View allAll Photos Tagged van
Happy to see my picture in @vansgirls Instagram | Thanks to @brainsfordinnerr 💞 Her dream came true 🌴
Instagram: instagram.com/vansgirls
Facebook: www.facebook.com/BstaticPhotography
Tot in 1995 was dit gebouw de brouwerij Lamot, nu congrescentrum waar regelmatig grote tentoonstellingen plaats vinden.
Leroy Van Dyke was born in Mora, Missouri. He lived in Spencer, Wisconsin, but graduated from the University of Missouri majoring in agricultural journalism. He was catapulted into country music fame in 1956 with his composition "The Auctioneer", co-written with Buddy Black, which sold over 2.5 million records. He wrote the song about the life of his cousin, National Auctioneers Association Hall of Famer Ray Sims, also a Missourian. Van Dyke had the lead role of a budding country music performer in the 1967 movie What Am I Bid?, in which Sims played himself as an auctioneer.
In his 50 years-plus career, Van Dyke has recorded more than 500 songs, dozens of them making the charts. His record of "Walk On By" (1961) was named by Billboard magazine in 1994 as the biggest country single of all time, based on sales, plays and weeks in the charts. It stayed at number one in the U.S. country chart for 19 weeks, and in all, charted for 42 weeks, also reaching No. 5 on the pop listings. It sold more than 1.5 million copies. 10/9/15
This van was parked peeping out of the warehouse/workshop. My neighbourhood adjoins an industrial quarter and until I had my zoom, I never found it particularly interesting as with a 1x you have to get up close and people just chase you away. With the zoom, you can shoot from across the road without offending anyone.
The Snouck van Loosenpark was opened in 1897 as a social housing project in a park. It was paid by an inheritance of the Snouck van Loosen family. The large modern houses were intended for deserving workers. It is still has a social housing function.
François Morellet, Composition 86, 001 (en deux pièces) 9 lignes, 1986, wol en linnen.
Gezien bij de tentoonstelling 'Extra Large. Wandkleden van Picasso en Le Corbusier tot Louise Bourgeois', 28 maart 2020 – 3 januari 2021, Kunsthal Rotterdam.
(Bron: Kunsthal) De tentoonstelling ‘Extra Large’ belicht een periode van honderd jaar, met wandtapijten van direct na de Eerste Wereldoorlog tot nu, en ontvouwt een vrijwel onbekend aspect uit het oeuvre van veel moderne en hedendaagse kunstenaars. Zij gebruiken de eeuwenoude weeftechniek als basis voor hun textielkunst en interpreteren deze steeds opnieuw. Het grootste deel van de ruim zestig werken is vervaardigd in het historisch instituut ‘Manufacture des Gobelins’ in Parijs.
© sergione infuso - all rights reserved
follow me on www.sergione.info
You may not modify, publish or use any files on
this page without written permission and consent.
-----------------------------
I Greta Van Fleet dopo aver cancellato la data del 24 febbraio all’Alcatraz a causa di una grave infezione respiratoria che ha colpito il cantante Josh Kiszka, arrivano a Milano il 24 novembre 2019.
I Greta Van Fleet sono un gruppo musicale rock americano formatosi nel 2012 a Frankenmuth, Michigan. I membri della band sono Joshua Kiszka, Jacob Kiszka, Samuel Kiszka e Daniel Wagner.
La band è stata fondata nel 2012 dai fratelli Kiszka e Kyle Hauck. Il nome del gruppo è stato scelto quando uno dei membri ha sentito nominare una residente chiamata Gretna Van Fleet: la variazione nel nome è stata fatta con il suo beneplacito. Hauck ha in seguito lasciato il gruppo nell'ottobre 2013 ed è stato rimpiazzato da Daniel Wagner nello stesso anno. Quando Hauck era il batterista, il gruppo ha registrato e pubblicato tre canzoni: Highway Tune, Cloud Train e Standing On. Quest'ultima, nel 2014, viene usata per pubblicità di Chevy Equinox nell'area di Detroit. Nonostante il discreto successo della canzone, successivamente ne viene resa nota la cancellazione dal mercato discografico insieme a Cloud Train.
Joshua Kiszka – voce, chitarra
Jacob Kiszka – chitarra
Samuel Kiszka – basso, tastiera
Daniel Wagner – batteria
Foto gemaakt tijdens DelfSail 2016. Alle foto's in dit album zijn gemaakt in opdracht van DelfSail ten aanzien van mijn bijdrage aan het DelfSail Social Media Team.
Alle rechten op deze foto's zijn nadrukkelijk voorbehouden. Gebruik van foto met watermerk, of met bronvermelding is toegestaan voor eigen gebruik.
Van Morrison plays March 12, 2008, at SXSW in Austin, Texas. More photos: www.undergroundbee.com/2008/03/12sxsw1/index.htm
Firewalking van adverts.
"Combining the elements of change".
Including: Corporate Firewalking, Ritual Training and 'Supported Goal Setting' (whatever that is).
Kandidaat Partij van de Arbeid voor het Europees Parlement. Foto: Lex Draijer. Op pvda.nl de volledige lijst: www.pvda.nl/europeseverkiezingen
Illustration sketch to respond to artist Vincent Van Gogh's studies of blossom. Pen and pencil piece
Date: March 2015
IFANBOY
December 2, 2011
WORD BALLOON PODCAST
On this episode of Word Balloon Fred Van Lente discusses the IDW release of The Comic Book History Of Comics, written by Fred and drawn by Ryan Dunlavey. The talk leads to the debate about fine artist Roy Lichtenstein’s pop art paintings that were based on real comic book panels. Were these painting fine art celebrating design, like Andy Warhol’s Campbell Soup Can paintings, or outright plagiarism of comic artists like Mike Sekowsky and Russ Heath?
ifanboy.com/podcasts/word-balloon-podcast-fred-van-lente-...
Simon Fraser @simonfraser
A tremendous piece of scholarship, DECONSTRUCTING ROY LICHTENSTEIN
davidbarsalou.homestead.com/LICHTENSTEINPROJECT.html
nortonclybourn
I have always shared Lichtenstein's amazement that he got away with it.
The captions in this gallery make a valiant effort to show that LICHTENSTEIN was innovative and important but, sorry, no sale.
THE IFANBOY LETTER COLUMN – 12.02.2011
What do you think about “mainstream” (or wannabe mainstream) artists working obvious copies of comic book panels into their art? The most obvious example is Roy Lichtenstein, but it continues to this day. Does this help elevate the medium? Or does it work against it, perpetuating the notion that comic books are no more subtle or nuanced since the days of Simon and Kirby?
Isaac
I really haven’t thought about it that much, and my knowledge of that side of the art world is limited, but it relates very much to the culture of “sampling” that has developed, and how much of that is art. Recently, I saw our friend and comic book writer, Joe Keatinge address this exact problem, and he did it with much verve and passion. I’d read his Open Letter as a starting point. The Lichtenstein piece in question sold for $43.2 million.
Personally, it simply doesn’t seem right that you can take a bit of art that Jack Kirby did, paste it in place, and rejigger it, then sell it for a lot of money, and the original artist gets nothing. Presumably when an artist samples music, the original songwriter should get part of those proceeds, or somehow be involved in licensing their art.
As for what’s morally right, that’s a different story. Art is subjective and interpretation is valuable, as is reinterpretation. Who’s to say what makes art art, if it makes you feel something. We look at this question all the time in comics themselves. Is incorporating photos in your are the same as drawn comic book art. Kirby himself used a lot of photo collage at certain points in his career. How can Alan Moore complain about people using his work as a starting point when he used the work of others as the starting point for so much of his work? Where is the line between inspiration and copying? It’s somewhere, but it can be hard to define and delineate.
I think this drives the point home though. This is a bit from Joe’s letter, and really sums up where the problem. is, and it is a problem.
To illustrate my point, Heath has been quoted as saying, “[Roy Lichtenstein] did four different ones based on my panels. After he died, they found the cut-up comics with my art in his office. One of those paintings sold for $4 million.” Heath has never seen a dime off the sale of what is no doubt his work, to the point he has needed help from the aforementioned Hero Initiative.
Now is it Lichtenstein’s fault that Russ Heath doesn’t have enough money to cover his bills? No. But does the situation seem right? No, it doesn’t.
Josh Flanagan
Greta Van Fleet
Pinkpop Festival 2018 - Day 3
Landgraaf, Megaland, Netherlands NL
17th June 2018
This image is copyright © Roberto Finizio. All right reserved. This photo must not be used under ANY circumstances without written consent.
for info and photos visit my website www.robertofinizio.it
Questa immagine è protetta da copyright © Roberto Finizio. Tutti i diritti sono riservati. L'immagine non deve essere utilizzata in nessun caso senza autorizzazione scritta dell'autore.
per info e materiale fotografico visita il mio sito www.robertofinizio.it
Surrounded by photographers, the six finalists visit with Van Cliburn Foundation president Richard Rodzinski (far rt on piano) after being selected, left to right: Yeol Eum Son, Haochen Zhang, Mariangela Vacatello, Nobuyuki Tsujii, Di Wu and Evgeni Bozhanov. Final day of the semifinal rounds of the 2009 Van Cliburn International Piano Competiton at Bass Hall in Fort Worth, Texas. Photographed Sunday, May 31, 2009. (Fort Worth Star-Telegram/Paul Moseley)