View allAll Photos Tagged utopia
The fifth volume of Stadtklang, the UCL Urban Laboratory music night, took place on Sunday 20 March at Somerset House as part of the 'Venturing Beyond: Graffiti and the Everyday Utopias of the Street' exhibition.
Writer and theorist Kodwo Eshun of The Otolith Group was in conversation with Ayesha Hameed - co-editor of a new book ‘Visual Culture as Time Travel’ and lecturer in the Department of Visual Cultures, Goldsmiths, University of London - and Louis Moreno to discuss 'The Last Angel of History' - a video essay from the Black Audio Film Collective exploring informatics, technics, mutation, posthumanity and extraterrestriality.
The discussion centred on the film’s themes and its critical role in the production of new Afro- and other futurisms. Kodwo also played a playlist especially for Stadtklang offering his take on Afrofuturist sound. Benny Blanco and Nonsense from NTS Radio played sets inspired by cities, science-fiction and utopia.
With thanks to the Department of Visual Cultures, Goldsmiths, University of London, Approved (by) Pablo, Somerset House, and London Speaker Hire for their support.
Photography by Jacob Fairless Nicholson jacobfnphotography.com/.
Programmauswahl: Insgesamt 8 Programme kann der Nutzer für unterschiedliches Fahrverhalten auswählen. Individuell vom Nutzer einstellbar: Programme für hohe/niedrige Trittfrequenz, Bergtauglichkeit, Fahren mit/ohne Kraftsensor sowie Sonderprogramme.
Kehlila Nasnan presents the Samara Dancers in The Road to Utopia. Performed at the Bremerton Community Theatre. With Speical Guests Ruby and Charani's Mandali
NYC: NYGASP / Utopia Limited: "Bold-faced Ranger"
Lady Sophy instructs young ladies on proper decorum: Erika Person (Lady Sophy), Sarah Caldwell Smith (Nekaya), Amy Maude Helfer (Kalyba)
(shooting seated in front row with LX5)
Panasonic Lumix DMC-LX5 | 31mm | ƒ2.1 | 1/13s | ISO400 | Handheld
As part of my Utopia project, looking at how sleep is the true Utopia in this Dystopian world we live in. This photo shows the sterotypical idea of dreaming being quite a sweet, peaceful place which fits in with the meaning of Utopia.
Megayacht in Kiel Canal locks and sailing on Kieler Förde (owned by a lebanese billionaire) on her way to Helsinki passing Levensau 2011-06-13
TECHNICAL DATA
Built by Feadship in 2004
LOA: 71.60 metres Beam 11.40 metres Draft 3.59 metres
Engines 2 x 2.000 HP Caterpillar 3516B DI-TA Mk1
Maximum speed: 16 knots Cruising speed: 12 knots
Range at cruising speed: 5.000 miles
Fuel tank: 157.000 litres Water tank: 37.600 litres Helicopter fuel: 3.800 litres Petrol reserve: 950 litres
Price abt.70 Mio. US-Dollars
12 guests only Chartertariff / Week: 435.000 Euro
Kehlila Nasnan presents the Samara Dancers in The Road to Utopia. Performed at the Bremerton Community Theatre. With Speical Guests Ruby and Charani's Mandali
The fifth volume of Stadtklang, the UCL Urban Laboratory music night, took place on Sunday 20 March at Somerset House as part of the 'Venturing Beyond: Graffiti and the Everyday Utopias of the Street' exhibition.
Writer and theorist Kodwo Eshun of The Otolith Group was in conversation with Ayesha Hameed - co-editor of a new book ‘Visual Culture as Time Travel’ and lecturer in the Department of Visual Cultures, Goldsmiths, University of London - and Louis Moreno to discuss 'The Last Angel of History' - a video essay from the Black Audio Film Collective exploring informatics, technics, mutation, posthumanity and extraterrestriality.
The discussion centred on the film’s themes and its critical role in the production of new Afro- and other futurisms. Kodwo also played a playlist especially for Stadtklang offering his take on Afrofuturist sound. Benny Blanco and Nonsense from NTS Radio played sets inspired by cities, science-fiction and utopia.
With thanks to the Department of Visual Cultures, Goldsmiths, University of London, Approved (by) Pablo, Somerset House, and London Speaker Hire for their support.
Photography by Jacob Fairless Nicholson jacobfnphotography.com/.
Photo ID: 44911 Utopia
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For my Utopia project I have chosen to focus on my own personal Utopia and what it means to me. In researching for the brief I have discovered that my personal Utopia is not a physical place that exists but I find my happiness and peace with in others and the people I surround myself with. To convey this idea I have considered many different ideas one of which is through photographing the people who make me happy and showing the Utopia on there physical bodies. I have also looked at peoples bodies and found that "flaws" such as freckles show the human body in it's purest form. I am messing around with the idea of using the freckles to represent the physical places we found each other and where we are from - using freckles to create a map. These are just ideas for now but i'm excited to see where my work will go from here.
Bluetooth Verbindung Start zwischen Controller und Smartphone. Sowie Reset und Wiederherstellung der Grundeinstellungen.
CP foreman work around the diamond with the BCRY at Utopia. The crew will have to wait till they can get their signal to proceed east across the Mactier Sub and put their train into the interchange track just to the south (left) of the photo.
BCRY Meaford Spur
February 24, 2009
The fifth volume of Stadtklang, the UCL Urban Laboratory music night, took place on Sunday 20 March at Somerset House as part of the 'Venturing Beyond: Graffiti and the Everyday Utopias of the Street' exhibition.
Writer and theorist Kodwo Eshun of The Otolith Group was in conversation with Ayesha Hameed - co-editor of a new book ‘Visual Culture as Time Travel’ and lecturer in the Department of Visual Cultures, Goldsmiths, University of London - and Louis Moreno to discuss 'The Last Angel of History' - a video essay from the Black Audio Film Collective exploring informatics, technics, mutation, posthumanity and extraterrestriality.
The discussion centred on the film’s themes and its critical role in the production of new Afro- and other futurisms. Kodwo also played a playlist especially for Stadtklang offering his take on Afrofuturist sound. Benny Blanco and Nonsense from NTS Radio played sets inspired by cities, science-fiction and utopia.
With thanks to the Department of Visual Cultures, Goldsmiths, University of London, Approved (by) Pablo, Somerset House, and London Speaker Hire for their support.
Photography by Jacob Fairless Nicholson jacobfnphotography.com/.
Utopia, part of International Dance Festival Birmingham.
See www.idfb.co.uk/whats-on/utopia/ for more info.
NYC: NYGASP / Utopia Limited: Act II Finale
After the "curtain" -- David Wannen (King Paramount), Laurelyn Watson Chase (Princess Zara)
(shooting seated in front row with LX5 -- pushed ISO to bump shutter speed)
Panasonic Lumix DMC-LX5 | 28mm | ƒ2 | 1/60s | ISO800 | Handheld
Although it looks slightly unreal, this place exists and it looks exactly like this - really! It's near the cat museum in Kuching, Borneo - if ever you find yourself in that area.
Utopia, part of International Dance Festival Birmingham.
See www.idfb.co.uk/whats-on/utopia/ for more info.
For my Utopia project I have chosen to focus on my own personal Utopia and what it means to me. In researching for the brief I have discovered that my personal Utopia is not a physical place that exists but I find my happiness and peace with in others and the people I surround myself with. To convey this idea I have considered many different ideas one of which is through photographing the people who make me happy and showing the Utopia on there physical bodies. I have also looked at peoples bodies and found that "flaws" such as freckles show the human body in it's purest form. I am messing around with the idea of using the freckles to represent the physical places we found each other and where we are from - using freckles to create a map. These are just ideas for now but i'm excited to see where my work will go from here.
Departure Bergen (2011-07-20)
The superyacht "Utopia" is built by the Dutch Feadship, and has a special history.
According to the website SuperYachtFan, it was commissioned by the Seattle-based U.S. dollar billionaire Keith McCaw in 2001, who died the following year, before the yacht was finished. The family canceled the order, but the shipyard completed, however the construction of the yacht.
In 2006 it was bought by American businessman Bill Miller. Last year, however, the yacht sold. It is not known what the final selling price was, but these prices are said to have been a little over 50 million euro.
It is not necessarily the boat owner who is traveling to Bergen this week, due to it's possible to rent the yacht for approximately 470 000 euro per week.
According to the website Superyacht Times, the boat is registered in the Cayman Islands. The yacht is 71.6 meters long and has a maximum speed of 16 knots. It should be sleeping room for twelve passengers and a crew of 18 people. The yacht has a helicopter deck, but is still "very much a family boat," according to the website.
(BT)