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This year's first visit to Thorpe Park was today (May 5th 2016) and what a glorious day it was! However with only 3 visiting coaches, I also sought permission to visit the First School Bus depot adjacent to the theme park.
Here, First Beeline BMC Falcon 1100FE B60F rests away from the Bluebirds.
The transformation was actually unintentional. I'd made it before realising he could be configured in a way that looks like some kinda spaceship.
Any other mech builders had this happened to them? My last transforming one didn't start off as intentional either!
If anyone's interested, I can make a .ldr and post it somewhere so peeps can make their own variants.
This transforming Lego can convert from a flying machine to a standing robot mech. All parts easily fold out from flying mode to create the standing mech robot. This is version 1.3 and is not weaponized.
Fully vertical in humanoid form the tail rests on the ground for stability. The legs in this form are very sturdy and the creation can stand on its own. The foldable mini-wings will fold away completely. The balls of the feet include a rubber tire component that provides traction on slippery surfaces- that is the reason the some points of the toes are not in contact with the ground.
The tail is raw- it will be completed in future versions.
This weekend, I made progress on Violet’s Journey, our animated fairy tale featuring Natalina’s art ducks.
These new mockups show what Violet could look like with a beaded skirt and a new pair of wings, against different backgrounds. For this prototype, I mounted an oval plate between her belly and the robot base, then loosely hung some of Natalina's beads, for discussion purposes. I then superimposed my green screen capture of this prototype against some of the nature photos we used for the first storyboard, as well as a simpler backdrop using silhouetted shapes and gradient lighting.
Our first goal for this test is to cover the wheels and robot parts below the duck’s belly, as they seem out of place for a fairy tale. To that end, we plan to create a beaded curtain, using necklaces from Natalina’s treasure trove of jewels.
The second goal is to make Violet more expressive, as the decoy ducks are static and can’t show their feelings very well. To that end, we’re considering giving her new wings that could flap in different ways to show a range of emotions. These wings could be laser cut out of white or translucent acrylic, backlit with neopixels and made to flap gently with a servo motor attached to the oval float.
Lastly, we are experimenting with different background styles, ranging from photo-realistic backdrops to simpler landscapes with painted shapes and lighting. These simple shapes could be cut out on cardboard -- or laser cut on thin wood: I now have tons of vector files to choose from, besides the chinese landscape I used in this test. Both the forest and the cave would seem easy to implement. This first mockup is very flat, but we can add more color and texture over the laser cut shapes, to make them more real.
What do you think? Is it OK that Violet is not floating on water like a normal duck, but hovering over the ground with a beaded skirt and twitchy wings? How do you like the new backdrop idea? I think this could work if we set it up in a magical world, with surreal landscapes not just photo-realistic nature shots.
View more photos of Violet’s Journey and the Wonderbots experiment: bit.ly/wonderbot-photos
Check out our story guide for this work progress:
docs.google.com/document/d/1ceHph_XI-3m1mBk4lpduQ-JgCzGrH...
TSCHE-CHU-CHU-CHU-TSCHE
Lego Sideswipe - Masterpiece Brickformer (MB-03).
Fully transformable without removing pieces.
I started work on this before Soundwave and Nemesis but his transformation was so difficult that it took the longest to build. wrapping his arms (doors) around the front wheels was the biggest challenge. But I am most proud of the feet - as they turn into the seats when in vehicle mode.
After nightfall, Golden Gate Park transforms into a living canvas during Lightscape, where trees, fog, and pathways become instruments of light. These images capture the event at its most immersive: branches traced with saturated color, mist pierced by theatrical beams, and foliage glowing as if lit from within. Rather than overwhelming the landscape, the installations lean into the park’s existing forms—root systems, trunks, canopies—amplifying their structure and rhythm through color and motion.
Walking the route feels less like viewing an exhibition and more like moving through a sequence of environments. Light wraps itself around eucalyptus limbs, climbs upward in slow pulses, then dissolves into haze before reappearing elsewhere. The crowd recedes into silhouette, becoming part of the composition, while the park’s familiar darkness anchors the spectacle. There’s a deliberate balance at work: moments of vivid intensity give way to quieter passages where light thins out and the night reasserts itself.
Lightscape works here because Golden Gate Park already knows how to hold scale. These installations don’t compete with the landscape—they collaborate with it, revealing texture, depth, and movement that daylight keeps hidden. The result is both celebratory and contemplative: a reminder that even in the middle of San Francisco, nature remains the primary architecture, and light is simply another way of listening to it.
Join in with an exciting, free public art trail that will add colour to the streets, parks and public spaces of Newcastle this summer!
Shaun the Sheep on the Tyne is presented by and raising funds for St Oswald’s Hospice. The charity has partnered with creative producers Wild in Art, Shaun the Sheep creator Aardman and Headline Partners Newcastle City Council to bring you a ewe-nique art adventure that the whole family can enjoy.
Following the success of Great North Snowdogs in 2016 and Elmer’s Great North Parade in 2019, St Oswald’s Hospice’s third art trail celebrates the support shown by their community throughout the pandemic. From now until Wednesday 27th September 2023, Newcastle city centre and surrounding areas will be transformed by the arrival of 45 super-sized sculptures, inspired by the much-loved star of film and television, Shaun the Sheep. Located alongside some of the city’s most iconic landmarks, each Shaun the Sheep sculpture has been uniquely designed by artists from the region and beyond, providing a fun, family-friendly art trail for locals and visitors to follow.
A series of smaller ‘Little Shaun’ sculptures, adopted and painted by schools and youth groups, are also displayed as part of the adventure, at indoor venues across the city.
A trail map and App are available to navigate avid art adventurers across the accessible trail, helping you discover each sculpture and unlock a series of rewards and milestones.
Whilst exciting and inspiring people of all ages to celebrate our beautiful city through creativity, the trail hopes to increase public awareness about hospice care and its importance and impact on our whole community. When the trail ends, the super-sized Shaun sculptures will be auctioned to raise funds for St Oswald’s Hospice.
Shaun the Sheep on the Tyne is the perfect summer holiday activity, free for all and packed full of baa-rilliant adventure. Join the flock now, ewe won’t regret it!
Follow the Flock!
45 Big Shaun sculptures and 70 Little Shaun sculptures inspired by the much-loved star of film and television, Shaun the Sheep have taken over the parks and streets of Newcastle upon Tyne. How many can ewe find?
Our silversmiths transform coins and outdated silverware
into fashionable pieces for the dining room, parlour, and personal adornment.
-- Colonial Williamsburg, Virginia
Alva Noto
Book :
Hannettica
Homage To A Typeface
Lars Müller
2007
CD :
Joy Division
Unknown Pleasures
Factory
FAC10
Design . Peter Saville
iMusic :
Alva Noto
Prototypes
Noton
N-012
GMHA ...
"What am I doing in this den of wild beasts?
The gods we have chosen to worship have changed us all into demons.
What is most correct is to have our bones ground by the teeth of lions . . .
To have our minds transformed into the image of one who flies into far distances."
D.A. Adams
Garden Place, Peaks Island, Maine USA • View from the front deck of the Greenwood Garden Playhouse which was built in 1884 as an open-air roller skating rink. It was transformed into a theater in 1891, and is now operated as a charming, rustic event facility owned and operated by the Peaks Island Lions Club.
… the summer people began coming to Maine in the 19th century. For cool tranquil beauty, summer here has few peers. The Maine coast had been drawing wealthy vacationers for some time by the 1880s. Then after two centuries this fishing community exploded into a kind of Coney-Island-north -- hotels, restaurants, theatres, dancehalls, a theme park, all served by twelve steamboat lines. – From Engines of Our Ingenuity: No. 2407 Peaks Island.
• The Greenwood Garden Amusement Park started as a picnic grove in the southwest corner of the island in the 1850s, transformed by the Brackett family in the 1880s into an amusement park with observatory, skating rink (later converted into this theatre), carousel, ferris wheel, midway and petting zoo.
This is an island of movie stars and artists, of budding theatrical productions and protected open spaces preserving native forests for all time. Martin Landau, famed for his “Mission Impossible” role and Jean Stapleton, Edith on “All in the Family” both got their start at Peaks Island’s Greenwood Garden playhouse.
Another view: Bowling alleys were common at summer resorts, but from the 1880s to the 1930s, Greenwood Gardens [actually: Greenwood Garden Amusement Park] was a reason for families to visit the island. it held a summer theater, an observation tower, a dance hall, facilities offering food and drink, a merry-go-round, and a small zoo. A pavilion at times provided variety shows, tightrope walkers, and balloon ascensions. – From page 20; Portland, by Joyce K. Bibber and Earle G. Shettleworth, Jr., © 2007.
Cliff Gallant says the Playhouse, operated through the first half of the twentieth century, and is where Jean Stapleton, the lovable Edith of "All in the Family" fame, made her first professional appearance, in the summer of 1941. [ Circa 1908, D.W. Griffith was torn between continuing to appear in plays produced at the island's playhouses as he frequently did or heading to Hollywood. Martin Landau also made his professional stage debut in a 1951 production of "Detective Story" at Greenwood Garden where for several seasons he was a resident cast member.] The Gem Theater, the best known of the Peaks Island summer theaters, hosted productions featuring members of the famous Barrymore family, and was also a favorite venue of George M. Cohan, who liked to stage productions there before bringing them to Broadway.
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• Fort Gorges is a military fort built on Hog Island Ledge in Casco Bay, Maine. Casco Bay is an inlet of the Atlantic Ocean on the southern coast of Maine. • Following the War of 1812, the United States Army Corps of Engineers proposed that a fort be built on Hog Island Ledge, in Casco Bay at the entrance to the harbor at Portland, Maine. Named for the colonial proprietor of Maine, Sir Ferdinando Gorges, it was constructed to support existing forts, including Fort Preble in South Portland and Fort Scammel built on nearby House Island in 1808. Congress, however, did not fund construction of Fort Gorges until 1857. The walls of the fort were begun the next year, and when the United States Civil War broke out in 1861, work quickly advanced.
The fort was designed by Colonel Reuben Staples Smart. The chief architect in charge of construction was Thomas Lincoln Casey, who later became Chief of Engineers. It is similar in size and construction to Fort Sumter, but is built of granite instead of brick.
The fort was completed in 1865 as the war ended. Modern explosives made the fort obsolete by the time it was completed. A modernization plan was begun in 1869, but funding was cut off in 1876, with the third level of the fort still unfinished.
The fort was last used by the military during World War II, when it was used to store submarine mines. It was acquired by the City of Portland in 1960 … . – From the Nation Master Encyclopedia.
☞ On August 28, 1973, the National Park Service added this structure and site to the National Register of Historic Places (#73000114).
∆ GeoHack: 43°39′47″N 70°13′17″W.
Visual artist Ryoji Ikeda, a key figure in the world of electronic music, is famed for his overpowering live performances and mind-expanding audiovisual work. Ikeda is compiling a spectacular presentation for Eye that will immerse visitors in images and sound.
In creating his minimalist and breathtaking art, Ikeda (born in Japan in 1966) draws on mathematical concepts, quantum mechanics, data, sound and light, transforming them into works of intangible power and beauty, often capturing the invisible structures and data that shape our lives.
With mathematical precision, he reduces sound and images to their essence in stunning installations that bombard viewers with visual data. From pixels to the universe, he brings together the very smallest and very biggest in his work.
Armand Jean du Plessis, 1st Duke of Richelieu; 9 September 1585 – 4 December 1642), known as Cardinal Richelieu, was a French statesman and prelate of the Catholic Church. He became known as l'Éminence rouge, or "the Red Eminence", a term derived from the title "Eminence" applied to cardinals and from the red robes that they customarily wear.
Consecrated a bishop in 1607, Richelieu was appointed Foreign Secretary in 1616. He continued to rise through the hierarchy of both the Catholic Church and the French government, becoming a cardinal in 1622 and chief minister to King Louis XIII of France in 1624. He retained that office until his death in 1642, when he was succeeded by Cardinal Mazarin, whose career he had fostered. Richelieu became engaged in a bitter dispute with Marie de Médici, the king's mother, and formerly his close ally.
Richelieu sought to consolidate royal power and restrained the power of the nobility in order to transform France into a strong centralized state. In foreign policy, his primary objectives were to check the power of the Habsburg dynasty (reigning notably in Spain and Austria) and to ensure French dominance in the Thirty Years' War of 1618–1648 after that conflict engulfed Europe. Despite suppressing the Huguenot rebellions of the 1620s, he made alliances with Protestant states like the Kingdom of England and the Dutch Republic to help him achieve his goals. However, although he was a powerful political figure in his own right, events such as the Day of the Dupes (French: Journée des Dupes) in 1630 showed that Richelieu's power still depended on the king's confidence.
An alumnus of the University of Paris and headmaster of the College of Sorbonne, Richelieu renovated and extended the institution. He became famous for his patronage of the arts and founded the Académie Française, the learned society responsible for matters pertaining to the French language. As an advocate for Samuel de Champlain and New France, he founded (1627) the Compagnie des Cent-Associés; he also negotiated the 1632 Treaty of Saint-Germain-en-Laye under which Quebec City returned to French rule after English privateers took it in 1629. He was created Duke of Richelieu in 1629.
Richelieu is known as the inventor of the table knife. Annoyed by the bad manners that were commonly displayed at the dining table by users of sharp knives (who would often use them to pick their teeth),[6] in 1637 Richelieu ordered that all of the knives on his dining table have their blades dulled and their tips rounded. The design quickly became popular throughout France and later spread to other countries.
Richelieu has frequently been depicted in popular fiction, notably as the lead villain in Alexandre Dumas's 1844 novel The Three Musketeers and its numerous film adaptations.
Early life
Born in Paris on 9 September 1585, Armand du Plessis was the fourth of five children and the last of three sons: he was delicate from childhood and suffered frequent bouts of ill-health throughout his life. His family belonged to the lesser nobility of Poitou: his father, François du Plessis, seigneur de Richelieu, was a soldier and courtier who served as the Grand Provost of France, and his mother, Susanne de La Porte, was the daughter of a famous jurist.
When he was five years old, Richelieu's father died of fever in the French Wars of Religion, leaving the family in debt; with the aid of royal grants, however, the family was able to avoid financial difficulties. At the age of 9, young Richelieu was sent to the College of Navarre in Paris to study philosophy. Thereafter, he began to train for a military career. His private life seems to have been typical for a young officer of the era; in 1605, aged twenty, he was treated by Théodore de Mayerne for gonorrhea.
Henry III had rewarded Richelieu's father for his participation in the Wars of Religion by granting his family the Bishopric of Luçon. The family appropriated most of the revenues of the bishopric for private use; they were, however, challenged by clergymen who desired the funds for ecclesiastical purposes. To protect the important source of revenue, Richelieu's mother proposed to make her second son, Alphonse, the bishop of Luçon. Alphonse, who had no desire to become a bishop, became instead a Carthusian monk. Thus, it became necessary that the younger Richelieu join the clergy. He had strong academic interests and threw himself into studying for his new post.
In 1606, Henry IV nominated Richelieu to become Bishop of Luçon. As Richelieu had not yet reached the canonical minimum age, it was necessary that he journey to Rome for a special dispensation from Pope Paul V. This secured, Richelieu was consecrated bishop in April 1607. Soon after he returned to his diocese in 1608, Richelieu was heralded as a reformer. He became the first bishop in France to implement the institutional reforms prescribed by the Council of Trent between 1545 and 1563.
At about this time, Richelieu became a friend of François Leclerc du Tremblay (better known as "Père Joseph" or "Father Joseph"), a Capuchin friar, who would later become a close confidant. Because of his closeness to Richelieu, and the grey colour of his robes, Father Joseph was also nicknamed L'éminence grise (lit. 'the Grey Eminence'). Later, Richelieu often used him as an agent during diplomatic negotiations.
Rise to power
In 1614, the clergymen of Poitou asked Richelieu to be one of their representatives to the Estates-General. There, he was a vigorous advocate of the Catholic Church, arguing that it should be exempt from taxes and that bishops should have more political power. He was the most prominent clergyman to support the adoption of the decrees of the Council of Trent throughout France; the Third Estate (commoners) was his chief opponent in this endeavour. At the end of the assembly, the First Estate (the clergy) chose him to deliver the address enumerating its petitions and decisions. Soon after the dissolution of the Estates-General, Richelieu entered the service of King Louis XIII's wife, Anne of Austria, as her almoner.
Richelieu advanced politically by faithfully serving the queen-mother's favourite, Concino Concini, the most powerful minister in the kingdom. In 1616, Richelieu was made Secretary of State, and was given responsibility for foreign affairs. Like Concini, the Bishop was one of the closest advisors of Louis XIII's mother, Marie de Médicis. The queen had become Regent of France when the nine-year-old Louis ascended the throne; although her son reached the legal age of majority in 1614, she remained the effective ruler of the realm. However, her policies, and those of Concini, proved unpopular with many in France. As a result, both Marie and Concini became the targets of intrigues at court; their most powerful enemy was Charles de Luynes. In April 1617, in a plot arranged by Luynes, Louis XIII ordered that Concini be arrested, and killed should he resist; Concini was consequently assassinated, and Marie de Médicis overthrown. His patron having died, Richelieu also lost power; he was dismissed as Secretary of State, and was removed from the court. In 1618, the king, still suspicious of the Bishop of Luçon, banished him to Avignon. There, Richelieu spent most of his time writing; he composed a catechism titled L'Instruction du chrétien.
In 1619, Marie de Médicis escaped from her confinement in the Château de Blois, becoming the titular leader of an aristocratic rebellion. The king and the duc de Luynes recalled Richelieu, believing that he would be able to reason with the queen. Richelieu was successful in this endeavour, mediating between her and her son. Complex negotiations bore fruit when the Treaty of Angoulême was ratified; Marie de Médicis was given complete freedom, but would remain at peace with the king. The queen-mother was restored to the royal council.
After the death of the king's favourite, the duc de Luynes, in 1621, Richelieu rose to power quickly. The year after, the king nominated Richelieu for a cardinalate, which Pope Gregory XV accordingly granted in September 1622. Crises in France, including a rebellion of the Huguenots, rendered Richelieu a nearly indispensable advisor to the king. After he was appointed to the royal council of ministers on 29 April 1624, he intrigued against the chief minister Charles, duc de La Vieuville. On 12 August of the same year, La Vieuville was arrested on charges of corruption, and Cardinal Richelieu took his place as the king's principal minister the following day, but the Cardinal de la Rochefoucauld nominally remained president of the council (Richelieu was officially appointed president in November 1629).
Amboise is a commune in the Indre-et-Loire department in central France. Today a small market town, it was once home of the French royal court.
Amboise lies on the banks of the river Loire, 27 kilometres (17 mi) east of Tours. It is also about 18 kilometres (11 mi) away from the historic Château de Chenonceau, situated on the river Cher near the small village of Chenonceaux. Amboise station, on the north bank of the Loire, has rail connections to Orléans, Blois and Tours.
Clovis I (c. 466 – 511) and the Visigoths signed a peace treaty of alliance with the Arvernians in 503, which assisted him in his defeat of the Visigothic kingdom in the Battle of Vouillé in 507.
Joan of Arc passed through in 1429 on her way to Orleans to the Battle of Patay.
Château du Clos Lucé was the residence of Leonardo da Vinci between 1516 and his death in 1519. Da Vinci died in the arms of King Francis I, and he was buried in a crypt near the Château d'Amboise. The house has lost some of its original parts, but it still stands today containing a museum of da Vinci's work and inventions, and overlooks the river Loire.
The Amboise conspiracy was the conspiracy of Condé and the Huguenots in 1560 against Francis II, Catherine de' Medici and the Guises.
The Château at Amboise was home to Mary Stewart, Queen of Scots, for much of her early life, being raised there at the French court of Henry II. She arrived in France from Scotland in 1548, aged six, via the French king's favourite palace at Saint-Germain-en-Laye near Paris, and remained in France until 1561, when she returned to her homeland—sailing up the Firth of Forth to Edinburgh on 15 August that year.
The Edict of Amboise (1563) conceded the free exercise of worship to the Protestants.
Here was born in 1743 Louis Claude de Saint-Martin, French philosopher, known as Le Philosophe Inconnu (d. 1803).
Abd el Kader Ibn Mouhi Ad-Din (c. 1807 – 1883) was imprisoned at the Château d'Amboise.
In 2019, the 500th anniversary of da Vinci's death, Amboise held many events celebrating the master's life and his work completed in the town. The number of visitors to Château du Clos Lucé, for example, was estimated as 500,000 in 2019, a 30% increase over the typical annual number.
The city is known for the Clos Lucé manor house where Leonardo da Vinci lived (and ultimately died) at the invitation of King Francis I of France, whose Château d'Amboise, which dominates the town, is located just 500 m (1,640 feet) away. The narrow streets contain some good examples of timbered housing.
Just outside the city is the Pagode de Chanteloup, a 44-metre-tall (144 ft) Chinese pagoda built in 1775 by the Duke of Choiseul. The pagoda is seven levels high, with each level slightly smaller than the last one. An interior staircase to reach all levels is open to the public.
The Musée de la Poste (in the Hôtel Joyeuse) is a museum tracing the history of the postal delivery service.
A 20th-century fountain by Max Ernst stands in front of the market place.
When he heard Teleri transform back into her Aeon form, he rolled over with a jolt and peeped in the window. There he saw a magnificent goat like creature standing in the window, and let out a yelp of surprise. He had to go tell Haku and Tatl Tael that someone (or something) was in their shop.
Kiko bounded off to find them at top speed.
a transformable spaceship in Japanese animation Macross / Robotech - SDF-1
photo shooting with VF-1J
The Queen Elinor transforming doll from the Disney Store. You don't actually have to put her in the bear suit, it works fine on its own. But I guess if kids were acting out the story, it would be fun to put her in the suit.
If you want to use this pic for something, feel free! But if what you are doing is online, please give credit.
If you have seen someone who has stolen this pic, please inform me immediately.
Evening time on the Lake Virmasvesi in the beginning of May.
Ice cover had almost melted and there was some wind causing the movement of the ice and water, especially on the foreground.
Taken with:
Canon EOS 6D
Zeiss Distagon T* 2,8/21 ZE
Lee Filters: Big Stopper
2022: RM Sotheby Auction Preview, Monterey: 1920 Packard 3-35 Twin Six Transformable Town Car by Fleetwood
Sara Pantuliano, Managing Director, Overseas Development Institute, United Kingdom, and Ion Yadigaroglu, Managing Partner, Capricorn Investment Group, USA, speaking during the session, Transforming Humanitarian Finance, at the Annual Meeting 2018 of the World Economic Forum in Davos, January 25, 2018. Copyright by World Economic Forum / Ciaran McCrickard
To celebrate the 30th anniversary of Ghostbusters, and just in time for national Ghostbusters day, here is my LEGO 'mechto-1'!
It is based on the Cuusoo/Ideas set 21108 which is a superb likeness of the iconic ecto-1 car. I didn't think I could improve on the design, so instead I thought I'd make it into a transforming ghostbusting mech, complete with ghostbusting accessories!
Enjoy!
Conçu par Napoléon Bonaparte comme un temple gris dédié à la gloire de sa Grande Armée en 1806, il fut au point de se transformer en 1837 en une gare ferroviaire, qui fut la première de Paris, avant de se transformer finalement en une église en 1845.
Concebido por Napoleón Bonaparte como un templo griego dedicado a la gloria de su Grande Armée en 1806, estuvo a punto de ser transformado en 1837 en una estación de ferrocarril, que hubiera sido la primera de París, antes de convertirse finalmente en una iglesia en 1845.
Designed by Napoleon Bonaparte as a gray temple dedicated to the glory of his Grande Armée in 1806, it was transformed in 1837 into a railway station, which was the first in Paris, before finally transforming into a church in 1845. 4
An old grey garage sale robot (transformer?) gets blown up. I am glad to get rid of him because he has been sitting around for a long while and takes up more space than this picture warrants.
He did make some great deep voice sounds and laser beam pee-cows.
I wonder if the sound maker survived? I'll have to go check.
On a side note, I am always kind of blown away when I visit some forum that revolves around figures like these.
I'll read posts like " Oh, that's MecloMam from Episode 16 first aired in 2009. He was battling CramTron for control of Chiba City and used 75.3% of his muon power blasters. They made a mistake, though in frame 234 of the third scene when he PowerBlasted 14.3 meters to get over that fallen medical building. Everyone knows that MecloMan can only PowerBlast 13 meters at a time, so that scene was totally bogus....."
The amount of time that people can put it to understanding, memorizing and critiquing a completely imaginary reality just seems strange. I can't criticize it because it's a slippery slope to try and assign validity to a given obsession.
I blow up shit and take pictures of it, for example....
Cheers.
Quite a lot going on in this one.
Had an interesting chat with a homeless person whilst taking this shot. "I live round here y'see. Well, I'm homeless like, but I still live round here. Hey, you don't want a shot of a homeless person do you?"
"Errr... It wasn't really on my list..."
This Image was chosen as one of the Images of the week on Life in LoFi. 05/02/12.
Taken with Vintage B&W and edited in Snapseed.
TRANSform Your Clay - Beads & Jewelry using Illustrations, TRANSlucent liquid clay and Image TRANSfers
Blogged - www.polypediaonlineexpress.com/transform-your-clay-new-po...
Link to tutorial - bit.ly/irismishly-pca2018