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The button on the back of his hat says: "use your head"...in case it is hard to figure out in this photo, thought I would explain the title :)
Use for Threadless submissions.
DISCLAIMER: PLEASE READ BEFORE USING THIS PHOTO
If you would like to use this photo for a site other than Threadless, please contact me via flickrmail or e-mail me at randyaquilizan (at) yahoo (dot) com. Thanks.
I used Cherry Williams' Baby Bishops pattern as the base for the dress. The smocking plate and scalloped edge technique came from an article in an old Sew Beautiful magazine (Issue #111). Relevant blog entry is here.
Back in April 2015 I visitedMalahide castle and the weather was beautiful but it become so warm that the camera overheated and when I got home I discovered that many of the images were so underexposed that I could not use them. Today as I have different software and hardware available I decided to have a look again at the RAW files and this times the result was much better.
Malahide Castle, parts of which date to the 12th century, lies close to the village of Malahide, nine miles (14 km) north of central Dublin in Ireland. It has over 260 acres (1.1 km2) of remaining parkland estate, forming the Malahide Demesne Regional Park.
Malahide Castle and its demesne was eventually inherited by the 7th Baron Talbot and on his death in 1973, passed to his sister, Rose. In 1975, Rose sold the castle to the Irish State, partly to fund inheritance taxes. Many of the contents, notably furnishings, had been sold in advance, leading to considerable public controversy, but private and governmental parties were able to retrieve some.
The castle, along with its subsidiary attractions, was for many years operated as a tourist attraction by Dublin Tourism, working with Fingal County Council, which owns the whole demesne. The operating partner is now Shannon Heritage, which has in turn appointed subsidiary partners, most notably, for shop and café facilities, Avoca Handweavers.
The castle itself can be visited for a fee, on a guided-tour-only basis. In addition, it is possible to hire the famously Gothic Great Hall for private banquets. The castle's best-known rooms are the Oak Room, and the Great Hall, which displays Talbot family history. In the courtyard behind the castle are a café and craft shop, and other retail facilities.
The Talbot Botanic Gardens, situated behind the castle, comprising several hectares of plants and lawns, a walled garden of 1.6 hectares and seven glasshouses, including a Victorian conservatory. Many plants from the southern hemisphere, notably Chile and Australia, are featured. The gardens showcase the plant collecting passion of the 7th Lord Talbot de Malahide in the mid 20th Century.
The demesne is one of few surviving examples of 18th century landscaped parks, and has wide lawns surrounded by a protective belt of trees. It can be visited freely, with a number of entrances and car parking areas.
In addition to woodland walks, and a marked "exercise trail," the park features sports grounds, including a cricket pitch and several football pitches, a 9-hole par-3 golf course, an 18-hole pitch-and-putt course, tennis courts and a boules area.
Adjacent to the golfing facilities, and containing the access to them, is a pavilion which also contains a café and other facilities.
There is an extensive children's playground near the castle.
A seasonal road train operates in a loop from the vicinity of the castle to the railway station and back. A Malahide castle and coastal tour bus begins its journeys in Malahide Castle and continues to Howth, with two daily departures.
Stretched impasto oil painting, using knives 20x24x3/4
The subject: The fall colors are well known for their impressive beauty. They range from green to brown, passing through yellow, orange and red. Even though winter is approaching quite fast, no one can resist admiring and relishing the fall sights.
The painting: This painting shows a hedge of trees during a bright autumn day. Some of the leaves have fallen, but many more are still clinging to the brances and provide a beautiful picture. There are gentle hills in the background and even a hint of mountains. The oil colors were laid on the canvas entirely with painting knives. The main colors in this painting are yellow, orange and red.
The canvas: The paint was laid on an acid-free, 14 ounce, 100% natural cotton canvas, triple-primed and stretched onto high quality, all-wood stretcher bars. The size of the canvas is 20”x20” and the staple-free painted edges are 3/4“. The canvas was stretched using a special technique that minimizes the use of staples on back of the canvas.
Using a macro lens to photograph a humming bird! Learning how to understand the animal enough to know where to set the camera for a remote trigger on the shutter.
Using a nylon stocking over the lens to create soft focus for an Impressionistic effect. I tried 4 different tones of nylons - I'm pretty sure this is the cream one.
Taken for NP challenge - Impressionism in your Camera
Uploaded by SA. used in blog
cabin 8
Learn more about Douthat State Park here: www.dcr.virginia.gov/state-parks/douthat.shtml#general_in...
Free for editorial use image, please credit: imagecomms
ParalympicsGB Equestrian Rider, Lee Pearson aged 47, from Stoke, competing in the Individual Championship Test - Grade II - Open event, at the Tokyo 2020 Paralympic Games.
ParalympicsGB is the name for the Great Britain and Northern Ireland Paralympic Team that competes at the summer and winter Paralympic Games. The Team is selected and managed by the British Paralympic Association, in conjunction with the national governing bodies, and is made up of the best sportsmen and women who compete in the 22 summer and 4 winter sports on the Paralympic Programme.
For additional Images please visit: www.digitalcontentdownload.com/paralympicsgb_2020/
For more information please contact the ParalympicsGB Press Office via press@paralympics.org.uk
If you require a higher resolution image or you have any other photographic enquiries, please contact imagecomms on +44 (0)20 7160 6282 or email hello@imagecomms.com
This image is copyright imagecomms 2021©.
This image has been supplied by imagecomms and must be credited imagecomms. The author is asserting his full Moral rights in relation to the publication of this image. Rights for onward transmission of this image or file is not granted or implied. Changing or deleting Copyright information is illegal as specified in the Copyright, Design and Patents Act 1988. If you are in any way unsure of your right to publish this image please contact imagecomms on +44 (0)20 7160 6282 or email hello@imagecomms.com
I've been wanting to do a "Something about Mary" hair gel shot for a while.....Thanks to FGR and the Bad hair day group, today was the day. Not quite as easy as I thought it would be. This is gel, hairspray, pomade, curling iron and hair dryer. As well as a little teasing to go with.
Maybe if I'd used what Mary did........EW!
Sunday, 21 September 2008.
40 Years in 40 Days [ view the entire set ]
An examination and remembrance of a life at 40.
For the 40 days leading up to my 40th birthday, I intend to use my 365 Days project to document and remember my life and lay bare what defines me. 40 years, 40 qualities, 40 days.
Year 32: 1999-2000
In the fall of 1999, as I began my graduate school program, my relationship with Dave was deteriorating rapidly. There was no anger between us, and in fact, there was a great deal of tenderness, but there was no denying anymore that we were not working out. We had to face the fact that sometimes love alone isn't enough to sustain a relationship. I suggested that maybe he would benefit from finding a short-term 3-month lease on an apartment, allowing him some temporary space to sort out his feelings. Even as I said the words, I wanted to grab them up and pull them back in. I didn't want him to go at all, but I knew that what I wanted and what was right were not the same thing. He said he would think about it.
By late October, there was nothing more to say. In our weekly counseling session, the therapist asked him if he believed there was anything left of the relationship to save, and when I heard his barely audible no, my heart felt like lead in my chest. "So, it sounds like it's time for you to say this is it, then," she told him. The tears came rolling down my face, and I pounded the pillow I was holding with my fist. My relationship had just ended with no preamble, and I hadn't even been a part of the conversation. "What just happened?" I growled quietly. "What just happened?" It was all I could say. I just kept repeating it, as the tears came gushing forth. What just happened?
The therapist asked Dave if he would go wait in the waiting room for a few minutes, and as he left, I saw that his eyes were red and swollen with suppressed tears. After he left, I lost all semblance of control. I screamed, "No! This isn't happening!" I pleaded, "Please tell me this isn't happening." The room felt hot and small suddenly. I threw open the door and charged into the hallway, shouting and sobbing. The therapist came after me and put her arms around me, and I cried into her shoulder. "Why?" I asked. "I love him. I just love him. Why isn't that enough?" "I don't know," she said softly, stroking my hair. "Sometimes it just isn't."
When I had regained some of my composure, she led me back into the room and asked Dave to come back in. It was obvious he had been crying and was in a great deal of distress. She asked him about it, and he said it was very hard for him to see me in so much pain. Desperate to cling to any life raft, I took some small comfort from that. He had not become numb to me, at least.
The therapist left the room to give us a few minutes to talk alone. I did not have the strength to look at him, so I sat on the couch next to him, staring at my hands lying limp in my lap. Quietly, I asked him if he would please stay through the holidays. I didn't think I could make it through them if he left right before. He said he wasn't sure he could, either, and so we agreed to spend our last holiday season together, alone and away from family. It would be our way of honoring each other and the time we had spent in each other's lives.
Later, as we drove home in silence, I said, "Let's go out for New Year's Eve." I lifted my head from where it had been resting against the passenger window. "Let's not stay in. I don't want to be morose that night. I want to celebrate the time we've had together. It's been amazing and beautiful, and I am so grateful for every moment you've been in my life, and I want to celebrate that." He said, "OK," and then paused for a moment. "You're going to make me cry again," he whispered, voice cracking.
The next couple of months were both beautiful and wrenching. We were so tender with each other that you would have thought us newlyweds. Evenings that were once spent separately, he with his coworkers, and me with my books, were now spent together. We spent our nights curled around each other, and our mornings lingering in bed. It was as if we needed to absorb every second and imprint it in our memories.
On Thanksgiving, we cooked a small meal for two, and watched TV together. His father called to say hello, and then asked to talk to me. He told me that the family missed me and loved me, and I said I loved and missed them too, and that it meant a great deal to me that he wanted to tell me that, knowing as he did that my relationship with his son was dissolving. On Christmas Eve, we slept on the futon sofa next to the Christmas tree, because I wanted to be near the lights, and on Christmas morning, we exchanged small gifts.
When it came time to make New Year's Eve plans, we changed our minds about going out. The lease on his new apartment (three months, as we'd talked about, but we both knew it would be extended) was set to begin on January 1, so it would be our last night together, and neither of us wanted to share it with anyone or anything else. We had a small dinner, and watched a movie. When it was close to midnight, we opened a bottle of champagne, and fumbled awkwardly for a suitable toast. I suggested we drink to 5-1/2 wonderful years, and with a tiny clink of glass, 1999 came to a close. I walked to the other end of our apartment and stood looking out the window at the snow-covered street below. When he came up to stand behind me, I kept my body still, as if not to break the gentle spell of the moment. "I don't want you to go," I whispered. He rested his hands on my shoulders and sighed, "I have to."
The next morning, he gathered some of his belongings and loaded them in his truck (he would return for the rest of his things the following week, while I was at work). I sat on the couch and watched him as he carried things out. When he had loaded the truck with as much as he could carry in one trip, he came back inside to say goodbye. I tried, with only moderate success, to put on a brave and supportive face. I didn't want my red, splotchy cry-face to be the last he ever saw of me. He put his arms around me and held me. He told me that he was very proud of me for all the work I'd done on healing past wounds. I begged for reassurance that he really had loved me, and he squeezed me tighter and whispered softly in my ear. Of course he loved me.
When he left, I stood back away from the door, holding one of the cats, partially to keep it from running out after him, and partially because I needed to hold onto something. After he'd closed the door behind him, I went to the window and watched his truck pull away, listening to the sound of the engine as it disappeared down the alley. It was a sound I knew by heart, and I closed my eyes to focus on it, trying to catch every last splutter and hum as it wove itself into the sound of the city around me.
When I could no longer hear his engine, I put the cat down, returned to the bed that still smelled of him, and felt the blackness begin to form in the pit of my stomach. Inside me was something cold and dead, a coal that had given up its ember. I buried my face in his pillow and cried great anguished sobs.
In the weeks that followed Dave's departure, I traveled in a fog. I could not hear when people were speaking to me, and I could not distinguish faces. It was as if I had pillows on my ears and had lost my ability to focus my eyes. I walked to and from the train by rote physical memory. I could not work effectively at all, and I was very fortunate in that my boss allowed me a very generous amount of recovery time.
As the months wore on, I found that the pain could be compartmentalized. It did not seem to have lessened any, but I was able to put it away in its own little box, in order to rebuild my life and my newly single identity. As much as I wanted the breakup with Dave not to have happened, I also recognized it as an opportunity to remake myself into whomever I wanted to be. I'd spent many years telling myself that I couldn't do certain things or wear certain things until I lost weight and got skinny again, and more recently, I'd spent the last couple of years sulking and avoiding people. I felt I'd let myself be trapped in that mindset, and I now had an urgent need to break out. I was in my 30's, and it was finally time to let myself be young and uninhibited. I began to let my inner punk (whom I had always known was there, but never fully acknowledged) out to play. I wore crazy clothes, and crazier shoes. I wore things that sparkled, and things that hugged my curves. I was part rockabilly and part Foxy Brown, and for the first time in my life, all me.
Who am I?
I am a little piece of everyone I've ever loved.
We are all altered by those who touch our lives. When Dave left, he took part of me with him, as he left a part of himself with me. In that way, we continue to travel together, all of us, bound by the silver thread of love and memory.
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Texture Credits
After the war this Regelbau 634 bunker was used by the electricity company.
Armoured copula with six embrasures for machine guns. The sides of the copula are 25 cm thick. The muzzle of the machine gun was mounted in a ball head which fitted exactly into the embrasures. When the embrasures were not in use, they could be closed with heavy shutters. The hole in the top of the copula was for a periscope for surveying the terrain around the bunker.
The copula is part of a type Regelbau 634 bunker. The copula is 25 cm thick, whereas the walls and ceiling are 2 m thick and offered the soldiers good protection against bombardment. In the bunker was an ammunition room and bunks for the crew of nine soldiers.
In the Iron tower there was a shooter and a helper to operate the MG 34 machine gun, which was mounted on a special foot (M.G.-Schartenlafette 34 Ks) and with the round armor attachment locked so that there were armor in the shooting cut, In the middle of the tower was a periscope so that it could be observed in all directions.
mounted in a special condition, so that there were armor in the shooting cut.
This bunker Type was designed by the Heere for 'The army'.
This bunker Type is part of the Regelbau program in the second world war.
#bunker #Atlantikwall #Regelbau
Used stamps:
HA:
CG197 Old Letter
CG362 Bold Blooms
S5324 Simple frame
Distress ink:
Seedles preserves,Ripe persimmon, Peeled paint and Pumice stone
perfect resist
Free for editorial use image, please credit: imagecomms
ParalympicsGB Athlete, Jonathan Peacock aged 28, from Cambridge, takes bronze in the 100m T64 - Men event, at the Tokyo 2020 Paralympic Games.
ParalympicsGB is the name for the Great Britain and Northern Ireland Paralympic Team that competes at the summer and winter Paralympic Games. The Team is selected and managed by the British Paralympic Association, in conjunction with the national governing bodies, and is made up of the best sportsmen and women who compete in the 22 summer and 4 winter sports on the Paralympic Programme.
For additional Images please visit: www.digitalcontentdownload.com/paralympicsgb_2020/
For more information please contact the ParalympicsGB Press Office via press@paralympics.org.uk
If you require a higher resolution image or you have any other photographic enquiries, please contact imagecomms on +44 (0)20 7160 6282 or email hello@imagecomms.com
This image is copyright imagecomms 2021©.
This image has been supplied by imagecomms and must be credited imagecomms. The author is asserting his full Moral rights in relation to the publication of this image. Rights for onward transmission of this image or file is not granted or implied. Changing or deleting Copyright information is illegal as specified in the Copyright, Design and Patents Act 1988. If you are in any way unsure of your right to publish this image please contact imagecomms on +44 (0)20 7160 6282 or email hello@imagecomms.com
After the war this Regelbau 634 bunker was used by the electricity company.
Armoured copula with six embrasures for machine guns. The sides of the copula are 25 cm thick. The muzzle of the machine gun was mounted in a ball head which fitted exactly into the embrasures. When the embrasures were not in use, they could be closed with heavy shutters. The hole in the top of the copula was for a periscope for surveying the terrain around the bunker.
The copula is part of a type Regelbau 634 bunker. The copula is 25 cm thick, whereas the walls and ceiling are 2 m thick and offered the soldiers good protection against bombardment. In the bunker was an ammunition room and bunks for the crew of nine soldiers.
In the Iron tower there was a shooter and a helper to operate the MG 34 machine gun, which was mounted on a special foot (M.G.-Schartenlafette 34 Ks) and with the round armor attachment locked so that there were armor in the shooting cut, In the middle of the tower was a periscope so that it could be observed in all directions.
mounted in a special condition, so that there were armor in the shooting cut.
This bunker Type was designed by the Heere for 'The army'.
This bunker Type is part of the Regelbau program in the second world war.
#bunker #Atlantikwall #Regelbau
The 32nd Michael Manning Memorial Dunshaughlin 10km Road Race & Fun Run Challenge ... Pictures from both 1 mile mark and then at the finish - until about the 55 minutes mark. 700 photographs taken - about 500 uploaded.
If you are interested in the full resolution of any photograph here, with no watermark or polaroid effect, I can email it to you FREE OF CHARGE. Email address is petermooney78 AT gmail DOT com
If you would like to use any of the photographs on your Facebook, LinkedIn, Twitter, Foursquare, account etc - please link back to the original photogaph here on Flickr or attribute the source. All photographs are available here under a Attribution-ShareAlike 2.0 Generic (CC BY-SA 2.0) license. This just means that all you have to do is just link back or state where the photographs came from.
Links
www.dunshaughlinac.com/10k.asp
connect.garmin.com/activity/7639153
en.wikipedia.org/wiki/Dunshaughlin
Do not use without permission!
Disney Twitter: twitter.com/ThatDisneyLover
Photography Twitter: twitter.com/LJK_Photography
Youtube: www.youtube.com/user/PixelPixie123
Personal Instagram: www.instagram.com/thatdisneylover/
Photography Instagram: www.instagram.com/ljknightonphotography/
If any performers, characters or cast members that would like photos for personal or portfolio reasons, you may have any photo of themselves for a higher resolution or with a smaller watermark. Please either contact me through Twitter.
"Slægt Løfter Slægt" Svend Wiig Hansen, 2000.
"Family lifting family" - translation by slykking.
"Family supports family." - translation by [Zakkaliciousness].
Thanks to both!
Maulbagi says: "I think that "slægt" in this context means something more like generation, but in a broader more general sense like generations of a country or even mankind. The sculpture symbolizes three generations, not necessary related, supporting each other. The older lifting the younger (through life)."
Thanks Maulbagi!
Folkloric
• No reported folkloric use in the Philippines.
• Bark is commonly used as a dressing for ulcers and skin diseases, applied dried, pulverized, or as fresh inner bark. A leaf decoction is used as lotion.
• In Africa, the stem bark is used as a paste for wound healing.
• In Senegal, bruised leaves and flowers are applied to wounds.
• In Gabon, flowers are applied to ulcers.
• In Southern Nigeria, leaves used for convulsions.
• In Gold Coast, bark decoction taken for constipation and gastrointestinal problems and dysentery.
• Cold infusion of leaves used for urethral inflammation.
• In Ghana, the stem bark and leaf used for treatment of dyspepsia and peptic ulcer; leaf, root bark and fruit used for arthritis and fractures; the stem bark used for toothaches and stomachaches; root bark seed used for stomach ulcers.
• In Rwanda, decoction of stem bark used for diabetes.
• In Ayurveda, used for kidney disease
source: stuart xchange
Images may be used by teams, participants and media so long as the watermark is retained. Images cannot be used for commercial purposes.
I used bounced flash for all these snapshots. Had my Nikon SB-600 speedlight hotshoed with a Gary Fong lightsphere attached. Makes for pretty easy wrap around lighting in quick snapshot situations.
This is An, works in packaging and manages all the boxes coming down from the boxing area on the floor above. Binh Vo is a gray hat (cleans up messes) in the boxing area and all the locker rooms.
Here's a picture I took of Binh Vo a couple years ago during an outside wedding reception. I had my D60 for about a month at the time.
www.flickr.com/photos/john-brink/3050792793/in/set-721576...
Do not use without permission!
Disney Twitter: twitter.com/ThatDisneyLover
Photography Twitter: twitter.com/LJK_Photography
Youtube: www.youtube.com/user/PixelPixie123
Personal Instagram: www.instagram.com/thatdisneylover/
Photography Instagram: www.instagram.com/ljknightonphotography/
If any performers, characters or cast members that would like photos for personal or portfolio reasons, you may have any photo of themselves for a higher resolution or with a smaller watermark. Please either contact me through Twitter.
After the war this Regelbau 634 bunker was used by the electricity company.
Armoured copula with six embrasures for machine guns. The sides of the copula are 25 cm thick. The muzzle of the machine gun was mounted in a ball head which fitted exactly into the embrasures. When the embrasures were not in use, they could be closed with heavy shutters. The hole in the top of the copula was for a periscope for surveying the terrain around the bunker.
The copula is part of a type Regelbau 634 bunker. The copula is 25 cm thick, whereas the walls and ceiling are 2 m thick and offered the soldiers good protection against bombardment. In the bunker was an ammunition room and bunks for the crew of nine soldiers.
In the Iron tower there was a shooter and a helper to operate the MG 34 machine gun, which was mounted on a special foot (M.G.-Schartenlafette 34 Ks) and with the round armor attachment locked so that there were armor in the shooting cut, In the middle of the tower was a periscope so that it could be observed in all directions.
mounted in a special condition, so that there were armor in the shooting cut.
This bunker Type was designed by the Heere for 'The army'.
This bunker Type is part of the Regelbau program in the second world war.
#bunker #Atlantikwall #Regelbau
Do not use without permission!
Disney Twitter: twitter.com/ThatDisneyLover
Photography Twitter: twitter.com/LJK_Photography
Youtube: www.youtube.com/user/PixelPixie123
Personal Instagram: www.instagram.com/thatdisneylover/
Photography Instagram: www.instagram.com/ljknightonphotography/
If any performers, characters or cast members that would like photos for personal or portfolio reasons, you may have any photo of themselves for a higher resolution or with a smaller watermark. Please either contact me through Twitter.
Used:
CG149 Circle Pattern
CL320 Designer Fruit
CG234 Large Flower
Covered the flower with distress stains in yellow and pink and added some water to get the ink blended.
Used a couple theme park maps to attempt some light painting techniques. Pics turned out OK but I feel I could get better pics if I re-shot them.
Featured maps
- 2013 Cedar Point
- 2011 Busch Gardens Tampa
- 2015 Dorney Park
- 2005 Busch Gardens Williamsburg
- 2015 Six Flags Magic Mountain
- 2014 Lake Compounce
- 2005 Worlds of Fun
- 2010 Kennywood
- 2013 Hong Kong Disneyland
- 2011 Six Flags Over Texas
- 2014 Kings Island
Used 24 mm tilt shift and stitched together 3 images to get a greater perspective.
Edited in HDR Efex Pro 2 and then Photoshop and then Aperture.
I had originally planned to use these images as part of a college project called "Desolate" on my second year, but then changed my idea to use a male smoking which fit the criteria I was heading towards better.
I shot this in Two Tree Island, a barren bit land by a harbour just off Leigh-On-Sea. It was the perfect location to do a photoshoot with overcast weather and the rugged landscape. I had asked the model to wear a formal dress, but add a punk edge to it (the lace tights, Dr Marten's boots and thick make-up). I did a simple edit on this to enhance the models skin, the overcast sky and the whole tone of the image, just to make it stand out more.
People use umbrellas to catch the falling balls outside the MU student center on Nov. 11, 2011. 11,111 ping pong balls were thrown off the roof of the MU student center at 11:11 a.m., and people who got the specially marked prize balls could get gifts from the MU bookstore.
KOMU Photos/ Chenfei Zhang
Used my UWA lens here (Sigma 10 - 20 mm) but position dictated I had to be close, so had to tilt camera to get the beacon in the frame. This of course had the effect of knocking it off kilter, big time. Had a shot at correcting camera distortion in PE 12 to correct it.
Flickr ☆ If you would like to use this photo, contact
www.sebastien-duhamel.com/contact/
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Nicolas Hulot et Pierre Rabhi invité du grand journal de Canal + le 1er octobre 2014
www.flickr.com/photos/sebastienduhamel/sets/7215764760537...
Reportages FNH 2008/18 www.flickr.com/photos/sebastienduhamel/collections/721576...
Albums Écologie, Éducation et Politiques : www.flickr.com/photos/sebastienduhamel/collections/721576...
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Nicolas Hulot fr.wikipedia.org/wiki/Nicolas_Hulot
www.fondation-nicolas-hulot.org/
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Pierre Rabhi fr.wikipedia.org/wiki/Pierre_Rabhi
Le mouvement Colibris fr.wikipedia.org/wiki/Mouvement_Colibris
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Le film "Une Vérité qui Dérange" : www.youtube.com/watch?v=GZ4izGzj9r0
Une vérité qui dérange (An Inconvenient Truth) est un documentaire américain de Davis Guggenheim sorti en 2006. Traitant du changement climatique, il est basé en grande partie sur une présentation multimédia que Al Gore, ancien vice-président des États-Unis et prix Nobel de la paix en 2007 (partagé avec le GIEC) a préparé pour sa campagne de sensibilisation sur le réchauffement planétaire
fr.wikipedia.org/wiki/Une_vérité_qui_dérange
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Le film "Le Syndrome du Titanic" vimeo.com/64741962
Le Syndrome du Titanic est un film documentaire réalisé en 2008 par Nicolas Hulot et Jean-Albert Lièvre, sorti le 7 octobre 2009
fr.wikipedia.org/wiki/Le_Syndrome_du_Titanic
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Photographie de Sébastien Duhamel, professionnel de l’image
www.sebastien-duhamel.com/présentation-références/
Derniers reportages photos www.flickr.com/photos/sebastienduhamel/collections/721576...
Classeurs photos www.flickr.com/photos/sebastienduhamel/collections
Albums photos www.flickr.com/photos/sebastienduhamel/sets/
Tournages vimeo.com/137495739
www.dailymotion.com/user/Sebastien_Duhamel/1
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[NB] Les photos HD sont de 5610x3740
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Pour une visualisation pleine écran cliquez sur la photo et flèches de direction du clavier.
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___________________________________________________
Tous droits réservés sans la permission de l’auteur
All Right reserved without permission from the author
Photos for editorial use ONLY. To purchase high resolution photos, please email
press@worldtabletennis.com with your photo requests.
Using methods of public intervention and video installation, Daniel Canogar's Storming Times Square is born from a desire to have viewers project themselves, literally and metaphorically, onto their immediate environments.
The video display content will be the result of a public participation performance. In the first phase of the project, local Times Square community, distinguished New Yorkers and neighborhood pedestrians crawl over a green-screen surface while being captured by an over-head video camera, which will be turned into a dynamic video animation for September’s Midnight Moment.
Photo Credit: Clint Spaulding for @TSqArts
BRAZUCA OFFICIAL FIFA WORLD CUP BRAZIL 2014 ADIDAS QUARTER FINAL MATCH USED KICK OFF BALL, NETHERLANDS VS COSTA RICA, SALVADOR, ARENA FONTE NOVA
PROPERTY OF YKYECO
Using layers of washes to render flowers keeping a close eye on the amount of water used. This was a practice piece based on real flowers we had in a vase on the table in front of us. It is not meant to be a finished painting.
I have posted two other florals also done in Janet's workshop.
Reformed from used champagne bottles, these platters are ideal for serving nibbles and cheese. Each squashed bottle comes with a cheese knife and a wire hook so that it can be hung up as a decorative addition to the kitchen. The champagne bottles retain their original foil label. Available in green, the shade may vary slightly from the platter pictured. Perfect for dinner parties and an ideal wedding or new home gift.
To find out more about our recycled gifts, green gifts and eco friendly gifts please visit www.ecoemporia.com