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As i was so excited about tutorial that Veronique published yesterday, i couldn't go to sleep not trying this out and tried to do some for my elephants. I used just ordinary tools from manicure set.
War so begeistert von dem Tutorial von Veronique, dass ich nicht ruhig schlafen gehen konnte und hab' was ein bisschen ausprobiert. Hab' Paar Instrumente aus meinem Maniküre Set benutzt.
Reflection test using the new internal Structure Synth raytracer. (Rendering time: 2.4s)
I've started working on a simple built-in raytracer in Structure Synth, both for providing fast previews in the GUI, and for people who are intimidated by the somewhat complex template export.
So far it is pretty standard stuff: a single-threaded, Phong shaded based raytracer which uses the Fast Voxel Traversel method to accelerate ray-primitive intersection tests. As of now it supports reflections, transparency, shadows (the hard and ugly type), and adaptive anti-alias. I've also implemented a simple Ambient Occlusion scheme.
One among the few least destroyed structures in Hampi, Elephant Stable is a major tourist attraction. This long building with a row of domed chambers was used to ‘park’ the royal elephants. There are 11 domed tall chambers; some of them are inter- connected. The center one is specially decorated and big. Probably the musicians and the associated band troupes had been using this during ceremonies involving elephant processions.
The whole building looks symmetric with respect to this central hall. The tower of the central hall resembles (though mostly destroyed) more like that of temples. However the five pairs of domes on either side are of Islamic in style. They are better preserved and of alternating patterns.
Metal hooks (used to tie the elephants) on the inside roof can be seen. At the rear of each hall are small manhole type openings for the mahouts to enter the elephant compartments. You reach here through the Zenana Enclosure. From here you proceed to the Guard’s Quarters and then may be to the Ranga Temple located a bit south of it all.
Venue : Elephant Stable, Hampi, Karnataka, India.
Lens : Canon EF-S 10-22mm F3.5-4.5 USM
©All rights reserved
Do not use this image without my permission.
You can mail me on sukanta.maikap@yahoo.com for further details.
A Structure Synth creation rendered with Kerkythea
Script (if anybody is interested)
set background #5274A2
skyship
{fy}skyship
{x 31 y -2.5 z -39.2 ry 15}rotor
{x -33.5 y -2.5 z -39.2 ry 15 }rotor
1 * {fy } 1 * { x 31 y -2.5 z -39.2}rotor
1 * {fy} 1 * {x -33.5 y -2.5 z -39.2}rotor
{y -5 z -29.7 x -0.85 s 5 color #800000}sphere
// ship
rule skyship{
{y -0 z -1 s 0.7 1 2.5 }body
{y -0 z -30 s 2 1 1 }body
{y -0.3 z -20 s 1 1.5 1 }body
{x 31 z -35 s 0.5 1 0.5 }body
{x -33.5 z -35 s 0.5 1 0.5 }body
}
//////////// parts
rule body md 36 { // md 18 for half only
{ ry 5.625 rx 82 s 1 1 1}RingPart
{ ry 10 x 1.7 } body
}
rule RingPart{
{ y -1.5 rx -90 } roof
{ rx -30 z 2 s 2.2 4 1 color #80331a} box
}
rule roof{
{z 4 } panel
{z 6.9 rx 40 s 2.8 2 0.1 color #80331a} box
}
rule panel{
{ y -2 z 1.1 ry 90 s 4 0.5 0.5 color gray b 0.2} box
{ y -1.9 z -7 s 2.7 0.01 12 color gray b 0.8} box
}
#define blades 10
/////////////////
rule rotor md blades {
{ ry 10 rx 90 s 0.5 0.1 5 color #80331a}box
{z 8 y -2.5 rz 15 s 2 0.1 20 color gray b 1.2} box
{y -3 z 0 rx -20 rz 8 ry 5 s 0.6 0.01 1.2 color #80331a} box
{ ry 360/blades x 0.4} rotor
}
Linemen prepare to pull an underground transmission cable through conduit at a transition structure.
"Bridge 1"
STRUCTURES is a series of generative art pieces the explores the constructions of our world by taking photographs of man-made and natural structures and placing them into a new structure. This process semi-randomly fragments and rearranges the photographs into a grid of my design. I'll often run the images through this process several times, using various grid structures along the way.
Programs used: Lightroom, Photoshop, Processing
Doesn't Ghoulia just make the perfect Goth chick? XD
Her facial structure really lends itself for a more mature, sexy look.
Node structure visualizing text structure; a text comprises of paragraphs, each paragraph contains sentences, sentences often are compilations of subsentences and these consist of words. And words have letters.
Structure Synth terminates the recursion if the number of objects is greater than the given threshold ('set maxobjects ...') or if the recursion depth becomes greater than the maximum depth ('set maxdepth ...'). It is also possible to set a maxdepth for an individual rule ('rule R1 maxdepth 5').
I've added two new rules for controlling the termination.
'set minsize {size}' and 'set maxsize {size}' allows you to specify how large or small a given object can be before terminating. The 'size' parameter refers to the length of the diagonal of a unit cube in the current local state. (The initial coordinate frame goes from (0,0,0) to (1,1,1) and hence has a diagonal length of sqrt(3)~1.7). It is possible to specify both a mix and a min size. The termination criteria only stops the current branch - if other branches are still within a valid range, the will be continued.
This is very useful for preventing Structure Synth from creating boxes which cannot be seen anyway or from growing without bounds.
The image shows the same structure at three different minimum size tresholds.
Example script (requires a post-version 0.9 of Structure Synth!):
set minsize 0.8 // or 0.4, or 0.2
set maxdepth 600
set background #333
{ h 30 sat 0.2 h -67 b 0.8 } spiral
rule spiral w 100 {
box2
{ y 0.4 rx 90 hue 1 s 0.995 b 0.999 } spiral
}
rule spiral w 100 {
box2
{ y 0.4 rx 90 hue -1 rz -90 s 0.995 b 0.999 } spiral
}
rule spiral w 100 {
box2
{ y 0.4 rx 90 hue 0 rz 90 s 0.995 b 0.995 } spiral
}
rule spiral w 3 {
{ rz 5 s 1 1 1 } spiral
{ ry 4 h 3 s 1 1 1 } spiral
}
rule box2 {
{ s 1 5 1 } box
}
rule box2 {
{ s 5 1 1 } box
}
rule box2 {
}
View of the Lake Yaxhá and the surrounding rainforest from the top of Temple 216 at the Yaxhá Maya archaeological site. Plaza B which is part of the East Acropolis can be seen at the base of the pyramid. At its far end is the Palacio Oeste (West Palace; Structure 218).
Yaxhá was a Maya ceremonial center and city in the northeast of the Petén Basin region. The city was located on a ridge overlooking Lake Yaxha, approximately 18 miles (30 km) southeast of Tikal. Yaxha was the third-largest city in the region and experienced its maximum power during the Early Classic period (250–600 CE); its power was later eclipsed by neighboring Naranjo. The relative lack of inscribed monuments found at Yaxhá has made tracking its history difficult.
Фото начала реконструкции ЦУМа, Киев 2013.
Photo of beginning of Central Universal Shop in Kiev. 2013.
doors open toronto was last weekend...today only, the lesser known event, "crawling through holes in fences toronto"...
Yaxchilán, Structure 33
Yaxchilan is an ancient Maya city located on the bank of the Usumacinta River in what is now the state of Chiapas, Mexico. In the Late Classic Period, Yaxchilan was one of the most powerful Maya states along the course of the Usumacinta, with Piedras Negras as its major rival. Architectural styles in subordinate sites in the Usumacinta region demonstrate clear differences that mark a clear boundary between the two kingdoms.
Yaxchilan was a large center, important throughout the Classic era, and the dominant power of the Usumacinta River area. It dominated such smaller sites as Bonampak, and had a long rivalry with Piedras Negras and at least for a time with Tikal; it was a rival of Palenque, with which Yaxchilan warred in 654.
The site is particularly known for its well-preserved sculptured stone lintels set above the doorways of the main structures. These lintels, together with the stelae erected before the major buildings, contain hieroglyphic texts describing the dynastic history of the city.
Structure 33, in the Central Acropolis, has been described as a masterpiece in stone and was probably dedicated in 756 by Bird Jaguar IV. The structure overlooks the plaza and the river and would have been prominent to river traffic in the 8th century. It has plain lower walls with three doorways, each of the which supports a well preserved lintel (Yaxchilan Lintels 1 to 3). In the centre of the back wall of the structure, opposite the central doorway, is a niche containing the headless sculpture of a human figure, probably Bird Jaguar IV himself. The roof of the structure is largely intact, including a sloped roof supporting a frieze and a well preserved roof comb. There are niches in both the roof comb and the frieze, the niche in the roof comb contains the remains of a sculpted figure. Tennons on both roof sections once supported stucco decoration. Leading up to the front of Structure 33 from the plaza is a stairway, the top step of which is sculpted, this step is known as Hieroglyphic Stairway 2.
(source: en.wikipedia.org/wiki/Yaxchilan)
Arcelormittal Orbit
The ArcelorMittal Orbit is a 115-metre-high (377 ft) sculpture and observation tower in the Olympic Park in Stratford, London. It is Britain's largest piece of public art,[3] and is intended to be a permanent lasting legacy of London's hosting of the 2012 Summer Olympics, assisting in the post-Olympics regeneration of the Stratford area. Sited between the Olympic Stadium and the Aquatics Centre, it allows visitors to view the whole Olympic Park from two observation platforms.
Orbit was designed by Anish Kapoor and Cecil Balmond of engineering Group Arup. Announced on 31 March 2010, it was expected to be completed by December 2011, though like many projects on the Olympic Park that date was pushed back. The project came about after Mayor of London Boris Johnson and Olympics Minister Tessa Jowell decided in 2008 that the Olympic Park needed "something extra". Designers were asked for ideas for an "Olympic tower" at least 100 metres (330 ft) high, and Orbit was the unanimous choice from proposals considered by a nine-person advisory panel.
The project was expected to cost £19.1 million, with £16 million coming from Britain's richest man, the steel tycoon Lakshmi Mittal, Chairman of the ArcelorMittal steel company, and the balance of £3.1 million coming from the London Development Agency. The name "ArcelorMittal Orbit" combines the name of Mittal's company, as chief sponsor, with "Orbit", the original working title for Kapoor and Balmond's design.
Kapoor and Balmond believe that Orbit represents a radical advance in the architectural field of combining sculpture and structural engineering, and that it combines both stability and instability in a work that visitors can engage with and experience via an incorporated spiral walkway. It has been both praised and criticised for its bold design. It has also been criticised as a vanity project, of questionable lasting use or merit as a public art project.
en.wikipedia.org/wiki/ArcelorMittal_Orbit
Shell structure around the galaxy revealed. Very slight edge crop. The shells fill the field of view of the 2600 sensor at 780mm. Lots of galaxies nearby.
1.7 x 1.1 degree field of view
62 x 5 minute frames
Flourostar 120mm at 780mm
ZWO 2600 MC Pro, EQR-R-Pro mount
Pixinsight / Photoshop
Leyburn, Queensland
May 2025
Free photos. Set 14.
Use it freely in personal and commercial projects.
CC-License
Photos: Anthony Clochard / wuipdesign.github.io