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Valle de Estós, La Ribagorza, Huesca, Aragón, España.
El valle de Estós (en aragonés benasqués Vall d'Estós o Ball d'Estós) es un valle pirenaico situado en la comarca aragonesa de La Ribagorza.
Se ubica en la zona noroccidental del valle de Benasque (noreste de la provincia de Huesca) y dentro del parque natural Posets-Maladeta. Al norte de este valle, que es de origen glaciar, está el macizo del Perdiguero (3.221 m), y al sur el macizo del Posets (3.375 m). Este valle, orientado de oeste a este, tiene una longitud aproximada de 12 km y en el fondo de él transcurren las aguas del río Estós, afluente del río Ésera. Clarabides, Gías, Oô, son picos que también superan los 3.000 m y hacen frontera con Francia. La altitud del valle oscila entre los 1.400 m y los 3.375 m.
Desde el año 1994 forma parte del parque natural de Posets-Maladeta por sus importantes valores ecológicos. El paisaje predominante es el de la alta montaña pirenaica con buena representación de los pisos climáticos alpino, subalpino y montano. La flora predominante son los pastizales de montaña y los bosques, de coníferas (pino negro y abeto), de caducifolios (haya, álamo temblón, abedul, sauce, arce y avellano) y como principales arbustos el boj, enebro y rododendro. También se encuentran algunos endemismos pirenaicos. En cuanto a la fauna, encontramos a todos los animales presentes en los ecosistemasde la alta montaña pirenaica destacando una importante población de sarrios y corzos y como aves más representativas el urogallo, la perdiz nival y el quebrantahuesos.
El río Estós, al que afluyen múltiples barrancos y torrentes procedentes de los numerosos ibones (lagos de origen glaciar), de las nieves perpetuas y de algunos de los glaciares más meridionales de Europa, recorre el fondo del valle.
El valle tiene un gran atractivo turístico para los amantes de las excursiones de montaña, de la escalada, el esquí de montaña y el alpinismo. También se practica la pesca de la trucha y la caza mayor (sarrios, corzos y jabalíes). En la época veraniega sus laderas son lugar de pasto de un gran rebaño de vacas.
El acceso al valle se realiza preferentemente a pie a través de una red de senderos bien señalizados, aunque hay una pista forestal restringida al tránsito de vehículos autorizados. A lo largo del camino encontramos numerosas cabañas de pastores y un refugio de montaña guardado (1.895 m) gestionado por un guarda de la Federación Aragonesa de Montaña.
The Estós Valley (in Benasquese Aragonese, Vall d'Estós or Ball d'Estós) is a Pyrenean valley located in the Aragonese region of La Ribagorza.
It lies in the northwestern part of the Benasque Valley (northeast of the province of Huesca) and within the Posets-Maladeta Natural Park. To the north of this valley, which is of glacial origin, is the Perdiguero massif (3,221 m), and to the south, the Posets massif (3,375 m). This valley, oriented from west to east, is approximately 12 km long, and the Estós River, a tributary of the Ésera River, flows through its bottom. Clarabides, Gías, and Oô are peaks that also exceed 3,000 m and form the border with France. The valley's altitude ranges from 1,400 m to 3,375 m.
Since 1994, it has been part of the Posets-Maladeta Natural Park due to its significant ecological value. The predominant landscape is that of the high Pyrenees, with a good representation of the alpine, subalpine, and montane climate zones. The predominant flora consists of mountain pastures and forests, including conifers (black pine and fir), deciduous trees (beech, aspen, birch, willow, maple, and hazel), and, as main shrubs, boxwood, juniper, and rhododendron. Several Pyrenean endemic species are also found. As for the fauna, all the animals present in the high Pyrenean mountain ecosystems are found here, with a significant population of Pyrenean chamois and roe deer, and the most representative birds being the capercaillie, the ptarmigan, and the bearded vulture.
The Estós River, fed by numerous ravines and streams originating from the many glacial lakes (ibones), the permanent snowfields, and some of the southernmost glaciers in Europe, flows through the valley floor.
The valley is a popular tourist destination for mountain hikers, climbers, ski mountaineers, and alpinists. Trout fishing and big game hunting (chamois, roe deer, and wild boar) are also popular. In the summer, its slopes serve as grazing land for a large herd of cattle.
Access to the valley is primarily on foot via a network of well-marked trails, although there is a forest track restricted to authorized vehicles. Along the way, you'll find numerous shepherd's huts and a staffed mountain refuge (1,895 m) managed by a warden from the Aragonese Mountain Federation.
Another sad entry from my late aunt Edie's autograph book. The poppy would suggest that he didn't come back.
A treasure with great sentimental value, especially so, as we approach armistice day once again.
Haste makes us believe that everything must be resolved instantly, that the value of things lies in the speed with which we achieve them. However, many times we leave behind what is essential: contemplation, listening, the pause that gives meaning.
When we live in a rush, we confuse movement with progress. Haste robs us of the depth of encounters, the beauty of details, the serenity of simplicity. It is an illusion: it seems to bring us closer to our goals, but in reality, it takes us further away from ourselves.
A person, who values the beauty of nature and ambient the world, far richer and happier than those, who did not notices this.
Crimea, Mezhvodnoe.
Luminance HDR 2.6.0
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For my friend matiz ° o.
See her art here: www.flickr.com/photos/m2matiz/
As always, a big thanks to my loyal visitors especially now when I'm extremely busy and hardly on Flickr at all. Someday I'll be back........
San Juan de Gaztelugatxe
The church on top of the island is dedicated to John the Baptist. Over the centuries the church has burned down and been rebuilt several times. It is believed that the first hermitage that existed here was erected in the 9th century. In the 12th century, it became a convent. However, two centuries later, the friars abandoned it taking with them everything of value.
In 1596, San Juan de Gaztelugatxe was attacked again, this time by Sir Francis Drake and his corsairs. They looted everything they found and killed the hermit that was living there by throwing him off a cliff to the rocks and water below.
San Juan de Gaztelugatxe also played a role, albeit small, during the Spanish Inquisition. Witches and their ritualistic meetings known as Akelarre in Basque, make up a part of the Basque mythology. For this reason, the Catholic Church focused much of its time during the inquisition hunting for witches in the region. Several accounts seem to indicate that many of the accused were locked up in the caves of San Juan de Gaztelugatxe.
The church deteriorated over time and it was eventually demolished in 1886 and then rebuilt from scratch. Unfortunately, during the demolition process, all of the artifacts found in the ground, such as coins and cannon balls, were thrown to the sea.
El Sukiennice (« Llotja de teixits ») és un dels monuments històrics més emblemàtics de la ciutat de Cracòvia. Aquesta imponent llotja comercial de dos pisos, aixecada el segle xiii i després adaptada a l'època del Renaixement, ocupa el lloc central de la gran Plaça del Mercat i forma part del Patrimoni de la Humanitat de la UNESCO.[1]
A la planta baixa, la Llotja acull avui comerços d'artesania, mentre que el primer pis acull la Galeria d'art polonès del segle xix, una filial del Museu nacional de Cracòvia amb la més important col·lecció d'obres poloneses del món. Entre elles, la famosa tela Les Torxes de Neró, oferta a l'obertura del museu pel seu pintor, Henryk Siemiradzki i el quadre gegant Homenatge prussià de Jan Matejko.
Història
Posicionada segons l'eix nord-sud de la plaça, amb les seves façanes oest i est simètriques respecte als eixos de les entrades, la Llotja de teixits de Cracòvia reuneix elements arquitectònics d'èpoques molt diferents, i constitueix una síntesi global de l'arquitectura de la ciutat.
El nom Sukiennice ve de la paraula polonesa sukno que vol dir teixit, roba. En efecte, els drapers disposaven les seves parades al centre de la plaça del Mercat per a la venda a l'engròs de teixits.
La primera llotja, aixecada al segle xiii, després de la concessió a la ciutat d'una carta de Drets de Magdeburg, es limitava a dues fileres de botigues de pedra que formaven un carrer al mig de la Plaça del Mercat. El comerç als Sukiennice era una font important d'ingressos per a la ciutat: segons el privilegi reial, els venedors vinguts de l'exterior només podien vendre la seva pròpia mercaderia, i només en aquest lloc.
L'any 1358, el Casimir III fa construir el primer edifici de 100 m de longitud amb dos portals ogivals situats al centre de les façanes principals. Després d'un incendi que va consumir l'edifici l'any 1555, es va cridar als italians que havien vingut amb la reina Bona Sforza (esposa italiana del rei Segimon el Vell). La Llotja de teixits renovada a l'estil Renaixement llavors es va dotar d'un àtic decorat amb una cresta amb gàrgoles, estilitzades amb caps humans, realitzades probablement segons els projectes de Santi Gucci. Giovanni Maria Mosca divideix l'edifici en dos pisos i està connectat per escales cobertes per lògies situats sobre els costats més curts.
Els últims treballs importants són duts a terme al segle xix per Tomasz Prylińeski. L'arquitecte transforma la llotja a la planta baixa, instal·lant-hi al llarg dels murs botigues de fusta. El sostre serà adornat més tard amb l'escut de les ciutats poloneses, els emblemes dels gremis i els segells. Prylińeski afegeix també arcades neogòtiques de pedra per tal de donar l'elegància a l'edifici,[1] així com dels mascarons representant caricatures dels presidents de l'època de la ciutat de Cracòvia, realitzats segons un dibuix de Jan Matejko. La llotja superior és adaptada a les necessitats del museu.
The Kraków Cloth Hall (Polish: Sukiennice, pronounced [sukʲɛˈɲːit͡sɛ]), in Lesser Poland, dates to the Renaissance and is one of the city's most recognizable icons. It is the central feature of the main market square in the Kraków Old Town (the historic center of Kraków), which since 1978 has been listed as a UNESCO World Heritage Site).
t was once a major centre of international trade. Travelling merchants met there to discuss business and to barter. During its golden age in the 15th century, the hall was the source of a variety of exotic imports from the east – spices, silk, leather and wax – while Kraków itself exported textiles, lead, and salt from the Wieliczka Salt Mine.
In the immediate vicinity of the hall, the Great Weigh House and the Small Weigh House existed until the 19th century. Other, similar cloth halls have existed in other Polish as well as other European cities such as in Ypres, Belgium; Braunschweig, and in Leeds, EnglandKraków was Poland's capital city and was among the largest cities in Europe already from before the time of the Renaissance. However, its decline started with the move of the capital to Warsaw at the end of the 16th century. The city's decline was hastened by wars and politics leading to the Partitions of Poland at the end of the 18th century. By the time of the architectural restoration proposed for the cloth hall in 1870 under Austrian rule, much of the historic city center was decrepit. A change in political and economic fortunes for the Kingdom of Galicia and Lodomeria ushered in a revival due to newly established Legislative Assembly or Sejm of the Land. The successful renovation of the Cloth Hall, based on a design by Tomasz Pryliński and supervised by Mayor Mikołaj Zyblikiewicz, Sejm Marshal, was one of the most notable achievements of this period.[1]
The hall has hosted many distinguished guests over the centuries and is still used to entertain monarchs and dignitaries, such as King Charles III, then Prince of Wales, and Emperor Akihito of Japan, who was welcomed here in 2002. In the past, balls were held here, most notably after Prince Józef Poniatowski had briefly liberated the city from the Austrians in 1809. Aside from its history and cultural value, the hall is still used as a center of commerce.
History
100: I reckon you are a number.
103: I count you as a number
142: I value you higher than the former two
*** : I think you are superfluous.
(temporary assemblage)
Processed in Capture One Windows
Cropped (4:3)
Exp. Program: Normal
Metering mode: Pattern
Exp. Corr. Value: +0.0 EV
WB Settings: Auto
totum visits the ethers
there is so much more to life than is ever seen
"The true sign of intelligence is not knowledge but imagination." Albert Einstein
© Leanne Boulton, All Rights Reserved
Street photography from Glasgow, Scotland.
Colour re-edit of a shot from July 2017. Enjoy.
There's something inherently sad about household objects left out for the trash man. They are like castoffs; broken or no longer cherished, and left ignominiously out on the curb. This easy chair caught my eye the other day. Part of the forlorn quality of scenes like this is the object being ripped from its normal context. I wouldn't give the chair a second look in someone's living room. But it seemed horribly out of place on the edge of the state highway that bisects the village. That, and the sedentary nature of a recliner juxtaposed against passing traffic. Wonderful visual metaphors for the life cycle of things we purchase and the passage of time (and with it life). In the eerie stillness after the truck passed I contemplated the chair and the many other personal objects scattered about the lawn behind me. There's a village-wide trash haul this weekend, and little collections such as this are springing up all around. I have to admit a weird impulse to inspect them, and yearn to pull over when driving by. I can't help but think I will find something of value (I almost never do) but also that idle curiosity about seeing the remnants of someone else's life (remember I did preface this as weird). I'll be placing some of my own items out on the curb soon. I tend to wait until the night before, perhaps to avoid having others inspect them as I did this chair. Even when it's sheer junk, I feel an odd sentimental tug about letting go of things. And that spell lasts as long as the objects remain on my tree lawn before the pickup. Much like this chair, they are in the condemned phase, but still retrievable. I can simply go back out and reclaim them. That sentiment vanishes the moment the objects are tossed onto the truck. Maybe that's why I wait until the last minute to put them out. I just can't stand that in between time.
The Merganser tried unsuccessfully for over 20 minutes to try to swallow its catch but eventually had to give up..... a little too big
Canon 5D Mark II
Canon 24-105 f/4.0L IS
Processing with Lightroom 3, Photomatix Pro 3
Best Viewed Large
Taken at the Kirkland (Washington State) Classic Car Show 2010.
I set this against a picture of violets in Richard Mabey's book, Flora Britannica.
Thank you all so much for sharing your quality photos which is a great way to see and keep in touch with the world from home. Also for your kind comments and favours which are much valued.
I am not able to take on any more members to follow or to post to groups. I prefer not to receive invites to groups.
Restoring intended value through an application of intended use.
Paper and masking tape.
Dimensions variable.
On the 15th December 2010, they killed-off the Harrier to save less than £1bn. This year the UK government has already spend more than £300bn fighting COVID-19. That’s more money per day on COVID-19 than the entire savings from retiring the Harrier force.
Invest in: www.empire.kred/VALUED
Twitter: @ValuedMerchants
#2xDivs #DoubleDividends #EmpireKred #EK
PointsPlus Value: 6
CORE
Servings: 8
Preparation Time: 5 min
Cooking Time: 30 min
Level of Difficulty: Moderate
Course: main meals
Ingredients
2 Tbsp Worcestershire sauce
2 Tbsp fat-free sour cream
1 tsp paprika
1 Tbsp dried parsley
1/2 tsp black pepper
1 tsp table salt
1 Tbsp olive oil
1 medium carrot(s), peeled and chopped
1 medium onion(s), chopped
1/2 cup frozen green peas
1 Tbsp cornstarch
1 3/4 pound raw extra lean ground beef
1 cup fat-free beef broth
1/2 cup fat-free chicken broth
2 pound whole uncooked white potato, peeled and cubed
Instructions
Boil potatoes in salted water until tender, about 12 minutes. Drain potatoes and pour them into a bowl. Combine sour cream and 1/2 c. chicken broth. Add the cream mixture into potatoes and mash until potatoes are almost smooth.
While potatoes boil, preheat a large skillet over medium high heat. Add oil to hot pan with beef or lamb. Season meat with salt and pepper. Brown and crumble meat for 3 or 4 minutes. Add chopped carrot and onion to the meat. Cook veggies with meat 5 minutes, stirring frequently.
In a second small skillet over medium heat whisk together cornstarch, 1 c. beef broth, and Worcestershire sauce. Thicken gravy 1 minute.
Add gravy to meat and vegetables. Stir in peas. Preheat broiler to high. Fill a small rectangular casserole with meat and vegetable mixture. Spoon potatoes over meat evenly. Top potatoes with paprika and broil 6 to 8 inches from the heat until potatoes are evenly browned. Top casserole dish with chopped parsley and serve.
I don't like hats. I suspect I valued my hair's "look" way too much and was terrified of the infamous terminal hat ring. Even though I don't have enough hair left now to even form a hat ring, I still don't like them. Therefore, these are the only hats in my possession.
My warm sheepskin leather with the earflaps is the only one that I do wear with any regularity and I only wear it for the really cold days of winter; it’s my Elmer Fudd hat.
My cowboy hat is a genuine Biltmore and I only wear it when I need a costume. I bought it when I lived in Calgary, Alberta, as the hotel I worked for required us to “dress western” during Calgary’s Stampede celebrations. The Stampede is held during the very hot and humid days of July and I had yet to learn cowboy hat etiquette when I bought the hat. I should have purchased one made of straw. Talk about sweating wearing a felt hat in summer! Shameless plug: The Stampede truly is the Greatest Outdoor Show On Earth. Go see it if you can.
I was given the NASCAR ball cap at work and the BiggerCity cap was won at a run I attended many years ago. Never wear either of these and they hang on the wall in my kitchen.