdles in between, 100M away.
Visualization of ragas based on 1000+ features derived from:
- vadi and samvadi
- which notes are included
- bigram and tetragrams in the raga
- distinction of all the above features wrt aaroha vs avaroha
- distinction of all the above features wrt extended notes
- distinction of all the above features wrt second-octave notes
Raw data is available as json and csv:
github.com/kylemcdonald/ragaDB/blob/master/ragasdb/ragas....
github.com/kylemcdonald/ragaDB/blob/master/ragasdb/ragas.csv
And a script is available for generating the derived features: github.com/kylemcdonald/ragaDB/blob/master/ragasdb/make-t...
Layout and coloring was found using t-sne, with scripts in this repository github.com/kylemcdonald/EmbeddingScripts
There are more variations on the visualization above with different parameters (and varying accuracy in representing the space) here: github.com/kylemcdonald/ragaDB/tree/master/tsne
I was astounded by Bill Rankin's map of Chicago's racial and ethnic divides and wanted to see what other cities looked like mapped the same way. To match his map, Red is White, Blue is Black, Green is Asian, Orange is Hispanic, Gray is Other, and each dot is 25 people. Data from Census 2000. Base map © OpenStreetMap, CC-BY-SA
Maps of racial and ethnic divisions in US cities, inspired by Bill Rankin's map of Chicago, updated for Census 2010.
Red is White, Blue is Black, Green is Asian, Orange is Hispanic, Yellow is Other, and each dot is 25 residents.
Data from Census 2010. Base map © OpenStreetMap, CC-BY-SA
Try to visualize a beautiful woman. Give it some seconds serious consideration. I shall wait patiently as long...
Now the woman you picture in you head, not only has form and shape, she most likely even have mannerisms and perhaps are wearing clothes. If so we can even with wisdom assume that the clothes she is wearing is consistent with, and thus reflect, the person she is and here is my point. She is to the mental effect almost a person, as your imagination is a VERY powerfull tool. - Mind you not even the Tihane-2 (The Chinese supercomputer) would be able to create in memory what you just did in seconds. (Further more, the Tihane-2 would probably answer that beauty is subjective and continue in long explanations to explain the beauty of binary simplicity, but be quite indifferent as in regard to the beauty of women.)
In your head, from the quest was launched, you started drawing upon your feminine resources of data in your eyes putting together a pretty much ”perfect” women ;o) But make no mistake, in a way she is VERY real, as she is created only and alone from YOUR subconscious imaginative spectrum of what a ”beautiful women” consist of. Those perceptions are not only VERY real, to you it is the whole world and thus, the very definition of beauty.
If you are a crossdresser, transvestite or transexual, you know very well what powers are to be drawn from within that imaginative spectrum, but make no mistake. When ordinary macho heterosexual men watch Expendables 1 (Macho hetero classic - 5 stars from my male side, Lisa says ”No comment!” shaking her head) they very much identify them self, with being amongst such group of battle scarred veterans, knowing each others weaknesses and strengths, using them in unison, like a team, working like clockwork and on backbone alone beating odds no sane person would bet a single dime on.
Women as well have their own visual identification spectrum and I stand accused making following statement without statistic documentation, but I have notion practically all women at some time, have imagined them self walking into a crowded room drawing all attention, dazzling everyone with the mere presence of their radiant beauty. But again, I might be mistaken and women not only may, but trust me will rightfully claim ”What the hell do I REALLY know about women.” and it is in fact quite true.
Never the less there is still much to be obtained from within, the almost magical imaginative spectrum.
You see, something happens to macho heterosexual men, watching not ONLY Expendables 1, but every film made in modern times that has to do with war, fighting, death, violence and murder (several times). Slowly, we find, such identification change such individuals. The same thing happens to T-girls who spend much time in the imaginative female spectrum, they change slowly, becoming more like that in reality as well, changing slowly.
Thus watching many movies on war identifying with being a vengeful warmachine, might actually in a stressfull situation, combined with a life crisis, trigger the hidden imaginative being nurtured by such imagination, making that person pick up a riffle going into warmode showing the world a thing or two. Where as a T-girl in same stressfull life crisis, very well might say ”Fuck it all.” pick up a pair of stilettos and wearing a tight skirt ”showing” (though in a more practical sense) the world a thing or two as well.
Tweets from various locations across the globe on #jan25 on Janurary 25th, 2011. Lines point towards Tahrir Square, Cairo. Opacity indicates volume.
Try to visualize a beautiful woman. Give it some seconds serious consideration. I shall wait patiently as long...
Now the woman you picture in you head, not only has form and shape, she most likely even have mannerisms and perhaps are wearing clothes. If so we can even with wisdom assume that the clothes she is wearing is consistent with, and thus reflect, the person she is and here is my point. She is to the mental effect almost a person, as your imagination is a VERY powerfull tool. - Mind you not even the Tihane-2 (The Chinese supercomputer) would be able to create in memory what you just did in seconds. (Further more, the Tihane-2 would probably answer that beauty is subjective and continue in long explanations to explain the beauty of binary simplicity, but be quite indifferent as in regard to the beauty of women.)
In your head, from the quest was launched, you started drawing upon your feminine resources of data in your eyes putting together a pretty much ”perfect” women ;o) But make no mistake, in a way she is VERY real, as she is created only and alone from YOUR subconscious imaginative spectrum of what a ”beautiful women” consist of. Those perceptions are not only VERY real, to you it is the whole world and thus, the very definition of beauty.
If you are a crossdresser, transvestite or transexual, you know very well what powers are to be drawn from within that imaginative spectrum, but make no mistake. When ordinary macho heterosexual men watch Expendables 1 (Macho hetero classic - 5 stars from my male side, Lisa says ”No comment!” shaking her head) they very much identify them self, with being amongst such group of battle scarred veterans, knowing each others weaknesses and strengths, using them in unison, like a team, working like clockwork and on backbone alone beating odds no sane person would bet a single dime on.
Women as well have their own visual identification spectrum and I stand accused making following statement without statistic documentation, but I have notion practically all women at some time, have imagined them self walking into a crowded room drawing all attention, dazzling everyone with the mere presence of their radiant beauty. But again, I might be mistaken and women not only may, but trust me will rightfully claim ”What the hell do I REALLY know about women.” and it is in fact quite true.
Never the less there is still much to be obtained from within, the almost magical imaginative spectrum.
You see, something happens to macho heterosexual men, watching not ONLY Expendables 1, but every film made in modern times that has to do with war, fighting, death, violence and murder (several times). Slowly, we find, such identification change such individuals. The same thing happens to T-girls who spend much time in the imaginative female spectrum, they change slowly, becoming more like that in reality as well, changing slowly.
Thus watching many movies on war identifying with being a vengeful warmachine, might actually in a stressfull situation, combined with a life crisis, trigger the hidden imaginative being nurtured by such imagination, making that person pick up a riffle going into warmode showing the world a thing or two. Where as a T-girl in same stressfull life crisis, very well might say ”Fuck it all.” pick up a pair of stilettos and wearing a tight skirt ”showing” (though in a more practical sense) the world a thing or two as well.
A young special guest star performing his talent for the crowd.
Records of a Juneteenth celebration in OKC back in 2017.
For those that don't know, Juneteenth is a holiday celebrating the emancipation of those who had been enslaved in the United States. It commemorates the event of the word finally getting to Texas that all enslaved peoples were free that occurred on June 19, 1865 (two and a half years after Lincoln had sign the Emancipation Proclamation freeing all slaves).
I have so many connections on LinkedIn it became almost unusable and started becoming a repository of business contacts. This visualization, though mesmerizing to me at first and to others as well, is interesting though the groups are spread around time, location, profession and education.
The top and left is more related to my design expertise, the lower right is more my personal life.
Also the edges are filled with people I barely know. Then again in the center it is often the same.
Maps of racial and ethnic divisions in US cities, inspired by Bill Rankin's map of Chicago, updated for Census 2010.
Red is White, Blue is Black, Green is Asian, Orange is Hispanic, Yellow is Other, and each dot is 25 residents.
Data from Census 2010. Base map © OpenStreetMap, CC-BY-SA
Visualizing the various features of the SwiftRiver distributed reputation and veracity functionality.
Things like Time, Location, Activeness as well as Global and Local interaction, are all considered in scoring. Time (green) and Location (dark grey) are optional, for scenarios like a conflict or war. The content producer’s location, or proximity to ‘ground zero’ tells the system to factor this in to its score. Also the length of time that content is produced after the initial event may also tell us a lot. Things like ‘time’ and ‘location’ are optional because if your Swift instance is tracking something like a political scandal, time and proximity may not actually add any value to authority calculations.
Purple represents how active Users 1 and 2 are. In and of itself how much someone uses a Swift instance is irrelevants. It could mean that they are an eager member providing valuable assistance, or it could mean they are attempting a brute force attack on the system similar to the Figure 1 scenario. However, when coupled with other factors, frequency of interaction is considered and can positively or negatively weight the score for a user.
Illustrative Visualization of a german climate change adaption research network – using processing and a metaball force field fpr moving agents
The Ars Electronica Futurelab made a high-profile guest appearance in Los Angeles. As part of the Walt Disney Concert Hall’s IN/SIGHT series, Esa Pekka Salonen conducted the L.A. Philharmonic Orchestra in a performance of Ravel’s “Mother Goose” that featured impressive visualizations designed by the Linz-based media art lab.
Credit: Ars Electronica Futurelab
This is a visualization of a blog community. It's one of the end results of our project. In the visualization, thicker lines suggest a stronger connection between the two blogs. If you want to know more, or play with it, hop over to www.blogslikethis.com/
Hydrogen accounts for about 74 percent of the normal matter in the Universe. This visualization shows the electron clouds of hydrogen through the probability density function when the principal quantum number, N, is 1 and 2. The probability density illustrates where the electron is most likely to be found if measured, red indicates high probability, blue indicates low probability.
Update: 2020/06/22: A 16k version is now available.
Update: 2020/07/06: A visualization showing all electron orbitals for N=1 to 6 is also available on Youtube: youtu.be/HyRHT4yOvms
This visualization shows the wave functions of hydrogen when the principal quantum number, N, is between 1 and 2. The wave function is the solution of the Schrödinger equation and describes the electron in its wave form. Yellow and red colors show positive, while blue and purple denote negative values. Its complex square is the probability density, which actually shows where the electron might be found in the atom when measured.
That visualization can be found here: www.flickr.com/photos/188522613@N05/49924325132/in/datepo...
Update: 2020/06/22: A 16k version is now available.
Created by Martin Wattenberg with Marek Walczak (who licenses it under this CC license), Thinking Machine 4 explores the invisible, elusive nature of thought. Play chess against a transparent intelligence, its evolving thought process visible on the board before you.
The artwork is an artificial intelligence program, ready to play chess with the viewer. If the viewer confronts the program, the computer's thought process is sketched on screen as it plays. A map is created from the traces of literally thousands of possible futures as the program tries to decide its best move. Those traces become a key to the invisible lines of force in the game as well as a window into the spirit of a thinking machine.
VersuS: love vs turin, visualizing the realtime lives of cities
www.artisopensource.net/2011/10/16/versus-rome-october-15...
How do people express their emotions on social networks?
Information has become ubiquitously accessible, thus transforming our perception of cities and of the ways we work, learn, communicate and relate to other people.
VersuS analyzes the digital lives of cities to suggest a scenario in which digital and analog realities interweave and become one.
By performing realtime content harvesting on social networks we are able to perform natural language analyses on the conversations running between users, to peek into their emotions, wishes, expectations and desires.
We can make this information available and accessible using information visualizations, mobile applications and generative design artifacts, thus creating the tools which enable the creation of a new form of public space which merges the digital and analog lives of people, transforming them into active agents in a new idea of citizenship, enabling novel forms of expression and representation.
In "love VS turin", we focus on an emotional approach, visualizing the expressions of love and passion of the citizens of the city of Turin, in a realtime collective conversation.
The visualization is put side by side with 3D objects produced using various digital fabrication techniques, and which represent a tangible representation of the emotional condition of the whole territory of the city of Turin.
"Love" can be replaced with other emotions, thus enabling scenarios of focal importance for ecology, public administrations, security, economy and the overall possibility to evaluate the wellness of the people on a certain territory.
VersuS is designed as an evocative tool for people, institutions and organizations, fostering the creation of new, positive, imaginaries for the future of our lives and our relation with the planet and with our fellow human beings.
VersuS is a concept by Art is Open Source and FakePress Publishing, and it is part of the ConnectiCity initiative.
It has been created together with the Fablab Italia and with the Piemonte Share Festival, in a transdisciplinary process in which arts and sciences collaborate to the creation of innovative, breakthrough, scenarios.
VersuS will be officially presented at the 2011 edition of the Piemonte Share Festival together with the Fablab Italia.
Check these websites for more information:
The average San Francisco prices go beyond the $700k limit. But even so, housing is way cheaper in Baltimore.
Sources:
sent to my group www.flickr.com/groups/abc-visualized for the letter A:
1. Port Lockroy and the Europa., 2. A, 3. Looking Back..., 4. Landing
Mike Moradi, Founder and Chief Executive Officer, Sensulin, USA; Young Global Leader capture during the Session: "Visualizing Disease" at the World Economic Forum - Annual Meeting of the New Champions in Dalian, People's Republic of China 2017. Copyright by World Economic Forum / Sikarin Fon Thanachaiary
Ascent Penthouse
Client: Mr Dung - IAM Architecture
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@ Long Nguyen & Thu Nguyen
Architecture - Interior Design & 3D Visualization
0979 962 864, Ho Chi Minh City
advlongnguyen@gmail.com
Edited Chandra Space Telescope visualization of the center of the Milky Way Galaxy. Round variant.
Original caption: Want to take a trip to the center of the Milky Way? Check out a new immersive, ultra-high-definition visualization. This 360-movie offers an unparalleled opportunity to look around the center of the galaxy, from the vantage point of the central supermassive black hole, in any direction the user chooses.
By combining NASA Ames supercomputer simulations with data from NASA's Chandra X-ray Observatory, this visualization provides a new perspective of what is happening in and around the center of the Milky Way. It shows the effects of dozens of massive stellar giants with fierce winds blowing off their surfaces in the region a few light years away from the supermassive black hole known as Sagittarius A* (Sgr A* for short).
These winds provide a buffet of material for the supermassive black hole to potentially feed upon. As in a previous visualization, the viewer can observe dense clumps of material streaming toward Sgr A*. These clumps formed when winds from the massive stars near Sgr A* collide. Along with watching the motion of these clumps, viewers can watch as relatively low-density gas falls toward Sgr A*. In this new visualization, the blue and cyan colors represent X-ray emission from hot gas, with temperatures of tens of millions of degrees; red shows moderately dense regions of cooler gas, with temperatures of tens of thousands of degrees; and yellow shows of the cooler gas with the highest densities.
A collection of X-ray-emitting gas is seen to move slowly when it is far away from Sgr A*, and then pick up speed and whip around the viewer as it comes inwards. Sometimes clumps of gas will collide with gas ejected by other stars, resulting in a flash of X-rays when the gas is heated up, and then it quickly cools down. Farther away from the viewer, the movie also shows collisions of fast stellar winds producing X-rays. These collisions are thought to provide the dominant source of hot gas that is seen by Chandra.
When an outburst occurs from gas very near the black hole, the ejected gas collides with material flowing away from the massive stars in winds, pushing this material backwards and causing it to glow in X-rays. When the outburst dies down the winds return to normal and the X-rays fade.
The 360-degree video of the Galactic Center is ideally viewed through virtual reality (VR) goggles, such as Samsung Gear VR or Google Cardboard. The video can also be viewed on smartphones using the YouTube app. Moving the phone around reveals a different portion of the movie, mimicking the effect in the VR goggles. Finally, most browsers on a computer also allow 360-degree videos to be shown on YouTube. To look around, either click and drag the video, or click the direction pad in the corner.
Dr. Christopher Russell of the Pontificia Universidad Católica de Chile (Pontifical Catholic University) presented the new visualization at the 17th meeting of the High-Energy Astrophysics (HEAD) of the American Astronomical Society held in Monterey, Calif. NASA's Marshall Space Flight Center in Huntsville, Alabama, manages the Chandra program for NASA's Science Mission Directorate in Washington. The Smithsonian Astrophysical Observatory in Cambridge, Massachusetts, controls Chandra's science and flight operations.