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Blue Value
Dave Bärtsch / Guitar & Vocal
Peter Oberholzer / Guitar
Paddy Nobs / Bass
Chris Glarner / Drums
Live Concert: 07.10.2022 Bogenkeller, Bluesclub Bühler
Foto / Video by Fredi Schefer
Foto by Fredi Schefer
Aufnahme mit Nikon Z7 II
Bearbeitung mit Camera RAW
In mid-May 2017, a values workshop was held as part of the Education for Justice (E4J) initiative in Panama.
The workshop focussed on some 233 students between pre-kindergarten and second grade, with the aim of promote values such as integrity and honesty, as well as the tools and guides needed to face obstacles, take decisions and act responsibly in diverse social contexts.
The protagonists of the educational material, Dogui and Dengoso, surprised the children with their visit, being received in each classroom with much affection.
After the workshop, Professor Griselda Pérez de Warren, Principal of the School, along with her 447 pupils participated in a cultural event on education in values. Students of each grade delighted the audience with their talent. Finally, the dogs of the National Police dog unit astonished everyone with their abilities, closing this enriching day with laughter and applause!
This is a photo for VALUE, I took this photo by pointing my camera up. I like the way the leafs fill up the frame, I wish the whites weren't so blown out.
The NHS Values Summit brings together a diverse range of people and perspectives to create a greater understanding of how people’s differences, social status and cultural expectations can affect their experiences of health and care.
It challenges and inspires people to think about the role of ethical leadership in improving the health and wellbeing of local communities, staff and patients and how the NHS can increase the social value of its activities.
Welcoming representatives from health and social care, alongside more than 20 partners from the voluntary and community sector, this event (in Leeds, Yorkshire) was a template for future NHS Values Summits, which will be held twice a year in different locations across the country. Each event will explore a different theme relating to equality, health inequalities and human rights. The next gathering will take place in May 2013.
Value: $390
(by City Manager’s Office and City Attorney’s Office)
2 at $50 Walmart Gift Cards, $50 Bass Pro Gift Card, $50 MasterCard Gift Card, 2 at $50 Visa Gift Cards, $20 Visa Gift Card, $20 MasterCard Gift Card, $50 MasterCard Gift Card, Santa Claus Figure, Christmas Picture Frame.
Raffle tickets on sale (benefiting Grand Prairie charities) at
Grand Prairie Development Center, 206 W. Church St., through 2:59 p.m.Friday, Dec. 19, 2014. www.gptx.org
VALUE: Priceless
Personal guitar of Colin Padalecki from the duo "Surfaces." EC class of 2015. Colin makes up half of the recording duo "Surfaces" as made famous by their international multi platinum hit "Sunday Best." Donated by Colin Padalecki.
Driving Greater Value from Digital and Data Press Conference at the World Economic Forum - Annual Meeting of the New Champions in Dalian, People's Republic of China 2015. Pictured Scott Likens Analytics Consulting Leader PWC China and Hong Kong. Copyright by World Economic Forum / Ciaran McCrickard
POINTS® Value: 6
CORE + 1.5 points
Servings: 6
Prep time: 15 min
Cook time: 10 min
Ingredients
1 tsp ground cinnamon
1 tsp onion powder
3/4 tsp table salt
1 Tbsp olive oil
1/2 cup golden seedless raisins
1 cup carrot(s), shredded
1/3 cup almonds, slivered
2 Tbsp all-purpose flour
1 1/4 pound lean ground turkey
2 cup orange pepper, finely diced
8 oz cooked whole wheat couscous
1 1/2 cup fat-free, reduced-sodium chicken broth
2 tsp McCormick Ground cumin
Instructions
1. cook couscous according to package directions
2. Heat oil in large skillet over med-high heat. Add turkey, peppers, carrots, raisins, cumin, onion powder, cinnamon and salt and cook 5-7 minutes.
3. Whisk broth and flour in a small bowl. Add to turkey mixture and stir until thick, about 2 min.
4. Serve in bowls and top with almonds
Balty's comments: quick, tasty, low in points and filling. It's a keeper. And core if you make it without the raisins and almonds. Source: Woman's Day (thanks grandma!).
The explosion of content on the Internet has many media companies racing to experiment with new forms of media and tackling ever more complex modes of distribution across myriad devices. But a lingering question for many media companies is around how to apply technologies to digitize and exploit archival content. Whether video, photography, or text, many of New York’s biggest media companies are grappling with how to take advantage of what seems a huge opportunity.
To dig deeper and get a sense of how NYC’s major players were contending with this issue, we gathered a panel to share their perspectives during our Internet Week event, The Value in the Vault, hosted at Shutterstock the evening of May 22. The panel included Jim Chou, CTO at Shutterstock; Marc Frons, CIO at The New York Times; Mona Jimenez, Associate Arts Professor and Associate Director, Moving Image Archiving and Preservation Program at NYU Tisch; Owen Rambow, Co-Chair, New Media Center, Institute for Data Sciences and Engineering at Columbia University; and Dirk Van Dall, VP, Multimedia Technology Development at Major League Baseball Advanced Media.
Read our takeaways and favorite tweets from the event at medium.com/@nycmedialab/a123a8245c3e.
This is a $6 Pentax Zoom 70-X from Value Village that I bought last week. There's been an "E9" error whenever I zoomed the lens all the way out, but the last few days I was able to reset the lens by turning off and on the camera. Today, while on a hike, the lens finally got stuck, which doesn't let me take photos, and I was unable to "unzoom" the lens. I checked online resources on fixing this problem and it seems to cost way more than what I got the camera for. Originally I boldly thought I might be able to wiggle something and fix it, but as I disassembled it I decided to just let the camera go. At least I documented it and thought the disassembled camera and some of the innards look rather interesting in themselves.
The city of Bath in South West England was founded in the 1st century AD by the Romans who used the natural hot springs as a thermal spa. It became an important centre for the wool industry in the Middle Ages but in the 18th century under the reigns of George l, ll and III it developed into an elegant spa city, famed in literature and art.
The City of Bath is of Outstanding Universal Value for the following cultural attributes: The Roman remains, especially the Temple of Sulis Minerva and the baths complex (based around the hot springs at the heart of the Roman town of Aquae Sulis, which have remained at the heart of the City’s development ever since) are amongst the most famous and important Roman remains north of the Alps, and marked the beginning of Bath’s history as a spa town.
The Georgian city reflects the ambitions of John Wood Senior (1704-1754), Ralph Allen (1693-1764) and Richard “Beau” Nash (1674-1761) to make Bath into one of the most beautiful cities in Europe, with architecture and landscape combined harmoniously for the enjoyment of the spa town’s cure takers.
The Neo-classical style of the public buildings (such as the Assembly Rooms and the Pump Room) harmonises with the grandiose proportions of the monumental ensembles (such as Queen Square, Circus and Royal Crescent) and collectively reflects the ambitions, particularly social, of the spa city in the 18th century.
The individual Georgian buildings reflect the profound influence of Palladio (1508-1580) and their collective scale, style and the organisation of the spaces between buildings epitomises the success of architects such as the John Woods (elder 1704-1754, younger 1728-1782), Robert Adam (1728-1792), Thomas Baldwin (1750-1820) and John Palmer (1738-1817) in transposing Palladio’s ideas to the scale of a complete city, situated in a hollow in the hills and built to a picturesque landscape aestheticism creating a strong garden city feel, more akin to the 19th century garden cities than the 17th century Renaissance cities.
Criterion (i): Bath’s grandiose Neo-classical Palladian crescents, terraces and squares spread out over the surrounding hills and set in its green valley, are a demonstration par excellence of the integration of architecture, urban design and landscape setting, and the deliberate creation of a beautiful city. Not only are individual buildings such as the Assembly Rooms and Pump Room of great distinction, they are part of the larger overall city landscape that evolved over a century in a harmonious and logical way, drawing together public and private buildings and spaces in a way that reflects the precepts of Palladio tempered with picturesque aestheticism.
Bath’s quality of architecture and urban design, its visual homogeneity and its beauty is largely testament to the skill and creativity of the architects and visionaries of the 18th and 19th centuries who applied and developed Palladianism in response to the specific opportunities offered by the spa town and its physical environment and natural resources (in particular the hot springs and the local Bath Oolitic limestone). Three men – architect John Wood Senior, entrepreneur and quarry owner Ralph Allen and celebrated social shaper and Master of Ceremonies Richard “Beau” Nash – together provided the impetus to start this social, economic and physical rebirth, resulting in a city that played host to the social, political and cultural leaders of the day. That the architects who followed were working over the course of a century, with no master plan or single patron, did not prevent them from contriving to relate each individual development to those around it and to the wider landscape, creating a city that is harmonious and logical, in concord with its natural environment and extremely beautiful.
Criterion (ii): Bath exemplifies the 18th century move away from the inward-looking uniform street layouts of Renaissance cities that dominated through the 15th–17th centuries, towards the idea of planting buildings and cities in the landscape to achieve picturesque views and forms, which could be seen echoed around Europe particularly in the 19th century. This unifying of nature and city, seen throughout Bath, is perhaps best demonstrated in the Royal Crescent (John Wood Younger) and Lansdown Crescent (John Palmer). Bath’s urban and landscape spaces are created by the buildings that enclose them, providing a series of interlinked spaces that flow organically, and that visually (and at times physically) draw in the green surrounding countryside to create a distinctive garden city feel, looking forward to the principles of garden cities developed by the 19th century town planners.
Criterion (iv): Bath reflects two great eras in human history: Roman and Georgian. The Roman Baths and temple complex, together with the remains of the city of Aquae Sulis that grew up around them, make a significant contribution to the understanding and appreciation of Roman social and religious society. The 18th century re-development is a unique combination of outstanding urban architecture, spatial arrangement and social history. Bath exemplifies the main themes of the 18th century neoclassical city; the monumentalisation of ordinary houses, the integration of landscape and town, and the creation and interlinking of urban spaces, designed and developed as a response to the growing popularity of Bath as a society and spa destination and to provide an appropriate picturesque setting and facilities for the cure takers and social visitors. Although Bath gained greatest importance in Roman and Georgian times, the city nevertheless reflects continuous development over two millennia with the spectacular medieval Abbey Church sat beside the Roman temple and baths, in the heart of the 18th century and modern day city.
Integrity
Remains of the known Roman baths, the Temple of Sulis Minerva and the below grounds Roman archaeology are well preserved and within the property boundary as are the areas of Georgian town planning and architecture, and large elements of the landscape within which the city is set. Despite some loss of Georgian buildings prior to inscription, the Georgian City remains largely intact both in terms of buildings and plan form. An extensive range of interlinked spaces formed by crescents, terraces and squares set in a harmonious relationship with the surrounding green landscape survive. The relationship of the Georgian City to its setting of the surrounding hills remains clearly visible. As a modern city, Bath remains vulnerable to large-scale development and to transport pressures, both within the site and in its setting that could impact adversely on its garden city feel and on views across the property and to its green setting.
Authenticity
The hot springs, which are the reason for the City’s original development, are of undoubted authenticity. The key Roman remains are preserved, protected and displayed within a museum environment, and the Roman Baths can still be appreciated for their original use. The majority of the large stock of Georgian buildings have been continuously inhabited since their construction, and retain a high degree of original fabric. Repairs have largely been sympathetic, informed by an extensive body of documentation, and aided by a programme of restoration in the late twentieth century. More vulnerable is the overall interaction between groups of buildings in terraces, crescents and squares and views to the surrounding landscape that contributed to the City’s visual harmony. There is a need for new developments to respect the planning of the Georgian terraces, to respect the scale and rhythm of its structures, and to contribute to picturesque views.
I've seen this room and I've walked this floor.
I used to live alone before I knew you.
I've seen your flag on the marble arch,
but love is not some victory march.
It's a cold and it's a broken hallelujah.
-Hallelujah, Imogen Heap
A visitor to the Army Strong Zone repels down the face of the Army Values Rock Climbing Tower. The Army Strong Zone is a 129,000 square foot area designed to immerse visitors in the opportunities and technology of the Army, and the daily lives of Soldiers in a variety of jobs. Set up at San Antonio's Sunset Station, the Army Strong Zone neighbors the Alamodome and is one of the many activities associated with the U.S. Army All-American Bowl taking place outside the stadium. (Photo by U.S. Army)
JCBL Group is a conglomerate with diversified interests across automobile, pharmaceutical, design, information technology and international trading. With many firsts, the group is a pioneer in the mobility solutions space since 1989 and has grown to become the largest mobility solutions provider in India.JCBL’s philosophy revolves around four core values of passion, quality, trust and transparency. Over the years, the axis of growth has been on accelerating innovation and in providing solutions to customers, not mere product or service. These ethos are reflected in our theme ‘When inspired minds come together, miracles happen! ’.
Website: www.jcblgroup.com
After Value City went bankrupt a few years ago, the store became some sort of car lot.
I remember Value City being a pretty interesting store. Oh well.
Jacob Street at the 250 Freeway, Benwood.
PointsPlus Value: 3
CORE
Servings: 4
Ingredients
1 Tbsp olive oil
1 clove garlic clove(s), minced
2 oz arugula
6 oz cherry tomato(es), halved
10 egg white(s), 8-12, beaten
1 cup uncooked new potatoes, baby, halved
Instructions
Cook potatoes in a pot of lightly salted boiling water for 8 to 10 mins. Drain.
Heat oil in an oven safe frying pan. Cook the garlic over low heat for 1 min. Scatter the potatoes, half the arugula, and the cherry tomatoes into the pan. Pour the eggs on top. Season well and cook over medium heat for 5 mins.
Use a wooden spatula to lift the frittata so any unset egg can travel to the base of the pan.
When just set on the bottom, place under a preheated broiler for 2 to 3 mins to set the top. Scatter the remaining arugula on top and serve.
Source: Eat Clean Diet
9x12 Photoshop
I enjoy a composition that is busy but also one that uses open spaces but still doesn't feel empty or incomplete.
This is the introduction to using charcoal and chalk. Next, we'll draw a classical still life that includes at least one personal item.
In its new report, "The great transformer: the impact of the Internet on growth and prosperity," bit.ly/ssAYk7 MGI lays out just how much value the typical consumer gets from the Internet. Depending on where you live, that's anywhere from $18 to $28 per month.