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Maria Mendes quintet
concert in Paradox Tilburg on november 20st 2015
Maria Mendes - vocals
Karel Boehlee - piano
Clemens van der Feen - bass
Jasper van Hulten - drums
Steven Kamperman - clarinet
First registered in London about October 1958 if true to when this number would first have been issued, but shown on DVLA database as manufactured in 1955? This may be misleading as single piece windscreens didn't become standard until 1964 together witn a flat bonnet top. Square rear wheel arches came in 1969, which narrows this one down to 1964-9. It was first registered in the UK in June 2016, so both 1955 and 1958 dates are red herrings. Spotted below the Humber Bridge.
More about the vans at; en.wikipedia.org/wiki/Citro%C3%ABn_H_Van
Unrestored 1921 Essex Van that was on display at the museum.
Taken at the Hamilton Pastoral Museum Open Day, Victoria in 2014.
Anneke Van Giersbergen @ Paris 20 05 2012
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Guanajuato!
"Guanajuato (1990 pop. 113,580). Capital of the Guanajuato State, with an altitude of 6,583 ft (2,008 m), is a historical and picturesque town of agreeable little plazas, streets lined with stairs and houses of pastel-colored facades and balconies trimmed with iron work, and flower-filled window boxes, located about a five-hour drive northwest of Mexico City. The town is a maze of cobblestone streets and alleys that wind around steep hillsides upon a small ravine, opening into vistas of beautiful churches and small plazas."
De Winkel van Sinkel in Utrecht met daaronder de verlichte uitgang van de tunnel die start in de Ganzenmarkt, verlicht in het kader van Trajectum Lumen
Rewire festival 2014
Acte de Présence, Den Haag
Wouter van Veldhoven describes himself as: “tape recorder addict, musician”. The manner and order of this self-description obviously has some importance for him, as his live performances are driven by an imposing assemblage of old and self-built tape recorders and related electronic equipment. Live, the overall effect is impressive, both audibly and visually. Incendiary magazine was moved to say that van Veldhoven’s sound was “a vast womblike racket [...] his cosmic bubble being floated by a wall of old synths and things that looked like they’d been nicked from Alan Turing’s shed.”
Van Veldhoven sums artistic matters up in another brief character sketch: “lots of hiss, nostalgia and moving parts.”