View allAll Photos Tagged testing

Classic mirror selfie ^^

I went through some of the first photos I took with the new lens and kinda liked this.

 

I'm glad I bought the lens, even though I'm still struggeling with the focus at the widest apertures. This one isn't perfectly sharp where it should be, either.

 

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Today I finally got around to sewing the apron that has been sitting beside my sewing machine in pieces for the past month. I wanted to make a "test" version before making one with fabrics that are a bit more precious. I think the neck is a bit too wide for my body, so I'm going to alter it slightly for the next version.

 

Pattern is from Lotta Jansdotter's "Simple Sewing".

Just testing a few travel adapters charging my stuff...

MAZDA MX-5 - TEST DRIVING IN CHAMPAGNE-ARDENNE

Test using waifu2x in "practical world application" heh

Test ..

Press "F" if you like ! ;)

Test Sony a55 con obiettivo in Kit 18-55

Sergio Perez (MEX) Sahara Force India F1 VJM07..

Formula One Testing, Day One, Tuesday 28th January 2014. Jerez, Spain.

Susan got a new camera that will help when we go out birding.

this was a test shot

This was supposed to be a test shot.

 

Here is the story. So my buddy Kyle called me a few min ago and asked if he could borrow my Mamiya medium format camera. I told him he could and he came over right away. Since I had a few frames in a roll left to shoot I was super excited for an opportunity to shoot some more film. (It's just so much easier to grab the digital.) Anyway, we grabbed my strobes and headed back to the ally way since I think it produces some pretty kick ass back lighting as the sun goes down.

 

We meticulously set everything up. I balanced the strobe and the ambient with my light meter and finally decided to pop off a digital just to be safe. Then I started firing away. I took a couple shots, bracketed a few and then was done with the roll. As I reached down to put everything back in the bag I realized I had changed my shutter speed earlier to take a natural light photo before we started setting up the strobes. Unfortunately all the photos we took will not turn out due to the fact that we went WAY past the sync speed.

 

Either way, I still have the one photo I took as a test. Here it is.

 

Strobist info: SB800 with shoot through umbrella camera right.

Gore-Tex test in the Tioga Lake at Yosemite National Park / California / USA.

The Sigma 800mm f/5.6 is not sharp enough to work well with the small pixels of the Nikon V1.

Uncle David seemingly testing a fishing rod.

Fujifilm X-E1 mit Fujinon XF18-55mm Objektiv

 

Original Image - Out of Cam / Ori­gi­nal­bild

A test shot with my amazing (to me anyway) antique Fujica Half batteryless wondercam.

Testing Tablet

Samyang 12mm F2.0 test shoot

アマゾンで50ドルちょっとで購入したレンズの試し撮り

Piping Technology & Products, Inc., recently performed its snubber cycle test to prove the durability of a MSA 35 mechanical snubber manufactured for an engineering and construction company at Pine Bluff, Arkansas.

 

The cyclic test, performed using PT&P’s in-house, horizontal, hydraulic press, is designed to test snubbers at their two modes of operation. At high rates of loading, especially impact, the snubber is expected to provide very high resistance to movement. At low speeds snubbers are to provide very low resistance to movement. Testing a snubber at a low speed displays the normal wear and tear over an extended period of time.

 

In this case, a cyclic test was performed, in which the MSA 35 Mechanical Snubber with a load rating of 50,000 pounds and design travel of 6 inches was measured at a slow speed response. The low speed force remained at a fairly constant 500 pounds for the 50 hours and 5000 cycles it sustained. This value meets the common criteria that the drag force should be 2% or less than the rated load.

 

In addition to the snubber cycle drag test, Piping Technology & Products, Inc. has administered other tests such as the burst test for expansion joints. The tests executed by PT&P allow companies to attain the most precise and reliable data available to them. Using this to their advantage, customers will be able to compare data about the recently ordered products, to their individual standards of dependability and durability.

 

Piping Technology & Products, Inc. and its wholly owned subsidiaries are recognized leaders in manufacturing pipe hangers/pipe supports (variables, constants, cryogenic supports cold shoes, hot shoes, mechanical/hydraulic snubbers, slide bearing plates), expansion joints/compensators (metallic, fabric, rubber, slip-type) and ASME Code Fabrication. PT&P has engineering drawing production stress analysis and full in-house finite element analysis that are used to prove designs. The design software is developed in-house and the calculations contrived are further checked using hand calculations.

Camera: Toyo 810G

Lens: Nikon 300/5.6

Film: ADOX 100

Developer: Rodinal 1:50

 

A test shot to test out my Toyo 10x8. It looks like everything is working as it should.

Page __.

The BD crew requested that we hold back any posting of images that were shot at Treasure Island on August 16 until the figure goes up on the Playa. But there were a few leaks and we have been cleared to post now, but I don't what to show the whole figure till the world sees it. ( The page before this one, that shows the figure, all set up, is a Photoshop illusion, made months ago, from the 13 foot version.

This page, and the next, will show the scale of the venture, when the Bliss Dance was tested.

 

At about 3 o'clock a huge crane arrived. The base was waiting and the whole supporting leg was attached. The outside ends of the six I-beams were bolted to the concrete. The torso was rolled out with new mounts- not welded, but bolted to an arm joint at one end and a leg joint at the other. By an ingenious process, the torso was raised to the vertical for the first time on its large base end. The base was released and the torso rose into the sky.

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The highlighted ball hanging from the crane has a camera on it, pointing straight down. It was mounted there by friend of Marco, photographer, Sean Cope. The camera can shoot two and a half hours of 720p, HD video.

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The opening at the hip looks like a joint, but it is just an area where the mesh has not been applied. Marco remarked- awhile back- that it was a strange reality that all of these seemingly masculine, angular parts could produce these curves that are so, so female.

 

iPhone photo by Pete.

The shutter snapped as pin 3 was finishing and pin 4 was lighting up.

Testing the new Tamron 150-600 in early morning light

Speedlite Speedlight Test.

Backdrop: Lastolite Gold Panlite

 

3 Sigma 530 DG Super's.

1 Mounted on a stand above left of camera @ 1/64 Power 85mm.

1 Mounted behind the model as background light @ 1/128 Power 17mm.

1 Mounted on Camera as trigger.

All Speedlites bare.

 

Lastolite Trigrip Silver Reflector as fill.

 

Canon 50mm 1.2L

Canon 1Ds II Manual Mode ISO 100 Aperture f/3.2 Shutter 1/250

What?! It's wet there! I've been a girl for a long time now.

I wanted Southeast Asia to think I'm pretty.

  

If you like my work, 'Like' me on Facebook www.facebook.com/hannah.galli.inner.i.art?ref=ts ... Thanks for the support

All the goodies used in a urine test.

 

Strobist: one SB800 bounced off ceiling. White reflector placed in front of set-up for small amount of fill. Also had ambient light coming from a window--camera right.

Fujifilm X-E1 mit Fujinon XF 35mm F1,4 Objektiv

 

Original Image - Out of Cam / Ori­gi­nal­bild

Cabo de gata (Spain). Test panasonic fz28. Cloudy day. Iso100.

second test with the SB-600 with the radio trigger. A part of my work is making photographies for real estate. A recurrent problem is the huge luminosity difference between windows and back of the room, especially with an ultra wide angle.

 

In this house, it's reinforced by the veranda at left, much brighter than the living room in the right corner (upper image). I tried the SB-600 on-camera, but it doesn't solve anything. So I bought those cheap transceivers.

 

I left the SB-600 with an omni-bounce behind the stairs, and made a few trials and errors until I got a sufficiently good one - I was in a hurry, people were eating just outside the field. Composition is better in the first one.

 

An added benefit is the color temperature of the flash corresponds to the daylight, not incandescent like the upper one. I think I need a second flash behind me.

PH: Matyas Bloo Laurel

FX: Juan Rueda

®2013

Nikon D800/AF-S NIKKOR 80-400mm f/4.5-5.6G ED VR

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