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A Visit to Batemans the 17th Century Jacobean home of Rudyard Kipling was a must while we were on holiday last week, this is a photograph of Rudyards study. The rooms, described by him as 'untouched and unfaked', remain much as he left them, with oriental rugs and artefacts reflecting his strong association with the East. Bateman's is very much a family home and very impressive and well worth a visit.
An experiment by John M. Anderson with a cell culture dish containing dried droplets of Kc167 cells (Drosophila melanogaster) suspended in growth media supplemented with 200mM trehalose in the Life Sciences building on the campus of Eastern Illinois University in Charleston, Illinois on Tuesday, December 20, 2011. (Jay Grabiec)
Had the opportunity to take some shots at a school. Please find some more in a gallery on my website: www.baechtle.com/schulbesuch/
I am so busy with uni right now - I have 3 things due this month and 2 near the start of next month. I'm hanging with my sis and some of her friends tomorrow night, I'm going away next weekend (to hang out with friends and hopefully take a ton of photos) and near the start of April I've got my Wellington trip! I'm trying my best to stay organised and on top of things and I think I'm going to be okay. I'm just looking forward to that light at the end of the tunnel though =)
UnionDocs presents the first screening of the Optical Boundaries tour. This program features three filmmakers whose respective works explore a variety of environments as well as the formal properties of the film medium. Though working independently, their films culminate in an examination of the film material as a true document of past and present. Each artist calls attention to the process of separation and recombination through the use of discarded View-master cells, appropriated 16mm nature footage, and a kaleidoscopic amalgam of the new and old world.
Program runtime approximately 60 minutes.
HHOOWWLLby Steve Cossman
USA, 2010, 7 minutes, 16mm
Shot on a Kodak Cine II special effects camera, a collection of recognizable masks are captured and layered on film. The screaming colors fuse together in a choir of haunting forms, slipping and melting on the screens surface.
CRUSHERby Steve Cossman
USA, 2010 video transferred to 16mm
An unabridged photograph translated from its still print. Read left to right, pixel by pixel, CRUSHER mechanically sequences single color as single frame creating organic waves of color.
TUSSLEMUSCLE by Steve Cossman
USA, 2007-9, 5 minutes, 16mm
The work presented is a reflection on humanity’s ecological relationship and the ritual of restoration. The violent pulse speaks with a sense of urgency and chaotic struggle while the hypnotic arrangement keeps us in blinding awe us to its condition. TUSSLEMUSCLE is composed of 7,000 single frames, which were appropriated from view-master reel cells. Each frame was hand-spliced to create a linear film-strip.
tonal tide by Ross Nugent
USA, 2009,9 minutes, 16mm
This camera-less film was conceived as a darkroom performance to expose the potential and vulnerability of the color film stock at hand. Both the image and sound were created by flashing raw stock; a peculiar pattern emerged in the soundtrack area as light was scattered by the edge of the film base.
Spillway Study/ Carpe Diez by Ross Nugent
USA, 2010, 8 minutes, 16mm
This three-projector piece was created as a color separation project using 16mm Kodachrome nature photography footage from the late ‘70s as its source. The original was optically printed onto three strands and arranged to simultaneously abstract and call attention to the forces at hand. Using a primary color filter on each projector (R-G-B) and some precise hand-jiving, I combine the images and tease out a range colors.
Sahara Mosaic by Fern Silva
USA, 2009, 10 minutes, 16mm
An orientalist kaleidoscope that constitutes a geographically complex yet cinematic whole. From Egypt to Las Vegas: the old and the new world are reflected and doubled in this experimental travelogue.
Steve Cossman received his BFA in Sculpture from Albright College and went on to study Animation in the Czech Republic at FAMU. After returning to the United States, he worked as artist assistant to John Chamberlain from 2006-2009 during which his focus turned primarily to film and video work. Currently he lives and works in Brooklyn, NY. There he is founder/director of Mono No Aware, an ‘annual exhibition of expanded cinema’ showcasing contemporary artists who incorporate live projections as part of their work. Cossman believes that ‘time is constantly moving within a framework of units and that this irrepressible motion is the nexus of human experience’. Working to create a resonating interval, he often re-structures a familiar sequence within a patterned visual language causing the viewer to give thought to established perceptional relationships. Recent film screenings of his work include Ann Arbor Film Festival, Chicago Underground Film Festival, Milwaukee Underground Film Festival, Seattle International Film Festival, and VideoEx in Zurich. His work can be found in the collections of the University of Seattle, WA, University of Hartford Art School, and The Len Lye Foundation, New Zealand. A solo show of his video works will be held in March 2011 at Trinity College, CT.
Ross Nugent hails from wilds of Western Pennsylvania. He earned a BA in Film Studies at the University of Pittsburgh and studied film and video production at Pittsburgh Filmmakers, where he began working in media exhibition in 2003. Ross served as the Exhibition Coordinator from 2005-2008, and matriculated to the University of Wisconsin-Milwaukee to pursue an MFA in Film. He is also the Program Manager of the UWM Union Theatre, the Faculty Advisor for the Milwaukee Underground Film Festival, and an instructor in the Film Dept.
His film, video, installation, and sculptural work is rooted in using process-oriented techniques of film production, including contact and optical printing, and examines nostalgia and decay as mediated through cinema. Poetic gestures emerge through hand-manipulation of film material, which serves as the impetus for many of his artistic endeavors. His current work includes live cinema projects. Exhibitions of these multi-projector performances include The Museum of Modern Art (NYC) as part of a group show utilizing Analyst projectors, Mono No Aware (NYC), and recently at the Onion City Experimental Film and Video Festival (Chicago).
Since 2005, Fern Silva has been an active filmmaker whose personal journeys and impulsery disposition give rise to his visionary process. He has created a body of film, video, and projection work that conveys a congruent existence through the aesthetics of reflections and detriments within controlled microcosms. His work has been screened and performed at various festivals, galleries, and cinematheques including International Film Festival Rotterdam, New York Film Festival, Anthology Film Archive, Images Festival, IndieLisboa International Film Festival, Bangkok Experimental Film Festival, Biennale Bandits-Mages Festival, Roulette Gallery, Millennium Film Workshop, White Box Gallery, 119 Gallery, and P.S.1. Fern Silva is from central Connecticut, he received a BFA from Massachusetts College of Art and his MFA from Bard College. Fern will be screening two works as part of this years Views from the Avant-Garde.
Veronica Gomez (left), Overseas Studies program assistant, answers questions at the USC Study Abroad Fair. The students pictured (l-r) include: Carly Robbins, Jennifer Chau, Jennifer Sue and Joel Ulloa. Photo by: Philip Channing.
Detail of blind (no flange) main driver on C&S narrow gauge 2-8-0 #60 on display in Idaho Springs, CO.
I was lucky to get these neat shots of a Blue Snow Goose (Lesser) and a Blue Ross's Goose right next to each other a couple of days ago in Eastern Oregon (and an unlikely shot as there were only 9 blue geese in a flock of about 9,000!).
Some observations - The blue Ross's I observed (about a dozen over several days) seem very consistent in their markings - cold blue-black back (even one year old birds) fading into a pale sooty gray belly, white head with black curling behind the head and the black creeping onto the crown (younger birds may show a dirty face), thick white edges on the tertials (lower tertials only show narrow black shaft), interior secondary wing feathers show white borders, white rump.
Blue Snow Geese seem more variable in their markings, with more intermediate types also observed (I did not see anything similar to an intermediate Ross's) - often more of a brownish black on the back (but a few very dark), often with darker bellies, though sometimes paler belly, tertials generally show narrow white outer border with thicker black interior area, secondaries lack white borders on all feathers, head markings range from being similar to Ross's (just the head) to most of the neck being white, often the crown is all white, rump and tail varied from mostly white to mostly dark.
Blue Ross's are regarded as very rare (1 in 5,000 to 10,000 one study found, though I was seeing more like 1 per every 2,000 at this location) and Hybrids between Snow and Ross's are common and caution is warranted when observing blue geese. Some people believe that ALL Blue Ross's are distant hybrids with blue Snow Geese (though I am not aware of any DNA studies showing this to be true), as the first reports for Blue Ross's Geese were not until 1971 (or possibly 1969 depending which article you read), however these pattern differences might suggest more of a shared ancestral trait. Both Snow and Ross's have had substantial population increases in the past 50+ years due to agricultural development.
(l-r) Lindsey Heineman and Jake Iverson – both mechanical engineering majors – study outdoors at Tutor Hall. Photo by: Philip Channing
03/20/2011 A student studying in Bates Hall in the Boston Public Library. Fuji 200. Ihagee Exakta VX. Carl Zeiss Jena Tessar 50mm 1:2.8.
Please credit by linking to thoroughlyreviewed.com, NOT the flickr image.
"https://thoroughlyreviewed.com"
Read that this month's 2009/365 theme was THROUGH THE WINDOWS AND DOORS OF OUR LIVES so just pointed camera at the window to show what I see when I sit at my desk!
The international students of Sergeants Major Course Class 69 began their third day in Washington DC of their Spring 2019 Field Studies Program on May 2, at the Newseum.
"I came home in the morning
And everything was gone
Oh what have I done
I dropped dead in the hallway
Cursing the dawn
Oh come on sun
Why must I burn
I’m just trying to learn
I stared into the light
To kill some of my pain
It was all in vain
Cause no senses remain
But an ache in my body
And regret on my mind
But I’ll be fine
Cause I Live and Learn
Yes I live and I learn
If you live you will learn
I live and I learn"
I wanna be a Yes Girl_ Female version of Yes Man .
OMG, I stimulate the interest for studying. I really love to research, find out all things in the world, now.... There's a big world out there. Bigger than prom, bigger than high school and where I'm living...
It's just such a freeing thing to set these great challenges for myself to travel, to learn more about the world, to just go out there and get crazy and get free and get strong.
Now, I must study, study, study for myself, my knowledge, improvement 'cause Live as if I were to die tomorrow. Learn as if I were to live forever
P/S: And my friends...Seriously, Do you want to study together with me? /:)
MPP Micro-Technical Mk VI with Rapid Rectilinear lens, Kodak Panchro Royal (box style from the 1960s), rated 10, R09 One Shot, diluted 1+50, 6 minutes at 20ºC.
A study of children aged 3-6 shows executive function and reading readiness skills are more negatively affected by lead exposure in boys than girls.
healthnews.juicyworldnews.com/uncategorized/medical-news-...
children, girls, lead, levels, study