View allAll Photos Tagged trigger
I love taking photos of my son but its getting harder each time as he now just turns away, prob because he knows it winds me up!
The Diy beauty dish is made from a silver mixing bowl from wilkinsons, £1.98!!
430ex through Diy beauty dish camera right high. cactus v4, 16th power (i think)
In my second attempt at shooting P448 passing the old Ashland depot, I got itchy trigger finger and tripped the shutter just a hair too soon. Nonetheless, the results aren't bad.
Trigger was once a Republic Commando, bred to serve in an elite squad with his brothers. But during the battle of Geonosis, his job was short lived.
He and his squad had been tasked with the job of destroying one of the droid's underground factories.
They never got the chance.
Before they reached the LZ their gunship was shot down enroute to their would-be destination. All the clones died in the crash save Trigger, who was later captured by the droids, as he tried to get back to Republic lines.
After weeks of interrogating by the droids, they finally gave up on him, and sold him to some Trandoshian merchants, promising a high reward for any information they might squeeze out of him.
Onboard one of the slaver ships, unspeakable crimes were done to him. He was beaten every day by bloodthirsty trandoshian's hoping to receive the rewards the droids had spoken of.
Trigger's sense of duty, he later recounted, was the only thing that kept him alive.
Then, one day Trigger finally got his chance. The Trandoshian's had left him alone in the cell with a few other wookiees. He couldn't speak much of their, language, but they seemed to be of the same mind in their plans for a escape.
Working together, they killed all the slavers and took the ship for their own, and flew to Kashyyk where they left Trigger with a curious detachment of clones, called the 457th corps...
Phantasmagoria is a visual experiment that deals with memory as the key trigger for emotional response. The concept of this experiment is derived from a medical discovery.
Magnetic Resonance Imaging technology(MRI) provides dynamic scans of the human brain in action, revealing that when people visualize a specific thing, patterns of activation occur on the surface of their visual cortex, and these cortical patterns preserve most of the geometric properties of the object being imagined in the “mind’s eye”. That means to say, brain structures re-present the spatial properties of images in the world through a “mapping” function, clearly visible in functional MRIs, which documents the experiential reality of mental images by showing a “picture” forming through neuronal relays firing in the brain.
Phantasmagoria comprises of flashing images arranged frame by frame, then complied into a two hundred second video. The intention of the video is driven by the concept mentioned above. As this project takes a strong standpoint towards invoking emotional reaction by utilizing memory triggers, the concept of the "mind's eye" runs in line with that of this project. The video presentation flashes photographs of subject that induces a sense of nostalgia in continuous succession, made more effective with placement of flashing white frames to create an imprinting effect onto the eyes.
Everyone has a personal impression and emotional attachment to many different objects and events and these are personal experiences that cannot be replicated on a large-scale effect. Phantasmagoria aims to target these significant instances of personal and unique attachment. However, these "significant instances" are tiny and minute, almost negligible. For example, how we still remember the nostalgic sound of an antique transistor radio scanning through the frequencies. The difference between writing with a pencil and a pen. The smell of the sea, which usually relates to ideas like a vacation, a weekend at the beach, a cycling trip, there are infinite possibilities as to how one can relate an event to a subject or vice-versa.
The video is a highly delicate process that seeks to connect with all viewers, one at a time. This is the idea of catering to the masses of individuals.
A publication accompanies this video presentation.
"TRIGGER" actor Sarah Polley on Red carpet, 1st film screening in new Lightbox theatre, Lightbox Block Party opening, public street party, TIFF © Linda Dawn Hammond / IndyFoto.com 2010, September 12, 2010.
All it needs is an other handle and brush head - it'll be as good as new!
From the episode "Heroes and Villains" of the British sitcom Only Fools and Horses, where the character Trigger receives an award for saving the council money by using the same broom for twenty years, despite it receiving seventeen new heads and fourteen new handles.
Trigger: And that's what I've done. Maintained it for 20 years. This old broom's had 17 new heads and 14 new handles in its time.
Sid: How the hell can it be the same bloody broom then?
Trigger: There's the picture. What more proof do you need?
Wings Over the Rockies Air and Space Museum
MK 7 "Thor"
Nuclear Fission Bomb Using Implosion Trigger
The Mark 7 "Thor", initially produced in 1952, was the first nuclear bomb adopted by the US armed forces that could be carried by Air Force and Navy tactical fighter aircraft and carried internally by bombers such as the B-57. Because of the lack of ground clearance when hung under a fighter, the Mk-7 had a lower fin that was stowed in a retracted position on the ground and was extended once the fighter was in the air.
The Mark 7 was a capsule-type weapon with fission elements (Uranium 235) stored in a separate container. The Mk-7 tactical nuclear weapon used a new delivery method, the Low Altitude Bombing System (LABS). With LABS, the pilot flies the aircraft to an initial point, then commences a "4G" climb and releases the bomb at a designated point in the climb, effectively "tossing" it toward the target. When the bomb detonates, the aircraft is safely away!
The Mark 7 was in service longer than any atomic weapon in the U.S. arsenal up to that time. Nearly 1800 Mk-7 warheads were produced from '52 to ’68.
SPECIFICATIONS:
Length: 15 feet
Diameter: 24 inches
Weight: 1680 Ibs
Yield: Variable in the kiloton range
Implosion Assembly - Thor
The key idea in implosion assembly is to compress a subcritical fissionable mass by using specially designed high explosives. Implosion works by initiating the detonation of the explosives on their outer surface, so that the detonation wave moves inward. Careful design allows the creation of a smooth, symmetrical implosion shock wave. This shock wave is transmitted to the fissionable core and compresses it, raising the density to the point of super criticality. The compression occurs rapidly, providing insertion times in the range to 1 to 4 microseconds. The period of maximum compression lasts less than a microsecond.
This solid core design was used for Gadget, the first nuclear explosive ever tested, and Fatman, the atomic bomb dropped on Nagasaki. The Thor uses evolutionary improvements to that original design. The shorter insertion time used with implosion considerably increases a bomb's efficiency and provides the potential for light weight designs - in the best designs only several kilograms of explosive are needed to compress the core.
The principal drawback is its complexity and the precision required to make it work. Implosion designs take extensive research and testing, and require high precision machining and electronics.
I've been working on a circuit to trigger my camera when it "sees" a lightning strike. The problem is, I just finished breadboarding it about 3 or 4 weeks ago, and we haven't had any good thunderstorms that I've been able to use for testing. (Apparently, we've had a few at night, but I need to sleep when I can...)
This storm started coming across south/central Michigan yesterday evening, and I kept an eye on lightning strike density maps and radar images. I determined that the best lightning would probably be north of Ann Arbor, so I called a friend, grabbed my netbook and camera equipment, and we got in the car and headed north. My friend handled the radar and lightning maps on the netbook (with wireless Internet via my phone) while I drove.
We made it a few miles north of Flint center before we had to stop and prepare to intercept the storm. Ideally we would have been 20 miles north - where there was a more severe storm and better lightning - but we would've had to have left 15 minutes earlier to make it there in time to intercept.
I had about 10 minutes to shoot and test the camera lightning trigger. There wasn't much good lightning ahead of the storm; it was mainly cloud-to-cloud, not too frequent, and not very spectacular. After 10 minutes, the front came in, and it was raining and ridiculously windy - not good conditions for a camera (or prototype circuit). The lightning got a lot cooler - much more cloud-to-ground and more frequent - a few minutes after the front arrived. We saw some amazing lightning while driving back to A2.
All in all, I'd say the chase was moderately successful, since the intercept wasn't ideal and the storm wasn't too spectacular. The camera trigger test was also moderately successful; I think it could use some tuning to be even more sensitive (though it did work okay).
© 2010 Chris Dzombak | Use without permission prohibited.
chrisdzombak.com | chris@chrisdzombak.com
One flash with CTO triggered in the back and one with grid to point to the label. The harsh flash on d left is the onboard flash triggering the CLS. The highlight on the bottle top was left there instead of gobo to block it and the top become a black sillouhette.
Tonight I was continuing my shooting of toys around the house for a project and Lucy insisted on helping me by holding the reflector, or moving around some of the lights.
Some of the shots of the toys turned out great, but I liked this quick snap that I got of her much more.
Camera: Canon 7d
Lens: Canon 70-200mm f/4 @f9
Lights: AlienBee B800 @ 1/2 shoot through umbrella, and Sigma 530 Super at full power bare
Triggers: Cactus V4
Dear UserThanks for choosing our Network DVR.This email is recorded and sent automatically by DVR.Reason as follows:Motion detection.Triggered channel:4,Time:2016-03-10 18:55:08You are suggested to check the recorded files, thanks for cooperation.
Editorial para Madshion.com
Fotografias por MichaelsMads
Modelo Roman Shepityak @Madshion
Estilismos cedidos por H&M
Localización: Hotel Silken Puerta de America
All images taken under a special permit granted by the Regiao Autonoma Dos Acores, Secretaria Regional Do Ambiente E Do Mar, Dreccao Regional do Ambiente.
The crowds in Zhangjiajie, Hunan snap thousands of photos every minute while vendors sell the right to stand on their shaded stools.
I spent the afternoon with a couple of my cousins at the Amazing Grace Equine Sanctuary, petting, talking to, and photographing horses :-) All the horses had the same reaction to me that dogs do!? It was great reconnecting with family and making some new friends too :-) Good people, great cause, awesome time. I'll be going back again soon! www.rescuehorses.org/
This is a stock and trigger assembly built together.Somewhat influenced by my Steampunk Sniper stock.Be sure to hide the black tube somehow.
The trigger head is connected to the trigger generator with the black trigger cables. The white cable from the trigger head connects to the grounding plate under the mylar insulation. Note one of the switches is connected to the resistor with white charging cables. (resistor out of view, except the top, silver donut).
The Hair Trigger - a gentlemens cocktail created by Lucien Sankey from The Kodiak Club in Melbourne.
Sound operated flash trigger. This is the one with the double-fire protection - wiring diagram and details can be found here. Anybody needing the veroboard layout let me know.
The box on the right is the power and microphone. The box on the left has the white LED light output and is strapped to the flash gun to trigger it (photo here). The 3m cable between the two boxes allows the microphone to be moved to control the timing delay - further away from the noise increases the delay.
Strobist info: Vivitar 285 on left and right high above set to full, shot through umbrellas and one behind subjects at 45 degrees set to 1/4 power. Fired using pw's. The shot of the subjects was shot at night. The alley was shot during the day and composite was in photoshop cs3.
D300 with nikon 17-55 f2.8 dx lens
Location: Downtown El Paso Texas
Camera in bulb mode, flash triggered with a universal trigger circuit I put together.
Used the auto mode of the flash, it's a faster flash, so the streamers get "stopped" more.
Characters: Lucca & Robo
Cosplayers: Evadoll & cellery
Photography by MikoBura
Facebook :: Deviantart :: Cospix :: 500px
Feel free to share and re-post the photos, but be sure to give proper credits to the photographer (me) and the cosplayer(s).
Please do not alter or modify my photos in any way. Do not reproduce my photos without my written consent. Thank you! \^^/
© MikoBura Photography