View allAll Photos Tagged utopia
Three vintages of Samual Adams Utopias with the limited edition number printed on the bottom of the ceramic bottles. Mine are
Limited 2007 Edition: # 09341
Limited 2009 Edition: # 12018
Limited 2011 Edition: # 05687
Hot Wheels have an enviably good record for producing an array of impressively stock looking Pagani hypercars culminating in their more recent Utopia casting. Surprisingly only its second outing which debuts in this years Case M which has just appeared at my nearest Aldi in vast quantities.
A rather sublime metallic blue paint colour brings an extra touch of class as well as its usual tampo detailing which is actually afforded to all four sides!
Mint and boxed.
utopia ist eine genussfeindliche stadt. weder farbfotografie noch drogen sind erlaubt. menschen aber brauchen laster und genuss, daher hat sich die regierung entschlossen, die bevölkerung erneut mit weichen drogen - "bier" - zu versorgen. an neuralgischen punkten in der siedlung wurden zu diesem zwecke bier-abfüllanlagen eingerichtet. dort können sich die menschen nach einem schweren tag mit halben litern versorgen. der architekt konnte sich einem kleinen scherz wohl nicht verwehren, als er den grauen betonklotz "biergarten" nannte. wohl eine hommage an "die guten alten zeiten". haxen sind selbstverständlich auch nicht mehr erlaubt - viel zu fett!
Utopia, part of International Dance Festival Birmingham.
See www.idfb.co.uk/whats-on/utopia/ for more info.
Megayacht in Kiel Canal locks and sailing on Kieler Förde (owned by a lebanese billionaire) on her way to Helsinki passing Levensau 2011-06-13
TECHNICAL DATA
Built by Feadship in 2004
LOA: 71.60 metres Beam 11.40 metres Draft 3.59 metres
Engines 2 x 2.000 HP Caterpillar 3516B DI-TA Mk1
Maximum speed: 16 knots Cruising speed: 12 knots
Range at cruising speed: 5.000 miles
Fuel tank: 157.000 litres Water tank: 37.600 litres Helicopter fuel: 3.800 litres Petrol reserve: 950 litres
Price abt.70 Mio. US-Dollars
12 guests only Chartertariff / Week: 435.000 Euro
NYC: NYGASP / Utopia Limited: "There's a little group of isles beyond the wave"
Act II Finale: Laurelyn Watson Chase (Princess Zara), Albert Bergeret, Artistic Director
(shooting seated in front row with LX5 -- pushed ISO to bump shutter speed)
Panasonic Lumix DMC-LX5 | 28mm | ƒ2 | 1/60s | ISO800 | Handheld
See, if I could describe what I wanted in Paradise (or whatever equivalent you have :) I would most likely include "A very good puzzle", "An Expresso machine with milk supplies" in my top 5...Along with some other things...heh
Utopia Magazin / Heft-Reihe
- Eric F. Russell / Ich bin nichts
- H. F. Hofmann / Arazel 3000
cover: Ed Emshwiller
Pabel-Verlag (Rastatt/Deutschland; 1959)
ex libris MTP
Utopia, part of International Dance Festival Birmingham.
See www.idfb.co.uk/whats-on/utopia/ for more info.
For my Utopia project I have chosen to focus on my own personal Utopia and what it means to me. In researching for the brief I have discovered that my personal Utopia is not a physical place that exists but I find my happiness and peace with in others and the people I surround myself with. To convey this idea I have considered many different ideas one of which is through photographing the people who make me happy and showing the Utopia on there physical bodies. I have also looked at peoples bodies and found that "flaws" such as freckles show the human body in it's purest form. I am messing around with the idea of using the freckles to represent the physical places we found each other and where we are from - using freckles to create a map. These are just ideas for now but i'm excited to see where my work will go from here.
Utopia, part of International Dance Festival Birmingham.
See www.idfb.co.uk/whats-on/utopia/ for more info.
Bringing together a group of artists from different generations, this exhibition will address how photography, film, audio, and more have been used to reimagine Africa’s diverse cultures and historical narratives.
Moving beyond a traditional photography exhibition, the show seeks to explore the many ways images travel across histories and geographies. Using themes of spirituality, identity, urbanism and climate emergency, the exhibition will guide the viewer through dream-like utopias and bustling cityscapes viewed from the artists’ perspectives.
The exhibition follows artists across the many landscapes, borders and time zones of Africa to reveal how photography allows the past and the future to co-exist in powerful and transformative ways.
La utopía está en el horizonte. Camino dos pasos, ella se aleja dos pasos y el horizonte se corre diez pasos más allá. ¿Entonces para que sirve la utopía? Para eso, sirve para caminar
For my Utopia project I have chosen to focus on my own personal Utopia and what it means to me. In researching for the brief I have discovered that my personal Utopia is not a physical place that exists but I find my happiness and peace with in others and the people I surround myself with. To convey this idea I have considered many different ideas one of which is through photographing the people who make me happy and showing the Utopia on there physical bodies. I have also looked at peoples bodies and found that "flaws" such as freckles show the human body in it's purest form. I am messing around with the idea of using the freckles to represent the physical places we found each other and where we are from - using freckles to create a map. These are just ideas for now but i'm excited to see where my work will go from here.
Kehlila Nasnan presents the Samara Dancers in The Road to Utopia. Performed at the Bremerton Community Theatre. With Speical Guests Ruby and Charani's Mandali
CP foreman work around the diamond with the BCRY at Utopia. The crew will have to wait till they can get their signal to proceed east across the Mactier Sub and put their train into the interchange track just to the south (left) of the photo.
BCRY Meaford Spur
February 24, 2009
Artist Rory Macbeth painted the words of the entire novel “Utopia” by Sir Thomas More, on the old Eastern Electricity building off Westwick Street in Norwich. The artwork was completed during 2006 and was only expected to be there a year as the building was earmarked for demolition. The building is still very much standing in 2012, and I for one am really pleased about that, as it adds something special to the city in my opinion. Great piece of artwork.
All photos are © Alexandra Bone
Not to be used without prior permission.
For my Utopia project I have chosen to focus on my own personal Utopia and what it means to me. In researching for the brief I have discovered that my personal Utopia is not a physical place that exists but I find my happiness and peace with in others and the people I surround myself with. To convey this idea I have considered many different ideas one of which is through photographing the people who make me happy and showing the Utopia on there physical bodies. I have also looked at peoples bodies and found that "flaws" such as freckles show the human body in it's purest form. I am messing around with the idea of using the freckles to represent the physical places we found each other and where we are from - using freckles to create a map. These are just ideas for now but i'm excited to see where my work will go from here.
Vessel's Details
Ship Type: Pleasure Craft
Year Built: 2004
Length x Breadth: 71 m X 12 m
DeadWeight: 218 t
Speed recorded (Max / Average): 14.3 / 12.7 knots
Flag: Cayman Is [KY]
Call Sign: ZCNZ9
IMO: 1007263, MMSI: 319326000
Photo ID: 44911 Utopia
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Kehlila Nasnan presents the Samara Dancers in The Road to Utopia. Performed at the Bremerton Community Theatre. With Speical Guests Ruby and Charani's Mandali
The fifth volume of Stadtklang, the UCL Urban Laboratory music night, took place on Sunday 20 March at Somerset House as part of the 'Venturing Beyond: Graffiti and the Everyday Utopias of the Street' exhibition.
Writer and theorist Kodwo Eshun of The Otolith Group was in conversation with Ayesha Hameed - co-editor of a new book ‘Visual Culture as Time Travel’ and lecturer in the Department of Visual Cultures, Goldsmiths, University of London - and Louis Moreno to discuss 'The Last Angel of History' - a video essay from the Black Audio Film Collective exploring informatics, technics, mutation, posthumanity and extraterrestriality.
The discussion centred on the film’s themes and its critical role in the production of new Afro- and other futurisms. Kodwo also played a playlist especially for Stadtklang offering his take on Afrofuturist sound. Benny Blanco and Nonsense from NTS Radio played sets inspired by cities, science-fiction and utopia.
With thanks to the Department of Visual Cultures, Goldsmiths, University of London, Approved (by) Pablo, Somerset House, and London Speaker Hire for their support.
Photography by Jacob Fairless Nicholson jacobfnphotography.com/.
Programmauswahl: Insgesamt 8 Programme kann der Nutzer für unterschiedliches Fahrverhalten auswählen. Individuell vom Nutzer einstellbar: Programme für hohe/niedrige Trittfrequenz, Bergtauglichkeit, Fahren mit/ohne Kraftsensor sowie Sonderprogramme.
The fifth volume of Stadtklang, the UCL Urban Laboratory music night, took place on Sunday 20 March at Somerset House as part of the 'Venturing Beyond: Graffiti and the Everyday Utopias of the Street' exhibition.
Writer and theorist Kodwo Eshun of The Otolith Group was in conversation with Ayesha Hameed - co-editor of a new book ‘Visual Culture as Time Travel’ and lecturer in the Department of Visual Cultures, Goldsmiths, University of London - and Louis Moreno to discuss 'The Last Angel of History' - a video essay from the Black Audio Film Collective exploring informatics, technics, mutation, posthumanity and extraterrestriality.
The discussion centred on the film’s themes and its critical role in the production of new Afro- and other futurisms. Kodwo also played a playlist especially for Stadtklang offering his take on Afrofuturist sound. Benny Blanco and Nonsense from NTS Radio played sets inspired by cities, science-fiction and utopia.
With thanks to the Department of Visual Cultures, Goldsmiths, University of London, Approved (by) Pablo, Somerset House, and London Speaker Hire for their support.
Photography by Jacob Fairless Nicholson jacobfnphotography.com/.