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Technical for Strobist:
Two softboxes with 150 W/S strobe camera left and 110 W/S for camera right.
On the portraits of Tara alone, I added a shoot through umbrella to the camera right with another 150 W/S strobe, and a hair light with barn doors - 110 W/S behind and above to her right. Triggered by inexpensive e-bay radio triggers.
All images taken under a special permit granted by the Regiao Autonoma Dos Acores, Secretaria Regional Do Ambiente E Do Mar, Dreccao Regional do Ambiente.
The crowds in Zhangjiajie, Hunan snap thousands of photos every minute while vendors sell the right to stand on their shaded stools.
I spent the afternoon with a couple of my cousins at the Amazing Grace Equine Sanctuary, petting, talking to, and photographing horses :-) All the horses had the same reaction to me that dogs do!? It was great reconnecting with family and making some new friends too :-) Good people, great cause, awesome time. I'll be going back again soon! www.rescuehorses.org/
This is a stock and trigger assembly built together.Somewhat influenced by my Steampunk Sniper stock.Be sure to hide the black tube somehow.
The trigger head is connected to the trigger generator with the black trigger cables. The white cable from the trigger head connects to the grounding plate under the mylar insulation. Note one of the switches is connected to the resistor with white charging cables. (resistor out of view, except the top, silver donut).
The Hair Trigger - a gentlemens cocktail created by Lucien Sankey from The Kodiak Club in Melbourne.
Bananas after a few days on the counter. I think the spots are cool
Strobist: Set in my foam core lightbox. SB800 to camera left. Fired with bay trigger. Retouched in Photoshop to remove some background shadows on right side.
Image_DSC0591
First day-lightning photos. Lightning trigger from www.aeophoto.com worked pretty well. Trigger was little "trigger happy" with inter cloud lightnings :)
Strobist info: Vivitar 285 on left and right high above set to full, shot through umbrellas and one behind subjects at 45 degrees set to 1/4 power. Fired using pw's. The shot of the subjects was shot at night. The alley was shot during the day and composite was in photoshop cs3.
D300 with nikon 17-55 f2.8 dx lens
Location: Downtown El Paso Texas
Character: Robo
Cosplayer: cellery
Photography by MikoBura
Facebook :: Deviantart :: Cospix :: 500px
Feel free to share and re-post the photos, but be sure to give proper credits to the photographer (me) and the cosplayer(s).
Please do not alter or modify my photos in any way. Do not reproduce my photos without my written consent. Thank you! \^^/
© MikoBura Photography
This device is used for triggering a quick release in Archery and this user made his a little more comfortable...
I know it doesn't look that good, but for now i found a way to hook minifigs hands to triggers using U-clips.
Testing out the Aputure Trigmaster (Nikon mount) on the Sony A6000 with a Nikon SB-600. Works like a charm.
Souvenir pictures taken during the Geekopolis 2015 convention in Paris, featuring the Intel hall of computers, R2D2 robots, taxidermied creatures and Wintercroft's articulated Elephant mask, signed by the staff, guests and community !
Kerrang Tour 2015 - Bristol, Academy 10th February 2015 - Full review will be up at www.alternativevision.co.uk soon.
2012 Blade Trigger 12m Kite Review Part 1:
thelazyrando.wordpress.com/2012/05/29/blade-trigger-kite-...
Kurt Nahar, 'Obalatá', burnt wood, candles, candle holder, coconut, rum bottles, wine glasses, glass bottle, sea shells, leaves, iron chains, stone, knife and yellow doily, 75x123x82cm, 2021 - USD 1,200
In hun gezamenlijke installatie reflecteren Kurt Nahar en Sri Irodikromo op overeenkomstige objecten en elementen in de spiritualiteit en offerrituelen van verschillende Caribische culturen. Kurt Nahar onderzoekt voor zijn deel verschillende religiën die geïnspireerd zijn op de Afrikaanse Yoruba-religie. Hij werd vooral getriggerd door de vele overeenkomsten die hij opmerkte bij die van bijvoorbeeld de Cubaanse SanterÃa, de Haïtiaanse Vodou, de Surinaamse Winti en vele andere uit de regio. Hij gebruikt als basis een fallus-vormige verkoolde houten stronk waarop hij ook een afbeelding van wat lijkt op een vrouwelijk geslachtsdeel heeft aangebracht. Hij reflecteert daarmee op de kracht van het vrouwelijke die overal aanwezig is, maar verwijst ook naar de mannelijke en vrouwelijke aspecten van Obatalá, de Yoruba-Orisha die een belangrijke rol speelde in de creatie van de aarde. Sri Irodikromo put voor haar aandeel in de installatie vooral uit rituelen die horen bij de Javaanse Jaran Kepang traditie. Ze concentreert zich onder andere op het offer (Sajén) dat de leider van de Jaran Kepang op de avond voor het echte gebeuren thuis bij hem plaatst, om de zielen die nog ronddwalen tevreden te stellen. Dit offer is noodzakelijk voor het goed verloop van de Endang, wanneer de juiste ziel of geest in het lichaam van de danser gaat tijdens de Jaran Kepang. Ze beeldt de beladenheid van deze rituelen symbolisch uit met mysterieus ogende schimmen, gecreëerd met was op een lange witte doek die vanaf het plafond hangt. En ook met een zwevende offertafel die zoals traditioneel vereist, bedekt is met een wit tafelkleed, en waarop zij de in witte doeken gewikkelde Sajén plaatst.
In their joint installation, Kurt Nahar and Sri Irodikromo reflect on the similar objects and elements in the spirituality and offering rituals of various Caribbean cultures. Kurt Nahar specifically researches different religions that take their inspiration from the African Yoruba-religion. He was triggered especially by the many commonalities that he discovered in those of for example the Cuban SanterÃa, the Haitian Vodou, the Surinamese Winti, and many others in the region. His installation is centered around a phallus-shaped charred wooden trunk on which he also placed an image that resembles female genitalia. By doing so, he reflects on the strength of the feminine that is present everywhere, but he also refers to the male and female aspects of Obalatá, the Yoruba-Orisha who played an important role in the creation of the earth. For her part, Sri Irodikromo is driven mostly by the rituals associated with the Javanese Jaran Kepang tradition. She focuses among other things, on the offering (Sajén) done by the leader of the Jaran Kepang in his home on the eve of the actual event, to appease the souls that may still be wandering. This sacrifice is necessary for the success of the Endang, when the right soul or spirit enters the body of the dancer during the Jaran Kepang. She symbolically portrays the mystique of these rituals with faint ghostlike figures painted with wax on a long white cloth that hangs down from the ceiling. And also, with a floating offering table covered as is traditionally required with a white tablecloth, and on which she also placed the Sajén, wrapped likewise in white cloths.
What: 'LUNAR', with Shaundell Horton, Sri Irodikromo, Kurt Nahar & Sunil Puljhun. Curator: Miguel E. Keerveld. Guest artists: Lilian Abegg & Erwin de Vries
When: October 8- November 6, 2021
Where: Readytex Art Gallery (RAG), Steenbakkerijstraat 30, Paramaribo, Suriname
PHOTO Courtesy Readytex Art Gallery (RAG)
My friend Tii's favorite game in the whole world is Chrono Trigger. For Christmas this year I custom designed a Nintendo DS Lite for her. I created the art in Photoshop and the engraving was done at a local Seattle area shop (Provitron - markapod.provitron.com).
© Dan Cole/Gritbox Photography - please credit and drop me an email if you use this photo.
"Strum Bars" make contact to trigger envelope generator. The toggle at the top of the body is a 3 octave range switch for instant octave jumps.
Artista: Trigger The Bloodshed
Evento: Summer Breeze Open Air Festival
Fotografo: Emanuela Giurano
Data: 19 agosto 2011
Città : Dinkelsbuhl (D)