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L’Utopia del potere monetario sta gradualmente sostituendo l’Utopia del bene sociale. L’Utopia è in vendita?
La mostra, omaggio ad Allan Sekula, vede esposti, oltre ai lavori dell’artista scomparso pochi mesi fa, opere video e installazioni ma anche disegni, fotografie di siti e paesaggi industriali.
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UTOPIA FOR SALE?
Dal 15 febbraio al 4 maggio 2014
Photo Musacchio & Ianniello
UTOPIA Grossband / Heftreihe
Murray Leinster / Das letzte Raumschiff
Originaltitel: The Last Spaceship (1949)
Cover: Ed Emshwiller
Erich Pabel Verlag (Rastatt/Deutschland; 1958)
ex libris MTP
The fifth volume of Stadtklang, the UCL Urban Laboratory music night, took place on Sunday 20 March at Somerset House as part of the 'Venturing Beyond: Graffiti and the Everyday Utopias of the Street' exhibition.
Writer and theorist Kodwo Eshun of The Otolith Group was in conversation with Ayesha Hameed - co-editor of a new book ‘Visual Culture as Time Travel’ and lecturer in the Department of Visual Cultures, Goldsmiths, University of London - and Louis Moreno to discuss 'The Last Angel of History' - a video essay from the Black Audio Film Collective exploring informatics, technics, mutation, posthumanity and extraterrestriality.
The discussion centred on the film’s themes and its critical role in the production of new Afro- and other futurisms. Kodwo also played a playlist especially for Stadtklang offering his take on Afrofuturist sound. Benny Blanco and Nonsense from NTS Radio played sets inspired by cities, science-fiction and utopia.
With thanks to the Department of Visual Cultures, Goldsmiths, University of London, Approved (by) Pablo, Somerset House, and London Speaker Hire for their support.
Photography by Jacob Fairless Nicholson jacobfnphotography.com/.
Kehlila Nasnan presents the Samara Dancers in The Road to Utopia. Performed at the Bremerton Community Theatre. With Speical Guests Ruby and Charani's Mandali
East of Sedro Woolley WA. Two uncles and an aunt in photo. Harley, Dan, Mabel McCalib.
Photo by Darius Kinsey.
The fifth volume of Stadtklang, the UCL Urban Laboratory music night, took place on Sunday 20 March at Somerset House as part of the 'Venturing Beyond: Graffiti and the Everyday Utopias of the Street' exhibition.
Writer and theorist Kodwo Eshun of The Otolith Group was in conversation with Ayesha Hameed - co-editor of a new book ‘Visual Culture as Time Travel’ and lecturer in the Department of Visual Cultures, Goldsmiths, University of London - and Louis Moreno to discuss 'The Last Angel of History' - a video essay from the Black Audio Film Collective exploring informatics, technics, mutation, posthumanity and extraterrestriality.
The discussion centred on the film’s themes and its critical role in the production of new Afro- and other futurisms. Kodwo also played a playlist especially for Stadtklang offering his take on Afrofuturist sound. Benny Blanco and Nonsense from NTS Radio played sets inspired by cities, science-fiction and utopia.
With thanks to the Department of Visual Cultures, Goldsmiths, University of London, Approved (by) Pablo, Somerset House, and London Speaker Hire for their support.
Photography by Jacob Fairless Nicholson jacobfnphotography.com/.
What a let down Utopia was! How come the organizers let there be only one restaurant at the place. and that was serving the WORST falafel i ever had in my entire life. I got dhiarea after eating that SHIT food. Shame on you boom people. you should have taken care of YOUR people better. i am defenetetly not coming back
Kehlila Nasnan presents the Samara Dancers in The Road to Utopia. Performed at the Bremerton Community Theatre. With Speical Guests Ruby and Charani's Mandali
former Eastern Electricity building, Westwick Street, Norwich
They wonder much to hear that gold, which in itself is so useless a thing, should be everywhere so much esteemed, that even men for whom it was made, and by whom it has its value, should yet be thought of less value than it is - Thomas More, Utopia
The building has been painted with the entire text of Utopia by Thomas More, by local artist Rory Macbeth. It is shortly to be demolished.
The V for Vendetta insignia at the bottom is a later addition.
Kehlila Nasnan presents the Samara Dancers in The Road to Utopia. Performed at the Bremerton Community Theatre. With Speical Guests Ruby and Charani's Mandali
Megayacht in Kiel Canal locks and sailing on Kieler Förde (owned by a lebanese billionaire) on her way to Helsinki passing Levensau 2011-06-13
TECHNICAL DATA
Built by Feadship in 2004
LOA: 71.60 metres Beam 11.40 metres Draft 3.59 metres
Engines 2 x 2.000 HP Caterpillar 3516B DI-TA Mk1
Maximum speed: 16 knots Cruising speed: 12 knots
Range at cruising speed: 5.000 miles
Fuel tank: 157.000 litres Water tank: 37.600 litres Helicopter fuel: 3.800 litres Petrol reserve: 950 litres
Price abt.70 Mio. US-Dollars
12 guests only Chartertariff / Week: 435.000 Euro
NYC: NYGASP / Utopia Limited: "Then I may sing and play"
"...when I sing a tune, it needn't be a hymn one" -- Amy Maude Helfer (Kalyba), Richard Holmes
(Mr. Goldbury), Sarah Caldwell Smith (Nekaya), Michael Galante (Lord Dramaleigh)
(shooting seated in front row with LX5)
Panasonic Lumix DMC-LX5 | 28mm | ƒ2 | 1/15s | ISO400 | Handheld
Zagreb, Gliptoteka HAZU - Nedovršene modernizacije: između utopije i pragmatizma (Unfinished Modernization: between utopia and pragmatism) - Izložba (Exhibition)
www.d-a-z.hr/hr/vijesti/nedovrsene-modernizacije-izmedu-u...
The grand plan for Glasgow was to re-build the city as concrete utopia with roads hidden, houses high and public areas connected by paths and bridges.
The Anderson centre was the first project but it was never fully realized and looking at how its aged in the last 50 years its lucky the project never got further.