View allAll Photos Tagged values
Data Value Hub
“How can Artificial Intelligence enable growth for SMEs”? Looking forward to hearing presentation on this topic for local SME's. datavaluehub.com/about-us/
Title Slide for Core Value series: The Bible is the Word of God. This is a generic design to be used for all Core Values (just swap out the text under the text "Core Value"). The imagery is of the county in which Life Church Calvert resides and serves (our "core" location").
The text wrapping around the circle or "core" is a list of all our core values. For each series the core value that is being taught would be in the center underneath "Core Value"
‘Happy birthday to me’ Thanks to you all.
To me, the greatest birthday gifts on my birthday are your ‘wishes’
I value your gifts.
Thanks again & God Bless
Birth day cake butter scotch Monginis 700, Coconut dos, mysore park, Bol, Bananas
Féppy bôddey to me 10.10.20
Thank you all 360
A.Anthony FERNANDES
Adilia Baretto
Adolf Fernandes
Adrian Fernandes
Adrian smile 2
Adriano Pinto 49
Aelred Pereira
Aeral Paul Fernandes
Afonsa A Fletch
Afzal Xec
Agnelo D’Souza
Agnelo Pereira
Agnelo Rebello
Agnelo Vailantonio Lobo
Aires DSouza
Aires Rodrigues 351
Ajay Nagvenkar
Alan D’Souza
Alberto Cardoso
Alberto Fernandes
Alcina Maria Trindade
Aldrin Pereira
Aldrine Braganza
Alex Albert Fernandes
Alex Dragan Fernandes
Alex Taylor
Alfredo Fernandes
Alison Morenas
Alleluia Fernandes
Alvito Dias
Ambrose Vaz
Ancy S DSouza Paladka
Andrew Carter
Andrew Felix Vieira
Andrew Ferrao
Andrew Menezes
Aniceto Pinto
Anil Manwani
Anita Fernandes
Annie Fernandes
Annie Francisca Fernandes
Anthony Cardozo
Anthony Dias
Anthony Evaristo Braganza
Anthony Rodrigues
Antonio Rebello
Anupama Bhat 148
Ariosto Coelho 324
Armando Araujo
Arnley Pires
Arnold Pereira
Ashwin De Sozua
Assenca Fernandes
Aveena Pereira
Basil Sachinist
Beny Pereira
Bernardo Santana Fernandes
Bertha Rodrigues
Betty D’cunha
Biatrice Da Costa Pinto
Bom Sucesso
Bond Braganza
Bonny Araujo
Bonny Pereira 17
Brendan Fernandes
Caetaninho Menezes 96
Caetano Da Costa
Cajetan Fernandes
Cajy DCosta
Cajy Fernandes
Candino Rodrigues
Carlos Figueiredo
Casinao Edward DSouza
Cecil Pinto
Cezar D’mello
Chirs DeCosta
Chris Vaz 354
Ciano DSozua
Claudio Fernandes
Colins costancio Fernandes
Collin Savio Coelho
Comedian Jane
Constancio Fernandes
Croyden Menezes
Cyril Crasta
Cyril Fernandes
Daniel F D’souza
Deejay Seby de Araujo 274
Denis Nunes
Dennis Lourenco
Denzil DSouza 93
Derick Rose DCunha
Derrick Mendes
Diana Kavita de Souza
Dias Newton 8
Dinesh Salgaonkar
Doella D Silva
Dolrich D’Costa
Domingos vas
Domnic Fernandes 3
Domninic Araujo
DoraRosa D’Mello
Dores Rodrigues
Dorothy DSouza Almeida
Dr. Reyna Sequeira
Ed De
Edmund Anthony Gurjao
Edson Ramos
Elvis Goes
Elvis Marcarenhas
Elyston Dias 131
Enzo Rego
Ephrem Rodrigues
Eric Pinto
Estevao DeSouza
Etelvina Rebelo
Eusebio Perry Eperry
Eusebio Rodrigues
Fanny Colaco
Felix Gracias
Fernandes Cip
Fernandes Socrates
Ferns Sheron 356
Fidelis Britto 357
Filipe Dias
Filomena Gonsalves
Floyd Colaco
Francis Fernandes
Francis Vaz
Francisco Baretto
Francisco Menezes
Franciso A Afonso
Frank Carr
Franky Fernandes
Freda Joana
Frederick Noronha
Frederick Savio DSilva
Fula Maria Fernandes
Gabe Menezes
Gabriel de Figuiredo 295
Gabriel De Sa
Gaspar Almeida
Gennifer Marshall
Gisella Leitao Aires Gomes
Gladrin Fernandes 45
Gladson Luis
Glenn Jacques
Glorisco Rodrigues Cardozo
Godwin Castelino
Gopi Chari
Grace Braganza
Hamlin Fernandes
Hema Sardesai 158
Herman D’Souza 206
Hortencio Pereira 168
Inacinho Cardozo
Isidore Alexander Dantas
Ivor Gomes
Ivy Pereira
Jack D’Souza
Jackie Spooner
James Mendonca
Jane Alphonso
Jennifer Cardozo e Pereira
Jerome Fernandes
Jerry Dais 352
Jesmond Hubert Climents
Jesuin George Fernandes 343
Jivito Fernandes 82
Joao Furtado
Joaquim Teles
Joe Alemao
Joe Carvalho
Joey Rebello 360
John Corte
John Kennedy Rebello 350
John Pashu
Johnsy Fereira
Jonathan Fernandes Bradson
Jones Fernandes
Jose Antonio Silveira
Jose Salvador Fernandes
Joseph C Dias 195
Joseph Francis Mendes 245
Joseph Turner 255
Joyce Azavedo
Jude Pereira 236
Justiano Fernandes
Kamalendra Singh Srinet
Kashinath Dhanajay Mayekar
Kashyap Bandodkar
Kay Gomes
Kelly Colaco
Kenelm Santana Lopes 25
Kumar Siddharth
Lafaraz Fernandes
Lance Dias 349
Laura Fernandes
Lawrence Fernandes 147
Leo Nazareth
Leopoldina Dias
Lian Falk-Rodricks
Liberata Monteiro
Lino B Dourado
Lizette Lobo
Louisa Fernandes
Lourdina Lobo
Lucy colaco
Luis Fernandes
Luisa Rodrigues Coelho
Mahesh Bharne 35
Malcon Silveira
Mandovi Buyao Sansgiri
Manisha Molly Bandodkar
Manuel Camilo
Manuel Fernandes
Margarita Martins Crasto
Maria Anthonette Fernandes
Maria Carvalho
Maria Celsa Pereira
Maria Lourdes Fernandes
Maria Mantu Mascarenhas
Maria Santana Pereira 285
Mario Andrew Rodrigues
Mario D Costa 9
Mario Rebello 141
Mario Ronaldo Pereira
Markus Fernandes
Marshall Mendonza
Marwin Fernandes
Mary Silveira
Mateus Oswin Fernandes
Mathew Stephen D Souza
Mercia Pereira
Mercia Viera
Merciana Rodrigues
Merlyn Fernandes
Michael Diniz
Michael Micky Fernandes 4
Milena Marques-Zhacariah
Milind Hoble
Milind Kamat
Moris Sequeira 7
Muriel Martins
Myron Rodrigues
Myron Viegas
Nalini Menezes
Navin choudhary
Nephie Rod
Neville Monteiro
Nifa Cotta
Nilesh Harmalkar
Nixon Fernandes
Noel Carvalho
Numan Shaik
Olga Pinto Maciel 189
Oscar Lobo 1
Pankaj Maurya
Pascoal Noronha
Pedro Fernandes
Perpetual DeAlmeida Singh
Peter Camilo
Peter J Fernandes
Peter Mendes
Peter Paul Fernandes
Philip Senastian Fernandes
Prashant Parab 99
Pravin K Sabnis
Pravin Redkar
Quincy Pinheiro e Pires
Rahul Gerard
Rajan Savllo Ghate 332
Rajtilak Naik
Raju Arvodker Pai
Ralf Wokan
Randi Nyland
Ravi Carvalho
Ravi Chandwani
Ravi Sangekar
Renson Menezes 10
Reny S Pereira 314
Richard Fernandes
Richard Socorro Fernandes
Richard Socorro Silvester Rodrigues 264
Rienzy Pereira 358
Riston Gomes
Roberto DCosta
Rodney Severes 355
Ronnie Rons D’Souza
Ros R. Gomes
Rosario Francisco Frois
Rosevelt Anthony Rodrigues
Royce Jose Fernandes
Ruth de Barros
Sabrina Afonso
Saby Fernandes
Sachin S Ljari
Sakaram Sinai Borkar
Sanjeev V Sardesai
Santana Pereira
Savio Marlon Fernandes
Savio Colaco
Savio Dias
Savio Joaomaria D
Savio Noronha
Savio Steve Saldanha 304
Seby Barretto 229
Seby Silveira
Semy Braganza
Senon de Souza
Shailendra Bidye
Shanu Fernandes
Sharon Dias
Shastri Rodrigues e Rebello
Shekhar Bandodkar
Shine on Silvina
Shiva Mandre
Shivdeep naik
Siegfried Serrao
Sigrid Pfeffer
Sil Rodrigues
Silva Mikey
Silviano Barbosa
Simon Rodrigues
Smita Sutar Dhanwade
Snaysha Fernandes e Dias
Socorrina Fernandes
Socorro Fernandes 114
Souza Pearl
Stanley Coutinho 74
Stanley Nuco Vaz
Stephen Dourado
Stephen Fernandes
Stephen Ida Fernandes 175
Stive Net-Links
Suzy Fernandes
Swapnil Parab
Tecla Barretto
Tessy Silveira
Thomas De Souza
Tina Goes
Tony Ferandes
Tony Rodrigues
Trudy Dias Silveira 189
Tza Marques
Valerian Viegas
Vency Fernandes
Victor Fernandes
Victor San Ferns
Vishalanand Kambli
Vivek Menezes 5
Vsano Pereira 221
Walter Lobo 359
Welchy Fatima Fernandes 353
Wilfredo Fernandes
William Lobo
Wilson Vaz
Wright Cota
Yolanda Menezes
Zevon Volr
The Škoda Rapid Convertible
(cabriolet) was remarkable value for money when sold in the UK in the Mid-1980s. Converted for Škoda (UK) from standard cars by Ludgate Designs in Kent, the (now rare) convertible was considerably cheaper than other new soft-topped cars on the market. It was a good drive, too. Autocar described the car as "the poor man's Porsche", and they are now sought after vehicles. This - probably the best one surviving - was taking part in this years SALT Rally, and was snapped at the Three Swans Hotel, Market Harborough.
The SALT Rally 2012 (SALT SIX) was held around Market Harborough. The SALT Rallies are for vehicles built in the Cold War period, and the events tour Cold-War related venues. Most of the participating vehicles come from the Soviet Bloc, but there is no political element, implied or actual in the SALT ethos.
Visit the Communist Classic Cars Panorama!
Camera: Nikon F5
Lens: Nikkor 28-80mm zoom
Film: Kodak Ektar 100
value on calculator. You are allowed to use this image on your website. If you do, please link back to my site as the source: creditscoregeek.com/
Example: Photo by CreditScoreGeek
Thank you!
Mike Cohen
May 13, 2015 | The Role of Philanthropy in Shared Value, featuring FSG's Mark Kramer, Walmart Foundation's Kathleen McLaughlin, and Ford Foundation's Darren Walker.
Greg Becker, President and CEO, SVB
Doug Hirsch, Co-CEO and Co-Founder, GoodRx
Carol Massar, Anchor, Bloomberg TV/Radio, Bloomberg LP
In everlasting memory
of
Ellen MELVILLE
Daughter of the late
Alexander and Eliza MELVILLE
Who died 27th July 1946
Councillor of City of Auckland
For 33 years continuously.
~Her life was service~
PRESBYTERIAN DIVISION D Row 23, Plot 1
************************************
Occupation at death: Solicitor [1]
Age at death: 64
Lovely portrait of Ellen:
www.teara.govt.nz/en/photograph/2229/eliza-ellen-melville
Biography by Sandra Coney
Eliza Ellen (known as Ellen) Melville was born on 13 May 1882 at Tokatoka, Northern Wairoa, New Zealand, the third of seven children of Alexander Melville, a boatbuilder and farmer, and his wife, Eliza Annand Fogerty, formerly a schoolteacher and governess. Until she was seven, Ellen was taught at home by her mother, who instilled in her the value of education.
Ellen Melville attended the tiny Tokatoka School, then in 1895 won a Junior District Scholarship to attend Auckland College and Grammar School. The law as a profession was just opening up to women, and in 1898 Melville passed her matriculation and her Solicitors' General Knowledge Examination. She received her early legal training at the Auckland firm of Devore and Cooper (later Devore and Martin), and in 1904, encouraged by her employers, began studying law at Auckland University College night classes. In December 1906 she became the second New Zealand woman to be admitted to the Bar and, three years later, the second to establish herself in sole practice; the first had been Ethel Benjamin.
With her professional career established, Melville turned her attention to the chief interest of her life: the advancement of women. The feminist movement in New Zealand was at a low ebb and she devoted herself to rebuilding it through the formation of women's societies, and through advocating women's involvement and participating personally in public life.
In March 1911 she was the prime mover behind the formation of the YWCA Women's Club in Auckland as a place for working women, mainly office workers, to meet and discuss current issues. She was a leading figure in the revival of the National Council of the Women of New Zealand (NCW), calling the inaugural meeting of the Auckland branch in 1917 at the rooms of the Civic League. The following year she travelled to Wellington to attend the national conference at which the NCW was formally reconstituted. She became the first president and was nine times president of the Auckland branch of the NCW, and between 1919 and 1922 was dominion president. In 1924 she travelled to Europe with fellow NCW member Elsie Griffin to 'get in personal touch with the women's movement throughout the world'. In Scotland she stayed with Lady Aberdeen, president of the International Council of Women, and she helped Lady Astor, first woman member of the British House of Commons, in her election campaign. In 1934 she was a delegate to the conference of the Pan-Pacific Women's Association in Honolulu.
The Auckland Women's Club (later the Auckland Lyceum Club), the New Zealand Society for the Protection of Women and Children, the Women's Forum, and, during the depression of the 1930s, the Auckland Unemployed Women's Emergency Committee, were some of the other organisations in which Melville held office. Her briskness, efficiency and strong sense of purpose occasionally led to opposition from other women, but she was never deterred by controversy. Her legal skills were freely put at the disposal of the many women's organisations she supported.
The law provided sufficient financial security for Melville, as a single woman, to be active in public life, although her income was always modest. In 1913 she and other women such as Rosetta Baume and Emily Maguire formed the Civic League, to encourage women to stand for public office. Auckland women called for Melville's own candidacy for the Auckland City Council in 1913, and in that year she was successful in becoming the first woman in New Zealand to be elected to a city council; she was to retain her seat until 1946. Journalist Robin Hyde noted that Melville was initially viewed by her male colleagues as 'rather an improper joke', but she was ultimately respected for her 'logical mind and abundant common sense…. The contributions she made to debates were always models of their kind, brief, completely thought-out and containing original ideas of real value.'
In 1919, when the Women's Parliamentary Rights Act was passed (a reform Melville had agitated for), she announced her candidacy for the Reform Party in the Auckland electorate of Grey Lynn. Despite polling well in this Labour stronghold, she was rebuffed by her own party at the next election when it chose an ex-Liberal to contest the seat. Melville said bitterly that 'the only conclusion to be taken was that they did not want a woman in Parliament'. Instead, she stood as an independent candidate in Roskill in 1922 and, in 1926, in Eden where she split the vote, causing Reform to lose the seat. She continued to seek election in 1928, 1931, 1941 and 1943, standing a total of seven times, but although she polled strongly each time she was never successful. In 1944 she founded the Women to Wellington movement to encourage Auckland women to run for Parliament.
In her local-body life there were also obstacles. Although she was a long-serving member of the key finance committee of the Auckland City Council, had invigorated Auckland's library system, and usually came in near the top of the poll, she was several times passed over as deputy mayor. This led to protests from Auckland women's groups who objected 'to sex being regarded…as a disqualification for leadership'.
Melville believed that politics should be a partnership of men and women, with women taking an equal share in governing; but she also argued that women had a responsibility to look after women's interests, stating that, 'We have only ourselves to blame that government and government departments take no interest in women.' Politically she was conservative, particularly on economic matters. Although she had a broad platform, her parliamentary campaigns gave her the opportunity to publicly advance the agenda of the NCW, including the raising of the age of consent, the appointment of women police, and the need for a motherhood endowment.
For much of her adult life Melville lived with her parents and sister in Mount Eden, Auckland. She took a keen interest in the lives of her nieces and nephews. In her leisure time she grew native plants and went motoring, on at least one occasion combining this with the promotion of New Zealand-made goods. She liked fashionable clothes, often sewing them herself, and making her own hats. She was always attractively dressed, although she refused to wear make-up.
Ellen Melville died on 27 July 1946 in Remuera. The Pioneer Women's and Ellen Melville Hall in central Auckland was erected in memory of her 33-year membership of the Auckland City Council and her service to women, and Melville Park in Epsom commemorates her support for Auckland's sportswomen.
Although she worked tirelessly to complete the work of the nineteenth century feminists in attempting to remove so-called women's disabilities, Ellen Melville represented a new breed of feminism. She was an independent professional woman who vigorously sought full participation in public life. She encouraged other women to follow her and to form strong women's societies, which would take women's concerns into the arena of public affairs. Melville was one of the key figures in the revival of the feminist movement in the twentieth century. [2]
Law practitioner files
Eliza Ellen Melville, Northcote - Admission as Solicitor 1906
archway.archives.govt.nz/ViewFullItem.do?code=19166102
Archives NZ
Executive Secretary records dealing with the administration of Government House and functions of the Governor General as well as subject-based classification files
Ellen Melville and Pioneer Women's Memorial Hall (R18697758)
archway.archives.govt.nz/ViewFullItem.do?code=18697758
Her probate is available:
archway.archives.govt.nz/ViewFullItem.do?code=9372386
SOURCES:
[1]
Waikumete online Cemetery database
[2]
Sandra Coney. 'Melville, Eliza Ellen', from the Dictionary of New Zealand Biography. Te Ara - the Encyclopedia of New Zealand, updated 30-Oct-2012
URL: www.TeAra.govt.nz/en/biographies/3m51/melville-eliza-ellen
To the glory of God
And in loving memory of
Gifford Sherman READE
Of Holbrook House, Ipswich, England
Born 1846 Died at Auckland 5 Dec. 1929
And of his wife
Margaret Augusta Walker
Born 1843 Died 6 July 1929
Mr Reade gave his family property and large fortune to the Admiralty for the benefit of
the Navy and in memory of its services during the Great War 1914-1918
In thee oh Lord have I put my trust
Plaque on top of grave
“Benefactor to The Royal Hospital School
Holbrook, England”
Area 4 Block A Lot No. 10
A GIFT TO THE NATION.
...new Naval College which is to be erected at Holbrook, Suffolk, as the result of the munificent gift of an Auckland citizen, Mr. Gifford Sherman Reade. He has given his ancestral home of 850 acres and an endowment of a total value of £1,000,000. The Admiralty has let a contract for the buildings, which, on their completion in four years' time, will supersede the Royal Hospital, Greenwich, where 1000 boys are educated.
Auckland Star, Volume LX, Issue 159, 8 July 1929, Page 17
OBITUARY.
MRS. G. S. READE,
The death occurred on July 6, at her home, "Summit," 1, Landscape Road, Mount Eden, of Mrs. Margaret Augusta Reade, wife of Mr. Gifford Sherman Reade, and daughter of the late Mr. and Mrs. J. Walker, of Edinburgh, Scotland. Mrs. Reade was 84 years of age. Mr. and Mrs. Reade came to New Zealand thirteen years ago on a holiday trip and decided to settle in Auckland. Their former home was Holbrook House, near Ipswich, Suffolk, England. Mr. Reade spent 35 years of his life in India, where he had extensive estates in Assam and acquired interests in various industries. He retired 25 years ago. In July, 1928, the fact was announced by cable that Mr. Reade had donated his ancestral estate of 850 acres on the southern portion boundary of Suffolk, overlooking the estuary of the River Stour, together with a large sum of money, for the purpose of establishing a naval training school to replace the present one at Queen's Hall, Greenwich. The total value of the gift of Mr. Reade was £1,000,000. The foundation stone was laid by the Duke of York, and building is expected to be completed within four years' time. The interment of Mrs. Reade took place at Hillsboro' [sic] Cemetery. [2]
Margaret’s probate is available:
archway.archives.govt.nz/ViewFullItem.do?code=9383051
“On the 5th December 2008, two former pupils of the Royal Hospital School attended a service at the grave of Gifford Sherman Reade in Auckland, New Zealand. The gravestone has recently been renovated under the guidance of the New Zealand Navy and service coincided with the 79th anniversary of his death.
Gifford Sherman Reade was born in 1864 at Holbrook House and he became a very successful tea trader and ship owner. In 1921 he gifted his Holbrook estate to the Admiralty enabling the relocation of the Royal Hospital School from Greenwich to Holbrook. Gifford Sherman Reade died in 1929 before the new school buildings were complete but he made a further bequest of funds in his will in gratitude for the Royal Navy's safeguarding of his merchant fleet during the First World War.
The service of rededication of Reade's gravestone at Hillsborough Cemetery, Auckland was led by a New Zealand naval chaplain and attended by Tom Blackett, son of the Royal Hospital School's Headmaster, Howard Blackett. Fellow former pupil Chris Emmerson also attended with his father Graham, who transferred as an officer serving with the Royal Navy to the New Zealand Navy four years ago.“ [1]
Holbrook Estate
www.grenhosp.org.uk/general/holbrook-estate/
Gifford’s obituary reads similarly, with the addition that “its erection will enable the famous Macpherson collection to be eventually installed at Queen’s House, Greenwich, where the school is at present established”. [3]
Auckland Star, Volume LX, Issue 289, 6 December 1929, Page 5
"I have now given my all to the Navy," was the reply that Mr. Gifford Sherman Reade was in the habit of sending to the numerous begging letters he received, after it was made public that he had donated for the benefit of the British Navy, property and endowments to the value of £1,000,000. This statement was quite true, as Mr. Reade, in July last, divested himself of all but a small income on which to live for the remaining term of his life. Mr. Reade's death took place last evening at his home in Landscape Road East, Mount Eden, at the age of 85 years, his wife having died last July. As is but fitting, the Royal Navy will be represented at the funeral of this giver of wealth to the Empire by the two commanders of the New Zealand Division, and a lieutenant in charge of a firing party of 24 men. Wreaths have also been sent by the officers. Mr. Reade's former home was at Holbrook House, Ipswich, Suffolk, England, and it is this valuable property, including 850 acres of land which had belonged to his ancestors for generations, which he donated to the Navy, together with funds to equip and endow a training school. The British Admiralty let a contract for the buildings, the foundation stone of the school was laid in October last year by the Duke of York, who forwarded to Mr. Reade a special cable concerning the ceremony. It is estimated that it will take four years to complete the buildings, which will be capable of accommodating 1000 boys.
During the war Mr. Reade made munificent gifts to the cause of the Allies, including huge consignments of tea for the men at the front. This endowment is to be administered as a national trust. Mr. Reade amassed his fortune as the owner of several tea growing estates in Assam. He was also interested in other industries, including coal mining. He spent 35 years of his life in India, and came to New Zealand with his wife 1 year ago. Having no family, and liking the climate, he made Auckland his headquarters, but travelled extensively over New Zealand. He was a keen fisherman.
Some 20 years ago Mr. Reade retired from active business, and travelled extensively with his wife before coming to New Zealand to spend the evening of their days. It was the splendid work done by the British Navy during the Great War that caused Mr. Reade to decide upon making his munificent gift to the Empire. His idea was to enable the Admiralty to transfer the boys from Queen's College Naval Training School, at Greenwich, to more suitable quarters. The Admiralty sent Mr. Smallwood, principal of the college, to New Zealand to finalise with Mr. Reade the details of his gift, which included the offer of £100,000 to be allowed to accumulate until the principal sum is sufficiently large to produce a, sum which will entirely support the institution.
Mr. Reade was a very quiet, unassuming-: man, but with the true instinct of an Englishman, he recognised that the safety of the Empire depended upon the Navy, hence his munificence in providing for the training of youths to man the ships in the future.[4]
A portrait of Gifford is here:
www.mwadui.com/RHS/Index_rhs.htm
Gifford’s probate is available:
archway.archives.govt.nz/ViewFullItem.do?code=9383050
WITH NAVAL HONOURS.
MR. G. S. READE'S FUNERAL
ADMIRALTY SENDS WREATH.
A naval funeral was accorded Mr. Gifford Sherman Reade, who was buried at Hillsboro' [sic] Cemetery on Saturday afternoon. Mr. Reade, who had ardently supported the Navy throughout his life, and who had presented his entire estate to the Admiralty for the establishment of a naval school, which he endowed to the extent of more than £1,000,000, was buried with full honours.
A naval detachment, consisting of Commander Robertson, of H.M.s. Veronica. Commander Jeffries and Lieutenant R. S. Jessall. of H.M.s. Dunedin, and 24 men from the combined vessels of the New Zealand station, was present. Regret at their inability to attend was expressed by Commodore Blake and Commander Tobin. of H.M.s. Philomel, who were detained by the naval manoeuvres conducted by the Royal Naval Reserve. Three wreaths, one from the Lord- Commissioners of the Admiralty, one from the commanders, officers and men of the ships of the New Zealand station, and one from the superintendent, officers and boys of the Royal Naval School at Greenwich were sent.
Mr. Reade, whose wife died last July, was not survived by any relatives in New Zealand, nor had he many acquaintances. Two families of his very intimate friends were represented at the funeral. Mrs. G. Haydock, Mr. R. Haydock and Mr. B. Haydock and Mr. and Mrs. D. Gillies. The Rev. E. P. Willis, vicar of St. Andrew's Church, Epsom, conducted the service; he was assisted by the naval chaplain, the Rev. G. T. Robson. Eight men from the New Zealand station acted as pall-bearers. [5]
SOURCES:
[1]
www.royalhospitalschool.org/default.asp?page=560&news...
[2]
paperspast.natlib.govt.nz/cgi-bin/paperspast?a=d&cl=s...
[3]
paperspast.natlib.govt.nz/cgi-bin/paperspast?a=d&cl=s...
[4]
paperspast.natlib.govt.nz/cgi-bin/paperspast?a=d&d=AS...
[5]
Some of the values artists value. Croudsourced values, part of *For the Love of it*, Artquest, London 2013
Morning Joe | Follow us | #Today on #MSNBC's #Morning #Joe #NBCUniversal #NYC #NewYorkCity #MSN #News #Politics #MikaBrzezinski #JoeScarborough #vsco #MorningJoe #Mojoe #Canon #Nikon #Travel #American #Congress #30Rock #30Rockefeller #Manhattan #OnSet #Republican #Democrat #Liberal #Conservative #NewsPaper #KnowYourValueOrlando #KnowYourValue #KYV
Eco Fashion Week April 22, 2013 Three stylists with $500 each made three runway collections from outfits presented by Value Village. Photos by Sean Herd.
Watch VCAD videos www.youtube.com/VancouverVCAD
VCAD - Fashion Design Program
500 - 626 West Pender St.
Vancouver, BC
V6B 1V9
CANADA
1.800.356.8497
Tang dynasty (618-906), ca. 650
From the Daifu Temple of Zhengding, Hebei Province
Dry lacquer with traces of gilt and polychrome pigments
Buddhist images executed in dry lacquer were highly valued by the Chinese because of their costly and time-consuming process of production. There are so few surviving examples that this seated Buddha is especially precious. To fashion the body of the image, the craftsman made a rough form of the sculpture in clay and then applied at least three layers of hemp cloth, each secured with a paste made of raw lacquer (the sap from the lac tree, Rhus verniciflua) and a fine powder of bone, horn, shell, ceramic, stone, or carbon. Each layer had to dry thoroughly before the next could be added. The clay core was then removed from the lacquered image. The head and hands were likely modeled separately, using the same technique as that used for the body, and then attached to the sculpture. The surface was finished with several coatings of pure lacquer and then painted.
Portrayed as a youthful figure, the Buddha sits in the full lotus position, with his legs tightly interlocked, though the lower part of the sculpture is missing. The position of the damaged arms suggests that the hands performed the gesture of contemplation. The columnar form and lean gracefulness of the figure recall the style of Buddhist sculpture of the late Period of the Northern and Southern Dynasties (386–589), but the attempt to render anatomical differentiation and, in particular, the emotional impact of the Buddha's expression are distinguishing features of early Tang style. The traces of brilliant red and blue, vividly combined to form a stylized floral pattern in the hem of the undergarment crossing the chest, and the remains of shimmering gilt on the surface are evidence of the sumptuous effect of this once colorful figure.
Metropolitan Museum of Art
NYC
My students were using 10-longs and unit cubes to create numbers using a place value mat. This student created the number 15 using 1 ten and 5 ones (10 + 5 = 15)
Continuing to create a sample board of value and key-stoning for my online workshop - to be filmed next month.
This picture has light from outside of the underneath path of the stairs and shadow as well because of how the stairs cover the sky.
Simon Mueller, IEA Renewable Energy Division Energy Analyst, explains on 2 December the impact on markets of increased shares of solar and wind power in the energy mix. He was one of several presenters at the IEA event "Scaling Up Renewables: Implications for Energy Security, Electricity Market Design, and Industry" at the UN climate talks.
Photo by George Kamiya
The history of the Austrian Museum of Applied Art/Contemporary Art
1863 / After many years of efforts by Rudolf Eitelberger decides emperor Franz Joseph I on 7 March on the initiative of his uncle archduke Rainer, following the model of the in 1852 founded South Kensington Museum (now the Victoria and Albert Museum, London) the establishment of the "k.u.k. Austrian Museum for Art and Industry" and appoints Rudolf von Eitelberger, the first professor of art history at the University of Vienna director. The museum should be serving as a specimen collection for artists, industrialists, and public and as a training and education center for designers and craftsmen.
1864/ on 12th of May, opened the museum - provisionally in premises of the ball house next to the Vienna Hofburg, the architect Heinrich von Ferstel for museum purposes had adapted. First exhibited objects are loans and donations from the imperial collections, monasteries, private property and from the k.u.k. Polytechnic in Vienna. Reproductions, masters and plaster casts are standing value-neutral next originals.
1865-1897 / The Museum of Art and Industry publishes the journal Communications of Imperial (k.u.k.) Austrian Museum for Art and Industry .
1866 / Due to the lack of space in the ballroom the erection of an own museum building is accelerated. A first project of Rudolf von Eitelberger and Heinrich von Ferstel provides the integration of the museum in the project of imperial museums in front of the Hofburg Imperial Forum. Only after the failure of this project, the site of the former Exerzierfelds (parade ground) of the defense barracks before Stubentor the museum here is assigned, next to the newly created city park at the still being under development Rind Road.
1867 / Theoretical and practical training are combined with the establishment of the School of Applied Arts. This will initially be housed in the old gun factory, Währinger street 11-13/Schwarzspanier street 17, Vienna 9.
1868 / With the construction of the building at Stubenring is started as soon as it is approved by emperor Franz Joseph I. the second draft of Heinrich Ferstel.
1871 / The opening of the building at Stubering takes place after three years of construction, 15 November. Designed according to plans by Heinrich von Ferstel in the Renaissance style, it is the first built museum building at the Ring. Objects from now on could be placed permanently and arranged according to main materials. / / The School of Arts and Crafts (Kunstgewerbeschule) moves into the house at Stubenring. / / Opening of Austrian arts and crafts exhibition.
1873 / Vienna World Exhibition. / / The Museum of Art and Industry and the Vienna School of Arts and Crafts are exhibiting together at Stubenring. / / Rudolf von Eitelberger organizes in the framework of the World Exhibition the worldwide first international art scientific congress in Vienna, thus emphasizing the orientation of the Museum on teaching and research. / / During the World Exhibition major purchases for the museum from funds of the Ministry are made, eg 60 pages of Indo-Persian Journal Mughal manuscript Hamzanama.
1877 / decision on the establishment of taxes for the award of Hoftiteln (court titels). With the collected amounts the local art industry can be promoted. / / The new building of the School of Arts and Crafts, adjoining the museum, Stubenring 3, also designed by Heinrich von Ferstel, is opened.
1878 / participation of the Museum of Art and Industry as well as of the School of Arts and Crafts at the Paris World Exhibition.
1884 / founding of the Vienna Arts and Crafts Association with seat in the museum. Many well-known companies and workshops (led by J. & L. Lobmeyr), personalities and professors of the School of Arts and Crafts join the Arts and Crafts Association. Undertaking of this association is to further develop all creative and executive powers the arts and craft since the 1860s has obtained. For this reason are organized various times changing, open to the public exhibitions at the Imperial Austrian Museum for Art and Industry. The exhibits can also be purchased. These new, generously carried out exhibitions give the club the necessary national and international resonance.
1885 / After the death of Rudolf von Eitelberger, Jacob von Falke, his longtime deputy, is appointed manager. Falke plans all collection areas al well as publications to develop newly and systematically. With his popular publications he influences significantly the interior design style of the historicism in Vienna.
1888 / The Empress Maria Theresa exhibition revives the contemporary discussion with the high Baroque in the history of art and in applied arts in particular.
1895 / end of directorate of Jacob von Falke. Bruno Bucher, longtime curator of the Museum of metal, ceramic and glass, and since 1885 deputy director, is appointed director.
1896 / The Vienna Congress exhibition launches the confrontation with the Empire and Biedermeier style, the sources of inspiration of Viennese Modernism.
1897 / end of the directorate of Bruno Bucher. Arthur von Scala, director of the Imperial Oriental Museum in Vienna since its founding in 1875 (renamed Imperial Austrian Trade Museum 1887), takes over the management of the Museum of Art and Industry. / / Scala wins Otto Wagner, Felician of Myrbach, Koloman Moser, Josef Hoffmann and Alfred Roller to work at the museum and School of Arts and Crafts. / / The style of the Secession is crucial for the Arts and Crafts School. Scala propagates the example of the Arts and Crafts Movement and makes appropriate acquisitions for the museum's collection.
1898 / Due to differences between Scala and the Arts and Crafts Association, which sees its influence on the Museum wane, archduke Rainer puts down his function as protector. / / New statutes are written.
1898-1921 / The Museum magazine Art and Crafts replaces the Mittheilungen (Communications) and soon gaines international reputation.
1900 / The administration of Museum and Arts and Crafts School is disconnected.
1904 / The Exhibition of Old Vienna porcelain, the to this day most comprehensive presentation on this topic, brings with the by the Museum in 1867 definitely taken over estate of the "k.u.k. Aerarial Porcelain Manufactory" (Vienna Porcelain Manufactory) important pieces of collectors from all parts of the Habsburg monarchy together.
1907 / The Museum of Art and Industry takes over the majority of the inventories of the Imperial Austrian Trade Museum, including the by Arthur von Scala founded Asia collection and the extensive East Asian collection of Heinrich von Siebold .
1908 / Integration of the Museum of Art and Industry in the Imperial and Royal Ministry of Public Works.
1909 / separation of Museum and Arts and Crafts School, the latter remains subordinated to the Ministry of Culture and Education. / / After three years of construction, the according to plans of Ludwig Baumann extension building of the museum (now Weiskirchnerstraße 3, Wien 1) is opened. The museum thereby receives rooms for special and permanent exhibitions. / / Arthur von Scala retires, Eduard Leisching follows him as director. / / Revision of the statutes.
1909 / Archduke Carl exhibition. For the centenary of the Battle of Aspern. / / The Biedermeier style is discussed in exhibitions and art and arts and crafts.
1914 / Exhibition of works by the Austrian Art Industry from 1850 to 1914, a competitive exhibition that highlights, among other things, the role model of the museum for arts and crafts in the fifty years of its existence.
1919 / After the founding of the First Republic it comes to assignments of former imperial possession to the museum, for example, of oriental carpets that are shown in an exhibition in 1920. The Museum now has one of the finest collections of oriental carpets worldwide.
1920 / As part of the reform of museums of the First Republic, the collection areas are delimited. The Antiquities Collection of the Museum of Art and Industry is given away to the Museum of Art History.
1922 / The exhibition of glasses of classicism, the Empire and Biedermeier time offers with precious objects from the museum and private collections an overview of the art of glassmaking from the former Austro-Hungarian Empire. / / Biedermeier glass serves as a model for contemporary glass production and designs, such as of Josef Hoffmann.
1922 / affiliation of the museal inventory of the royal table and silver collection to the museum. Until the institutional separation the former imperial household and table decoration is co-managed by the Museum of Art and Industry and is inventoried for the first time by Richard Ernst.
1925 / After the end of the directorate of Eduard Leisching, Hermann Trenkwald is appointed director.
1926 / The exhibition Gothic in Austria gives a first comprehensive overview of the Austrian panel painting and of arts and crafts of the 12th to 16th Century.
1927 / August Schestag succeeds Hermann Trenkwald as director.
1930 / The Werkbund (artists' organization) Exhibition Vienna, a first comprehensive presentation of the Austrian Werkbund, takes place on the occasion of the meeting of the Deutscher (German) Werkbund in Austria, it is organized by Josef Hoffmann in collaboration with Oskar Strnad, Josef Frank, Ernst Lichtblau and Clemens Holzmeister.
1931 / August Schestag concludes his directorate.
1932 / Richard Ernst is new director.
1936 and 1940 / In exchange with the Kunsthistorisches Museum (Museum of Art History), the museum at Stubenring gives away part of the sculptures and takes over arts and crafts inventories of the collection Albert Figdor and the Kunsthistorisches Museum.
1937 / The Collection of the Museum of Art and Industry is newly set up by Richard Ernst according to periods. / / Oskar Kokoschka exhibition on the 50th birthday of the artist.
1938 / After the "Anschluss" (annexation) of Austria by Nazi Germany, the museum is renamed into "National Museum of Arts and Crafts in Vienna".
1939-1945 / The museums are taking over numerous confiscated private collections. The collection of the "State Museum of Arts and Crafts in Vienna" in this way also is enlarged.
1945 / Partial destruction of the museum building by impact of war. / / War losses on collection objects, even in the places of rescue of objects.
1946 / The return of the outsourced objects of art begins. A portion of the during the Nazi time expropriated objects is returned in the following years.
1947 / The "State Museum of Arts and Crafts in Vienna" is renamed into "Austrian Museum of Applied Arts".
1948 / The "Cathedral and Metropolitan Church of St. Stephen" organizes the exhibition The St. Stephen's Cathedral in the Museum of Applied Arts. History, monuments, reconstruction.
1949 / The Museum is reopened after repair of the war damages.
1950 / As last exhibition under director Richard Ernst takes place Great art from Austria's monasteries (Middle Ages).
1951 / Ignaz Schlosser is appointed manager.
1952 / The exhibition Social home decor, designed by Franz Schuster, makes the development of social housing in Vienna again the topic of the Museum of Applied Arts.
1955 / The comprehensive archive of the Wiener Werkstätte (workshop) is acquired.
1955-1985 / The Museum publishes the periodical ancient and modern art .
1956 / Exhibition New Form from Denmark, modern design from Scandinavia becomes topic of the museum and model.
1957 / On the occasion of the exhibition Venini Murano glass, the first presentation of Venini glass in Austria, there are significant purchases and donations for the collection of glass.
1958 / End of the directorate of Ignaz Schlosser
1959 / Viktor Griesmaier is appointed as new director.
1960 / Exhibition Artistic creation and mass production of Gustavsberg, Sweden. Role model of Swedish design for the Austrian art and crafts.
1963 / For the first time in Europe, in the context of a comprehensive exhibition art treasures from Iran are shown.
1964 / The exhibition Vienna around 1900 (organised by the Cultural Department of the City of Vienna) presents for the frist time after the Second World War, inter alia, arts and crafts of Art Nouveau. / / It is started with the systematic work off of the archive of the Wiener Werkstätte. / / On the occasion of the founding anniversary offers the exhibition 100 years Austrian Museum of Applied Arts using examples of historicism insights into the collection.
1965 / The Geymüllerschlössel (small castle) is as a branch of the Museum angegliedert (annexed). Simultaneously with the building came the important collection of Franz Sobek - old Viennese clocks, made between 1760 and the second half of the 19th Century - and furniture from the years 1800 to 1840 in the possession of the MAK.
1966 / In the exhibition Selection 66 selected items of modern Austrian interior designers (male and female ones) are brought together.
1967 / The Exhibition The Wiener Werkstätte. Modern Arts and Crafts from 1903 to 1932 is founding the boom that continues until today of Austria's most important design project in the 20th Century.
1968 / To Viktor Griesmaier follows Wilhelm Mrazek as director.
1969 / The exhibition Sitting 69 shows at the international modernism oriented positions of Austrian designers, inter alia by Hans Hollein.
1974 / For the first time outside of China Archaeological Finds of the People's Republic of China are shown in a traveling exhibition in the so-called Western world.
1979 / Gerhart Egger is appointed director.
1980 / The exhibition New Living. Viennese interior design 1918-1938 provides the first comprehensive presentation of the spatial art in Vienna during the interwar period.
1981 / Herbert Fux follows Gerhart Egger as director.
1984 / Ludwig Neustift is appointed interim director. / / Exhibition Achille Castiglioni: designer. First exhibition of the Italian designer in Austria
1986 / Peter Noever is appointed director and starts with the building up of the collection contemporary art.
1987 / Josef Hoffmann. Ornament between hope and crime is the first comprehensive exhibition on the work of the architect and designer.
1989-1993 / General renovation of the old buildings and construction of a two-storey underground storeroom and a connecting tract. A generous deposit for the collection and additional exhibit spaces arise.
1989 / Exhibition Carlo Scarpa. The other city, the first comprehensive exhibition on the work of the architect outside Italy.
1990 / exhibition Hidden impressions. Japonisme in Vienna 1870-1930, first exhibition on the theme of the Japanese influence on the Viennese Modernism.
1991 / exhibition Donald Judd Architecture, first major presentation of the artist in Austria.
1992 / Magdalena Jetelová domestication of a pyramid (installation in the MAK portico).
1993 / The permanent collection is newly put up, interventions of internationally recognized artists (Barbara Bloom, Eichinger oder Knechtl, Günther Förg, GANGART, Franz Graf, Jenny Holzer, Donald Judd, Peter Noever, Manfred Wakolbinger and Heimo Zobernig) update the prospects, in the sense of "Tradition and Experiment". The halls on Stubenring accommodate furthermore the study collection and the temporary exhibitions of contemporary artists reserved gallery. The building in the Weiskirchner street is dedicated to changing exhibitions. / / The opening exhibition Vito Acconci. The City Inside Us shows a room installation by New York artist.
1994 / The Gefechtsturm (defence tower) Arenbergpark becomes branch of the MAK. / / Start of the cooperation MAK/MUAR - Schusev State Museum of Architecture Moscow. / / Ilya Kabakov: The Red Wagon (installation on MAK terrace plateau).
1995 / The MAK founds the branch of MAK Center for Art and Architecture in Los Angeles, in the Schindler House and at the Mackey Apartments, MAK Artists and Architects-in-Residence Program starts in October 1995. / / Exhibition Sergei Bugaev Africa: Krimania.
1996 / For the exhibition Philip Johnson: Turning Point designs the American doyen of architectural designing the sculpture "Viennese Trio", which is located since 1998 at the Franz-Josefs-Kai/Schottenring.
1998 / The for the exhibition James Turrell. The other Horizon designed Skyspace today stands in the garden of MAK Expositur Geymüllerschlössel. / / Overcoming the utility. Dagobert Peche and the Wiener Werkstätte, the first comprehensive biography of the work of the designer of Wiener Werkstätte after the Second World War.
1999 / Due to the Restitution Act and the Provenance Research from now on numerous during the Nazi time confiscated objects are returned.
2000 / Outsourcing of Federal Museums, transformation of the museum into a "scientific institution under public law". / / The exhibition Art and Industry. The beginnings of the Austrian Museum of Applied Arts in Vienna is dealing with the founding history of the house and the collection.
2001 / In the course of the exhibition Franz West: No Mercy, for which the sculptor and installation artist developed his hitherto most extensive work, the "Four lemurs heads" are placed at the bridge Stubenbrücke, located next to the MAK. / / Dennis Hopper: A System of Moments.
2001-2002 / The CAT Project - Contemporary Art Tower after New York, Los Angeles, Moscow and Berlin is presented in Vienna.
2002 / Exhibition Nodes. symmetrical-asymmetrical. The historical Oriental Carpets of the MAK presents the extensive rug collection.
2003 / Exhibition Zaha Hadid. Architecture. / / For the anniversary of the artist workshop, takes place the exhibition The Price of Beauty. 100 years Wiener Werkstätte. / / Richard Artschwager: The Hydraulic Door Check. Sculpture, painting, drawing.
2004 / James Turrell's MAKlite is since November 2004 permanently on the facade of the building installed. / / Exhibition Peter Eisenmann. Barefoot on White-Hot Walls, large-scaled architectural installation on the work of the influential American architect and theorist.
2005 / Atelier Van Lieshout: The Disciplinator / / The exhibition Ukiyo-e Reloaded presents for the first time the collection of Japanese woodblock prints of the MAK on a large scale.
2006 / Since the beginning of the year, the birthplace of Josef Hoffmann in Brtnice of the Moravian Gallery in Brno and the MAK Vienna as a joint branch is run and presents annually special exhibitions. / / The exhibition The Price of Beauty. The Wiener Werkstätte and the Stoclet House brings the objects of the Wiener Werkstätte to Brussels. / / Exhibition Jenny Holzer: XX.
2007/2008 / Exhibition Coop Himmelb(l)au. Beyond the Blue, is the hitherto largest and most comprehensive museal presentation of the global team of architects.
2008 / The 1936 according to plans of Rudolph M. Schindler built Fitzpatrick-Leland House, a generous gift from Russ Leland to the MAK Center LA, becomes with the aid of a promotion that granted the Bureau of Educational and Cultural Affairs of the U.S. Department the MAK Center, center of the MAK UFI project - MAK Urban Future Initiative. / / Julian Opie: Recent Works / / The exhibition Recollecting. Looting and Restitution examines the status of efforts to restitute expropriated objects from Jewish property from museums in Vienna.
2009 / The permanent exhibition Josef Hoffmann: Inspiration is in the Josef Hoffmann Museum, Brtnice opened. / / Exhibition Anish Kapoor. Shooting into the Corner / / The museum sees itself as a promoter of Cultural Interchange and discusses in the exhibition Global:lab Art as a message. Asia and Europe 1500-1700 the intercultural as well as the intercontinental cultural exchange based on objects from the MAK and from international collections.
2011 / After Peter Noever's resignation, Martina Kandeler-Fritsch takes over temporarily the management. / /
Since 1 September Christoph Thun-Hohenstein is director of the MAK and declares "change through applied art" as the new theme of the museum.
2012 / With future-oriented examples of mobility, health, education, communication, work and leisure, shows the exhibition MADE4YOU. Designing for Change, the new commitment to positive change in our society through applied art. // Exhibition series MAK DESIGN SALON opens the MAK branch Geymüllerschlössel for contemporary design positions.
2012/2013 / opening of the newly designed MAK Collection Vienna 1900. Design / Decorative Arts from 1890 to 1938 in two stages as a prelude to the gradual transformation of the permanent collection under director Christoph Thun-Hohenstein
2013 / SIGNS, CAUGHT IN WONDER. Looking for Istanbul today shows a unique, current snapshot of contemporary art production in the context of Istanbul. // The potential of East Asian countries as catalysts for a socially and ecologically oriented, visionary architecture explores the architecture exhibition EASTERN PROMISES. Contemporary Architecture and production of space in East Asia. // With a focus on the field of furniture design NOMADIC FURNITURE 3.0. examines new living without bounds? the between subculture and mainstream to locate "do-it-yourself" (DIY) movement for the first time in a historical context.
2014 / Anniversary year 150 years MAK // opening of the permanent exhibition of the MAK Asia. China - Japan - Korea // Opening of the MAK permanent exhibition rugs // As central anniversary project opens the dynamic MAK DESIGN LABORATORY (redesign of the MAK Study Collection) exactly on the 150th anniversary of the museum on May 12, 2014 // Other major projects for the anniversary: ROLE MODELS. MAK 150 years: from arts and crafts to design // // HOLLEIN WAYS OF MODERN AGE. Josef Hoffmann, Adolf Loos and the consequences.
Some unloved cans of Tesco's budget bitter, stranded in Victoria station. There's a lot of emotions there (mainly along the lines of, seriously, Tesco do a value bitter? And also, that alcohol percentage, who is their target market for this?)