Technical Illustrators
View allAll Photos Tagged technic
then technically you've only had one piece:-)
Author unknown
camellia, irihi-no-umi, sarah p duke gardens, duke university, durham, north carolina
I can't quite make out what it is this crow was working on, but there was obviously some skill and patience involved. I was just able to grab a quick shot while holding Blanca with my left hand. She wanted to chase the crow, and the crow knew it but was reluctant to abandon the prize and waited till the last moment before flying off with it.
Technically, I guess they're hatched to run. Regardless, the greater roadrunner is aptly named. They can run at quite a pace. We've seen them in the deep desert or suburban parks like this one. Their tails and crest seem to be quite dynamic - always raising and lowering. Cool birds.
Technical card
Imaging telescope or lens: Sky-Watcher 200/1000 mm Newton
Imaging camera: Canon EOS Rebel T6
Mounts:Onstep, Sky-Watcher EQ5
Guiding telescope or lens: Guidescope 50mm
Guiding camera: Zwo ASI120MC
Software: Pixinsight 1.8, Adobe Phosotshop CC, Astrophotography Tool, Sequator 1.5.2, PHD Guiding
Filter: Optolong L-eNhance
Dates: May 17, 2020, May 18, 2020
Frames:
39x300" ISO800
Optolong L-eNhance: 42x290" ISO1600
Integration: 6.6 hours
Darks: ~79
Locations: Home observatory, Montenegro, Rio Grande do Sul, Brazil
Data source: Backyard
Meu primeiro registro da pequena (em tamanho aparente/angular) Galáxia do Sombreiro. O processamento foi bastante trabalhoso. Preciso estudar melhores formas de captação/processamento para essa galáxia. Neste registro estão somados frames captados em dois dias consecutivos, totalizando 6 horas e 38 minutos de exposição empilhados. Aproximadamente metade dos frames foram realizados sem filtro e a outra metade com o filtro Optolong L-eNhance.
"A galáxia do Sombreiro (Messier 104, NGC 4594), é uma galáxia espiral com núcleo brilhante rodeado por um disco achatado de material escuro, que fica a 28 milhões de anos-luz de distância. Essa brilhante galáxia é conhecida como sombreiro devido a sua aparência característica que se assemelha a um chapéu. A galáxia possui uma magnitude aparente de +8,3". Fonte: Wikipedia.org
Refletor Sky-Watcher 203mm F/5 EQ5 com Onstep, Canon T6 (foco primário) modificada, Filtro Optolong L-eNhance (em metade dos frames). Guidescope 50mm com ASI 120MC-S. 81 light frames (39x300" ISO 800 + L-eNhance: 42x290" ISO 1600), 79 dark frames. Processamento: Sequator, Photoshop e PixInsight.
@LopesCosmos
▄▀▄ CYBER FAIR Sept 2nd - 22nd ▄▀▄
For More Info @ www.access-sl.com/cyberfair
Items Used In Photo:
🚨[The Forge] Nexus Bodysuit
🚨G-SHELTER Backdrop
🚨:::SOLE::: SA - Helmet Synapse Veil
🚨_TRK_ Cypher Mantis Blades
Orchhâ (Inde) - L’Inde est connu pour ses lumières fabuleuses qui donnent souvent des scènes merveilleusement colorées. Mais pour en bénéficier, il faut être très matinal ou attendre les derniers rayons de soleil pour capter ces ambiances « chaudes ». Du temps de l’argentique en dehors de ces heures extrêmes, je ne faisais plus de photos. Eventuellement, je m’autorisais quelques films en noir et blanc.
Avec l’avènement de la photo numérique, ces limites techniques - même pour le merveilleux Kodachrome 64 -, ont été repoussées. Les capteurs progressent d’année en année et gagnent en dynamique. Ce qui était impossible pour la diapositive, devient envisageable avec les appareils modernes.
La preuve par l’image. La photo ci-dessus n’aurait pas eu le même rendu avec une diapositive car l’homme était dans la lumière. La logique aurait voulu que le fond soit noir, sans le moindre détail, puisque j’ai mesuré la lumière sur l’homme. Le capteur et la mesure matricielle ont fait une remarquable analyse de la scène en restituant une masse d’informations qu’un film argentique n’aurait pu faire.
The art of striking a pose
Orchhâ (India) - India is known for its fabulous lights which often result in wonderfully colorful scenes. But to benefit from it, you have to be very early in the morning or wait for the last rays of sun to capture these "warm" atmospheres. From the time of the film outside these extreme hours, I no longer took pictures. Eventually, I allowed myself a few black and white films.
With the advent of digital photography, these technical limits encountered - even by the wonderful Kodachrome 64 - have been pushed back. The sensors are improving year by year and gaining momentum. What was impossible on the slide, becomes possible with modern devices.
The proof by the image. The photo above wouldn't have looked the same on a slide because the man was in the light. Logic would have wanted the background to be black, without the slightest detail, since I measured the light on the man. The sensor and the matrix metering made a remarkable analysis of the scene, restoring a mass of information that a silver film could not have done.
New Sika Technical and office building in Zürich
Architects : Itten & Brechbühl AG
Comments are always welcome and favs most appreciated.
Comentarios y favs son siempre bienvenidos
© Photography of Ricardo Gomez Angel
All rights reserved. All images on this website are the property of Ricardo Gomez Angel. Images may not be reproduced, copied or used in any way without written permission.
© Fotografía de Ricardo Gomez Angel
Todos los derechos reservados. Todas las imágenes contenidas en este sitio web son propiedad de Ricardo Gomez Angel. Las imágenes no se pueden reproducir, copiar o utilizar de ninguna manera sin el permiso escrito
Laurel posing for Technical Round 0
Hopefully I'll get into the main 20!
Here is the full body pose for y'all to look at properly:
Hope you like, I particularly like her cable/wire thingy in her back hehe
I took quite a few average photos today. In this one I found it (mildly) interesting how the vapour trail parted either side of the chimney.
Then I made it red. (Technical explanation for you there).
The Porsche Junior 4 (technical designation: Porsche 108-4) was a tractor built by Porsche-Diesel Motorenbau GmbH, which was based in Friedrichshafen on Lake Constance; 150 Porsche Junior 4s were produced in 1958.
Der Porsche Junior 4 (technische Bezeichnung: Porsche 108-4) war ein Traktor der Porsche-Diesel Motorenbau GmbH, die ihren Sitz in Friedrichshafen am Bodensee hatte; 150 Porsche Junior 4 wurden 1958 produziert.
Porsche 918 Spyder
Location : Andermatt, Switzerland
Camera : Sony Nex-3N
Lens : Sony E-mount PZ 16-50 mm f/3,5-5,6
Explore #57
I ran to the camera too soon....
A bit of technical difficulty x3
I kinda like it though.
This is my backyard, in Latham, while it's snowing.
~Kathryn
Technical Specs
Camera:Canon EOS Digital Rebel XTi
Exposure:1/3200 sec
Aperture:f/3.2
Focal Length:70 mm
ISO Speed:100
Exposure Bias:0/3 EV
Flash:Flash did not fire
Technical details:
Ford Puma 2.4 turbo diesel light industrial engine, 290 litre fuel capacity.
Siemens hybrid driveline with lithium batteries ( by Valence ) on 576 volts
Front kneel & ferry lift
Fitted with fire suppression system
Overall height : 4.39 meters, Overall width : 2.52 meters
Front overhang : 2.60 meters, wheelbase 5.25 meters, rear overhang : 2.44 mtrs
Dublin Bus
Route : Ballinteer via O'Connell St.
Bus no : 16
TRANSPORT 21
08 - D - 69001
Location : O'Connell Street Upper, Dublin Ireland
This cute and impressive wagtail gave me a good show and got used to me pretty quick. It is obviously a tough subject to photograph due to their size and speed. Out of the few thousands shots I took, a couple stood out of the acceptably Sharp that I managed to capture. This where it caught this flying insect display it’s impressive technic. I also liked that I captured the reflection. This has been captured along the Silh in Zurich.
Image taken with Canon 6D / Tamron 70-200 mm 2.8.
In Februar 2016, I had the opportunity to interview American musician & songwriter Adrian Blew for my music blog. Talking to Adrian, former guitarist of David Bowie and frontman of King Crimson only a month after David Bowie had passed away was a special experience. Took this photograph during Adrian’s concert at the Porgy & Bess Jazz Club in Vienna. Technically, the image is far from perfect, but in spite of the blown highlights, I loved the intensity of Adrian's performance captured in that very moment.