View allAll Photos Tagged viewcamera
"The Ship and the Choir” by Pieter Saenredam (1597-1665). painted on the wall by DeStrakkeHand in april 2020
CamTech:
Cambo ActusGFX Fujifilm GFX50s CarlZeiss Contax645 35mmf/3.5
This is an advance copy of my first published book (one made by someone other than myself). The book will be released by www.charleslanepress.com in September 2011. Charles Lane Press was started by Richard Renaldi and Seth Boyd and they are becoming known for their immaculate attention to detail in the production of their books. Mine will be the 4th book they have produced.
Trying different film types with my 4x5" camera. 2 strobes.
Symmar 180mm
Ilford HP5 plus EXP.10/2018
dev. 7' in TMAX 1+4
11. Dezember 2025
Camera: Toyo-View 45GII, Schneider-Kreuznach Super-Angulon 90mm f/8. Film: Rollei Ortho 25, developed in Rollei RLC Low Contrast.
Arca Swiss large format camera with polaroid film back
Fuji Fp-100c instant film
model: Luciana Cáceres
16 Mile Creek
The sun was traveling straight down the creek right at me ... had to capture it.
f45-64 @ 1/2 second + Orange Filter
ShenHao HZX45-IIA + Fujinon-W 135mm f5.6 + Arista EDU Ultra 100 @ 80 iso + HC-110 (9mL syrup + 600mL water) @ 7 min (Tray developed, 1 min initial agitation followed by every 30 seconds)
I am loving how this orange filter accentuates the highlights and separates the tones amongst the fall coloured leaves. It also offered up a little more contrast in the stream to make the highlights pop as well as enhancing the separation of tones in the clouds.
I accidently mixed only 6 mL of HC-110 instead of my normal 9mL, on top of that, I reduced my development time. I thought the negative would be completely underdeveloped. Could have used a bit more development in the shadow areas but turned out OK despite my mistake.
This image is a part of six image series from 1998, shot on large format film with a view camera and then made into photopolymer gravures.
croton reservoir dam
omega 45d monorail 4x5
efke 50
schneider 210 symmar
one of the first five 4x5 images i have shot. A big change from small or medium format. Still have to sort out some technical issues (light leaks from improperly loaded film, and i can't decide wether it is worth it to get a polaroid back...
Re-scanned and edited original negative 1/4/20. I have no idea how I tortured the original into that garish frankenstein of a picture, but I corrected it here.
Camera: Deardorff V8 with a 4x5 reducing back.
Lens: 12" Kodak Ektar.
Film: Kodak Portra 160VC
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In addition to the standard view camera lenses I have for the Linhof, the 90, 135, and 210mm lenses, thanks to the used lens board box at my local camera store I was able to mount these two shutters that have been sitting in the closet for far too long.
The empty vintage Kodak Kodet shutter on the left will have a brass pinhole installed in it. The 10.5cm f:4.5 Kodak Anastigmat on the right was removed from an old Kodak folding camera years ago. I was thinking it might make an interesting lens to use with the 6x6 and 6x9 roll film backs.
A 5x7 view camera owned by my great grandfather. This Christmas, it was handed down to me by my uncle. It is in amazingly good shape. It needs new bellows and a few other small items but overall, it's looking great for a 100 year old camera. I can't wait to get it working and try it out.
Learn a bit more about the Seneca Camera here.
Ideal 10x12 field camera from Rochester Optical Co. sporting a new lens board. The original lens boards that came with the camera did not have the lens centered. I have a theory as to why, but not sure. Either way, I wanted a lens board with the lens centered and found a guy making and selling lens boards via eBay. It turned out he does fantastic work.
This is another early in the year photograph. We were assigned to do Product with and without props. I made it my policy to buy props I could later use whenever possible. I really liked this shot and it made it into my final portfolio. Some people are against the blue marbles and some people like them.
This is shot on film with a 4x5 view camera.
This piece was also one of my Extras in my Hallmark Institute of Photography final portfolio. It was also used for my Product with and without props in Phase 1 or 2.
If you are interested in a print of this image, please email me and I will list one in My Store! I will also create custom products such as greeting cards for you.
© Julia Grace Arts
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Gelatin-silver photograph on Agfa Classic VC FB photographic paper, image size 24.7cm X 19.3cm, from a 8x10 Kodak Tmax 400 negative exposed in a Tachihara 810HD field view camera fitted with a Fujinon-W 300mm f5.6 lens.
The back of the camera was strongly tilted to set the Scheimpflug plane from the bow of the boat all the way to the distant horizon. The tilt also stretched the image of the boat into a sleeker more elongated form.
Wollensak Velostigmat Series IA in Betax #3 shutter with triple convertible aperture scale for 8 1/4", 12 3/4", and 15 1/2" focal lengths
Portraits - Chambre Ilko 8x10
foma 100 in Rodinal, 6.5min @20°C
Quite a lot underexposed and bad contrast with the rim light on some. I also neglected the background :(
Well, errors lead to progess, isn't it?
Gelatin-silver photograph on Ultrafine Silver Eagle photographic paper, image size 19.5cm X 24.6cm, from a 8x10 Efke IR820 negative exposed in a Tachihara 810HD triple extension field view camera fitted with a Wollensak 159mm f9.5 lens and IR680 filter. Exposure time was 20 minutes at f22.
Titled, signed, and stamped verso.
I went back a second time in the hopes of getting more open shadows. It was still overcast, but around noonish rather than 5Pm-ish like the first shot. I think a center filter would be really nice. Usually I like vignetting, but in this case where the full width of the image circle is being used it becomes too extreme. Perhaps this location needs cloudless sunlight, maybe this is just too drab and flat. Hmmm.
Unfortunately I had no working light meter on this shoot. Damn battery died, as I must've left it on from the last time. (no auto power off mode apparently) Dammit. One of these days I should really do a proper film exposure\development test. Sounds like homework…bleah.
I don't usually feel good about toning stuff on here because it makes things look inconsistent as a whole, but it does make things nicer in many cases.
This one was 1sec. at ƒ16 if I remember correctly. Gotta say the not-as-blurred streaming bubbles do look nice. The blurry foliage is less exciting, though. Getting that scheimpflug loving is a real pain in the ass, especially when your feet are raw and blistered, you're standing on a wobbly rock and the darkcloth is sopping wet from ambient moisture and perspiration. Cripes, the shit I put up with for you 26 people! ;P (Joke)
Three days ago some very ominous clouds over Vancouver. I walked up to a high point in my neighbourhood with my Graphic View and took this Kodak 160VC sheet. I had a nice conversation with a guy walking his dog who used to shoot sheet film back in the day.
My Arca-Swiss 4x5 photographing fall wildflowers in the Guadalupe Mountains of west Texas.
See more and the finished images on my blog
thelargeformatcamera.blogspot.com/2012/10/el-cap-and-guad...
Brandon gets his portrait uploaded first because he was nice enough to send me a Polaroid 545 back. Taken in Cleveland, OH
Camera: Toyo D45M
Lens: Komura 152mm f/2.8
Kodak Ektar 100
"Mr. Williker's story time nights were always a favorite for the village kids. They would come from miles around to hear his tales of his years of service with the Peace Corps and the C.I.A. and they loved when he would frequently get them confused."
I think I got lazy on this one by relying on only the ambient light in the room and a longer exposure. I should have hauled a gridded beauty dish out from downstairs and put it on a boom arm directly over the moose shining straight down then killed the ambient lights in the room to give it more of a dark story time feel. I should probably have used some of the camera movements available to fix the vertical lines on the wall too. All notes for next time...
4x5 for 365 Project details: greggobst.com/4x5-for-365/
Camera: Calumet 45NX 4x5 large format monorail view camera.
Lens: Fujinon-W 210mm F5.6 lens in a Copal B shutter.
Film: Ilford HP5+ 400 ISO Negative Film, shot at 200 ISO.
Exposure: 8 second exposure @ F22 based upon an original reading of 4 seconds and compensated for reciprocity and bellows extension.
Development: Self Developed in Kodak Xtol 1+2 dilution in Paterson Universal Tank using the Taco Method. 13 minutes @ 20 degrees Celsius. Tap water stop bath. Ilford Rapid Fixer. Photo-Flo rinse.
Scanning: Negative scanned with Epson V600 in two scans and merged back together in PhotoShop since the V600 doesn't natively support 4x5 scans in one pass.