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Disney Village, Disneyland Resort Paris
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Developed using the principles of New Urbanism, CLC worked with its private sector partners to create a compact, pedestrian-friendly community. Our shared goal was to build a space where residents are never more than a few minutes away from parks, schools, green space and access to public transit. With 1,600 housing units ranging from single-family homes to townhouses and apartments, as well as retail shops and services located on the property, the development offers something for everyone.
Garrison Woods also celebrates its association with its military past, by retaining existing street names from the former Canadian Forces Base. As a gesture of respect to the Base’s history, Garrison Woods also incorporates memorials to pay tribute to the men and women of Canada’s military.
Garrison Woods was completed in 2004, and has since become one of Calgary’s most desirable neighbourhoods.
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La SIC et ses partenaires du secteur privé ont utilisé les principes du nouvel urbanisme pour créer un quartier compact et invitant pour la marche. Le but consistait à construire un secteur où les gens sont à quelques minutes à pied des parcs, écoles, espaces verts et transport en commun. Le quartier compte 1 600 résidences de toutes sortes, des maisons individuelles aux maisons en rangée et aux appartments, de même que des commerces et services qui répondent aux besoins des résidents.
Garrison Woods est un endroit qui commémore l’histoire militaire des lieux, en conservant les noms des rues de l’ancienne base des Forces canadiennes. En guise de respect pour l’histoire de la base, des monuments ont aussi été érigés à Garrison pour rendre hommage aux hommes et aux femmes qui ont servi dans les Forces canadiennes.
Garrison Woods a été terminé en 2004 et, depuis, est devenu un des quartiers les plus recherchés de Calgary.
so many of you guys been asking for an example.
here it is. pretty nice isn't it?? lovely light!! and this is a RAW picture, no photoshoping :)
Strobist info: Beauty dish on right 45* degree, and a rim light on left
i used two SB-28 with youngnu chinese trigger thing.
any question? drop me a line!
used by the 54th Transportation Battalion for convoy safety in Vietnam 1968. Conversion of a resine/white metal kit from SMA in 1/76 scale.
DO NOT use my pictures without my written permission, these images are under copyright. Contact me if you want to buy or use them.
HuPu© All rights reserved
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Used Topaz Labs Clarity, Adjust, and B&W Effects during my post processng. This was taken at the Muncie Childrens Museum in Muncie, Indiana.
Saunders Roe ( Integral Gardner 5LW ) - B43F
New to Maidstone & District Motor Services ( SO68 ) during October-1953 . Joining this fleet in June-1966 via TPE Dealer ( Macclesfield ) who had acquired it in a dealer capacity during April-1966.
RKE540 was withdrawn by Beresford in June-1968 . But kept out of use in their yard , as here-on .
Shot taken 13th-March-1971
Used as the base build: www.flickr.com/photos/chubbybots/29090084468/in/album-721...
and made changes from there.
Free for editorial use image, please credit: imagecomms
ParalympicsGB Table Tennis athletes, Will Bayley aged 33, from Tunbridge Wells, Paul Karabardak aged 35, from Swansea, competing in the Men's Team - Classes 6-7 Final event, at the Tokyo 2020 Paralympic Games.
ParalympicsGB is the name for the Great Britain and Northern Ireland Paralympic Team that competes at the summer and winter Paralympic Games. The Team is selected and managed by the British Paralympic Association, in conjunction with the national governing bodies, and is made up of the best sportsmen and women who compete in the 22 summer and 4 winter sports on the Paralympic Programme.
For additional Images please visit: www.digitalcontentdownload.com/paralympicsgb_2020/
For more information please contact the ParalympicsGB Press Office via press@paralympics.org.uk
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This image has been supplied by imagecomms and must be credited imagecomms. The author is asserting his full Moral rights in relation to the publication of this image. Rights for onward transmission of this image or file is not granted or implied. Changing or deleting Copyright information is illegal as specified in the Copyright, Design and Patents Act 1988. If you are in any way unsure of your right to publish this image please contact imagecomms on +44 (0)20 7160 6282 or email hello@imagecomms.com
I used long lengths of each colour, left loose, not wound on bobbins, to work this section. This meant the untangling was comparatively easy.
Type in use: Karmina Sans.
Designer Nynke Tiekstra chose Karmina Sans for the setting of the scientific book A Manual for the Identification of Plant Seeds and Fruits. Karmina Sans was used to get a clear publication: "still scientific, but alive. Due to the shortness of the texts and high amount of images it turned out to be a wonderful choice".
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ParalympicsGB Athlete, Olivia Breen aged 25, from Liphook, wins bronze in the Long Jump T38 - Women event, at the Tokyo 2020 Paralympic Games.
ParalympicsGB is the name for the Great Britain and Northern Ireland Paralympic Team that competes at the summer and winter Paralympic Games. The Team is selected and managed by the British Paralympic Association, in conjunction with the national governing bodies, and is made up of the best sportsmen and women who compete in the 22 summer and 4 winter sports on the Paralympic Programme.
For additional Images please visit: www.digitalcontentdownload.com/paralympicsgb_2020/
For more information please contact the ParalympicsGB Press Office via press@paralympics.org.uk
If you require a higher resolution image or you have any other photographic enquiries, please contact imagecomms on +44 (0)20 7160 6282 or email hello@imagecomms.com
This image is copyright imagecomms 2021©.
This image has been supplied by imagecomms and must be credited imagecomms. The author is asserting his full Moral rights in relation to the publication of this image. Rights for onward transmission of this image or file is not granted or implied. Changing or deleting Copyright information is illegal as specified in the Copyright, Design and Patents Act 1988. If you are in any way unsure of your right to publish this image please contact imagecomms on +44 (0)20 7160 6282 or email hello@imagecomms.com
Taken using the "Focal Tele Focal", which is a 110 film camera sold by Kmart in the 1970s. It was a low-end model (what else would you expect from Kmart?). For this photo, I used modern Lomography brand colour film. The shutter button is not so good, resulting in some of the photos I took being completely unusable.
Olinda Recreation Reserve, is in Olinda, Victoria, Australia.
I did my best to clean up these slides which are new scans using a better Canon 9000F Mark II flatbed scanner than the previous Wolverine slide scanner. Taken at twilight. The slides had deteriorated with time.
They show things gone now including Ringling Brothers circus trains and trains on the former Milwaukee Road Chicago & Evanston Line, by this time operated by the Soo Line as well as in one shot the Montgomery Ward headquarters building. Montgomery Ward went out of business in the early 2000s.
Ringling Brothers was doing a show at the United Center. In later years the circus trains would park on the former Milwaukee Road Galewood Yard tracks.
Using the black fencing to frame the welder below in Port Moody today. Heavy action going on for the future Evergreen Line.
04-08-2014
Grant Mattice photo
A contractor uses a wrench to tighten the massive saw teeth of the circular saw of a feller buncher at the U.S. Department of Agriculture (USDA) Forest Service (FS) Kaibab National Forest, Williams Ranger District's Cougar Park Task Order worksite, in Arizona, on December 4, 2018. The saw can cut through 10" trees in less than two seconds.
âTimber Tomâ Dauenhauer, a timber sale administrator for the Kaibab National Forest, is visiting the restoration work site.
The 1,342-acre Cougar Park Task Order is part of the broader Four Forest Restoration Initiative, which is intended to treat more than 2.4 million acres of ponderosa pine forest across northern Arizona. The work within the Cougar Park timber sale, located south of Bill Williams Mountain, is about 60 percent complete. Current activity includes heavy logging equipment such as feller bunchers, skidders, and loaders. The ultimate goal of the timber sale is to improve forest health and reduce the potential for high-intensity wildfires that could threaten lives, property, and natural resources. The Four Forest Restoration Initiative seeks to increase resilience in the fire-adapted ponderosa pine forest by reducing tree stand densities to a more historical level, which eventually reduces the potential for uncharacteristic wildfire. This work also offers greater protection for residents living in and adjacent to the wildland-urban interface, where developments and forested areas merge.
USDA Photo by Lance Cheung.
For more information please see:
@usda
@forestservice
The U.S. Department of Agriculture (USDA) Forest Service (FS) Kaibab National Forest, Williams Ranger District's Cougar Park Task Order has âTimber Tomâ Dauenhauer, a timber sale administrator for the Kaibab National Forest, visiting restoration work site, in Arizona, on December 4, 2018. The 1,342-acre Cougar Park Task Order is part of the broader Four Forest Restoration Initiative, which is intended to treat more than 2.4 million acres of ponderosa pine forest across northern Arizona. The work within the Cougar Park timber sale, located south of Bill Williams Mountain, is about 60 percent complete. Current activity includes heavy logging equipment such as feller bunchers, skidders, and loaders. The ultimate goal of the timber sale is to improve forest health and reduce the potential for high-intensity wildfires that could threaten lives, property, and natural resources. The Four Forest Restoration Initiative seeks to increase resilience in the fire-adapted ponderosa pine forest by reducing tree stand densities to a more historical level, which eventually reduces the potential for uncharacteristic wildfire. This work also offers greater protection for residents living in and adjacent to the wildland-urban interface, where developments and forested areas merge.
USDA Photo by Lance Cheung.
For more information please see:
@usda
@forestservice
Beth Willhite using MCH to reduce damage by Douglas-fir beetle. Columbia River Gorge National Scenic Area, Oregon.
Photo by: Rob Flowers
Date: April 7, 2015
Photo credit: USDA Forest Service, Region 6, State and Private Forestry, Forest Health Protection, Central Oregon Insect and Disease Service Center.
Source: Rob Flowers collection. Bend, Oregon.
Image provided by USDA Forest Service, Region 6, State and Private Forestry, Forest Health Protection: www.fs.usda.gov/main/r6/forest-grasslandhealth
DO NOT use my pictures without my written permission, these images are under copyright. Contact me if you want to buy or use them. CarloAlessio77© All rights reserved
Flickr ☆ If you would like to use this photo, contact
www.sebastien-duhamel.com/contact/
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Reportages “Mouvements des gilets Jaunes” www.flickr.com/photos/sebastienduhamel/collections/721577...
Reportages “Éducations et Politiques” www.flickr.com/photos/sebastienduhamel/collections/721576...
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Le mouvement des Gilets jaunes fr.wikipedia.org/wiki/Mouvement_des_Gilets_jaunes
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Rencontre avec Juan Branco organisé par la librairie Millepages.
Juan Branco signe le détonnant "Crépuscule". Une coédition Au diable vauvert et Editions Massot
Sous la plume enflammée et lucide de ce jeune avocat formé pour intégrer les élites, ce réquisitoire politique éclaire la face obscure d'une oligarchie déliquescente qui manœuvre pour préserver ses privilèges de caste. Compagnon d’armes et d’école de la génération dorée à la tête des affaires publiques, Juan Branco dévoile son enquête édifiante sur l’avènement du président et de son entourage direct.
Editions Au diable Vauvert audiable.com
Editions Massot massot.com
Librairie Millepages www.millepages.fr
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Juan Branco fr.wikipedia.org/wiki/Juan_Branco
www.youtube.com/channel/UCMOrzCo7Jdp6qqEX24CXuog/videos
www.facebook.com/juan.branco.98
www.facebook.com/groups/JuanBranco/
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Un entretien de Daniel Mermet avec Juan Branco www.youtube.com/watch?v=R4ZDtJOAY2M
Là-bas si j'y suis fr.wikipedia.org/wiki/Là-bas_si_j%27y_suis
www.youtube.com/channel/UCMAT1VA7o6bD6qnpBBZ_New/videos
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L’obsession de Macron a toujours été la privatisation - Juan Branco chez Bercoff www.youtube.com/watch?v=5oGP6Ejv0Mk
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Didier Maïsto, PDG de Sud Radio www.facebook.com/Didier-Maïsto-Toute-vérité-est-bonne-...
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L'illusion de la démocratie en France ? Juan Branco www.youtube.com/watch?v=yEtmZKE5jhw
ThinkerView fr.wikipedia.org/wiki/ThinkerView
www.youtube.com/user/thinkerview/videos
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Edwy Plenel fr.wikipedia.org/wiki/Edwy_Plenel
Les GJ et les jeunes tirent la sonnette d'alarme sociale et écologique
www.youtube.com/watch?time_continue=22&v=O-mST2YCPVg&...
Violences policières : alertes et témoignages www.youtube.com/watch?v=GLhrjVAXre0&t=845s
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Mediapart fr.wikipedia.org/wiki/Mediapart Journal d'information numérique, indépendant et participatif.
www.facebook.com/Mediapart.fr/
www.youtube.com/user/mediapart/videos
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Denis Robert fr.wikipedia.org/wiki/Denis_Robert
www.youtube.com/results?search_query=denis+robert
Les milliardaires gavés au sang des gilets jaunes ? www.youtube.com/watch?v=e5vAzJpyvCI
Évasion fiscale, gilets jaunes & médias www.youtube.com/watch?v=HBphP_r88kM
Le média fr.wikipedia.org/wiki/Le_Media indépendant
www.youtube.com/channel/UCT67YOMntJxfRnO_9bXDpvw/videos
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Frédéric Lordon fr.wikipedia.org/wiki/Frédéric_Lordon
www.facebook.com/fredericlordoneconomiste/
Fin du grand débat, début du grand débarras !
www.youtube.com/watch?v=wjYwlNN0DlI
www.youtube.com/results?search_query=Frédéric+Lordon+
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Michel Collon fr.wikipedia.org/wiki/Michel_Collon
www.facebook.com/InvestigAction/
www.youtube.com/channel/UChq7IIJgKBr5cElD44Q6PlA/videos
Michel Collon reçoit Etienne Chouard pour aborder ces différents thèmes www.youtube.com/watch?v=QrixgC4HOtg
L'heure des citoyens constituants www.youtube.com/watch?v=Ukf6iJ_BiRU&feature=share
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Etienne Chouard fr.wikipedia.org/wiki/Étienne_Chouard
www.youtube.com/results?search_query=jeudi+chouard+sud+radio
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François Bégaudeau fr.wikipedia.org/wiki/François_Bégaudeau
Gilets Jaunes, Populisme, Bourgeois ? www.youtube.com/watch?v=GPfXLUThC6M
www.facebook.com/François-Bégaudeau-197511363641488/
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Monique Pinçon-Charlot fr.wikipedia.org/wiki/Monique_Pinçon-Charlot
Monique Pinçon-Charlot recadre des éditocrates sur Macron et les Gilets Jaunes www.youtube.com/watch?v=FeFKDaT7DVU
Macron : "Le président des ultra-riches" ? www.youtube.com/watch?v=rmTT9kcP7Is
Chronique au scalpel du président des ultra-riches www.youtube.com/watch?v=X1DNxvKlTnU
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Dessins de presse et d'humour www.facebook.com/dessin2presse/
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Les-Crises www.les-crises.fr
Désobéir www.desobeir.net
Révolution Permanente www.revolutionpermanente.fr
www.facebook.com/RevolutionPermanente.fr/
La Voix de Portici www.youtube.com/channel/UCjaTrUFYwR0rbnrxJwmVHhA/videos
Le Stagirite www.youtube.com/user/LeStagirite/videos
Christophe Cros Houplon, écrivain français, autoproduction, sans éditeurs ni distributeurs, nomade. www.youtube.com/user/krisparis11/videos
Christophe Ambrosino www.youtube.com/user/chriscreateharmony1/videos
Le peuple doit se réveiller www.facebook.com/LePeupleDoitSeReveiller/
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Aujourd’hui, nous avons l’opportunité de changer les choses.
Il est temps d’exiger des élu.e.s et de la justice française le respect de l’environnement ! Nous, citoyen.ne.s acteurs.rices du monde durable à venir, réaffirmons collectivement la protection de l’environnement comme la priorité du gouvernement français.
www.notreconstitutionecologique.org
Valérie Cabanes fr.wikipedia.org/wiki/Valérie_Cabanes
www.facebook.com/valerie.cabanes.1
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La planète est-elle vraiment foutue ? 1ère partie www.youtube.com/watch?v=ZZGeiZLHGuU
La planète est-elle vraiment foutue ? 2eme partie www.youtube.com/watch?v=ejgoQUxneCs
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« La planète est dans une situation de cancer très avancé », dit Nicolas Hulot www.youtube.com/watch?v=KoJM1yI2wKY
www.youtube.com/results?search_query=Nicolas+Hulot+
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Aurélien Barrau fr.wikipedia.org/wiki/Aurélien_Barrau
www.youtube.com/channel/UCwgqYNmYaij2_8hq_tOFyZw/videos
www.facebook.com/aurelien.barrau
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Pablo Servigne fr.wikipedia.org/wiki/Pablo_Servigne
www.youtube.com/channel/UCwgqYNmYaij2_8hq_tOFyZw/videos
www.facebook.com/servigne.collapsologie/
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Photographie de Sébastien Duhamel, professionnel de l’image
www.sebastien-duhamel.com/présentation-références/
Derniers reportages photos www.flickr.com/photos/sebastienduhamel/collections/721576...
Classeurs photos www.flickr.com/photos/sebastienduhamel/collections
Albums photos www.flickr.com/photos/sebastienduhamel/sets/
Tournages vimeo.com/137495739
www.dailymotion.com/user/Sebastien_Duhamel/1
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Tous droits réservés sans la permission de l’auteur
All Right reserved without permission from the author
Used Datasets
hst_11956_04_wfpc2_f469n_wf_sci
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hst_11956_04_wfpc2_f656n_wf_sci
hst_11956_04_wfpc2_f658n_wf_sci
More from the Route 66 Museum.
I used to shop at one of these.
TG&Y was a five and dime, or variety store, chain in the United States. The chain was named for its three founders: Rawdon E. Tomlinson, Enoch L. "Les" Gosselin, and Raymond A. Young. The initials were ordered according to the age of the three, with Tomlinson being the oldest. Founded in 1935, the chain was headquartered in Oklahoma City. At its peak, there were more than 900 stores.[1][2]
It was acquired by McCrory Stores in 1986, when it had about 720 stores. Shortly after McCrory's purchased TG&Y, that company cut over 8,000 employees and closed 205 stores, including 23 in its former home-state of Oklahoma.[3] It did business under the TG&Y Family Center and later TG&Y Dollar and Aim for the Best and Dollar-T names as well.
T G & Y stores were firmly embedded in southern culture as modern-day general stores with a bit of everything, and often called by the irreverent moniker, "Turtles, Girdles, and YoYos." [4] Toward the end of its successful years, the chain used the advertising slogan, "Your best buy is at TG&Y."
In 2001, the chain filed bankruptcy and eventually all stores were closed.
John Darnielle (The Mountain Goats) references the chain in his song "From TG&Y". The rock band Nerf Herder also refer to the chain in their song "Van Halen".
Usei a base Casco de Cavalo da Marú, 2 camadas finíssimas do Revlon Red da Revlon, 1 camada generosa do Moon Shadow da Sancion Angel, e 2 camadas generosas do top coat Seche Vite.
Algumas observações... O Revlon Red é maravilhoso! 1 camada e já tava perfeito. Só passei 2 pq era de madrugada e eu estava sem óculos. Achei melhor garantir... O Moon Shadow é como qq glitter hexagonal: chato de passar! Eu passei uma camada generosa, mas como eu sou chata, fiquei pescando uns glitters com um palito e colocando na unha pra ficar mais harmonioso... Claro que o meu exagero fez a unha ficar mega áspera. Então passei 2 camadonas do Seche Vite, e ficou menos pior. Mas continuou áspera. Apesar de não deixar a unha lisinha, ele deu um efeito jelly mto lindo, e ajudou a secar essa montanha de esmalte. Então eu desconsiderei os pontos negativos e fiquei toda satisfeita! :D
Leia mais em www.dedinhoscoloridos.com.br
Photos by Philipp Geist ©2013 / VG BildKunst
WAGNR RMX - Philipp Geist
WGNR rmx 2013 - PHILIPP GEIST
Light Installation / Video Mapping Installation
New City Hall Bayreuth from July 7th to August 28th On the occasion of Richard Wagner’s 200th birthday the Berlin artist Philipp Geist (1976) develops a comprehensive light and video mapping installation on the external walls of the New City Hall in Bayreuth over a period of 40 nights. The artist dismisses the use of screens and projects his artistic image and light projections directly onto the facade. The projection merges with the location and invites visitors to linger around the New City Hall. The art installation is going to be further developed and enhanced during the mentioned period.
The subject of the artistic installation is Richard Wagner and his works; images, words, quotes, and associations from his operas are artistically interpreted and incorporated into the installation. These terms and quotations from Wagner's operas are projected in a "carpet of words" and abstract verbal images on the facade. With his pictorial language the artist Philipp Geist develops his own artistic interpretation of Wagner's themes. Geist creates a dialog between the location, i.e. the New City Hall, the visitors, and the artistic works of Richard Wagner. In the process, the access to the "Wagner" topic is complex: On a first direct level, concepts and images of his major works will be displayed on the facade by means of the visual language of Philipp Geist. Visitors will be inspired by individual characters and scenes from the rich repertoire of fine arts, from paintings and illustrations, especially from the 19th century. However, the characters and scenes will be alienated and integrated into the abstract structures of Philipp Geist’s worlds of images. Known Wagner themes, such as fire, natural phenomenons, and symbols like the ring, the sword, and the storm as a mirror for the inner turmoil, can be re-experienced and emerge as quotes in the form of images. In this way the installation demonstrates connections in a non-narrative manner and thus admits a different modern and contemporary access to Wagner’s works.
In this manner the radiant face of the hero appears in order to darken and vanish in the next moment. The great void comes into sight through the building bathed in darkness symbolizing the fraud, the vile and the dark side existing in men.
A scenery appears for an instant to dissolve in a flash into a graphic pattern again. Pristine landscapes turn into pixels and remind the viewer of the actual romantic ideal.
The Rheingold shines and sparkles through a hinted blue surface of water to crumble to dust a moment later. Gray and white particles float over the facade; the material transience is almost palpable.
The symbolism of the colors is adopted from the works: white sails become black, and vice versa; for the contemporary video projection technology it is easy to decide instantly on fateful questions. The sails may also turn into colorful triangles and fly away over the facade as a graphic pattern. At the same time, it is the random and ludic character of the installation that lures out the tragic and borne nature of the Wagner pathos and allows viewers of any age to envision uncountable points of contact. The installation celebrates Wagner, but it also uncovers critical voices: polarizations like genius and kitsch clash together and cover the building as one, quotes as Wagner’s "Aber, aber, was sollen die Sentimentalitäten" [But for all that, what’s the point of all these sentimentalities] wander along the facade.
On another level the approaches followed by Wagner matter for Geist’s installation: Wagner crossed the boundaries between the different arts and contents. He allied image and sound, music and stories, symphony and legends. Also Geist’s installation is influenced by Crossover: the multimedia artist creates a synergetic work on the City Hall giving rise to images from texts and mixing the analog with the digital by painting with light and his computer
© 2013 Philipp Geist
Philipp Geist STUDIO | VIDEOGEIST
WAGNR RMX - Philipp Geist
Lichtinstallation / Video-Mapping-Installation
Bayreuth Neues Rathaus 20.07.2013 bis 28.08.2013
KONZEPT PHILIPP GEIST
Anlässlich des 200. Geburtstags von Richard Wagner entwickelt der Berliner Künstler Philipp Geist (1976) über den Zeitraum von 40 Abenden eine flächendeckende Licht- und Video-Mapping-Installation auf das Neue Rathaus in Bayreuth. Dabei verzichtet der Künstler auf den Einsatz von Leinwänden und projiziert seine künstlerischen Bild- und Lichtprojektionen direkt auf die Fassade. Die Projektion verschmilzt mit dem Ort und lädt Besucher zum Verweilen am Neuen Rathaus ein. Über den Zeitraum der Installation wird die künstlerische Installation weiterentwickelt und ergänzt. Inhalt der künstlerischen Installation ist Richard Wagner und sein Werk; Bilder, Begriffe, Zitate und Assoziationen aus seinen Opern werden künstlerisch interpretiert und in die Installation eingebaut. Dabei werden Begriffe und Zitate aus Wagners Opern als Wörterteppich und abstrakten Wort-Bilder auf die Fassade projiziert. Der Künstler Philipp Geist entwickelt mit seiner Bildsprache seine eigene künstlerische Interpretation der Wagner-Themen. Geist entwickelt einen Dialog zwischen dem Ort, also dem Neuen Rathaus, den Besuchern und dem künstlerischen Werk von Richard Wagner. Der Zugang zum Thema „Wagner“ ist dabei vielschichtig. Zum Einen auf einer ersten, direkten Ebene, werden Begriffe und Bilder seiner Hauptwerke in der Bildsprache von Philipp Geist auf der Fassade zu sehen sein. Einzelne Figuren und Szenen aus dem reichen Repertoire der Bildenden Kunst, aus Gemälden und Illustrationen v.a. aus dem 19. Jahrhundert werden dem Besucher begegnen. Sie werden jedoch verfremdet und in die abstrakten Strukturen von Philipp Geists Bilderwelten integriert. Bekannte Wagner-Themen wie das Feuer, Naturereignisse und Symbole wie der Ring, das Schwert, und den Sturm als Spiegel für die innere
Aufruhr werden neu erfahrbar gemacht und tauchen als Bildzitate in der Installation auf. Die Installation zeigt so in nicht narrativer Art Zusammenhänge auf und lässt somit einen anderen modernen und zeitgenössichen Zugang zu dem Werk Wagners zu. So erscheint das strahlende Gesicht des Helden, um sich im nächsten Moment zu verdüstern und zu verschwinden. Die große Leere erscheint durch das in Dunkel getauchte Gebäude und symbol- isiert den Betrug, das Niederträchtige und Düstere im Menschen. Eine Szenerie taucht auf, um gleich wieder in ein grafisches Muster zu zerfließen. Unberührte Landschaften werden zu Pixeln und führen dem Betrachter vor Augen, dass es sich um ein romantisches Ideal handelt. Das Rheingold strahlt und funkelt durch die blaue angedeutete Wasseroberfläche hindurch, um im nächsten Moment zu Staub zu zerfallen. Graue und weiße Partikel schweben über die Fassade, die materielle Vergänglichkeit wird geradezu greifbar. Die Symbolik der Farben wird aus dem Werk übernommen, weiße Segel werden zu schwarzen und umgekehrt, es ist der zeitgenössichen Videoprojektionstechnik ein Leichtes, ganze Schicksalsfragen zu entscheiden. Vielleicht werden die Segel auch zu bunten Dreiecken und fliegen als grafisches Muster über die Fassade davon. So ist auch das Zufällige und Spielerische Merkmal der Installation, die das Tragische und Getragene des Wagner-Pathos herausfordert und eine Vielzahl von Anknüpfungspunkten für das Publikum jeden Alters ermöglicht. Die Installation feiert Wagner, macht aber auch kritische Stimmen sichtbar: Polarisierungen wie „Genie“ und „Kitsch“ treffenen aufeinander und ziehen sich gemeinsam über das Gebäude, Zitate wie Wagners: „Aber, aber, was sollen die Sentimentalitäten“wandern die Fassade entlang. Auf einer weiteren Ebene werden die Ansätze, welche Wagner verfolgte, auch für Geists Installation von Bedeutung sein: Wagner überschritt die Grenzen der verschiedenen Künste und Inhalte. Er brachte Bild und Ton, Musik und Geschichten, Symphonie und Sagen zusammen. Auch die Installation von Geist ist geprägt vom Crossover: Der Multimedia-Künstler erschafft ein synergetisches Werk auf dem Rathaus, lässt aus Texten Bilder entstehen und mischt Analoges mit Digitalem, indem er mit Licht und dem Computer malt.
© 2013 Philipp Geist
Philipp Geist STUDIO | VIDEOGEIST
Studio Philipp Geist
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10003 Berlin/ Germany
Leipziger Str. 6610117 Berlin Studio PHILIPP GEIST - Leipziger Str. 66 - 10117 Berlin