View allAll Photos Tagged utopia
Finally, I reached the pass to Italy
Remembrance of the infamous past of Mussolini
I smile at the now peaceful Casermetta
And I pray for a new utopia
(col de la seigne pass alt. 2516 m, italian border, Tour du mont blanc, august 2013)
---UTOPIA---
First film only shot with origami models in XXI century is to be released on 23 December 2018!
Utopia is the original origami film made by Iren Rondo. It took 4 months to realise this project. The whole creation is more than 15 minutes long.
This VHS-story tells an unusual story happened with Fangys.
Youtube premiere of the first episode will be held on December, 23, 2 pm (GMT+1 (France, Spain, Poland); GMT+9 (Japan) - 10 pm; GMT+8 (China) - 9 pm; GMT+3(Moscow) - 4 pm. There will be an English and Russian versions. More details will be unveiled soon.
***Official selection LIST-OFF SESSIONS 2018***
www.youtube.com/channel/UCbCFuZdSfjmHk2ZF8O0D..
Submit to the channel and turn the alarms on not to miss its worldwide premiere.
Detail from window by Caroline Townshend, the main subject being Thomas More. Presumably this is Lear's Owl and Pussycat sailing off to a Utopian land by the light of the moon?
Detail of window at St Chad's church, Bensham, Gateshead
Utopia is a stock SM, and Nami is a custom SM. They're both the EBL version, which I love so much more than the SBL encore that was released.
They have the sweetest faces ever!
The grand plan for Glasgow was to re-build the city as concrete utopia with roads hidden, houses high and public areas connected by paths and bridges.
The Anderson centre was the first project but it was never fully realized and looking at how its aged in the last 50 years its lucky the project never got further.
NYC: NYGASP / Utopia Limited: "I'm afraid we are interrupting a tête-à-tête"
Dialogue scene: Cameron Smith (Captain Fitzbattleaxe), Laurelyn Watson Chase (Princess Zara), Stephen O'Brien (Phantis), Stephen Quint (Scaphio)
(shooting seated in front row with LX5)
Panasonic Lumix DMC-LX5 | 28mm | ƒ2 | 1/13s | ISO400 | Handheld
The fifth volume of Stadtklang, the UCL Urban Laboratory music night, took place on Sunday 20 March at Somerset House as part of the 'Venturing Beyond: Graffiti and the Everyday Utopias of the Street' exhibition.
Writer and theorist Kodwo Eshun of The Otolith Group was in conversation with Ayesha Hameed - co-editor of a new book ‘Visual Culture as Time Travel’ and lecturer in the Department of Visual Cultures, Goldsmiths, University of London - and Louis Moreno to discuss 'The Last Angel of History' - a video essay from the Black Audio Film Collective exploring informatics, technics, mutation, posthumanity and extraterrestriality.
The discussion centred on the film’s themes and its critical role in the production of new Afro- and other futurisms. Kodwo also played a playlist especially for Stadtklang offering his take on Afrofuturist sound. Benny Blanco and Nonsense from NTS Radio played sets inspired by cities, science-fiction and utopia.
With thanks to the Department of Visual Cultures, Goldsmiths, University of London, Approved (by) Pablo, Somerset House, and London Speaker Hire for their support.
Photography by Jacob Fairless Nicholson jacobfnphotography.com/.
'La utopía está en el horizonte. Camino dos pasos, ella se aleja dos pasos y el horizonte se corre diez pasos más allá. ¿Entonces para que sirve la utopía? Para eso, sirve para caminar.'
Eduardo Galeano
"Vieron como todos veian. Pero solo ellos se pararon a pensar. Pararse a pensar es necesario para seguir avanzando. Reflexionaron sobre que era aquello que les latia, que les embriagaba, que les hacia perder la mirada en una espiral de ideas chispeantes, incipientes, descabelladas. Y no pararon de manosearlas, de moverlas sin sentido, sin encontrar un orden lògico. Y se rindieron exhaustos. Y al minuto,de nuevo, se pararon a pensar y de nuevo comenzo el proceso, ese proceso que les desternillaba las ideas. Y de nuevo se rindieron. Y no pudieron parar de pensar. Hasta que de repente, en un momento, sin aviso, algo hizo "chist"... ahi estaba..."
"Pensament"
Fragmento del relato para utopÎa
Megayacht in Kiel Canal locks and sailing on Kieler Förde (owned by a lebanese billionaire) on her way to Helsinki passing Levensau 2011-06-13
TECHNICAL DATA
Built by Feadship in 2004
LOA: 71.60 metres Beam 11.40 metres Draft 3.59 metres
Engines 2 x 2.000 HP Caterpillar 3516B DI-TA Mk1
Maximum speed: 16 knots Cruising speed: 12 knots
Range at cruising speed: 5.000 miles
Fuel tank: 157.000 litres Water tank: 37.600 litres Helicopter fuel: 3.800 litres Petrol reserve: 950 litres
Price abt.70 Mio. US-Dollars
12 guests only Chartertariff / Week: 435.000 Euro
Megayacht in Kiel Canal locks and sailing on Kieler Förde (owned by a lebanese billionaire) on her way to Helsinki passing Levensau 2011-06-13
TECHNICAL DATA
Built by Feadship in 2004
LOA: 71.60 metres Beam 11.40 metres Draft 3.59 metres
Engines 2 x 2.000 HP Caterpillar 3516B DI-TA Mk1
Maximum speed: 16 knots Cruising speed: 12 knots
Range at cruising speed: 5.000 miles
Fuel tank: 157.000 litres Water tank: 37.600 litres Helicopter fuel: 3.800 litres Petrol reserve: 950 litres
Price abt.70 Mio. US-Dollars
12 guests only Chartertariff / Week: 435.000 Euro
ExtraEnergy Test IT Show Reise Freizeit 2016: Dominik Morschett (Einkauf/Verkaufsberatung Utopia Velo) auf dem Utopia Kranich.
Accompanying the exhibition of work by David Kesting is Utopia Parkway, a 66-page illustrated book of drawings from the artist’s collection. The book’s first edition will be limited to 40 copies, each signed and numbered by the artist. Utopia Parkway - which features sections including “Family Life,” “Burning Things,” “At Work,” and “Out Drinking” - depicts Kesting’s hopeful characters in their everyday settings. Kesting’s illustrations feel playful, like those in a children’s book, but ultimately resonate with the tensions of human relationships and alienation felt deeply by adults.
ExtraEnergy Test IT Show Reise Freizeit 2016: Ralf Klagges (Entwicklung/Verkauf/Inhaber Utopia Velo) auf dem Utopia Kranich.
for the utmost confusion, View Large
Listen utopia
It's a strange day
No colours or shapes
No sound in my head
I forget who I am
When I'm with you
There's no reason
There's no sense
I'm not supposed to feel
I forget who I am
I forget
Fascist baby
Utopia, utopia
My dog needs new ears
Make his eyes see forever
Make him live like me
Again and again
Fascist baby
Utopia, utopia
I'm wired to the world
That's how I know everything
I'm super brain
That's how they made me
Fascist baby
Utopia, utopia
Photo ID: 44910 Utopia
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L’Utopia del potere monetario sta gradualmente sostituendo l’Utopia del bene sociale. L’Utopia è in vendita?
La mostra, omaggio ad Allan Sekula, vede esposti, oltre ai lavori dell’artista scomparso pochi mesi fa, opere video e installazioni ma anche disegni, fotografie di siti e paesaggi industriali.
---
UTOPIA FOR SALE?
Dal 15 febbraio al 4 maggio 2014
Photo Musacchio & Ianniello
UTOPIA Grossband / Heftreihe
Murray Leinster / Das letzte Raumschiff
Originaltitel: The Last Spaceship (1949)
Cover: Ed Emshwiller
Erich Pabel Verlag (Rastatt/Deutschland; 1958)
ex libris MTP
The fifth volume of Stadtklang, the UCL Urban Laboratory music night, took place on Sunday 20 March at Somerset House as part of the 'Venturing Beyond: Graffiti and the Everyday Utopias of the Street' exhibition.
Writer and theorist Kodwo Eshun of The Otolith Group was in conversation with Ayesha Hameed - co-editor of a new book ‘Visual Culture as Time Travel’ and lecturer in the Department of Visual Cultures, Goldsmiths, University of London - and Louis Moreno to discuss 'The Last Angel of History' - a video essay from the Black Audio Film Collective exploring informatics, technics, mutation, posthumanity and extraterrestriality.
The discussion centred on the film’s themes and its critical role in the production of new Afro- and other futurisms. Kodwo also played a playlist especially for Stadtklang offering his take on Afrofuturist sound. Benny Blanco and Nonsense from NTS Radio played sets inspired by cities, science-fiction and utopia.
With thanks to the Department of Visual Cultures, Goldsmiths, University of London, Approved (by) Pablo, Somerset House, and London Speaker Hire for their support.
Photography by Jacob Fairless Nicholson jacobfnphotography.com/.
Kehlila Nasnan presents the Samara Dancers in The Road to Utopia. Performed at the Bremerton Community Theatre. With Speical Guests Ruby and Charani's Mandali
East of Sedro Woolley WA. Two uncles and an aunt in photo. Harley, Dan, Mabel McCalib.
Photo by Darius Kinsey.
Kehlila Nasnan presents the Samara Dancers in The Road to Utopia. Performed at the Bremerton Community Theatre. With Speical Guests Ruby and Charani's Mandali
The fifth volume of Stadtklang, the UCL Urban Laboratory music night, took place on Sunday 20 March at Somerset House as part of the 'Venturing Beyond: Graffiti and the Everyday Utopias of the Street' exhibition.
Writer and theorist Kodwo Eshun of The Otolith Group was in conversation with Ayesha Hameed - co-editor of a new book ‘Visual Culture as Time Travel’ and lecturer in the Department of Visual Cultures, Goldsmiths, University of London - and Louis Moreno to discuss 'The Last Angel of History' - a video essay from the Black Audio Film Collective exploring informatics, technics, mutation, posthumanity and extraterrestriality.
The discussion centred on the film’s themes and its critical role in the production of new Afro- and other futurisms. Kodwo also played a playlist especially for Stadtklang offering his take on Afrofuturist sound. Benny Blanco and Nonsense from NTS Radio played sets inspired by cities, science-fiction and utopia.
With thanks to the Department of Visual Cultures, Goldsmiths, University of London, Approved (by) Pablo, Somerset House, and London Speaker Hire for their support.
Photography by Jacob Fairless Nicholson jacobfnphotography.com/.
What a let down Utopia was! How come the organizers let there be only one restaurant at the place. and that was serving the WORST falafel i ever had in my entire life. I got dhiarea after eating that SHIT food. Shame on you boom people. you should have taken care of YOUR people better. i am defenetetly not coming back