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Usei esse look p/ ir p/ faculdade ontem. Não teve uma alma viva que não olhou. Não sei se era achando feio ou bonito, hauahuheu, mas eu amei.
Cardigã infantil - Marisa
Saia - Vide Bula
Regata - Lez a Lez
Melissa Ultragirl Sininho azul
Esmalte - Rosa Chiclete Colorama e Tulipa Avon
Haveli is generic term used for a traditional townhouse and mansions in India, Pakistan, Nepal and Bangladesh usually one with historical and architectural significance. The word haveli is derived from Arabic haveli, meaning "an enclosed place" or "private space" popularised under Mughal Empire and was devoid of any architectural affiliations. Later, the word haveli came to be used as generic term for various styles of regional mansions, townhouse and temples found in India, Pakistan, Nepal and Bangaldesh.
HISTORY
The traditional courtyard homes in South Asia is built on the ancient principles of Vastu Shastra. which state that all spaces emerge from a single point, that is the centre of the house. Courtyards are common feature in south asian architecture. The earliest archaeological evidence of courtyard homes in the region dates back to 2600–2450 BCE. Traditional homes in South Asia are built around courtyard and all family activities revolved around chowk or courtyard. Additionally, the courtyard serves as a light well and an effective ventilation strategy for hot and dry climates of South Asia. During medieval period, the term Haveli was first applied in Rajputana by the Vaishnava sect to refer to their temples in Gujarat under the Mughal Empire and Rajputana kingdoms. Later, the generic term haveli eventually came to be identified with townhouse and mansions of the merchant class.
CHARACTERISTIC
Socio-Cultural Aspects: The chowk or courtyard served as the centre for various ceremonies and the rituals. The sacred tulsi plant was placed here and worshipped daily to bring prosperity to the house.
Security and Privacy: The chowk, at times, separated areas for men and women, and provided them with privacy.
Climate: Treating open space in building design to respond to the local climate. Air movement caused by temperature differences is utilized in the natural ventilation of building.
Different Activities At Different Times: The use of the court in the day time, mostly by women to carry out their work, interact with other women in private open space. Mansions of merchant class had more than one courtyard.
Articulation Of Space: In Mor chowk, City Palace, Udaipur, there is the concept of courtyard as a dancing hall. Similarly, in havelis, a courtyard has several functions, commonly used for weddings and festive occasions.
Materials : Fired bricks, sandstone, marble, wood, plaster and granite are commonly used materials. Decorative aspects are influenced by local culture and traditions.
All these elements join to form an enclosure and give the chowk a composed secured feel. The architectural built form of havelis has evolved in response to the climate, lifestyle and availability of material. In hot climates where cooling is a necessity, buildings with internal courtyards were considered the most appropriate. It acted as a perfect shading technique, while also allowing light inside. The arcade along the court, or the high wall around it, kept the interiors cool.
Many of the havelis of India and Pakistan were influenced by Rajasthani architecture. They usually contain a courtyard often with a fountain in the centre. The old cities of Agra, Lucknow and Delhi in India and Lahore, Multan, Peshawar, Hyderabad in Pakistan have many fine examples of Rajasthani-style havelis.
FAMOUS HAVELIS IN INDIA
The term Haveli was first applied in Rajputana by the Vaishnava sect to refer to their temples in Gujarat. In the northern part of India. havelis for Lord Krishna are prevalent with huge mansion like constructions. The havelis are noted for their frescoes depicting images of gods, goddesses, animals, scenes from the British colonization, and the life stories of Lords Rama and Krishna. The music here was known as Haveli Sangeet.
Later on these temple architectures and frescoes were imitated while building huge individual mansions and now the word is popularly recognized with the mansions themselves. Between 1830 and 1930, Marwari's erected buildings in their homeland, Shekhawati and Marwar. These buildings were called havelis. The Marwaris commissioned artists to paint those buildings which were heavily influenced by the Mughal architecture.
The havelis were status symbols for the Marwaris as well as homes for their extended families, providing security and comfort in seclusion from the outside world. The havelis were to be closed from all sides with one large main gate.
The typical havelis in Shekhawati consisted of two courtyards - an outer one for the men which serves as an extended threshold, and the inner one, the domain of the women. The largest havelis could have up to three or four courtyards and were two to three stories high. Most of the havelis are empty nowadays or are maintained by a watchman (typically an old man). While many others have been converted into hotels and places of tourist attraction.
FAMOUS HAVELI IN MAWAR AREA (SIKAR DISTRICT)
"Nadine Le Prince Haveli"
FAMOUS HAVELI IN MAWAR AREA (JODHPUR DIVISION) Havelli Heritage, Ahore
The towns and villages of Shekhawati are famous for the embellished frescoes on the walls of their grandiose havelis, to the point of becoming popular tourist attractions.
The havelis in and around Jaisalmer Fort(also known as the Golden Fort), situated in Jaisalmer, Rajasthan, of which the three most impressive are Patwon Ki Haveli, Salim Singh Ki Haveli, and Nathmal-Ki Haveli, deserve special mention. These were the elaborate homes of Jaisalmer's rich merchants. The ostentatious carvings etched out in sandstone with infinite detail and then painstakingly pieced together in different patterns each more lavish than the next were commissioned to put on show the owner's status and wealth. Around Jaisalmer, they are typically carved from yellow sandstone. They are often characterized by wall paintings, frescoes, jharokhas (balconies) and archways.
The Patwon Ji ki Haveli is the most important and the largest haveli, as it was the first erected in Jaisalmer. It is not a single haveli but a cluster of 5 small havelis. The first in the row is also the most popular, and is also known as Kothari's Patwa Haveli. The first among these was commissioned and constructed in the year 1805 by Guman Chand Patwa, then a rich trader of jewellery and fine brocades, and is the biggest and the most ostentatious. Patwa was a rich man and a renowned trader of his time and he could afford and thus order the construction of separate stories for each of his 5 sons. These were completed in the span of 50 years. All five houses were constructed in the first 60 years of the 19th century. Patwon Ji Ki is renowned for its ornate wall paintings, intricate yellow sandstone-carved jharokhas (balconies), gateways and archways. Although the building itself is made from yellow sandstone, the main gateway is brown.
FAMOUS HAVELIS OF PAKISTAN
There are a number of historically and architecturally significant havelis in Pakistan, most of which are situated in the Punjab province and constructed during the Mughal period.
Below is a list of some of the historically and architecturally significant havelis in Pakistan:
Kapoor Haveli in Peshawar
Fakir Khana Haveli and Museum, in Lahore
Mubarak Haveli in Lahore
Haveli Asif Jah in Lahore
Haveli Wajid Ali Shah in Lahore
Choona Mandi Haveli in Lahore
Haveli Nau Nihal Singh in Lahore
Haveli Barood Khana in Lahore
Lal Haveli or Chandu Di Haveli in Lahore
Haveli Man Singh in Jhelum
Lal Haveli in Rawalpindi
Saad Manzil in Kamalia
Khan Club in Peshawar
Waziristan Haveli in Abbottabad, home of Osama bin laden
Janjua Haveli in Malowal, Gujrat, Pakistan
Haveli Mubashar Ali Janjua, in Matore, Kahuta, Rawalpindi
HAVELIS IN POPULAR CULTURE
Haveli is an also a novel by Suzanne Fisher Staples and is a sequel to her Newbery Award-winning novel Shabanu: Daughter of the Wind. The story takes place in an old-fashioned haveli in Lahore, Pakistan.
WIKIPEDIA
Following collection from infected wheat plants using a cyclone collector, stem rust spores are sieved to remove chaff and other detritus, at the Njoro research station, part of the Kenya Agricultural Research Institute (KARI). These spores can be stored for use in inoculation the next season.
Njoro is home to an ongoing screening program, working in close partnership with CIMMYT to identify sources of resistance to the Ug99 race of stem rust. This virulent new strain of the disease, which emerged in Uganda in 1999, is already endemic in the area, making it possible to use Njoro as a testing ground for wheats from all over the world. More than 30,000 wheat lines are now being screened each year.
For more information on stem rust, see CIMMYT's Wheat Doctor: wheatdoctor.cimmyt.org/en/pests-a-diseases/list/122?task=....
For information on collection and inoculation techniques, see the CIMMYT publication "Rust diseases of wheat: Concepts and methods of disease management", available as a pdf at: libcatalog.cimmyt.org/download/cim/38487.pdf.
For more on CIMMYT's ongoing work on Ug99, see the following e-news stories:
2010, "Planting for the future: New rust resistant wheat seed on its way to farmers": www.cimmyt.org/newsletter/231-2010/716-planting-for-the-f....
October 2009, "From Cairo to Kabul: Rust resistant wheat seed just in time": www.cimmyt.org/newsletter/38-2009/460-from-cairo-to-kabul....
December 2008, "Report from the field: Wheat stem rust resistance screening at Njoro, Kenya": www.cimmyt.org/newsletter/37-2008/110-genetic-resources-p....
December 2006, "Threat level rising": www.cimmyt.org/newsletter/82-2006/263-threat-level-rising.
September 2005, "The World’s Wheat Crop is Under Threat from New Disease": www.cimmyt.org/newsletter/86-2005/331-the-worlds-wheat-cr....
Photo credit: Petr Kosina/CIMMYT.
I dreamed about a human being is is part of a project exploring the use of artificial intelligence as applied to photography by using online open source code and data.
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After many months my new SEL50F18 Sony E-Mount lens arrived yesterday and today I had an opportunity to to use it for the first time. Some people on the NEX form on DPREVIEW have complained that it makes a grinding sound when auto focusing … I can report that the one that I have is totally silent. I should also mention that I am now using Lightroom 4 to manage my workflow.
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103 MA I 2764 8
Rot, Weiß, Schwarz
Using the brick stitch technique, I wove tiny seed beads around the perimeter of these sturdy sterling silver hoops, using nymo thread, a strong multifilament thread favored by bead artists. The beadwork on these earrings will not flop around as I use a firm tension in my weaving, but it is slightly flexible. Store your earrings flat when not wearing them, and I would recommend not wearing these to bathe or swim since there is thread in the design.
These earrings feature tiny size 11 and size 15 seed beads in a range of matte and shiny finishes in copper, teal, blue and purple for a tribal boho look. These earrings feature a looped edging with the addition of frosted blue tear drops. The sterling hoops have a thicker gauge ear wire than my silver plated hoops.
Today I went to the dentist. Basically my whole life I've been afraid of the dentist. Over the last few years, that fear has finally started going away. Today at the dentist my ankles were so locked in fear, I could have broken my ankle. Anyways, I made it out alive. But, I got another cavity.
Honestly, the reason I took this because slowly as I grow older, I slowly grow more comfortable with my teeth. I barely smile because of them, but still I'm learning I just gotta buck up and deal with the way they are. So when pushing myself into that I decided I'd better do this picture.
This is from a 1955 Buick Used Car Merchandizing Manual. This is a huge album (1,000 pages?) and includes order forms for knickknacks to layout suggestions, advertisements, plastic lay-over design pages, cartoon art etc. Interesting piece of literature.
Using various vehicles as silhouettes to contrast the lovely ever changing skies at Stanage this evening!
Using the 6.5 creedmore in a 14+1 magazine, this DMR is meant to take targets at ranges between 1-300 metres. Uses a custom handguard that helps heat dissapation so it can be used for supporting fire without overheating. Has a free floating, colbalt alloy barrel and custom stock to help accuracy.
Hope you like it :)
By using color changing LED lighting I-5 Design and Manufacture created a unique façade upgrade for Oaklawn Racetrack & Casino. This amazing LED Billboard is completely programmable and can easily be changed to thousands of colors or video files of your choice! Click here to view more Custom Design projects
Copyrightvermelding: Stad Gent | Bas Bogaerts
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The Malabar Tea Plantation used to be owned and operated by the Dutch, and one in particular: Karel Albert Rudolf Bosscha.
K.A.R. Bosscha was the son of renown Dutch physicist Johannes Bosscha and Paulina Emilia Kerkhoven. After gaining some formal education in engineering at Polytechnical School of Delft, in 1887 came out to Netherlands Indies and stayed with his uncle while working at Sinagar Estate near Cibadak (West Java) that his uncle owned. Work at his uncle's company gave him little satisfaction, thus after 6 months he went to Sambas (Borneo) to join his older brother John Bosscha, a geologist. During this time he worked on gold exploration and mining with his brother until his return to Sinager 1892 now as its administrator.[1] He stayed at Sinagar Estate till 1895 and in 1896 he undertook the management of Malabar Estate near Pangalengan (Bandung) until his death in 1928. Till this day the Malabar Estate plantation is still operational under state own company (PT Perkebunan Nusantara) management.
Java is the world's most densely populated island (population: 136 million). It is home to 60% of Indonesia's population. Much of Indonesian history took place on Java; it was the centre of powerful Hindu-Buddhist empires, Islamic sultanates, the core of the colonial Dutch East Indies, and was at the centre of Indonesia's campaign for independence. The island dominates Indonesian social, political and economic life. More information on wikipedia.
used the leftover malabrigo from the baby jacket to make a hat too.
pattern: noggin by corrvin smith
yarn: malabrigo (olive)
needles: US 7
on ravelry here.
Using my Haul-a-Day to carry an organization system for two closets.
(Photo by Kathy, whose closets are now reorganized)
Please note that I used the camera out of the box so even the dates are incorrect. However, the indoor images had a lot of noise.
Today I purchased a Sony DX0 [at a very good price] and I ordered the new Sony A7RIII which means that I will not be able to buy any food during 2018 and I had to cancel my plan to get the new iPhone X. I had not expected the A7RIII to be available until May or June of 2018 so I was surprised when Sony announced that it would be available at the end of next month ... all the rumour sites got it totally wrong as they were predicting the launch of an A9S or A7SIII claiming that whatever was to be announced would be expensive. The Sony A7RIII will retail at Euro 3500 ... when I checked my records I discovered that i paid Euro 3700 for the A7RII more than two years ago.
I purchase the RX0 for a specific project due to begin in January so I have plenty of time to master it.
Gas range/stove/oven, functions, circa 1980s vintage best guess, Porter Square area. In the top floor of a triple decker; will need some help moving it down the stairs. The stove and oven/broiler both work; the stove is a little slow on the igniter (clicking). I have removed the door, racks, and insides for moving it down the stairs, but all parts are complete.
Using two wheels from a watch mechanism as Spinning Tops
This photo is exclusively licensed to Getty Images!
The Gear I use:
Nikon D750 - goo.gl/DBI8zS
Nikon 14-24 F2.8G - goo.gl/7q7PcF
Nikon 24-70 F2.8G - goo.gl/986C39
Nikon 20mm F1.8G - goo.gl/dQBc6X
Nikon 85mm F1.8G - goo.gl/mIIjjy
Nikon 200-500 F5.6 - goo.gl/jhBrGy
Peak Design Slide Peaks Edition Lassen - goo.gl/qUpW3H
SJ5000X - goo.gl/6MNF11
Feiyu G5 3 Axis Gimbal - goo.gl/zGR5vi
Joby Gorillapod - goo.gl/CfUMmW
Manfrotto Befree - goo.gl/7AX7Fa
Lowepro Flipside 20L - goo.gl/CIzs30
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Contact: toniduarte[a]cmail.cat
Vista de l'Albufera de València a poqueta nit. L'espill de llum solar que es forma sobre les aigües és conegut localment com El Lluent (lluent).
L'Albufera de València és una llacuna costanera succinta (profunditat mitjana d'1 m) situada en la costa mediterrània al sud de la ciutat de València. Té una extensió de 23,94 ICM, i està rodejada de 223 ICM d'arrossars.[2] La seua conca hidrogràfica té una extensió de 917,1 ICM, que s'estén des del nivell del mar fins una altitud d'uns 1.000 msnm. Està separada del mar per una estreta barra litoral (restinga) arenosa amb dunes estabilitzades per un bosc de pins (Devesa del Saler). L'Albufera és una zona de pas per a moltes espècies d'aus migratòries.
El seu valor ecològic és molt gran ja que ací es troben espècies de gran valor ecològic en perill d'extinció, com el Fartet o el Samaruc. A més és una de les poques Albuferes que es conserven en bon estat a la Comunitat Valenciana, la costa de la qual antigament estava formada per una successió d'albuferes i marjals. Hui en dia encara es poden veure la successió de marjals en tota la costa valenciana, encara que més xicotet que l'Albufera de València, des de la marjal de Pego-Oliva, la marjal de Xeraco, la marjal de Rafalell i Vistabella a Massamagrell, la marjal del moro a Puçol-Sagunt, o la marjal d'Almenara, entre altres.
Vista de la Albufera de Valencia al atardecer. El espejo de luz solar que se forma sobre las aguas es conocido localmente como El Lluent (reluciente).
La Albufera de Valencia es una laguna costera somera (profundidad media de 1 m) situada en la costa mediterránea al sur de la ciudad de Valencia. Tiene una extensión de 23,94 Km², y está rodeada de 223 Km² de arrozales.[2] Su cuenca hidrográfica tiene una extensión de 917,1 Km², que se extiende desde el nivel del mar hasta una altitud de unos 1.000 msnm. Está separada del mar por una estrecha barra litoral (restinga) arenosa con dunas estabilizadas por un bosque de pinos (Dehesa del Saler). La Albufera es una zona de paso para muchas especies de aves migratorias.
Su valor ecológico es muy grande ya que aquí se encuentran especies de gran valor ecológico en peligro de extinción, como el Fartet o el Samaruc. Además es una de las pocas Albuferas que se conservan en buen estado en la Comunidad Valenciana, cuya costa antiguamente estaba formada por una sucesión de albuferas y marjales. Hoy en día aún se pueden ver la sucesión de marjales en toda la costa valenciana, aunque de menor tamaño que la Albufera de Valencia, desde el marjal de Pego-Oliva, el marjal de Jaraco, el marjal de Rafalell y Vistabella en Masamagrell, el marjal del moro en Puzol-Sagunto, o el marjal de Almenara, entre otros.
in the LOOP 5 shopping center near Frankfurt you will find these nice ladies on the toilet - untouchable behind glas.
here it's in use..................
Vyjayanthi Kashi
Dancer par excellence Vyjayanthi Kashi’s career spans over an impressive spectrum of performance, choreography, teaching acting and research. Her works has been featured in several International festivals including the Oriental Dance Festival Germany, Festival of India in Africa, India Film Festival in Malaga, Olympic Festival in Italy, First International Kuchipudi Dance Convention at California the dance and music festival in US, International Dance & Music Festival in Egypt, Malta, Tunisia, Karmiel Dance Festival in Israel and many more.
She serves on the Arts and Cultural Committee of the Ministry of Tourism and Cultural, Government of India. Founder of the Shambhavi School of Dance she has trained many dance aspirants round the world. She has been honored with several awards including Kala Shree, Zee Astitva, Araya Bhatta and Vocational Excellence Awards. She was recently awarded with the Central Sangeeth Natak Academy Puraskar, the Rajyotsava award 2010 for her contribution to Kuchipudi and more. She has recently been appointed as the Chairman of the Karnataka Sangeetha Nritya Academy.
Ms. Prateeksha Kashi
As a child, it is said that Prateeksha sang and danced the whole of the dance drama AMBE from Mahabharata when she was just three years young. Ever since, she is being trained in Kuchipudi under the guidance of her mother and Guru Smt. Vyjayanthi Kashi. At the age of thirteen, Prateeksha topped the state in the Kuchipudi dance exams with a distinction. Prateeksha has presented solo performances in many prestigious festivals in India and abroad to mention a few , Festival of Dance – Los Angelis, Dance Festival – New York, Milap Festival – U K and more…
She is a recipient of “Nalanda Nritya Nipuna”, an award instituted by the Nalanda Dance Research Centre and also a recipient of the prestigious scholarship from the Ministry of Culture, Govt of India. Prateeksha also has the credit of being featured in many dance productions for the television media and is a graded artist of the Doordarshan Kendra. She is now dancing and playing prominent roles in almost all the dance dramas with her seniors for many national dance festivals.
Concept Note
This compilation is an attempt to map the evolution of the ‘Kuchipudi’ dance form which originally was performed only as a dance drama to its current form where the solo format of presentation also has gained in popularity. The journey of the accompanying music & choreography as they changed with the evolution is also captured.
1) Salutations to Balatripurasundari
The presentation begins with a salutation song to Kuchupudi Vani also known as Balatripurasundari the goddess of the kuchipudi village. This composition by Nritya Vachaspati Guru Vedantam Parvateesam heaps praises on Kuchupudi Vani and the richness of the art form. She is praised for her mellifluous vocals, chatur-vidha abhinaya & navarasa skills.
2) Shrusthi:
Shrushti or the emergence of the universe resulted from pranavanadham , the om or omkara. The universe being made up of the Pancha Bhutas – aakasha, vayu, agni, jalam and pritvi whose combination gives way for life or jeevothpattas . Life after undergoing different stages of evolution culminates into the human form filled with all the worldly desires or kama, Resulting in – Janma Janmantharam, Karma Karmaantharam { Kalaya Thasmai Namaha} . Vyjayanthi Kashi has weaved the beejaksharas Ham, Yam, Ram, Lam and Vam corresponding to the five elements into the jatti format.
3) Tarangam:
This is a special number in Kuchipudi. The song accompanying this number is from the well-known “Krishnaleela Tarangini”, a text that recounts the life and events of Lord Krishna by Saint Narayan Theertha who uses various literary and musical forms such as songs, prose passages, slokas & dwipadis.
Vyjayanthi Kashi has knit in the various literary aspects of this musical opera into this tarangam “Pahi Pahi Pahi…”along with the melody of the swaras and tanams . A special element of skill is involved here. The dancers use various pada karmas and dance on the rim of a brass plate. The brass plate is the symbol of Karmakanda: one's field of activity. And the dancer is a Karma Yogi: highly disciplined with the knowledge of some footwork. Dancing on the rim indicates the human possibilities to reach beyond the limits
Raga Amruta Varshini, tala Adi
4) Thillana:
The concluding presentation is Thillana. It is a salutation to the Sun God symbolizing that the end is the beginning. Choreographed to rhythmic intricacies and choreographic patterns, this thillana is a tribute to the fact that a performance never truly concludes but like the rising of the sun it is the beginning of many more to come.