View allAll Photos Tagged trigger
More of an experiment today than anything else, but what is it?
In the absence of the high speed trigger that I've been meaning to build for months, this is a simple contact trigger shot. The contacts are two strips of tin foil taped to the sides of a block of wood, and wired to the hot shoe of a Canon 420EZ. (which has a low trigger voltage, so you can test closing the contacts with your finger without hurting yourself!) The strobe was set on full power and fired through a softbox to the right of the camera. The circuit was closed, and flash fired, by pouring a spoonful of sugar onto the contacts. Exposure was 2 seconds, in a darkened room.
I like the way some sugar has just bounced off before there was enough weight to bend the foil and fire the strobe.
Fabio Marangoni - Creative Director www.joinerandtuft.com
D300
24-70mm
SB900 - Triggered via CLS at the camera left trough a white umbrella
SB600 - Triggered via CLS from the top pointing the head
abundant in almost every reef in Maldives, schooling oceanic triggerfish plays an important part in the food chain.
Trigger is the most important detail of the revolver, concrete and decisive. For people like there there is only "yes" or "no". "Maybe" is not an option and only "yes" is acceptable.
Model: Julia Lazareva
3.26.12
Like Me on Facebook: www.facebook.com/melatphoto
Follow Me on Twitter: twitter.com/#!/prmelat0
Had a quick shoot with one of the best friends I've ever had today. Olivia is one of the hardest working people I've ever met. If anyone, including myself, had half her strength, they'd be lucky. She's been there for me when I most needed it. I truly have endless respect for her. Love you girl!
Camera info:
Canon T1i, Canon EF 85mm f/1.8, f/2.0, 1/200s, ISO 100
Strobist Info:
-AlienBee B800 shot through a white beauty dish boomed above the camera and in front of subject. 8 feet high and 6 feet away from subject. 1/32 Power
-Flash trigged with Cactus V5 triggers
Comments? Crit?
It always amazes me how the simplest of wounds can derail so many activities. I'm having a hard time taking photos because I can't bend my finger at the last joint..playing guitar, writing letters, flipping through records...
I wasn't going to upload this...but I like it now. :) I might not like it tomorrow. ;0P
EDIT: Nope...instead I've changed the title 5 or so times. lol
Bare flash in the violin case camera left. I don't remember which flash or anything else because these were just test shots with my new cactus trigger. I got tired of shooting the wall. :)
Strobist info:
Main light was from the Sun which was at a 45 degree angle behind and to the right of camera.
Metz 48 af-1 fired at 1/4 power directly behind Claire aimed at the camera to give the rim light.
Triggered with Elinchrom Skyports
Each coat comes with 7 asymmetrical markings! And some coats are asymmetrical from the get go! So feel free to take a peek!
Limited Edition Skins
These skins will NOT be going to store once the event is over. Get them while you can
Cali - Black and dark chestnut Chimera
Harley Bold chestnut with black Chimera
Olivander is a dream with sooty silver buckskin and sooty gold buckskin combined together, he just makes your heart melt
The others are all 7 option coats as well but will be in store after the event.
Champagne, a beautiful golden horse with a pink muzzle this beauty is ready to draw attention to her
Bullet, a sooty silver buckskin that looks and is as beautiful as a silver bullet and springing through the air.
Kenji is a beautful dark seal bay who looks almost black as the night with a pretty show sheen.
Brooklyn os a nice dark chestnut who knows she is pretty
Trigger, need we say more? The bullet is silver, of course the gun is golden, trigger is a beautiful golden hue,
Tripp is a beautiful golden buckskin tone that has a sooty hue to his coat and loves to cause mischeif
Turner is a slightly sooty bay who wants to get into no good!
Will you take them home?
Foto scattata con : modalità bulb 2 secondi, Iso 100 , usato Trigger Nero per flashare l'entrata in acqua.
1st timelapse using the Olympus e-p1 with the Pclix remote trigger.
165 shots into shooting the battery went flat...
7 Sec
the mechanical construction is completely up to you. just let the LED (little red light) point into the Photodiode (little black thing on top). As the pellet travels through the barrier, it will trigger the flash after the preset delay period.
Herre i used a small metal tube to slip onto the shaft of the gun.
September - Divers 2021
Heritage Days 19 September 2021 - KANAL-Centre Pompidou
After the crisis triggered by the 1929 Wall Street Crash, there was a marked revival in the popularity of cars, prompting the major carmakers to move en masse to the centre of Brussels. Thus, Citroen decided to relocate from Saint-Gilles/Sint-Gillis to a much busier site in 1934. For its chosen location in Place de l'Yser/IJzerplein, it opted for an imposing design in a functionalist style, produced by architects Alexis Dumont and Marcel Van Goethem, based on plans drawn up by Andre Citroen. Featuring an aerodynamic roof, the metal-framed modernist building has a surface area of around 40,000 m2, which is bathed in light thanks to its huge glazed facades. Five extra levels subdividing the showroom were added in 1959. Originally, the complex was home to the administrative staff, a large showroom, repair shops, warehouses for spare parts and a service station (on the Quai de Willebroeck/Willebroekkaai side).
The gem that is the Citroen garage was bought in 2015 by the Brussels-Capital Region, which tasked its Urban Development Corporation (SAU-MSI) with developing an international cultural hub. The Kanal Foundation was responsible for implementing the project, in cooperation with the International Centre for the City, Architecture and Landscape (CIVA) and the Centre Pompidou in Paris. The complex, which opened in 2018, is now undergoing a complete makeover, due for completion in 2024. KANAL envisages becoming a major multidisciplinary cultural institution and a centre of exchange open to all, featuring not only a museum of modern and contemporary art and an architecture museum (hence CIVA's involvement), exhibitions and restaurants, but also many multifunctional public spaces - in short, a vibrant place to meet and interact, at the heart of a neighbourhood on the move!
Photos of September 2021
Photos de septembre 2021
( Divers albums de photos prisent en 2021 sans sujet reel.
Various albums of pictures taken in 2021 without real subject. )
Triggered by StopShot from www.cognisys-inc.com . See equipment here www.flickr.com/photos/13084997@N03/3818938773/in/photostr...
pre aluminum foil, grounding the lockwasher to the shielded part of the rg174, the other side of the shield is to the ground on the board.
Promo shoot with Minneapolis' Beautiful Trigger at Club Jaeger.
Strobist:
* SB-900 through a shoot-thru umbrella pointed straight up at the ceiling, directly behind camera.
* SB-600 high camera left pointed down.
* SB-600 with blue gel inside stall pointed at the back wall.
Although the incident that triggered the July 16 march was a racial dispute in a Forest Park bar, participants in the protest were clearly motivated by broader concerns and were also responding to the nationwide movement against racism spearheaded by Black Lives Matter.
Organized by Oak Park High School(OPRF) teacher Anthony Clark with help from other OPRF teachers, the march from Oak Park to the bordering town of Forest Park targeted suburban racism and discrimination. At the rally, participants shared their personal experiences with suburban racial bigotry.
Clark had earlier circulated an anti-discrimination pledge which he had asked a number of local businesses to sign. While some did willingly, others said they did not want to take a position and others were openly hostile.
Clark hopes to expand the campaign into a movement that deals with the commonplace racism that plagues Chicago suburban communities.
Strobist: SB600 and Yin Yan (China Flash) to subject's left and right about a meter off the ground on tripods. Triggered by iShoot radio triggers.
I also used a polirizing filter to help with the sky color... It was mounted on my Tamron 18-270 VR lens (great for travel for obvious reasons but not sure how it performs compared to the kit lens for the D90)
*this was my favorite shot out of the whole set. I really liked the timing, sort of wish i had gotten the entire rope in the frame though.
A couple of weeks ago I went to meet my girlfriend in Paulista Av. (São Paulo, Brazil) to take some pictures of a friend of her's. After a couple of hours they left and I stayed behind to talk to this group of guys. They're part of a rope-skipping crew and were practicing that day. I thought it would be a good chance to practice since that was pretty much my first time taking pictures of people other than my friends and family.
I'd love to hear some critique on the work. I know I definetly need to work on my post processing. I've just recently started using Aperture 3 and plan on taking Lynda.com's Photoshop courses. I am looking forward to learn a lot about composition and lighting, hope you guys can help with that.
Cheers!
I became involved with this project hoping to uncover a fresh perspective on the gun debate. My process included extensive research, one-on-one interviews (online and offline), a panel discussion and a visit to the local gun range to experience guns firsthand. See more at: www.victor-ramos.com
Strobist
Triggered by Pocket wizard PLUS and PLUS II Units
Vivitar 285, 3 o'clock at 1/16 power with a shoot through umbrella.
View On Black <--- Looks better!
I guess this is the first ever SP i've posted. So please comment!
was playing with lighting last night..
Strobist info: Single snooted 430EX at 1/4 power from camera top right (up high!) gel with CTO Trigger by ebay trigger.
also there are ambient light .. to help focus.. but flash was overpowering.
Exif info: 5D with 24-70 2.8L at 28mm, f/14
Post Processing info: Only thing i did in PS was place 4 shots on one, and bump up the contrast a bit with curve.
Trigger was once a Republic Commando, bred to serve in an elite squad with his brothers. But during the battle of Geonosis, his job was short lived.
He and his squad had been tasked with the job of destroying one of the droid's underground factories.
They never got the chance.
Before they reached the LZ their gunship was shot down enroute to their would-be destination. All the clones died in the crash save Trigger, who was later captured by the droids, as he tried to get back to Republic lines.
After weeks of interrogating by the droids, they finally gave up on him, and sold him to some Trandoshian merchants, promising a high reward for any information they might squeeze out of him.
Onboard one of the slaver ships, unspeakable crimes were done to him. He was beaten every day by bloodthirsty trandoshian's hoping to receive the rewards the droids had spoken of.
Trigger's sense of duty, he later recounted, was the only thing that kept him alive.
Then, one day Trigger finally got his chance. The Trandoshian's had left him alone in the cell with a few other wookiees. He couldn't speak much of their, language, but they seemed to be of the same mind in their plans for a escape.
Working together, they killed all the slavers and took the ship for their own, and flew to Kashyyk where they left Trigger with a curious detachment of clones, called the 457th corps...
By Paula Rego
War was triggered by a newspaper photograph of Iraqi civilians in the aftermath of a bomb explosion in Basra, Iraq. Rego was shaken by the image of a mother carrying a baby, seeminly frozen in fear, and a girl screaming next to them.
Rego gave the figures mask-like rabbit heads. A disfigured children's toy on the ground makes the horror more intense.
For Rego, making this work brought back memories of seeing refugees in Portugal during the Second World War. At the bottom right of the work Rego represents her former teacher, Miss Cook, in the act of saving a group of refugees.
[Tate Britain]
Paula Rego
(July – October 2021)
The UK's largest and most comprehensive retrospective of Paula Rego’s work to date.
Since the 1950s, Paula Rego has played a key role in redefining figurative art in the UK and internationally. An uncompromising artist of extraordinary imaginative power, she has revolutionised the way in which women are represented.
This exhibition tells the story of this artist’s extraordinary life, highlighting the personal nature of much of her work and the socio-political context in which it is rooted. It also reveals the artist’s broad range of references, from comic strips to history painting.
It features over 100 works, including collage, paintings, large-scale pastels, ink and pencil drawings and etchings. These include early works from the 1950s in which Rego first explored personal as well as social struggle, her large pastels of single figures from the acclaimed Dog Women and Abortion series and her richly layered, staged scenes from the 2000-10s.
This is a unique opportunity to survey, in the city that Rego has lived in and called home for most of her life, the full range of her work.
[Tate Britain]
Taken in Tate Britain