View allAll Photos Tagged transform
Art Gallery of Ontario's transformation is complete. The new extension to the building designed by Frank Gehry was unveiled yesterday.
When autumn knocks on the door..
We feel winds blowing in our hair..
Colours are fading and at the same time increasing..in our skin.
Living candles and a warm home to come in to..is a blessing
My wish of warm and safe place for all..why isn´t it that way?
.....©hajlana
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Transformation
Website:
TransFormation was created in 2007 with the goal of offering an annual intensive workshop for professional dancers. Throughout the last 11 years, TransFormation has become a landmark in the Montreal dance scene as a highly anticipated and indispensable event. Cherished by artists for its intensive format, TransFormation contributes to focusing on precise objectives over the span of a couple of weeks. It is also a rare occasion to meet, exchange and network with other artists from Montreal, Quebec, Canada and throughout the world, who all share the same passion.
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TransFormation is a contemporary dance intensive for professional dancers, choreographers, professional teachers and emerging artists. A variety of technique classes, workshops and creation laboratories are offered on an à la carte basis encouraging the artists themselves to choose a programming which would best fit their pursuit of their unique artistic development.
Dancers develop their own distinct way of working, bringing a singularity and their own particular colour to the creations they take part in. Consequently, the contemporary dancer must not only explore new techniques but also new “states of body”. Transformation is a place that offers the opportunity to acquire and incorporate new tools, to improve critical sense and refine one’s personal aesthetic choices.
TransFormation brings together dancers from different horizons and with different views and interests. Together these factors make for a very unique and enriching experience. Every year dancers leave with an appreciation for the fluidity of interpersonal relations between the dancers, choreographers and faculty as well as the intense concentration of the workshop and the atmosphere of artistic freedom that is felt in the different studios during TransFormation.
The program reflects the dancer’s commentaries, views and interests in the new paths of contemporary creation along with the human and artistic experience of its director Lisa Davies and its founders Catherine Viau and David Pressault. The choice of faculty is based on a desire to offer a space of real transformation.
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I posted a shot a few days ago of The Deep an aquarium on the banks of the River Humber in Hull. I was not expecting to post another so soon but this shot is rather different. I went to The Deep last night to watch a light and sound instillation that was projected onto the side of the building.
The work was called Floe it was designed by two British artists Anna Heinrich and Leon Palmer. Floe ‘virtually’ transformed and remodelled the architecture and facade of The Deep. The performance lasted about 15 minutes and the sound of ice cracking and waves breaking was incredible. Floe showed the geological forces and biological processes, which originally inspired the appearance of The Deep. It also reflected a sense of the rich aquatic life contained within the building.
The work is only going to be displayed for the next two nights. If you live anywhere near the city it well worth braving the cold to see it
As the display was constantly changing I took quite a few shots of the show another image is available to look at at the top of the comments
THANKS FOR YOUR VISIT AND FOR TAKING THE TIME TO WRITE A COMMENT IT’S MUCH APPRECIATED AND SO MUCH MORE INTRESTING THAN JUST GIVING A FAVE
This ring (made by my extremely talented wife) consists of 8 individual rings which in normal use form a stack below the mount which carries the stone, through which you poke your finger. However, they are cunningly hinged together so that they can unfold from their normal position and transform into a bracelet (shown here partially deployed).
The visible extent of the image is 3".
First West Yorkshire 60945 (M407 VWW) on rail replacement duties on Piccadilly Station approach, Manchester, 14/09/2006.
night shot
transformed
Exif data
Camera
samsung SM-G930F aka S7
Aperture
f/1.7
Focal Length
4.2 mm - 16 mm
Exposure
0.001 sec (1/682)
Flash
Fired
Exposure Bias
0 EV
ISO Speed
40
Transformed into a bobblehead for wheelchair transport (probably).
@Nationaal Oldtimer Festival Zandvoort 2018
As a conservative estimate, I've driven past this scene well over a thousand times in the last five years. It's one of those sights that's so ingrained in my routine that I stop seeing it.
I'm glad this morning's mist changed that.
Didcot Power Station, Oxfordshire - Even ugly looks good in the dark. A well recognised landmark in South Oxon, the cooling towers are due to be demolished this year much to the dismay of many local residents who've become accustomed to living with this landmark.
What are some of your favorite tales?
I find myself drawn to transformation tales of souls that become butterflies, snakes that become noble, and innocents that become birds.
Made this video just for a bit of fun and of course i had to wear the clothing by [LOB] cause it's Awesome!! If you haven't been to the store then go check it out maps.secondlife.com/secondlife/Possession/62/33/26 they also have a great group gift.
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Me he transformado en horrocrux (horcrux en su versión original), un malévolo objeto que describe Rowling en Harry Potter para explicar…narrar o simplemente informar de algo que me indigne y más viniendo de tantísima sangre muggle como viene.
Esta explicación no va dirigida a ti, que has llegado a ti por casualidad. Ni a ti, que ya sabes de qué va el asunto. Ni a ti, que hablas inglés y probablemente no entiendas más que palabras sueltas. No te preocupes, para ti tampoco, ya sé qué piensas tú de mí y de lo que hago y por eso sé que estás aquí.
No, en absoluto.
Esta explicación va dirigida a ti. ¿Te sorprende? Sí, a ti, no disimules, sabes muy bien que me dirijo a ti.
Te preguntarás por qué, o quizá ni siquiera te lo preguntes (a lo mejor son muchas inquietudes seguidas, bastante con leer un párrafo tan largo ¿no? Ya, ya sé que no eres una persona acostumbrada a ‘tochos’ tan largos, pero eh, merece la pena).
Y es que me hace gracia. Y digo gracia para que lo entiendas. Me hace gracia cómo te ríes de lo que hago, de lo que practico y de lo que soy. Cómo se te llena la boca al criticar, cómo te gusta regodearte en ¿exactamente qué? Porque dime, hay algo que no termino de entender de tu hilarante discursito ‘habitual’
Y es que te rías de mis fotos y las critiques. Vamos, por favor ¿de mis fotos?
Estoy segura de que serías capaz de pagar por una cámara mágica que hiciera algo similar a lo que hago yo cuando meto magia en mis fotos.
Si tuviera un giratiempo seguro que te encontraba alabándolas y hasta…
Espera un momento. ¿Cómo es posible? Ah sí, esas fotos que tanto criticas tachándome de torpe y de falsa artista a día de hoy ¡sigues usándolas!
Porque hay que ver, lo bien que quedan en tu foto de perfil. Seguro que alguna hasta la has impreso para poder verla en papel. Seguro que hasta cuando te han pedido una foto para mostrar quien eras, has utilizado una de las mías.
Porque te lamentas por dentro al pensar que se van a quedar atrasadas las únicas fotos en las que te gustas. Y ¿por qué será? Ah sí. Porque soy buena.
Porque he visto tu corazón y sé cuáles son tus complejos, sé cuáles son esos detalles físicos que quieres modificar. Y los he editado a placer para convertirte en algo bonito frente a mi cámara.
Que sí, que se te puede llenar la boca diciendo cuanto me odias, lo malvada que soy y las fotos tan patéticas que hago según tú. Pero bien que siguen ahí presidiendo manualidades, avatares, fotos de perfil de tus múltiples redes sociales. Y mira que ha pasado tiempo ¿eh?
Pero pensándolo bien, dejando aparte la hipocresía, supongo que en el propio ‘pecado’ llevas la penitencia.
Porque sinceramente, no sé qué es peor: si el hecho de, a pesar de odiarme tantísimo como lo haces, no poder terminar de desprenderte de mí y no conseguir que desaparezca porque sigo en muchas de las cosas buenas que tiene tu vida…
O saber que nunca nadie te sacará en una foto cómo yo lo hice.
__________________________
¿Ves? ¡Y ya está!
Que nadie se dé por aludido porque probablemente, a quien esto va dirigido no se entere. No se trata alguien que me lea habitualmente y habrá pisado mi flickr veces contadas. Mucho menos pararse a leer algo que no esté establecido como obligatorio para clase.
Pero tenía que decirlo.
Inspiración para esta foto (imagen del horcrux de Harry Potter 7 parte 1)
Y… SORPRESA! a petición twittera… Sesión de fotos rescatadas de ZAHARA de 2010 en… desatandolosrelampagos.blogspot.com
Twitter | Blog de fotografías adicional | Facebook | FB fanpage | Tumblr (new there! Follow me) | ¿Preguntas?
Excerpt from irisvanherpen.com:
ESCAPISM - Escaping from everyday reality through addictive digital entertainment incites in Iris van Herpen not only feelings of emptiness but also associations with the grotesque, the extreme and the fantastic.
This collection aims to capture both the exaltation of these addictions, like the disproportionate attention for celebrities (the ‘new heroes’) and its dark flipside, the never fulfilled hunger that is inherent to it. Another important source of inspiration were the exuberant baroque sculptures of the American artist Kris Kuksi. Dramatic bulging spherical shapes alternate with lace- and skeleton-like 3D-prints, and silver-grey fabrics that seem to reflect their own surface.
Slowly getting back into Flickr.
Strobist: 580exII in gridded softbox above camera, wl1600 bare bulb behind model. Both triggered via pocket wizards.
© All my images are copyrighted.
If you intend to use any of my pictures, for any usage, you need to contact me first.
Image Details
Box tessellation processed with my old math generator (e-fxg).
Applied Julia transform.
Very small amount of post processing in Photoshop (interpolating to black in the middle and hue/saturation change).
Sorry about the 2 logo's, but since the image is symmetric I needed to protect it from both sides since otherwise it can be
reconstructed with ease.
Original size 8566 x 8019 (64 Megapixels)
Music : Orbital - The Box
° My photoshop tutorial on Layers, Masks, Selections & Channels.
° Channel mixer tutorial to remove lens flare spots.
You
All tips, tricks & criticism and honest opinions are highly appreciated.
Otherwise the palest sandpiper on the beach, Spring transforms them in handsome red tones. Maumee Bay SP.