View allAll Photos Tagged utopia
Model: Ailyn Giménez
Photo & retouch: Nat Enemede
Make up: Suky
Crown: Althreya
PLEASE! RESPECT copyright. Is totally prohibited use this photography for anything without my permission.
You can contact me via facebook (Nat Enemede Photography) or via email: info@enemede.es
Wouldn't you love to live in a place like that? As long as those rocks stayed in the air, I would!
www.flickr.com/photos/9454583@N07/2523309744/sizes/l/
FULL SIZE recommended
From MMO game: Aion
Megayacht in Kiel Canal (owned by a lebanese billionaire) on her way to Helsinki passing Levensau 2011-06-13
TECHNICAL DATA
Built by Feadship in 2004
LOA: 71.60 metres Beam 11.40 metres Draft 3.59 metres
Engines 2 x 2.000 HP Caterpillar 3516B DI-TA Mk1
Maximum speed: 16 knots Cruising speed: 12 knots
Range at cruising speed: 5.000 miles
Fuel tank: 157.000 litres Water tank: 37.600 litres Helicopter fuel: 3.800 litres Petrol reserve: 950 litres
Price abt.70 Mio. US-Dollars
12 guests only Chartertariff / Week: 435.000 Euro
After an 1886 Indian raid on their nearby Little Creek home, R. H. Kincheloe and family moved here, built a home and in 1873 a 2-story rock store. They platted town as "Montana", giving land for churches, school, and community square. Post office moved from Waresville in 1883. Methodists had church here before town was founded. Baptists organized their church in 1888. Church of Christ congregation relocated here, 1902.
New name praising climate was chosen by Postmaster George Barker. Stores and shops were built. Town is now a center for ranching, retirement, vacationing. Marker sponsored by citizens of Utopia. (1971) (Marker No. 5617)
The fifth volume of Stadtklang, the UCL Urban Laboratory music night, took place on Sunday 20 March at Somerset House as part of the 'Venturing Beyond: Graffiti and the Everyday Utopias of the Street' exhibition.
Writer and theorist Kodwo Eshun of The Otolith Group was in conversation with Ayesha Hameed - co-editor of a new book ‘Visual Culture as Time Travel’ and lecturer in the Department of Visual Cultures, Goldsmiths, University of London - and Louis Moreno to discuss 'The Last Angel of History' - a video essay from the Black Audio Film Collective exploring informatics, technics, mutation, posthumanity and extraterrestriality.
The discussion centred on the film’s themes and its critical role in the production of new Afro- and other futurisms. Kodwo also played a playlist especially for Stadtklang offering his take on Afrofuturist sound. Benny Blanco and Nonsense from NTS Radio played sets inspired by cities, science-fiction and utopia.
With thanks to the Department of Visual Cultures, Goldsmiths, University of London, Approved (by) Pablo, Somerset House, and London Speaker Hire for their support.
Photography by Jacob Fairless Nicholson jacobfnphotography.com/.
The fifth volume of Stadtklang, the UCL Urban Laboratory music night, took place on Sunday 20 March at Somerset House as part of the 'Venturing Beyond: Graffiti and the Everyday Utopias of the Street' exhibition.
Writer and theorist Kodwo Eshun of The Otolith Group was in conversation with Ayesha Hameed - co-editor of a new book ‘Visual Culture as Time Travel’ and lecturer in the Department of Visual Cultures, Goldsmiths, University of London - and Louis Moreno to discuss 'The Last Angel of History' - a video essay from the Black Audio Film Collective exploring informatics, technics, mutation, posthumanity and extraterrestriality.
The discussion centred on the film’s themes and its critical role in the production of new Afro- and other futurisms. Kodwo also played a playlist especially for Stadtklang offering his take on Afrofuturist sound. Benny Blanco and Nonsense from NTS Radio played sets inspired by cities, science-fiction and utopia.
With thanks to the Department of Visual Cultures, Goldsmiths, University of London, Approved (by) Pablo, Somerset House, and London Speaker Hire for their support.
Photography by Jacob Fairless Nicholson jacobfnphotography.com/.
Kehlila Nasnan presents the Samara Dancers in The Road to Utopia. Performed at the Bremerton Community Theatre. With Speical Guests Ruby and Charani's Mandali
The grand plan for Glasgow was to re-build the city as concrete utopia with roads hidden, houses high and public areas connected by paths and bridges.
The Anderson centre was the first project but it was never fully realized and looking at how its aged in the last 50 years its lucky the project never got further.
The fifth volume of Stadtklang, the UCL Urban Laboratory music night, took place on Sunday 20 March at Somerset House as part of the 'Venturing Beyond: Graffiti and the Everyday Utopias of the Street' exhibition.
Writer and theorist Kodwo Eshun of The Otolith Group was in conversation with Ayesha Hameed - co-editor of a new book ‘Visual Culture as Time Travel’ and lecturer in the Department of Visual Cultures, Goldsmiths, University of London - and Louis Moreno to discuss 'The Last Angel of History' - a video essay from the Black Audio Film Collective exploring informatics, technics, mutation, posthumanity and extraterrestriality.
The discussion centred on the film’s themes and its critical role in the production of new Afro- and other futurisms. Kodwo also played a playlist especially for Stadtklang offering his take on Afrofuturist sound. Benny Blanco and Nonsense from NTS Radio played sets inspired by cities, science-fiction and utopia.
With thanks to the Department of Visual Cultures, Goldsmiths, University of London, Approved (by) Pablo, Somerset House, and London Speaker Hire for their support.
Photography by Jacob Fairless Nicholson jacobfnphotography.com/.
Megayacht in Kiel Canal locks and sailing on Kieler Förde (owned by a lebanese billionaire) on her way to Helsinki passing Levensau 2011-06-13
TECHNICAL DATA
Built by Feadship in 2004
LOA: 71.60 metres Beam 11.40 metres Draft 3.59 metres
Engines 2 x 2.000 HP Caterpillar 3516B DI-TA Mk1
Maximum speed: 16 knots Cruising speed: 12 knots
Range at cruising speed: 5.000 miles
Fuel tank: 157.000 litres Water tank: 37.600 litres Helicopter fuel: 3.800 litres Petrol reserve: 950 litres
Price abt.70 Mio. US-Dollars
12 guests only Chartertariff / Week: 435.000 Euro
L’Utopia del potere monetario sta gradualmente sostituendo l’Utopia del bene sociale. L’Utopia è in vendita?
La mostra, omaggio ad Allan Sekula, vede esposti, oltre ai lavori dell’artista scomparso pochi mesi fa, opere video e installazioni ma anche disegni, fotografie di siti e paesaggi industriali.
---
UTOPIA FOR SALE?
Dal 15 febbraio al 4 maggio 2014
Photo Musacchio & Ianniello
See more images of Dublin on www.robertbohanphotography.com/dublin.html
GUBU, a pub on Capel Street, Dublin. Taken 23rd December 2005
Thats my mate Mark getting served at the bar. We met by accident on my way home from work - so it seemed like a good idea to have a Christmas pint.
Poor Old Gubu. It closed before Christmas and re-opened as something else - Panti Bar, I think. Its now a drag queen bar - something that Dublin never knew it needed and as far as current traffic suggests, still does not know that it needs. Its an odd bar that in its old incarnation, as above, was more about lazer beams playing pool downstairs versus DIT students from Bolton Street and a bearish-leather crowd of fellas upstairs who didnt seem to care it was on the wrong side of the Liffey. These groups were catered to by a couple of mellow straight barmen and some very large yet humorous bouncers. The new bar appears to have decided both sorts of clientele were superfluous to its needs and so this drag queen concept took off. Theres a small and energetic crowd who love the drag circuit but spread as it is (like a thong around a rotund curate) the bar is suffering along with most other gay bars in the city. The barmen now may be prettier but miss out on service and command of the English language. Hopefully it will evolve and survive - always the romantic I will try it again sometime although music from the 80s during the early evening is never a good idea - especially when its not hum-along.
Megayacht in Kiel Canal locks and sailing on Kieler Förde (owned by a lebanese billionaire) on her way to Helsinki passing Levensau 2011-06-13
TECHNICAL DATA
Built by Feadship in 2004
LOA: 71.60 metres Beam 11.40 metres Draft 3.59 metres
Engines 2 x 2.000 HP Caterpillar 3516B DI-TA Mk1
Maximum speed: 16 knots Cruising speed: 12 knots
Range at cruising speed: 5.000 miles
Fuel tank: 157.000 litres Water tank: 37.600 litres Helicopter fuel: 3.800 litres Petrol reserve: 950 litres
Price abt.70 Mio. US-Dollars
12 guests only Chartertariff / Week: 435.000 Euro
location: The Utopia Project
hair: DK Koneko
skin: Plastik Ataciara Chorus Geisha
tattoos: Plastik Demon Fades Gaiha, and EtchD FL
piercings: ellabella Vibes
eyes: Plastik LightCollection Zoom
pants: Plastik Halluwiin '10 Leggings Haunt
top: Plastik Strapped Obsidian, and Valerian bra black
collar and braces: Plastik SiniStyle Raven Dominance Collar
boots: The Abyss F_Boots Stompers
Kehlila Nasnan presents the Samara Dancers in The Road to Utopia. Performed at the Bremerton Community Theatre. With Speical Guests Ruby and Charani's Mandali
The fifth volume of Stadtklang, the UCL Urban Laboratory music night, took place on Sunday 20 March at Somerset House as part of the 'Venturing Beyond: Graffiti and the Everyday Utopias of the Street' exhibition.
Writer and theorist Kodwo Eshun of The Otolith Group was in conversation with Ayesha Hameed - co-editor of a new book ‘Visual Culture as Time Travel’ and lecturer in the Department of Visual Cultures, Goldsmiths, University of London - and Louis Moreno to discuss 'The Last Angel of History' - a video essay from the Black Audio Film Collective exploring informatics, technics, mutation, posthumanity and extraterrestriality.
The discussion centred on the film’s themes and its critical role in the production of new Afro- and other futurisms. Kodwo also played a playlist especially for Stadtklang offering his take on Afrofuturist sound. Benny Blanco and Nonsense from NTS Radio played sets inspired by cities, science-fiction and utopia.
With thanks to the Department of Visual Cultures, Goldsmiths, University of London, Approved (by) Pablo, Somerset House, and London Speaker Hire for their support.
Photography by Jacob Fairless Nicholson jacobfnphotography.com/.
Kehlila Nasnan presents the Samara Dancers in The Road to Utopia. Performed at the Bremerton Community Theatre. With Speical Guests Ruby and Charani's Mandali
For my Utopia project I have chosen to focus on my own personal Utopia and what it means to me. In researching for the brief I have discovered that my personal Utopia is not a physical place that exists but I find my happiness and peace with in others and the people I surround myself with. To convey this idea I have considered many different ideas one of which is through photographing the people who make me happy and showing the Utopia on there physical bodies. I have also looked at peoples bodies and found that "flaws" such as freckles show the human body in it's purest form. I am messing around with the idea of using the freckles to represent the physical places we found each other and where we are from - using freckles to create a map. These are just ideas for now but i'm excited to see where my work will go from here.
Megayacht in Kiel Canal (owned by a lebanese billionaire) on her way to Helsinki passing Levensau 2011-06-13
TECHNICAL DATA
Built by Feadship in 2004
LOA: 71.60 metres Beam 11.40 metres Draft 3.59 metres
Engines 2 x 2.000 HP Caterpillar 3516B DI-TA Mk1
Maximum speed: 16 knots Cruising speed: 12 knots
Range at cruising speed: 5.000 miles
Fuel tank: 157.000 litres Water tank: 37.600 litres Helicopter fuel: 3.800 litres Petrol reserve: 950 litres
Price abt.70 Mio. US-Dollars
12 guests only Chartertariff / Week: 435.000 Euro