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Фото начала реконструкции ЦУМа, Киев 2013.
Photo of beginning of Central Universal Shop in Kiev. 2013.
"Reflections"
STRUCTURES is a series of generative art pieces the explores the constructions of our world by taking photographs of man-made and natural structures and placing them into a new structure. This process semi-randomly fragments and rearranges the photographs into a grid of my design. I'll often run the images through this process several times, using various grid structures along the way.
Programs used: Lightroom, Photoshop, Processing
St. Mark's Church in-the-Bowery, a beautiful but plain looking Georgian style structure is the second oldest church building in Manhattan, dating back to the 18th century. Constructed of schist, a dull grey stone, readily available from the bedrock of Manhattan, kept building costs down eliminating the need for quarried stone.
In 1651, Peter Stuyvesant, Governor of New Amsterdam, purchased land for a bowery or farm from the Dutch West India Company and by 1660 built a family chapel at the present day site of St. Marks Church. Stuyvesant died in 1678 and was interred in a vault under the chapel. Stuyvesant's great-grandson, Petrus, would donate the chapel property to Episcopal Church in 1793, stipulating that a new chapel be erected and in 1795 the cornerstone of the present day St. Mark's Church was laid. The church was completed and consecrated in 1799. And Alexander Hamilton would then provide legal aid in incorporating St. Mark's Church as the first Episcopal Parish independent of Trinity Church in the new world.
In 1828, the church steeple and Greek revival clock tower, designed by Ithiel Town, of Town and Thompson, was erected. In 1835, the two-story fieldstone Sunday School was completed and in 1838, St. Mark's Church established the Parish Infant School for poor children. In 1854, the Italian cast iron porch with ionic columns and a simple balustrade,completed the church. In 1861, St. Mark's Church commissioned a brick addition to the Sunday School, the present day Parish Hall, designed and supervised by architect James Renwick Jr, who designed Grace Church and would go onto building St. Patrick's Cathedral. In 1900, leading architect Ernest Flagg designed the rectory.
On July 27, 1978, a fire nearly destroyed St. Mark's Church. The Citizens to Save St Mark's was founded to raise funds for its reconstruction and the Preservation Youth Project undertakes the reconstruction supervised by architects Harold Edleman and craftspeople provided by preservation contractor I. Maas & Sons. The Landmark Fund emerged from the Citizens to Save St Mark's and continues to exist to help maintain and preserve St. Mark's Church for future generations.
St. Mark's Church-in-the-Bowery is hallowed ground not only for Episcopalians, but devotees of avant-garde arts as well. Isadora Duncan and Martha Graham danced here in the 20s and 30s, and the cutting-edge Danspace Project, founded in 1974, continues that legacy with a full schedule of performances in the airy, open main hall. Literature has been just as revered: The late, great Allen Ginsberg was a recurring participant in the church's resident Poetry Project (a nationally recognized force). Furthermore, St. Mark's has been a happy home for legendary experimental theater auteur Richard Foreman. The space has so thoroughly established itself as an essential component of the arts community that it's easy to forget that this is still a functioning church
St. Marks Churchyard houses many burial vaults. The West Yard is known as the Healing Garden, providing an oasis from city life. Some of the ancient maples in the yard were lost to the Asian Longhorn Beetle in 2000. This area was a proposed (and rejected) site for two 18-story apartment towers designed by Frank Lloyd Wright in 1929. Among the famous buried here are Daniel Tompkins, who abolished slavery in New York; Commodore Matthew Perry, who forced Japan to accept U.S. trade; New York Mayor Philip Hone; and Peter Stuyvesant. Department store pioneer A.T. Stewart, whose store filled the block between 9th and 10th streets east of Broadway, was buried here in 1876, but on November 6, 1878, his body was snatched and held for $200,000 ransom. The widow eventually regained possession of the corpse in 1881, after bargaining the kidnappers down to $20,000. He now rests elsewhere.
Saint Mark's-in-the-Bowery Church was designated a landmark by the New York City Landmarks Preservation Commission in 1966.
National Register #72000885 (1972)
Gateway Camp Verse
(Pin1) Ging1 Mahn4
Isaiah 62:10
What Dale instructed about going out of our way to treat the Mainland Chinese well resonated within me. To be sure, just as the Koreans have gone out of their way to bless me so I must step out to bless and to love my Mainland brethren.
After the first meeting, Ed and I wandered off campus and found inside a shopping mall a cha chaan teng where we had a late-night snack. And hardly had we tucked into our meals when in walked several dozen volunteers, all locals, who were overcome, it seemed, by the same munchies that infected Ed and me. It’s surprising how such a primal urge, at such a time, drives everyone to no less than the same, impossibly far location.
I thus far have met so many people that, had I not brought along my iPod, I would have already lost track of the multitudinous names flying around like fireflies at night, sparkling luminously one moment and then disappearing the next. And this is only the beginning: more and more people will arrive both today and tomorrow so I had better stay awake, alert, and writing.
I am working with a partner who really challenges me, and indeed that is why I chose to work with him. From the first words that came streaming out of his mouth, I knew he would be a special one, and as if to conifrm my conjecture, indeed, the more he spoke, the more confused I became. The challenge, I have realized after much ruminating, isn’t so much the pace of his speech as his choice of words, which fall outside a normal lexical range; that is, at least with me, when he talks, he doesn’t use familiar collocations to communicate; besides, he has an uncanny Tin Shui Wai accent; those, along with his amazing resistance to Chinglish, which impresses me, by the way, have made our communication tedious, since I am bombarded by peculiar lexical constructions that I generally never encounter in Cantonese conversation and must therefore stop our flow to clarify his speech. It’s too bad that he doesn’t speak English as I would love to hear how he structures ideas in my native language to determine whether or not this strange lexis has spilled over into his other modes of communication.
Regardless, in being with him, I have learned to be patient, and if I am truly to walk away from resentment, I must continue rather to engage him than to keep him at arm’s length. It helps us, then, that he is a congenial fellow, prone more to expressing love, much in the same way that I do by warmly grabbing a forearm or a shoulder, than to venting his frustration, which with me could certainly be great. He is verily a good guy, and so long as the Lord keeps him — I am sure Daddy will — Tin Shui Wai, that small patch of concrete moon colony, is in capable, faithful human hands.
Sau2 muhn6 je2
Mihng6 dihng6
Kyuhn4 lihk6
Lihk6 leuhng6
Chong3 yi3 adjective
Chong3 jouh6 verb
Romans 5:3-5
Not only so, but we rejoice in our sufferings, because we know that suffering produces perseverance; perseverance, character; and character, hope. And hope does not disappoint us, because God has poured out his love into our hearts by the Holy Spirit, whom He has given us.
I cried this morning when I read these words, because they are true, and comfort my soul as water to a dry, parched land. However many times I’ve lamented this place and its people, I am still inextricably tied to this rock, per God’s will for my life; and God really is faithful in providing a way out not from this place but from these spiritual hindrances. These past few days, what with communication failures and fatigue setting in, I could have more easily give into my rationality, in defense of my weaknesses, than resisted this bait of satan. Thank God, hence, for the words which are like fuel for the refiner’s fire that burns up all my expectations, my pride and my flesh. I can survive, nay, rejoice, indeed, because of God, who, in me, day by day teaches me to suffer long with a smile.
This is what the gateway is all about, I believe: jumping head-first out of my comfort zone to confront the nations, for my brothers and sisters and I must face each other if we are to raise the banners together. Battling through enemy strongholds of mistrust ad resentment, we demolish carnal thoughts and dig deep in the Spirit for the unity that shall overcome as much language as culture; God, after all, is bigger, even, than the battlefield. In these ways can my brethren and I love each other as ourselves, as we shall be one in the Father, with audacious power and boldness laying hands on His kingdom which advances, in this kairos moment, over all of China, including, no doubt, Hong Kong. No longer will there be curses thrown upon the nations; but rather the river of life will flow through the city, and the leaves of the tree on each side of the river will be for the healing of the nations.
1) Welcoming the Father
2) Unifying the body
3) Partnering with the Chinese
4) Serving the city
5) Supporting the Chinese
Isaac and I have worked quite hard this morning, putting up signs all over campus, and as if to reward me for my assiduity, he offered to buy me a drink, an offer which I took up. Indeed, this man’s care and concern for others, genuine, doubtlessly, fills me with joy, for, to be sure, the joy of the lord is his strength. My friend is indefatigable, always encouraging and never slighting, no matter the circumstances, rain (that has happened a lot today) or shine. Praise God!
Much like my relationship with Isaac, my relationships with my other team members have improved considerably since, even, this morning’s briefing during which, the code-switching, happening too fast and too furiously for my comfort, vexed me so terribly that if Isaac had not put a generous arm around my shoulder immediately afterwards, I surely would have blown my top in frustration at the perplexing language option. Thankfully, my team and I settled our language arrangements: Isaac, Dorcas and I will intractably speak Cantonese to each other whereas my other group mates and I will use English with as little code-switching as possible; and I, along with Ed, no doubt, am satisfied. It’s best to avoid misunderstandings.
Lihng4 Mahn4 (soul)
Sihng4 jeung2
Muhng6 Seung2 (dreams)
The Lord’s mercies are new everyday. Just now, during the morning rally, by His Spirit, hundreds of brothers and sisters received a new anointing, to be spiritual mothers and fathers of a new generation so as to minister to the next. This outpouring of the Spirit was sudden, and so captivated me that when the call came to reap, I rushed to the front to ask my father for this anointing, and naturally, my life was transformed. In the same way, the pastor called up a new generation of spiritual children to receive the love, care and support of these new parents; and likewise, so many young men and women heeded this call that verily, the pit in front of the stage was soon awash in hugs and tears between generations that, once lost, were now found. Indeed, no sooner did these people embrace their father than Dad immediately swept them up in his strong arms and showered them with audacious encouragement and support. Praise God!
An Outburst
I was angry this morning during our team time. I temporarily lost my ability to be merciful and to live in God’s grace. When my team leader began to address me in English, yet again, I couldn’t help but berate him for doing so when Cantonese, I argued, would be a more economical medium of delivery. And then I compounded this already incendiary situation by ranting about the hypocrisy of Hong Kong being a gateway to China but not a gateway into its own neighborhoods teeming with Chinese people, 97% of whom, according to one of the pastors at this camp, do not know the Lord Jesus. Cantonese will matter, I posit, if anyone dares to take on the onerous mission in this vexing place.
To be sure, even my brother announced that language was a prohibitive barrier to closer relationships with these local people, and therefore, since he neither speaks Cantonese nor is going to give learning the language a go, he is relegated to the outer walls of the gates into Hong Kong.
In hindsight, I thought I cared enough about God’s purposes for me in Hong Kong, but I realize now that I still care a lot about myself, and resentment. Though I have prayed and declared boldly that God is bigger than language and culture, I know I don’t believe it; and that’s upsetting. For the time being, I don’t verily believe in my heart that I can have deeper, closer relationships with Chinese people without the benefit of language and culture, patterns of action.
OK. This is actually an opportune start for my spiritual parentship, for now I have an opportunity to put aside my very compelling arguments for the necessity of language and culture in deep and close relationships, these conclusions born out of my reason, and to step out in faith, to trust in the Lord who, I pray, will show me deep and close relationships sans language and culture, and with whom my deep and close relationship shall obviously be the key to this victory.
I’m thinking about events at this camp that heretofore demonstrated loving relationships without language and culture, and I recalled two acts: the first happened yesterday when I spontaneously joined a line of ushers to high-five and to cheer the audience as they flooded out of the auditorium, the morning rally having scarcely finished; and the second, this was my meeting Yao, a man from the Ivory Coast, whom I befriended in those first, fleeting, if not frantic moments before the opening rally on Friday evening. That encounter was immediate and sudden, neither words nor habits needed; Yao and I simply high-fived, hugged and sat beside each other; and wow, that was terrific companionship — praise God!
Finally, however hard my diatribe may have struck my team members’ hearts, my merciful group mates still forgave me, not only on an personal level, but also, as I had sought forgiveness on behalf of all foreigners who have ever cursed locals or stood passively outside the gateway, on a corporate level, thereby releasing countless non-Chinese people into the freedom of these Hong Kong people’s forgiveness; just as brothers and sisters had so recently been reconciled to each other in my church, so local and non-local people have received the others’ freedom of forgiveness; more than a homecoming, that, indeed, is a breakthrough.
In listening to this morning’s sermon, I hear such verses as I know God is speaking to me through His word. 2Corinthians 4:16-18, this scripture in particular carries a buoyant, hopeful currency in my heart. My spirit soaks in this divine revelation as a sponge soaks in water and thus becomes malleable, able to be formed and shaped according to its holder’s will: Therefore we do not lose heart. Though outwardly we are wasting away, yet inwardly we are being renewed day by day. For our light and momentary troubles are achieving for us an eternal glory that far outweighs them all. So we fix our eyes not on what is seen, but on what is unseen. For what is seen is temporary, but what is unseen is eternal.
Disagreeable
I don’t know why my brother and I undermine each others’ comments; why we no more know consensus than the deaf music. Our interactions have been especially abrasive recently since we have spent so much time together without the benefit of our other brother to act as a natural, vociferous buffer; and as a result we argue like pieces of sand paper being rubbed against flesh, which inevitably leads to significant soreness. I feel sore now.
I think back to my outburst this morning and can appreciate my role in this evening’s embarrassing outcome; I am certainly not without fault, for I choose these days not only to venture my opinions but to do so passionately, if not emotionally. People consequently who otherwise are phlegmatic at best are put in a discomfiting position by my impassioned pleas. Besides, I recall Interrupting my brother prolifically, which understandably would not make him a happy camper; just as a hyperactive child doesn’t know when to stop pestering his sibling, so I don’t know nowadays when to hold my tongue. Indeed, I would rather not respond at all to my brother, even after he has fired off his rejoinder, than to strike him down in mid-speech.
In view of this latest incident, I have resolved to take the former course of action. To be sure, I simply stopped our petty dispute about a stupid basketball game by, awkward as it was, taking out my book and perusing it as fixedly as my tattered mind would allow. I will try my best to stay away from my brother for a spell, to create physical and spiritual space between us, so hopefully, in this way at least one of us will be able to come to his senses about this matter; better yet, now would be an opportune time for our father in his mercy to reveal to us the fault lines in our flesh so that we could surrender these tremulous spots in our soul, crucifying them to the father for our healing and the redemption of our relationship. I will pray about this.
…Praise God. If I had not separated myself from my brother’s presence, I wouldn’t have been sitting at that bench at the exact moment when Isaac came over to me in a plaintive mood. Obviously upset, he had been so recently wronged, he lamented on the verge of tears. And at that, mercy swept over my countenance, for my brother felt as aggrieved as I did earlier; and this appointment, per God’s unfailing, obstinate love, had at last come for me, convicting me to be very, very agreeable, sympathetic and kind to my fellow long-suffering brother. In this instance, thank God, language did not matter so much as empathy, carrying each others’ burdens and thus fulfilling the rule of Christ. We prayed and blessed each other in Jesus’ name, and then boldly went forward into the rally.
I suspect the enemy has infiltrated our team what with my outbursts and Isaac’s failing out as evidence. My group mates and I must be more vigilant in prayer and in digging deep into the Father’s word if we are to overcome the spies in our camp that have planted incendiary devices in our mouths and in our hearts. We certainly need such encouragement as the Lord provides for the edification and encouragement of each other, even more so, in fact, in the face of adversity, despite our fatigue and other physical ills that befall us like a hail of arrows. In faith, I’m sure, faith will see us through; and per what the pastors exhorted at the rally, we will become as if the smooth stone in David’s sling, ready to fly into the air to crush the Goliath in this world.
Sihng4 jauh6 achievement
Ngwuih misunderstanding
Nggaai2 to misunderstand
Yuhn4 leuhng6 forgive
Gaan2syun2 chosen
The Security Guard
At the morning rally, a security guard left an indelible impression on my heart what with her showing of unconditional support and her proffering of words of encouragement, which like a waterfall fell in force and power over my friends and me. To my amazement, I first saw her out of the corner of my eye stepping out of her role as a security guard to pray as a spiritual parent to two spiritual children during the morning rally’s prayer time; there she was, clad in her blue uniform, laying hands on those weeping kids; finally, I had witnessed someone courageous enough to step out of that rule of law, her boundary in Hong Kong, to be bound to that which is ethereal, the rule of Christ to carry each others’ burdens. Later, as the audience passed through the exit, I had time to confirm her love for the Lord and at that, we broke into a torrent of encouragement and followed this with a flurry of picture-taking. Indeed, never have I stumbled upon such good will from a dragon security guard in HK so I am hopeful, therefore, that this is but the the start of a greater movement within that particular demon-worshipping core, that at this time, God is opening up the heavenly armory and placing his prayer warriors inside that particular stronghold in Hong Kong to demolish every pretension that sets itself up against the knowledge of God and placing in its stead a profusion of love, gentleness and kindness. I look forward to the day when wisdom, and not languid stares, shall emanate from all the people who man the facilities in these universities.
Reconciliation
This is special. No sooner had Isaac and I stepped into the auditorium than we heard the plaintive cry of the mainland Chinese on the stage forgiving the Hong Kong people for their trespasses against their brethren from the north. A flurry of hugs, replete with a few tears, ensued. That was, as Dale announced from the stage, a delicious moment. Jesus must have been breaking out the good champagne in heaven for a rousing celebration in view of this victory.
Sex Talk – Part One
The kids finally received the sex talk this morning; a fiery pastor delivered the message which was as much shocking as informative; and gasps and wincing abounded in the audience.
While I have recently heard the sex talk at the men’s retreat, and have furthermore by God’s grace been inoculated against this particular area of struggle, it was nonetheless refreshing to hear the news, as shocking and as sensational as it was. I am willing, in addition, to believe that some of the atrocious acts that the pastor referenced, such as gruesome abortions and bizarre sexual acts, are more prevalent than my reason will believe, because my scope is limited by experience, but as the Father witnesses everything, if the Spirit has convicted this man and has told him that the world is heading closer and closer into the mouth of Jezebel in this way, I accept this. In fact, believing this is important if I am to be a good spiritual parent who will not only protect but educate the new generation from the prowling enemy that lurks these days, even, in our computers.
Prayer
The Holy Spirit fell over me this morning during my group’s team time. He convicted me to pray in Cantonese for the first time, and so I did without fear, those Chinese words pouring out of me as if perfume from an alabaster jar. Praise God: he is good; and this was the moment I have been waiting for.
I think about what happened, and am amazed at the Father’s favor; despite my critiques against this culture, and in spite of my recent lamentations, the Lord, ever faithfully, provided a way out under which I could stand and by which I could be protected from the bait of Satan. Little did I know that the escape route would, in fact, ironically, direct me to the very thing that heretofore has stood as an obstruction, a spiritual roadblock, in my mind.
A missionary on the stage just spoke into my life when she said about her experience learning Putonghua in China: the difficult part was not learning the language but learning to love those people as Jesus loves them. This will always be my mission, no matter where I am.
Keuhng4 jong3
Lai1 hei2 (pull up)
In the afternoon, my team had a reconciliation meeting during which, in small groups, each team member at last was given an opportunity to share alternately their joys and struggles. At that time, though having staved off an open rebuke for several days, I could no longer hold back this challenge to my small group: to step out in faith to be a gateway to the nations; and second, per the morning’s message, to on their guard against the sexually explicit, insidious media. I laid out my argument with much cogency, and such a response as I saw fit knocked my group mates into a stupor, because they certainly didn’t have much to say afterwards.
Oscillate between…and…
Vacillate…
Equivocated
Prevaricate
Sex Talk – Part Two
1) Jesus came to show us the Father; John1:18
2) Grace First, Truth Second; John 1:24:25; 16-18
Pahn4 mohng6 (hope)
Do you believe that Jesus can heal you? Then lay hands.
Dale and I are men who have shared similar struggles. His testimony is riveting.
Suddenly, I realized that this rally is, in fact, a continuation of yesterday morning’s sex talk, because we ended the previous rally praying more against the shame of abortion than against personal sexual immorality. Notionally, what is being discussed will enable people to really experience the love of the Father such that to change permanently our behavior. So when we are tempted:
1) Call for help; Romans 10:13
2) Escape Plan; 1Corinthians 10:13
Remember not to stand and rebuke the enemy with your own strength; move physically from the situation.
3) Run Away; 2Timothy 2:22
4) Into the Father’s Arms; Hebrews 4:14
I like this talk. This might be the first time that these young people get straight sex talk from their leaders; and there is no better time than now for these young people to break through in this particular area of struggle, just as the young men of SP broke through these obstinate barriers during our men’s retreat.
5) Confess and be Healed; James 5:16
I hope these young people find faithful accountability brothers and sisters in this service.
6) Walk in Transparent Accountable Relationships; 1John 1:7
7) Resist the Enemy; James 4:7
Picture taken 1987 during my 5-month-trip around the world - digitally captured from paper print. Sorry for the bad quality.
I have uploaded a lot of my digitally captured photos, which I took since 2004. But the most interesting journeys I did between 1979 and 2004! Those photos are on slide.
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Fiji (Listeni/ˈfiːdʒiː/ FEE-jee Fijian: Viti; Fiji Hindi: फ़िजी), officially the Republic of Fiji[8] (Fijian: Matanitu Tugalala o Viti; Fiji Hindi: रिपब्लिक ऑफ फीजी[10] Fiji Hindi: Ripablik af Fījī), is an island country in Melanesia in the South Pacific Ocean about 1,100 nautical miles (2,000 km) northeast of New Zealand's North Island. Its closest neighbours are Vanuatu to the west, New Caledonia to the southwest, New Zealand's Kermadec Islands to the southeast, Tonga to the east, the Samoas and France's Wallis and Futuna to the northeast, and Tuvalu to the north.
Fiji is an archipelago of more than 330 islands, of which 110 are permanently inhabited, and more than 500 islets, amounting to a total land area of about 18,300 square kilometres. The farthest island is Ono-i-Lau. The two major islands, Viti Levu and Vanua Levu, account for 87% of the population of almost 860,000. The capital, Suva on Viti Levu, serves as Fiji's principal cruise port. About three-quarters of Fijians live on Viti Levu's coasts, either in Suva or in smaller urban centres like Nadi (tourism) or Lautoka (sugar cane industry). Viti Levu's interior is sparsely inhabited due to its terrain.
Fiji has one of the most developed economies in the Pacific due to an abundance of forest, mineral, and fish resources. Today, the main sources of foreign exchange are its tourist industry and sugar exports. The country's currency is the Fijian dollar. Fiji's local government, in the form of city and town councils, is supervised by the Ministry of Local Government and Urban Development.
The majority of Fiji's islands were formed through volcanic activity starting around 150 million years ago. Today, some geothermal activity still occurs on the islands of Vanua Levu and Taveuni. Fiji has been inhabited since the second millennium BC, and was settled first by Austronesians and later by Melanesians, with some Polynesian influences. Europeans visited Fiji from the 17th century, and, after a brief period as an independent kingdom, the British established the Colony of Fiji in 1874. Fiji was a Crown colony until 1970, when it gained independence as a Commonwealth realm. A republic was declared in 1987, following a series of coups d'état.
In a coup in 2006, Commodore Frank Bainimarama seized power. When the High Court ruled in 2009 that the military leadership was unlawful, President Ratu Josefa Iloilo, whom the military had retained as the nominal Head of State, formally abrogated the Constitution and reappointed Bainimarama. Later in 2009, Iloilo was replaced as President by Ratu Epeli Nailatikau. After years of delays, a democratic election was held on 17 September 2014. Bainimarama's FijiFirst party won with 59.2% of the vote, and the election was deemed credible by international observers.
ETYMOLOGY
Fiji's main island is known as Viti Levu and it is from this that the name "Fiji" is derived, though the common English pronunciation is based on that of their island neighbours in Tonga. Its emergence can be described as follows:
Fijians first impressed themselves on European consciousness through the writings of the members of the expeditions of Cook who met them in Tonga. They were described as formidable warriors and ferocious cannibals, builders of the finest vessels in the Pacific, but not great sailors. They inspired awe amongst the Tongans, and all their Manufactures, especially bark cloth and clubs, were highly valued and much in demand. They called their home Viti, but the Tongans called it Fisi, and it was by this foreign pronunciation, Fiji, first promulgated by Captain James Cook, that these islands are now known.
"Feejee", the Anglicised spelling of the Tongan pronunciation, was used in accounts and other writings until the late 19th century, by missionaries and other travellers visiting Fiji.
HISTORY
EARLY HISTORY
Pottery art from Fijian towns shows that Fiji was settled before or around 3500 to 1000 BC, although the question of Pacific migration still lingers. It is believed that the Lapita people or the ancestors of the Polynesians settled the islands first but not much is known of what became of them after the Melanesians arrived; they may have had some influence on the new culture, and archaeological evidence shows that they would have then moved on to Samoa, Tonga and even Hawai'i.The first settlements in Fiji were started by voyaging traders and settlers from the west about 5000 years ago. Lapita pottery shards have been found at numerous excavations around the country. Aspects of Fijian culture are similar to the Melanesian culture of the western Pacific but have a stronger connection to the older Polynesian cultures. Trade between Fiji and neighbouring archipelagos long before European contact is testified by the canoes made from native Fijian trees found in Tonga and Tongan words being part of the language of the Lau group of islands. Pots made in Fiji have been found in Samoa and even the Marquesas Islands.Across 1,000 kilometres from east to west, Fiji has been a nation of many languages. Fiji's history was one of settlement but also of mobility. Over the centuries, a unique Fijian culture developed. Constant warfare and cannibalism between warring tribes were quite rampant and very much part of everyday life. During the 19th century, Ratu Udre Udre is said to have consumed 872 people and to have made a pile of stones to record his achievement. According to Deryck Scarr, "Ceremonial occasions saw freshly killed corpses piled up for eating. 'Eat me!' was a proper ritual greeting from a commoner to a chief." Scarr also reported that the posts that supported the chief's house or the priest's temple would have sacrificed bodies buried underneath them, with the rationale that the spirit of the ritually sacrificed person would invoke the gods to help support the structure, and "men were sacrificed whenever posts had to be renewed". Also, when a new boat, or drua, was launched, if it was not hauled over men as rollers, crushing them to death, "it would not be expected to float long". Fijians today regard those times as "na gauna ni tevoro" (time of the devil). The ferocity of the cannibal lifestyle deterred European sailors from going near Fijian waters, giving Fiji the name Cannibal Isles; as a result, Fiji remained unknown to the rest of the world.The Dutch explorer Abel Tasman visited Fiji in 1643 while looking for the Great Southern Continent. Europeans settled on the islands permanently beginning in the 19th century. The first European settlers to Fiji were beachcombers, missionaries, whalers, and those engaged in the then booming sandalwood and bêche-de-mer trade.Ratu Seru Epenisa Cakobau was a Fijian chief and warlord from the island of Bau, off the eastern coast of Viti Levu, who united part of Fiji's warring tribes under his leadership. He then styled himself as Tui Viti or King of Fiji, and then Vunivalu, or Protector, after the cession of Fiji to the United Kingdom. The British subjugated the islands as a colony in 1874, and the British brought over Indian contract labourers to work on the sugar plantations as the first governor of Fiji, Arthur Charles Hamilton-Gordon, adopted a policy disallowing the use of native labour or any interference in their culture or way of life. In 1875–76, an epidemic of measles killed over 40,000 Fijians, about one-third of the Fijian population. The population in 1942 was approximately 210,000 of whom 94,000 were Indians, 102,000 native Fijians, 2,000 Chinese and 5,000 Europeans.
INDEPENDENCE (1970)
The British granted Fiji independence in 1970. Democratic rule was interrupted by two military coups in 1987 precipitated by a growing perception that the government was dominated by the Indo-Fijian (Indian) community. The second 1987 coup saw both the Fijian monarchy and the Governor General replaced by a non-executive president and the name of the country changed from Dominion of Fiji to Republic of Fiji and then in 1997 to Republic of the Fiji Islands. The two coups and the accompanying civil unrest contributed to heavy Indo-Fijian emigration; the resulting population loss resulted in economic difficulties and ensured that Melanesians became the majority.
In 1990, the new constitution institutionalised ethnic Fijian domination of the political system. The Group Against Racial Discrimination (GARD) was formed to oppose the unilaterally imposed constitution and to restore the 1970 constitution. In 1992 Sitiveni Rabuka, the Lieutenant Colonel who had carried out the 1987 coup, became Prime Minister following elections held under the new constitution. Three years later, Rabuka established the Constitutional Review Commission, which in 1997 wrote a new constitution which was supported by most leaders of the indigenous Fijian and Indo-Fijian communities. Fiji was re-admitted to the Commonwealth of Nations.
The year 2000 brought along another coup, instigated by George Speight, which effectively toppled the government of Mahendra Chaudhry, who in 1997 had become the country's first Indo-Fijian Prime Minister following the adoption of the new constitution. Commodore Frank Bainimarama assumed executive power after the resignation, possibly forced, of President Ratu Sir Kamisese Mara. Later in 2000, Fiji was rocked by two mutinies when rebel soldiers went on a rampage at Suva's Queen Elizabeth Barracks. The High Court ordered the reinstatement of the constitution, and in September 2001, to restore democracy, a general election was held which was won by interim Prime Minister Laisenia Qarase's Soqosoqo Duavata ni Lewenivanua party.
In 2005, the Qarase government amid much controversy proposed a Reconciliation and Unity Commission with power to recommend compensation for victims of the 2000 coup and amnesty for its perpetrators. However, the military, especially the nation's top military commander, Frank Bainimarama, strongly opposed this bill. Bainimarama agreed with detractors who said that to grant amnesty to supporters of the present government who had played a role in the violent coup was a sham. His attack on the legislation, which continued unremittingly throughout May and into June and July, further strained his already tense relationship with the government.
In late November and early December 2006, Bainimarama was instrumental in the 2006 Fijian coup d'état. Bainimarama handed down a list of demands to Qarase after a bill was put forward to parliament, part of which would have offered pardons to participants in the 2000 coup attempt. He gave Qarase an ultimatum date of 4 December to accede to these demands or to resign from his post. Qarase adamantly refused either to concede or resign, and on 5 December the president, Ratu Josefa Iloilo, was said to have signed a legal order dissolving the parliament after meeting with Bainimarama.
In April 2009, the Fiji Court of Appeal ruled that the 2006 coup had been illegal. This began the 2009 Fijian constitutional crisis. President Iloilo abrogated the constitution, removed all office holders under the constitution including all judges and the governor of the Central Bank. He then reappointed Bainimarama as prime minister under his "New Order" and imposed a "Public Emergency Regulation" limiting internal travel and allowing press censorship.
For a country of its size, Fiji has fairly large armed forces, and has been a major contributor to UN peacekeeping missions in various parts of the world. In addition, a significant number of former military personnel have served in the lucrative security sector in Iraq following the 2003 US-led invasion.
GEOGRAPHY
Fiji covers a total area of some 194,000 square kilometres of which around 10% is land.
Fiji is the hub of the South West Pacific, midway between Vanuatu and Tonga. The archipelago is located between 176° 53′ east and 178° 12′ west. The 180° meridian runs through Taveuni but the International Date Line is bent to give uniform time (UTC+12) to all of the Fiji group. With the exception of Rotuma, the Fiji group lies between 15° 42′ and 20° 02′ south. Rotuma is located 220 nautical miles (410 km) north of the group, 360 nautical miles (670 km) from Suva, 12° 30′ south of the equator.
Fiji consists of 332 islands (of which 106 are inhabited) and 522 smaller islets. The two most important islands are Viti Levu and Vanua Levu, which account for about three-quarters of the total land area of the country. The islands are mountainous, with peaks up to 1,324 metres, and covered with thick tropical forests.
The highest point is Mount Tomanivi on Viti Levu. Viti Levu hosts the capital city of Suva, and is home to nearly three-quarters of the population. Other important towns include Nadi (the location of the international airport), and Lautoka, Fiji's second city with large sugar cane mills and a seaport.
The main towns on Vanua Levu are Labasa and Savusavu. Other islands and islandgroups include Taveuni and Kadavu (the third and fourth largest islands, respectively), the Mamanuca Group (just off Nadi) and Yasawa Group, which are popular tourist destinations, the Lomaiviti Group, off Suva, and the remote Lau Group. Rotuma, some 270 nautical miles (500 km) north of the archipelago, has a special administrative status in Fiji. Ceva-i-Ra, an uninhabited reef, is located about 250 nautical miles (460 km) southwest of the main archipelago.
CLIMATE
The climate in Fiji is tropical marine and warm year round with minimal extremes. The warm season is from November to April and the cooler season lasts from May to October. Temperatures in the cool season still average 22 °C.
Rainfall is variable, with the warm season experiencing heavier rainfall, especially inland. Winds are moderate, though cyclones occur about once a year (10–12 times per decade).
On 20 February 2016, Fiji was hit by the full force of Cyclone Winston, the only Category 5 tropical cyclone to make landfall in the nation. Winston destroyed tens of thousands of homes across the island, killing 44 people and causing an estimated FJ$2 billion ($1 billion USD) in damage.
POLITICS
Politics in Fiji normally take place in the framework of a parliamentary representative democratic republic wherein the Prime Minister of Fiji is the head of government and the President the Head of State, and of a multi-party system. Executive power is exercised by the government, legislative power is vested in both the government and the Parliament of Fiji, and the judiciary is independent of the executive and the legislature.
2006 MILIARY TAKEOVER
Citing corruption in the government, Commodore Josaia Voreqe (Frank) Bainimarama, Commander of the Republic of Fiji Military Forces, staged a military takeover on 5 December 2006 against the prime minister that he had installed after a 2000 coup. There had also been a military coup in 1987. The commodore took over the powers of the presidency and dissolved the parliament, paving the way for the military to continue the takeover. The coup was the culmination of weeks of speculation following conflict between the elected prime minister, Laisenia Qarase, and Commodore Bainimarama. Bainimarama had repeatedly issued demands and deadlines to the prime minister. A particular issue was previously pending legislation to pardon those involved in the 2000 coup. Bainimarama named Jona Senilagakali as caretaker prime minister. The next week Bainimarama said he would ask the Great Council of Chiefs to restore executive powers to the president, Ratu Josefa Iloilo.
On 4 January 2007, the military announced that it was restoring executive power to president Iloilo, who made a broadcast endorsing the actions of the military. The next day, Iloilo named Bainimarama as the interim prime minister, indicating that the military was still effectively in control. In the wake of the takeover, reports emerged of alleged intimidation of some of those critical of the interim regime.
On 9 April 2009, the Court of Appeal overturned the High Court decision that Cdre. Bainimarama's takeover of Qarase's government was lawful and declared the interim government to be illegal. Bainimarama agreed to step down as interim PM immediately, along with his government, and president Iloilo was to appoint "a distinguished person independent of the parties to this litigation as caretaker Prime Minister, ...to direct the issuance of writs for an election."
On 10 April 2009, President Iloilo suspended the Constitution of Fiji, dismissed the Court of Appeal and, in his own words, "appoint[ed] [him]self as the Head of the State of Fiji under a new legal order". As President, Iloilo had been Head of State prior to his abrogation of the Constitution, but that position had been determined by the Constitution itself. The "new legal order" did not depend on the Constitution, thus requiring a "reappointment" of the Head of State. "You will agree with me that this is the best way forward for our beloved Fiji", he said. Bainimarama was re-appointed as Interim Prime Minister; he, in turn, re-instated his previous cabinet.
On 2 May 2009, Fiji became the first nation ever to have been suspended from participation in the Pacific Islands Forum, for its failure to hold democratic elections by the date promised. Nevertheless, it remains a member of the Forum.
On 1 September 2009, Fiji was suspended from the Commonwealth of Nations. The action was taken because Cdre. Bainimarama failed to hold elections by 2010 as the Commonwealth of Nations had demanded after the 2006 coup. Cdre. Bainimarama stated a need for more time to end a voting system that heavily favoured ethnic Fijians at the expense of the multi-ethnic minorities. Critics, however, claimed that he had suspended the constitution and was responsible for human rights violations by arresting and detaining opponents.
In his 2010 New Year's address, Cdre. Bainimarama announced the lifting of the Public Emergency Regulations (PER). The PER had been put in place in April 2009 when the former constitution was abrogated. The PER had allowed restrictions on speech, public gatherings, and censorship of news media and had given security forces added powers. He also announced a nationwide consultation process leading to a new Constitution under which the 2014 elections will be held.
On 14 March 2014, the Commonwealth Ministerial Action Group voted to change Fiji's full suspension from the Commonwealth of Nations to a suspension from the councils of the Commonwealth, allowing them to participate in a number of Commonwealth activities, including the 2014 Commonwealth Games. The suspension was lifted in September 2014.
A general election took place on 17 September 2014. Bainimarama's FijiFirst party won with 59.2% of the vote, and the election was deemed credible by a group of international observers from Australia, India and Indonesia.
ARMED FORCES AND LAW ENFORCEMENT
The military consists of the Republic of Fiji Military Forces (RFMF) with a total manpower of 3,500 active soldiers and 6,000 reservists, and includes a Navy Unit of 300 personnel.
The Land Force comprises the Fiji Infantry Regiment (regular and territorial force organised into six light infantry battalions), Fiji Engineer Regiment, Logistic Support Unit and Force Training Group. The two regular battalions are traditionally stationed overseas on peacekeeping duties.
The Law Enforcement branch is composed of:
Fiji Police Force
Fiji Corrections Service
ADMINISTRATIVE DIVISIONS
Fiji is divided into Four Major Divisions which are further divided into 14 provinces. They are:
Central Division has 5 provinces: Naitasiri, Namosi, Rewa, Serua, and Tailevu.
Eastern Division has 3 provinces: Kadavu, Lau, and Lomaiviti.
Northern Division has 3 provinces: Bua, Cakaudrove, and Macuata.
Western Division has 3 provinces: Ba, Nadroga-Navosa, and Ra.
Fiji was also divided into 3 Confederacies or Governments during the reign of Seru Epenisa Cakobau, though these are not considered political divisions, they are still considered important in the social divisions of the indigenous Fijians:
ECONOMY
Endowed with forest, mineral, and fish resources, Fiji is one of the most developed of the Pacific island economies, though still with a large subsistence sector. Some progress was experienced by this sector when Marion M. Ganey, S.J., introduced credit unions to the islands in the 1950s. Natural resources include timber, fish, gold, copper, offshore oil, and hydropower. Fiji experienced a period of rapid growth in the 1960s and 1970s but stagnated in the 1980s. The coup of 1987 caused further contraction.
Economic liberalisation in the years following the coup created a boom in the garment industry and a steady growth rate despite growing uncertainty regarding land tenure in the sugar industry.[citation needed] The expiration of leases for sugar cane farmers (along with reduced farm and factory efficiency) has led to a decline in sugar production despite subsidies for sugar provided by the EU; Fiji has been the second largest beneficiary of sugar subsidies after Mauritius.[citation needed] Fiji's vital gold mining industry based in Vatukoula, which shut down in 2006, was reactivated in 2008.
Urbanisation and expansion in the service sector have contributed to recent GDP growth. Sugar exports and a rapidly growing tourist industry – with tourists numbering 430,800 in 2003 and increasing in the subsequent years – are the major sources of foreign exchange. Fiji is highly dependent on tourism for revenue. Sugar processing makes up one-third of industrial activity. Long-term problems include low investment and uncertain property rights. The political turmoil in Fiji in the 1980s, the 1990s, and 2000 had a severe impact on the economy, which shrank by 2.8% in 2000 and grew by only 1% in 2001.
The tourism sector recovered quickly, however, with visitor arrivals reaching pre-coup levels in 2002, resulting in a modest economic recovery which continued into 2003 and 2004 but grew by a mere 1.7% in 2005 and by 2.0% in 2006. Although inflation is low, the policy indicator rate of the Reserve Bank of Fiji was raised by 1% to 3.25% in February 2006 due to fears of excessive consumption financed by debt. Lower interest rates have so far not produced greater investment in exports.
However, there has been a housing boom due to declining commercial mortgage rates. The tallest building in Fiji is the fourteen-storey Reserve Bank of Fiji Building in Suva, which was inaugurated in 1984. The Suva Central Commercial Centre, which opened in November 2005, was planned to outrank the Reserve Bank building at seventeen stories, but last-minute design changes ensured that the Reserve Bank building remained the tallest.
Trade and investment with Fiji have been criticised due to the country's military dictatorship. In 2008, Fiji's interim Prime Minister and coup leader Frank Bainimarama announced election delays and said that Fiji would pull out of the Pacific Islands Forum in Niue, where Bainimarama was to have met with Australian Prime Minister Kevin Rudd and New Zealand Prime Minister Helen Clark.
The South Pacific Stock Exchange (SPSE) is the only licensed securities exchange in Fiji and is based in Suva. Its vision is to become a regional exchange.
TOURISM
Fiji has a significant amount of tourism with the popular regions being Nadi, the Coral Coast, Denarau Island, and Mamanuca Islands. The biggest sources of international visitors by country are Australia, New Zealand and the United States. Fiji has a significant number of soft coral reefs, and scuba diving is a common tourist activity.
Fiji's main attractions to tourists are primarily white sandy beaches and aesthetically pleasing islands with all-year-round tropical weather. In general, Fiji is a mid-range priced holiday/vacation destination with most of the accommodations in this range. It also has a variety of world class five-star resorts and hotels. More budget resorts are being opened in remote areas, which will provide more tourism opportunities.
Official statistics show that in 2012, 75% of visitors stated that they came for a holiday/vacation. Honeymoons are very popular as are romantic getaways in general. There are also family friendly resorts with facilities for young children including kids' clubs and nanny options.
Fiji has several popular tourism destinations. The Botanical Gardens of Thursten in Suva, Sigatoka Sand Dunes, and Colo-I-Suva Forest Park are three options on the mainland (Viti Levu). A major attraction on the outer islands is scuba diving. Most visitors arriving to Fiji on short term basis are from the following countries or regions of residence:
TRANSPORT
The Nadi International Airport is located 9 kilometres north of central Nadi and is the largest Fijian hub. Nausori International Airport is about 23 kilometres northeast of downtown Suva and serves mostly domestic traffic. The main airport in the second largest island of Vanua Levu is Labasa Airport located at Waiqele, southwest of Labasa Town. The largest aircraft handled by Labasa Airport is the ATR42. Airports Fiji Limited (AFL) is responsible for the operation of 15 public airports in the Fiji Islands. These include two international airports: Nadi international Airport, Fiji’s main international gateway, and Nausori Airport, Fiji’s domestic hub, and 13 outer island airports. Fiji's main airline was previously known as Air Pacific, but is now known as Fiji Airways.
Fiji's larger islands have extensive bus routes that are affordable and consistent in service. There are bus stops, and in rural areas buses are often simply hailed as they approach. Buses are the principal form of public transport and passenger movement between the towns on the main islands. Buses also serve on roll-on-roll-off inter-island ferries. Bus fares and routes are heavily regulated by the Land Transport Authority (LTA). Bus and taxi drivers hold Public Service Licenses (PSVs) issued by the LTA.
Taxis are licensed by the LTA and operate widely all over the country. Apart from urban, town-based taxis, there are others that are licensed to serve rural or semi-rural areas. The flagfall for regular taxis is F$1.50 and tariff is F$0.10 for every 200 meters. For taxis that are allowed to charge Value Added Tax (VAT), the flagfall is F$1.50 and tariff is F$0.30 for the first 200 meters, and F$0.11 for every 200 meters thereafter. Taxis operating out of Fiji's international airport, Nadi charge a flagfall of F$5. The elderly and Government welfare recipients are given a 20% discount on their taxi fares.
Inter-island ferries provide services between Fiji's principal islands and large vessels operate roll-on-roll-off services, transporting vehicles and large amounts of cargo between the main island of Viti Levu and Vanua Levu, and other smaller islands.
SOCEITY
DEMOGRAPHICS
The 2007 census found that the permanent population of Fiji was 837,000. The population density at the time was 45.8 inhabitants per square kilometre. The life expectancy in Fiji was 72.1 years. Since the 1930s the population of Fiji has increased at a rate of 1.1% per year. The population is dominated by the 15–64 age segment. The median age of the population was 27.9, and the gender ratio was 1.03 males per 1 female.
ETHNIC GROUPS
The population of Fiji is mostly made up of native Fijians, who are Melanesians (54.3%), although many also have Polynesian ancestry, and Indo-Fijians (38.1%), descendants of Indian contract labourers brought to the islands by the British colonial powers in the 19th century. The percentage of the population of Indo-Fijian descent has declined significantly over the last two decades due to migration for various reasons. Indo-Fijians suffered reprisals for a period after the Fiji coup of 2000. There is also a small but significant group of descendants of indentured labourers from the Solomon Islands.
About 1.2% are Rotuman—natives of Rotuma Island, whose culture has more in common with countries such as Tonga or Samoa than with the rest of Fiji. There are also small but economically significant groups of Europeans, Chinese, and other Pacific island minorities. The total membership of other ethnic groups of Pacific Islanders is about 7,300.
Relationships between ethnic Fijians and Indo-Fijians in the political arena have often been strained, and the tension between the two communities has dominated politics in the islands for the past generation. The level of political tension varies among different regions of the country.
DEMONYM
Within Fiji, the term Fijian refers solely to indigenous Fijians: it denotes an ancestral ethnicity, not a nationality. Constitutionally, citizens of Fiji are referred to as "Fiji Islanders" though the term Fiji Nationals is used for official purposes. In August 2008, shortly before the proposed People's Charter for Change, Peace and Progress was due to be released to the public, it was announced that it recommended a change in the name of Fiji's citizens. If the proposal were adopted, all citizens of Fiji, whatever their ethnicity, would be called "Fijians". The proposal would change the English name of indigenous Fijians from "Fijians" to itaukei, the Fijian language endonym for indigenous Fijians.
Deposed Prime Minister Laisenia Qarase reacted by stating that the name "Fijian" belonged exclusively to indigenous Fijians, and that he would oppose any change in legislation enabling non-indigenous Fijians to use it. The Methodist Church, to which a large majority of indigenous Fijians belong, also reacted strongly to the proposal, stating that allowing any Fiji citizen to call themselves "Fijian" would be "daylight robbery" inflicted on the indigenous population.
In an address to the nation during the constitutional crisis of April 2009, military leader and interim Prime Minister Voreqe Bainimarama, who has been at the forefront of the attempt to change the definition of "Fijian", stated:
I know we all have our different ethnicities, our different cultures and we should, we must, celebrate our diversity and richness. However, at the same time we are all Fijians. We are all equal citizens. We must all be loyal to Fiji; we must be patriotic; we must put Fiji first.
In May 2010, Attorney-General Aiyaz Sayed-Khaiyum reiterated that the term "Fijian" should apply to all Fiji nationals, but the statement was again met with protest. A spokesperson for the Viti Landowners and Resource Owners Association claimed that even fourth-generation descendants of migrants did not fully understand "what it takes to be a Fijian", and added that the term refers to a legal standing, since legislation affords specific rights to "Fijians" (meaning, in legislation, indigenous Fijians). Fiji academic Brij Lal, although a prominent critic of the Bainimarama government, said he "would not be surprised" if the new definition of the word "Fijian" were included in the government's projected new Constitution, and that he personally saw "no reason the term Fijian should not apply to everyone from Fiji".
LANGUAGES
Fijian is an Austronesian language of the Malayo-Polynesian family spoken in Fiji. It has 350,000 first-language speakers, which is less than half the population of Fiji, but another 200,000 speak it as a second language. The 1997 Constitution established Fijian as an official language of Fiji, along with English and Fiji Hindi, and there has been discussion about establishing it as the "national language", though English and Hindi would remain official. Fijian is a VOS language.
The Fiji Islands developed many dialects, which may be classified in two major branches — eastern and western. Missionaries in the 1840s chose an Eastern dialect, the speech of Bau Island off the southeast coast of the main island of Viti Levu, to be the written standard of the Fijian language. Bau Island was home to Seru Epenisa Cakobau, the chief who eventually became the self-proclaimed King of Fiji.
RELIGION
According to the 2007 census, 64.4% of the population at the time was Christian, followed by 27.9% Hindu, 6.3% Muslim, 0.8% non-religious, 0.3% Sikh, and the remaining 0.3% belonging to other religions. Among Christians, 54% were counted as Methodist, followed by 14.2% Catholic, 8.9% Assemblies of God, 6.0% Seventh-day Adventist, 1.2% Anglican, with the remaining 16.1% belonging to other denominations.
The largest Christian denomination is the Methodist Church of Fiji and Rotuma. (The general secretary is Revd Tuikilakila Waqairatu.) With 34.6% of the population (including almost two-thirds of ethnic Fijians), the proportion of the population adhering to Methodism is higher in Fiji than in any other nation. In 2012, permission was granted by the government for Methodists to hold their annual conference, for the first time in four years, with the conditions that the conference not coincide with the national Hibiscus Festival and should only last for three days, and that no political matters were to be discussed, only church matters.
Roman Catholics is headed by the Metropolitan Archdiocese of Suva, whose province also includes the dioceses of Raratonga (on the Cook Islands, for those and Niue, both New Zealand-associated countries) and Tarawa and Nauru (with see at Tarawa on Kiribati, also for Nauru) and the Mission Sui Iuris of Tokelau (again with New Zealand). This reflects that much major Roman Catholic missionary activity was conducted through the former Apostolic Prefecture (created in 1863 from the Apostolic Vicariate of Central Oceania), then Apostolic Vicariate of Fiji, which has since been promoted to Archdiocese of Suva, which spans the whole of Fiji.
Furthermore, the Assemblies of God, the Seventh-day Adventists and The Church of Jesus Christ of Latter-day Saints (LDS Church) are significant. Fiji also is the base for the Anglican Diocese of Polynesia (part of the Anglican Church in Aotearoa, New Zealand and Polynesia). These and other denominations have small numbers of Indo-Fijian members; Christians of all kinds comprise 6.1% of the Indo-Fijian population.
Hindus belong mostly to the Sanatan sect (74.3% of all Hindus) or else are unspecified (22%). The small Arya Samaj sect claims the membership of some 3.7% of Hindus in Fiji. Muslims are mostly Sunni (96.4%) following the Hanafi school of jurisprudence, with a small Ahmadiyya minority (3.6%). The Sikh religion comprises 0.9% of the Indo-Fijian population, or 0.4% of the national population in Fiji. Their ancestors originated from the Punjab region of India; they are a fairly recent wave of immigrants who did not live through[clarification needed] the indenture system.[citation needed] The Bahá'í Faith has over 21 local Spiritual Assemblies throughout Fiji, and Baha'is live in more than 80 localities. The first Baha'i in the islands was a New Zealander who arrived in 1924. There is also a small Jewish population of about 60 people. Every year the Israeli Embassy organises a Passover celebration with about 50-60 people attending.
EDUCATION
Primary school education in Fiji is compulsory, and free for eight years. As of 2001, attendance was decreasing due to security concerns and the burden of school fees, often due to the cost of transport. Following the government coup in May 2000, more than 5,000 students were reported to have left school.
CULTURE
Fiji's culture is a rich mosaic of indigenous Fijian, Indo-Fijian, Asian and European traditions, comprising social polity, language, food (coming mainly from the sea, plus casava, dalo (taro) and other vegetables), costume, belief systems, architecture, arts, craft, music, dance, and sports.
While indigenous Fijian culture and traditions are very vibrant and are integral components of everyday life for the majority of Fiji's population, Fijian society has evolved over the past century with the introduction of traditions such as Indian and Chinese as well as significant influences from Europe and Fiji's Pacific neighbours, particularly Tonga and Samoa. Thus, the various cultures of Fiji have come together to create a unique multicultural national identity.
Fiji's culture was showcased at the World Exposition held in Vancouver, Canada, in 1986 and more recently at the Shanghai World Expo 2010, along with other Pacific countries in the Pacific Pavilion.
HOLIDAYS AND FESTIVALS
This is a list of holidays celebrated in Fiji:
New Year's Day
Good Friday
Easter Saturday
Easter Monday
Fiji Day
Diwali
Christmas
Boxing Day
Prophet Mohammed's Birthday
The exact dates of public holidays vary from year to year, but the dates for the next year can be found at the Fiji Government Web Site
The following holidays are no longer celebrated in Fiji:
Queen's Official Birthday
National Youth Day
Ratu Sir Lala Sukuna Day
SPORT
Sports are very popular in Fiji, particularly sports involving physical contact. Fiji's national sport is Rugby Sevens.
RUGBY UNION
Rugby Union is the most-popular team sport played in Fiji.
Fiji is one of the few countries where rugby union is the main sport. There are about 80,000 registered players from a total population of around 900,000. One of the problems for Fiji is simply getting their players to play for their home country, as many have contracts in Europe or with Super Rugby teams, where monetary compensation is far more rewarding. The repatriated salaries of its overseas stars have become an important part of some local economies. In addition, a significant number of players eligible to play for Fiji end up representing Australia or New Zealand; notable examples are Fiji-born cousins and former New Zealand All Blacks, Joe Rokocoko and Sitiveni Sivivatu, current All Blacks Waisake Naholo and Seta Tamanivalu as well as Australian Wallabies former winger, Lote Tuqiri and current Wallabies Tevita Kuridrani , Samu Kerevi and Henry Speight. Fiji has won the most Pacific Tri-Nations Championships of the three participating teams.
RUGBY LEAGUE
The Fiji national rugby league team, nicknamed the Bati (pronounced [mˈbatʃi]), represents Fiji in the sport of rugby league football and has been participating in international competition since 1992. It has competed in the Rugby League World Cup on three occasions, with their best results coming when they made consecutive semi-final appearances in the 2008 Rugby League World Cup and 2013 Rugby League World Cup. The team also competes in the Pacific Cup.
Members of the team are selected from a domestic Fijian competition, as well as from competitions held in New Zealand and Australia. For the 2000, 2008 and 2013 World Cups, the Bati were captained by Lote Tuqiri, Wes Naiqama and the legendary Petero Civoniceva respectively. Fiji have also produced stars like Akuila Uate, Jarryd Hayne, Kevin Naiqama, Semi Tadulala, Marika Koroibete, Apisai Koroisau, Sisa Waqa and the Sims brothers Ashton Sims, Tariq Sims and Korbin Sims
RUGBY WAR DANCE (CIBI AND BOLE) AND FIJIAN HYMN
The Cibi (pronounced Thimbi) war dance was traditionally performed by the Fiji rugby team before each match. It was replaced in 2012 with the new "Bole" (pronounced mBolay) war cry.
Tradition holds that the original Cibi was first performed on the rugby field back in 1939 during a tour of New Zealand, when then Fijian captain Ratu Sir George Cakobau felt that his team should have something to match the Haka of the All Blacks. The 'Cibi' had perhaps been used incorrectly though, as the word actually means "a celebration of victory by warriors," whereas 'Bole' is the acceptance of a challenge.
The Fiji Bati rugby league team also gather in a huddle and perform the noqu masu before each match.
NETBALL
Netball is the most popular women's participation sport in Fiji. The national team has been internationally competitive, at Netball World Cup competitions reaching 6th position in 1999, its highest level to date. The team won gold medals at the 2007 and 2015 Pacific Games.
CRICKET
Cricket is a minor sport in Fiji. The Cricket Fiji is an Associate member of International Cricket Council. Fiji U19 cricket team won the 2015 edition of the tournament, and consequently qualified for the 2016 Under-19 World Cup, becoming the first team outside of Papua New Guinea to qualify from the region.
WIKIPEDIA
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The Cathedral Church of Saint Peter and Saint Paul in the City and Diocese of Washington, operated under the more familiar name of Washington National Cathedral, is a cathedral of the Episcopal Church located in Washington, D.C., the capital of the United States.[1][2] Of Neo-Gothic design closely modeled on English Gothic style of the late fourteenth century, it is the sixth-largest cathedral in the world[citation needed], the second-largest in the United States,[3] and the highest as well as the fourth-tallest structure in Washington, D.C. The cathedral is the seat of both the Presiding Bishop of the Episcopal Church, Michael Bruce Curry, and the Bishop of the Diocese of Washington, Mariann Edgar Budde. In 2009, nearly 400,000 visitors toured the structure. Average attendance at Sunday services in 2009 was 1,667, the highest of all domestic parishes in the Episcopal Church that year.[4]
The Protestant Episcopal Cathedral Foundation, under the first seven Bishops of Washington, erected the cathedral under a charter passed by the United States Congress on January 6, 1893.[5] Construction began on September 29, 1907, when the foundation stone was laid in the presence of President Theodore Roosevelt and a crowd of more than 20,000, and ended 83 years later when the "final finial" was placed in the presence of President George H. W. Bush in 1990. Decorative work, such as carvings and statuary, is ongoing as of 2011. The Foundation is the legal entity of which all institutions on the Cathedral Close are a part; its corporate staff provides services for the institutions to help enable their missions, conducts work of the Foundation itself that is not done by the other entities, and serves as staff for the Board of Trustees.
The Cathedral stands at Massachusetts and Wisconsin Avenues in the northwest quadrant of Washington. It is an associate member of the recently organized inter-denominational Washington Theological Consortium.[6] It is listed on the National Register of Historic Places. In 2007, it was ranked third on the List of America's Favorite Architecture by the American Institute of Architects.[7]
History[edit]
Construction[edit]
In 1792, Pierre L'Enfant's "Plan of the Federal City" set aside land for a "great church for national purposes." The National Portrait Gallery now occupies that site. In 1891, a meeting was held to renew plans for a national cathedral. On January 6, 1893, the Protestant Episcopal Cathedral Foundation of the District of Columbia was granted a charter from Congress to establish the cathedral. The 52nd United States Congress declared in the act to incorporate the Protestant Episcopal Cathedral Foundation of the District of Columbia that the "said corporation is hereby empowered to establish and maintain within the District of Columbia a cathedral and institutions of learning for the promotion of religion and education and charity."[8] The commanding site on Mount Saint Alban was chosen. Henry Yates Satterlee, first Episcopal Bishop of the Diocese of Washington, chose George Frederick Bodley, Britain's leading Anglican church architect, as the head architect. Henry Vaughan was selected supervising architect.
Construction started September 29, 1907, with a ceremonial address by President Theodore Roosevelt and the laying of the cornerstone. In 1912, Bethlehem Chapel opened for services in the unfinished cathedral, which have continued daily ever since. When construction of the cathedral resumed after a brief hiatus for World War I, both Bodley and Vaughan had died. Gen. John J. Pershing led fundraising efforts for the church after World War I. American architect Philip Hubert Frohman took over the design of the cathedral and was thenceforth designated the principal architect. Funding for the National Cathedral has come entirely from private sources. Maintenance and upkeep continue to rely entirely upon private support.
National House of Prayer[edit]
The United States Congress has designated the "Washington National Cathedral" as the "National House of Prayer."[9] During World War II, monthly services were held there "on behalf of a united people in a time of emergency." Before and since, the structure has hosted other major events, both religious and secular, that have drawn the attention of the American people, as well as tourists from around the world.
Major events[edit]
Major services[edit]
The 2004 state funeral of the 40th President, Ronald Reagan
State funerals for three American Presidents have been held at the cathedral:[10]
34th President Dwight Eisenhower (1969): Eisenhower lay in repose at the cathedral before lying in state
State funeral of the 40th President, Ronald Reagan (2004)[11]
Funeral of the 38th President, Gerald Ford (2007)
Memorial services were also held for presidents (29th) Warren G. Harding, (27th) William Howard Taft, (30th) Calvin Coolidge, (33rd) Harry S Truman, and (37th) Richard M. Nixon.[10]
Presidential prayer services were held the day after the inaugurations of 32nd President Franklin Delano Roosevelt in January 1937, 40th Ronald Reagan in 1985, 41st George H.W. Bush in 1989, 43rd George W. Bush in 2001 and 2005, and 44th Barack Obama in 2009 and 2013.[12]
Other events include:
Funeral for former first lady Edith Bolling Galt Wilson (1961)[10]
Memorial service for former first lady Eleanor Roosevelt (1962)[10]
Memorial service for the casualties of the Vietnam War on November 14, 1982
Public funeral for Chief of Naval Operations, United States Navy, Admiral Jeremy Michael Boorda (1996)
Funeral for U.S. Secretary of Commerce Ronald Brown (1996)
Funeral for U.S. Ambassador to France Pamela Harriman (1997)
Funeral for Washington Post newspaper publisher Katharine Graham (2001)
Memorial service for the victims of the September 11, 2001 attacks
Special evensong for the victims of the Virginia Tech massacre
Funeral for educator and national civil rights leader Dorothy Height (2010)
Memorial service for NASA astronaut and first person on the Moon Neil Armstrong (2012)
Funeral for U.S. Senator Daniel Inouye of Hawaii, President Pro Tempore of the Senate, and Congressional Medal of Honor recipient (2012)
Memorial service for former South African President and anti-apartheid activist Nelson Mandela (2014)
High school graduation ceremonies for the St. Albans School (Washington, D.C.) and the National Cathedral School
It was from Washington National Cathedral's "Canterbury Pulpit" that the Reverend Martin Luther King, Jr. delivered the final Sunday sermon of his life on March 31, 1968, just a few days before his assassination in April 1968.[13] A memorial service for King was held at the cathedral later the same week.
Financial concerns[edit]
In January 2003, the Reverend Nathan D. Baxter, Dean of the cathedral, announced his retirement effective June 30, 2003. Baxter had led the cathedral since 1991.[14] After an 18-month search, The Very Reverend Samuel T. Lloyd III was named Dean and began his tenure on April 23, 2005. Lloyd was charged with helping to enlarge the church's congregation and make the cathedral a center for Christian thought and spiritual life.[15] Using a $15 million bequest the cathedral received in 2000, Lloyd rapidly expanded the cathedral's programming.[16][17] Meanwhile, the cathedral deferred maintenance and declined to make needed repairs.[17] Construction also began in 2004 on a $34 million, four-level, 430-car underground parking garage. The structure was pushed by John Bryson Chane, Bishop of the Episcopal Diocese of Washington, and was funded primarily by debt. It opened in 2007.[17][18] Debt payments on the garage were $500,000.00 a year, with a major increase in the annual debt service beginning in 2017.[19] In early 2008, the National Cathedral Association, the church's fundraising donor network, was disbanded after cathedral leaders concluded that the building was "finished" and it was no longer necessary to raise significant funds for construction.[17][20]
The 2008–2009 Great Recession hit the cathedral hard. By June 2010, the cathedral cut its budget from $27 million to $13 million (more than half), outsourced the operation of its gift shop, shut its greenhouse, and ceased operation of a college that had provided Episcopal clergy nationwide with continuing theological education. The cathedral also laid off 100 of its 170 staff members (about 60 percent of the total), including its art conservator and its liturgist (who researched and advocated the use of liturgies at the cathedral).[21] It also significantly cut back on programming, music performances, and classes.[22] To help stabilize its finances, the cathedral began an $11 million fundraising campaign and used $2.5 million of its $50 million endowment to plug budget holes.[21] The National Cathedral Association was recreated as well.[19]
In June 2010, the cathedral announced that it was exploring the sale of its rare book collection, whose value was estimated to be several million dollars.[21] It sold a number of books to a private collector in 2011 for $857,000.00[17] and in 2013 donated most of the remaining collection to Virginia Theological Seminary.[17][23]
As the economic downturn continued, a report by cathedral staff identified $30 million in needed maintenance and repairs at Washington National Cathedral.[17] Among the problems were cracked and missing mortar in the oldest sections of the building; broken HVAC, mechanical, and plumbing systems throughout the structure; extensive preservation needs; and a main organ in disrepair. Repointing the building was estimated to cost at least $5 million, while organ repair was set at $15 million.[19]
In July 2011, Rev. Lloyd announced his resignation, effective in September.[22]
2011 earthquake[edit]
The cathedral was damaged in August 2011 during the Virginia earthquake. Finial stones on several pinnacles broke off, and several pinnacles twisted out of alignment or collapsed entirely. Some gargoyles and other carvings were damaged, and a hole was punched through the metal-clad roof by falling masonry. Cracks also appeared in the flying buttresses surrounding the apse. Inside, initial inspections revealed less damage, with some mortar joints loose or falling out.[24] The cathedral, which had no earthquake insurance, was essentially leaderless and struggled to cope with the cost of the damage.[17]
Washington National Cathedral closed from August 24 to November 7, 2011,[24] as $2 million was spent to stabilize the structure and remove damaged or loose stone.[17] Safety netting was erected throughout the nave to protect visitors from any debris that might fall from above.[25] The cathedral reopened for the consecration and installation of Mariann Budde as the ninth Bishop of Washington on November 12, 2011.[26] At that time, estimates of the cost of the damage were about $25 million.[26]
Identifying the full extent of the damage and construction planning and studies over the next two years consumed another $2.5 million.[17] In 2011, the cathedral received a $700,000.00 preservation work matching grant from the Save America's Treasures program, a public-private partnership operated by the nonprofit National Trust for Historic Preservation. The program, which is federally funded, required the cathedral to match the grant dollar-for-dollar with private funds and use the money solely for preservation work.[27]Whether the provision of such aid violates the First Amendment, on the ground that frees up, for religious work, funds that otherwise would have been spent for the restoration, historically has been a controversial topic.[28]
The Reverend Canon Gary R. Hall was chosen to be the 10th dean of Washington National Cathedral in August 2012.[29]
Although fundraising to repair the damage began soon after the earthquake, it took the cathedral three years to raise the $15 million to complete the first phase of repairs.[17] In August 2013, the cost of the repairs was re-estimated at $26 million. About $10 million had already been raised by this date to pay for the repairs, half of that coming from the Lilly Endowment.[30] The cathedral began charging a $10.00 admission fee for tourists in January 2014, and started renting out its worship and other spaces to outside groups to raise cash.[31] The cathedral also transformed the Herb Cottage (its old baptistry building adjacent to the cathedral) into a for-profit coffeehouse operated by the Open City café chain.[32]
Phase I of the restoration, which cost $10 million,[17] repaired the internal ceiling's stone and mortar and was completed in February 2015. The planned 10-year, $22 million Phase II will repair or replace the damaged stones atop the cathedral.[33]
In June 2015, Washington National Cathedral leaders said the church needed $200 million, which would both complete repairs and establish a foundation to give the cathedral financial stability. The cathedral began working on a capital fundraising campaign, which The New York Times said was one of the largest ever by an American religious institution, to begin in 2018 or 2019. Rev. Hall said that the cathedral also planned to reopen its continuing education college and its Center for Prayer and Pilgrimage (a space on the cathedral's crypt level dedicated to prayer, meditation, and devotional practice). After three years of deficit spending, however, the cathedral also announced additional cuts to music programs to balance its budget.[17]
Architecture[edit]
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Looking east, looking up to the choir of the cathedral
Nave vaulting facing east
Side view
Its final design shows a mix of influences from the various Gothic architectural styles of the Middle Ages, identifiable in its pointed arches, flying buttresses, a variety of ceiling vaulting, stained-glass windows and carved decorations in stone, and by its three similar towers, two on the west front and one surmounting the crossing.
Washington National Cathedral consists of a long, narrow rectangular mass formed by a nine-bay nave with wide side aisles and a five-bay chancel, intersected by a six bay transept. Above the crossing, rising 91 m (301 ft) above the ground, is the Gloria in Excelsis Tower; its top, at 206 m (676 ft) above sea level, is the highest point in Washington.[34] The Pilgrim Observation Gallery—which occupies a space about 3/4ths of the way up in the west-end towers—provides sweeping views of the city. In total, the cathedral is 115 m (375 ft) above sea level. Unique in North America, the central tower has two full sets of bells—a 53-bell carillon and a 10-bell peal for change ringing; the change bells are rung by members of the Washington Ringing Society.[35] The cathedral sits on a landscaped 57-acre (23-hectare) plot on Mount Saint Alban.[36] The one-story porch projecting from the south transept has a large portal with a carved tympanum. This portal is approached by the Pilgrim Steps, a long flight of steps 12 m (40 ft) wide.
Most of the building is constructed using a buff-colored Indiana limestone over a traditional masonry core. Structural, load-bearing steel is limited to the roof's trusses (traditionally built of timber); concrete is used significantly in the support structures for bells of the central tower, and the floors in the west towers.
The pulpit was carved out of stones from Canterbury Cathedral; Glastonbury Abbey provided stone for the bishop's formal seat, the cathedra. The high altar, the Jerusalem Altar, is made from stones quarried at Solomon's Quarry near Jerusalem, reputedly where the stones for Solomon's Temple were quarried. In the floor directly in front of that altar are set ten stones from the Chapel of Moses on Mount Sinai, representing the Ten Commandments as a foundation for the Jerusalem Altar.
There are many other works of art including over two hundred stained glass windows, the most familiar of which may be the Space Window, honoring mankind's landing on the Moon, which includes a fragment of lunar rock at its center; the rock was presented at the dedication service on July 21, 1974, the fifth anniversary of the Apollo 11 mission.[37] Extensive wrought iron adorns the building, much of it the work of Samuel Yellin. A substantial gate of forged iron by Albert Paley was installed on the north side of the crypt level in 2008. Intricate woodcarving, wall-sized murals and mosaics, and monumental cast bronze gates can also be found. Most of the interior decorative elements have Christian symbolism, in reference to the church's Episcopal roots, but the cathedral is filled with memorials to persons or events of national significance: statues of Washington and Lincoln, state seals embedded in the marble floor of the narthex, state flags that hang along the nave, stained glass commemorating events like the Lewis and Clark expedition and the raising of the American flag at Iwo Jima.
The cathedral was built with several intentional "flaws" in keeping with an apocryphal medieval custom that sought to illustrate that only God can be perfect.[dubious – discuss] Artistically speaking, these flaws (which often come in the form of intentional asymmetries) draw the observer's focus to the sacred geometry as well as compensate for visual distortions, a practice that has been used since the Pyramids and the Parthenon.[citation needed] Architecturally, it is thought that if the main aisle of the cathedral where it meets the cross section were not tilted slightly off its axis, a person who looked straight down the aisle could experience a slight visual distortion, making the building seem shorter than it is, much like looking down railroad tracks.[citation needed] The architects designed the crypt chapels in Norman, Romanesque, and Transitional styles predating the Gothic, as though the cathedral had been built as a successor to earlier churches, a common occurrence in European cathedrals.[citation needed]
Numerous grotesques and gargoyles adorn the exterior, most of them designed by the carvers; one of the more famous of these is a caricature of then-master carver Roger Morigi on the north side of the nave. There were also two competitions held for the public to provide designs to supplement those of the carvers. The second of these produced the famous Darth Vader Grotesque which is high on the northwest tower, sculpted by Jay Hall Carpenter and carved by Patrick J. Plunkett.[38]
The west facade follows an iconographic program of the creation of the world rather than that of the Last Judgement as was traditional in medieval churches. All of the sculptural work was designed by Frederick Hart and features tympanum carvings of the creation of the sun and moon over the outer doors and the creation of man over the center. Hart also sculpted the three statues of Adam and Saints Peter and Paul. The west doors are cast bronze rather than wrought iron. The west rose window, often used as a trademark of the cathedral, was designed by Rowan leCompte and is an abstract depiction of the creation of light. LeCompte, who also designed the clerestory windows and the mosaics in the Resurrection Chapel, chose a nonrepresentational design because he feared that a figural window could fail to be seen adequately from the great distance to the nave.
Architects[edit]
Detail of cast bronze gate
The cathedral's master plan was designed by George Frederick Bodley, a highly regarded British Gothic Revival architect of the late-19th and early-20th centuries, and was influenced by Canterbury. Landscape architect Frederick Law Olmsted, Jr. contributed a landscaping plan for the cathedral close and Nellie B. Allen designed a knot garden for the Bishop's Garden. After Bodley died in 1907, his partner Henry Vaughan revised the original design, but work stopped during World War I and Vaughan died in 1917. When work resumed, the chapter hired New York architecture firm Frohman, Robb and Little to execute the building. Philip Hubert Frohman, who had designed his first fully functional home at the age of 14 and received his architectural degree at the age of 16, and his partners worked to perfect Bodley's vision, adding the carillon section of the central tower, enlarging the west façade, and making numerous smaller changes. Ralph Adams Cram was hired to supervise Frohman, because of his experience with the Cathedral of St. John the Divine in New York City, but Cram insisted on so many major changes to the original design that Frohman convinced the Cathedral Chapter to fire him. By Frohman's death in 1972, the final plans had been completed and the building was finished accordingly.
Images of architectural details[edit]
Donation Thanks Engraving
Vaulting in northwest cloister
Pilgrim Observation Gallery
Flying buttresses
Side view of The Washington National Cathedral, with earthquake construction
There is a placard for every state from the United States
Statue of George Washington (by Lee Lawrie)
Stained-glass window
GITMO stone inscribed in 1964 as a gift to the Cathedral from those at Guantanamo Bay Naval Base
Mount Sinai stone
Women's porch
South transept tympanum
Detail of figures flanking south doors
Detail of the Moses window, by Lawrence Saint
Encaustic mural of the burial of Jesus in the Chapel of St. Joseph of Arimathea
Stained glass window depicting major events of the life of Confederate General Robert E. Lee
Stained glass window depicting the life of Stonewall Jackson
Stained glass depicting Charles Warren
Stained glass dedicated to Andrew Carnegie
Darth Vader Grotesque
The rood in the chancel arch separating the nave from the choir
Leadership and funding[edit]
East End of the cathedral, with the Ter Sanctus reredos, featuring 110 carved figures surrounding the central figure of Jesus[39]
The cathedral is both the episcopal seat of the Bishop of Washington (currently the Right Reverend Mariann Edgar Budde) and the primatial seat of the Presiding Bishop of the Episcopal Church (currently the Most Reverend Michael Curry). Budde was elected by the Diocese of Washington in June 2011, to replace Bishop John Bryson Chane; upon her confirmation in November 2011 she became the ninth bishop of the diocese and the first woman to fill the role.
In May 2016, Randolph Marshall Hollerith was named as the next Dean of the Cathedral. [40][41] Hollerith comes to the National Cathedral from St. James Episcopal Church (Richmond, Virginia), where he was rector from 2000–2016.
Former deans:
Alfred Harding (de facto; 1909–1916)
George C. F. Bratenahl (1916–1936)
Noble C. Powell (1937–1941)
ZeBarney T. Phillips (1941–1942)
John W. Suter (1944–1950)
Francis B. Sayre, Jr. (1951–1978)
John T. Walker (1978–1989; simultaneously bishop)
Nathan D. Baxter (1992–2003)
Samuel T. Lloyd III (2005–2011)
Gary R. Hall (2012–2015)
The National Cathedral Association (NCA) seeks to raise and provide funds for and promote the Washington National Cathedral. Across the United States, it has more than 14,000 members, more than 88 percent of whom live outside the Washington area, and who are divided into committees by state. Visitors to the cathedral provide another significant source of funds, through donations and group touring fees. Every year, each state has a state day at the cathedral, on which that state is recognized by name in the prayers. Over a span of about four years, each state is further recognized at a Major State Day, at which time those who live in the state are encouraged to make a pilgrimage to the cathedral and dignitaries from the state are invited to speak. American state flags were displayed in the nave until 2007; currently the display of the state flags alternates throughout the year with the display of liturgical banners hung on the pillars, reflecting the seasons of the Church year.
The budget, $27 million in 2008, was trimmed to $13 million in 2010. Staff was reduced from 170 to 70. There was an endowment of $50 million.[42]
Worship[edit]
The flags of all the states of the US with the current liturgical banners hung on the pillars.
The worship department is, like the cathedral itself, rooted in the doctrine and practice of the Episcopal Church, and based in the Book of Common Prayer. Four services (and five in the summer) are held each weekday, including the daily Eucharist. Sunday through Thursday, the Cathedral Choirs sing Evensong. The forty-minute service is attended by roughly fifty to seventy-five people (more on Sunday). Five services of the Eucharist are also held on Sunday, including the Contemporary Folk Eucharist held in the Chapel of St. Joseph of Arimathea, and a Healing Eucharist in the late evening.
The cathedral also has been a temporary home to several congregations, including a Jewish synagogue and an Eastern Orthodox community. It has also been the site for several ecumenical and/or interfaith services. In October 2005, at the cathedral, the Rev. Nancy Wilson was consecrated and installed as Moderator (Denominational Executive) of the Metropolitan Community Church, by its founding Moderator, the Rev. Dr. Troy Perry.
Each Christmas, the cathedral holds special services, which are broadcast to the world. The service of lessons and carols is distributed by Public Radio International. Christmas at Washington National Cathedral is a live television broadcast of the 9 a.m. Eucharist on Christmas Day. It is produced by Allbritton Communications and is shown on national affiliates in most cities around the United States. Some affiliates broadcast the service at noon. The Christmas service at the Cathedral was broadcast to the nation on television from 1953 until 2010 and is still webcast live from the Cathedral's homepage.
Music[edit]
The Washington National Cathedral Choir of Men and Boys, founded in 1909, is one of very few cathedral choirs of men and boys in the United States with an affiliated school, in the English choir tradition. The 18–22 boys singing treble are of ages 8–14 and attend St. Albans School, the Cathedral school for boys, on vocal scholarships.
In 1997, the Cathedral Choir of Men and Girls was formed by Bruce Neswick, using the same men as the choir of the men and boys. The Choir consists of middle and high school girls attending the National Cathedral School on vocal scholarships. The two choirs currently share service duties and occasionally collaborate.
The console of the Great Organ at Washington National Cathedral in 2010. It includes four manuals: the Choir, Great, Swell, and Solo. It is located in the Great Choir.
Both choirs have recently recorded several CDs, including a Christmas album; a U.S. premiere recording of Ståle Kleiberg's Requiem for the Victims of Nazi Persecution; and a patriotic album, America the Beautiful.
The choirs rehearse separately every weekday morning in a graded class incorporated into their school schedule. The choristers sing Evensong five days a week (the Boys Choir on Tuesdays and Thursdays and the Girls Choir on Mondays and Wednesdays). The choirs alternate Sunday worship duties, singing both morning Eucharist and afternoon Evensong when they are on call. The choirs also sing for numerous state and national events. The choirs are also featured annually on Christmas at Washington National Cathedral, broadcast nationally on Christmas Day.
The Great Organ was installed by the Ernest M. Skinner & Son Organ Company in 1938. The original instrument consisted of approximately 8,400 pipes. The instrument was enlarged by the Aeolian-Skinner Organ Company in 1963 and again between 1970 and 1975, during which time more than half of the original instrument was removed. The present instrument consists of 189 ranks and 10,647 pipes. It is the largest organ in the city of Washington and one of the 20 largest organs in the world.[43][44]
Specifications:[hide]
Great
Diapason16'
Violon16'
Bourdon16'
Prinzipal8'
Spitz Prinzipal8'
Waldföte8'
Holz Bordun8'
Salicional8'
Violon8'
Erzähler8'
Oktav4'
Spitzoktav4'
Koppel Flöte4'
Quinte22/3'
Super Oktav2'
Blockflöte2'
Sesquialtera II
Klein Mixtur IV
Mixtur IV-V
Scharf VI
Terzzymbel VI-X
Bombarde16'
Posthorn8'
Trompette8'
Clairon4'
Trompette en chamade4'
Tuba Mirabilis8'
Choir
Gemshorn16'
Chimney Flute8'
Viola Pomposa8'
Viola Pomposa cel.8'
Chœur des Violes V8'
Viole Céleste II8'
Kleiner Erzähler II8'
Principal4'
Harmonic Flute4'
Fugara4'
Rohrnasat22/3'
Hellflöte2'
Terz13/5'
Mixture III-IV
Glockenspiel II
Orchestral Bassoon16'
Trumpet8'
Cromorne8'
Regal8'
Tuba Mirabilis8'
Trompette en chamade8'
Posthorn8'
Harp Celesta8'
Zimbelstern
Tremolo
Swell
1st Division
Violoncelle16'
Montre8'
Violoncelle cel. II8'
Prestant4'
Plein Jeu V
Cymbale IV
Bombarde16'
Trompette8'
Clairon4'
2nd Division
Flûte Courte16'
Bourdon8'
Flûte à Fuseau8'
Viole de Gambe8'
Viole Céleste8'
Voix Céleste II8'
Flute Celeste II8'
Octave4'
Flûte Travesière4'
Nasard22/3'
Octavin2'
Tierce13/5'
Petit Jeu IV
Posaune16'
2ème Trompette8'
Hautbois8'
Cor d'Amour8'
2ème Clairon4'
Tremolo
3rd Division
Flûte d'Argent8'
Chœur des Violes II8'–4'
Éoliènne Céleste V8'
Voix Humaine8'
Tremolo
Solo
Diapason8'
Flauto Mirabilis II8'
Gamba8'
Gamba Celeste8'
Orchestral Flute4'
Full Mixture VII
Corno di Bassetto16'
Trompette harm.8'
French Horn8'
Corno di Bassetto8'
English Horn8'
Flügel Horn8'
Clairon harm.4'
Trompette en chamade8'
Tuba Mirabilis8'
Posthorn16'
Posthorn8'
Tremolo
Pedal
Subbass32'
Kontra Violon32'
Contre Basse16'
Principal16'
Diapason16'
Bourdon16'
Violon16'
Violoncelle16'
Gemshorn16'
Flûte Courte16'
Quinte102/3'
Octave8'
Diapason8'
Spitzflöte8'
Gedackt8'
Violoncelle Céleste8'
Flûte Courte 8'
Quinte51/3'
Choralbass4'
Cor de Nuit4'
Fife2'
Rauschquint II
Fourniture IV
Acuta III
Gross Kornett IV
Bombarde Basse64'
Contra Bombarde32'
Contra Fagotto32'
Ophicléide16'
Bombarde16'
Fagotto16'
Trompette8'
Bombarde8'
Posthorn8'
Tuba Mirabilis8'
Trompette en chamade8'
Clairon4'
Zink2'
Positiv (Gallery)
Nason Gedackt8'
Rohrflöte4'
Nachthorn2'
Terz13/5'
Larigot11/3'
Sifflöte1'
Zymbel IV
Rankett4'
Tremulant
Brustwerk (Gallery)
Spitz Prinzipal8'
Praestant4'
Koppel Nasat22/3'
Lieblich Prinzipal2'
Mixtur IV–VI
Rankett8'
Pedal (Gallery)
Gedacktbass16'
Oktav8'
Nason Gedackt8'
Superoktav4'
Rohrflöte4'
Rankett16
Rankett4'
Michael McCarthy is the Director of Music, Benjamin Straley is the Cathedral Organist and Associate Director of Music, and Jeremy Filsell is the Artist-in-Residence. The carillonneur is Edward M. Nassor.[45] Former organists and choirmasters include Edgar Priest, Robert George Barrow, Paul Callaway, Richard Wayne Dirksen, Douglas Major, Bruce Neswick, James Litton, Erik Wm. Suter, and Scott Dettra.
The resident symphonic chorus of Washington National Cathedral is the Cathedral Choral Society.
The cathedral is unique in North America in having both a carillon and a set of change ringing bells.
The ring of 10 bells (tenor 32 long cwt 0 qr 4 lb; 3,588 lb or 1,627 kg in D) are hung in the English style for full circle ringing. All ten were cast in 1962 by Mears & Stainbank (now known as The Whitechapel Bell Foundry) of London, England.[46]
The carillon has 53 bells ranging from 17 pounds (7.7 kg) to 24,000 pounds (11,000 kg) and was manufactured by John Taylor & Co of Loughborough, England in 1963. The bells are hung dead, that is rigidly fixed, and are struck on the inside by hammers activated from the keyboard.[47]
Burials[edit]
Several notable American citizens are buried in Washington National Cathedral and its columbarium:
Woodrow Wilson's Tomb
Larz Anderson, businessman, diplomat
Thomas John Claggett, first Bishop of the Episcopal Diocese of Maryland
William Forman Creighton, fifth Bishop of Washington
Joseph Edward Davies (ashes), diplomat, presidential adviser. He gave a stained-glass window in the Cathedral in honor of his mother, Rachel Davies (Rahel o Fôn)
George Dewey, United States Navy admiral
Angus Dun (ashes), fourth Bishop of Washington
Philip Frohman (ashes), cathedral architect, following the death of Bodley
Julia Dent Cantacuzène Spiransky-Grant, granddaughter of President Ulysses S. Grant
Alfred Harding, second Bishop of Washington
Cordell Hull, United States Secretary of State
Helen Keller (ashes), author, lecturer, advocate for the blind and deaf
A.S. Mike Monroney (ashes), U.S. representative, senator
Norman Prince, fighter pilot, member of the Lafayette Escadrille flying corps
Henry Yates Satterlee, first Bishop of Washington
Francis Bowes Sayre, Jr. (ashes), dean of the cathedral and grandson of President Woodrow Wilson, also interred there
John Wesley Snyder (US Cabinet Secretary), Secretary of the Treasury in the Truman administration
Leo Sowerby (ashes), composer, church musician
Anne Sullivan (ashes), tutor and companion to Helen Keller, first woman interred here
Stuart Symington, U.S. senator, presidential candidate
Henry Vaughan, architect, associate of Bodley
John Thomas Walker, sixth Bishop of Washington
Isabel Weld Perkins, author, wife of Larz Anderson
Edith Wilson, second wife of Woodrow Wilson and First Lady of the United States
Woodrow Wilson, 28th President of the United States. Wilson's tomb includes variants on the Seal of the President of the United States and the coat of arms of Princeton University. Wilson is the only American president buried in the District of Columbia.
References in popular culture[edit]
The cathedral is the setting of Margaret Truman's novel Murder at the National Cathedral.
It is the location of Mrs. Landingham's funeral and President Bartlet's resulting tirade against God in the second season finale of The West Wing, "Two Cathedrals."
Tom Clancy's novel Executive Orders includes a memorial service for the late president Rodger Durling, his wife, most of the United States Congress, the Joint Chiefs of Staff, and the Supreme Court that takes place at this location. In an infamous scene, a soldier bearing the president's casket slips on some ice on the front steps and suffers crushed legs.
It served as an architectural inspiration for Keep Venture in Brandon Sanderson's Mistborn series[48]
It is the setting for the burial of fictional Supreme Court Justice Abraham Rosenberg in the movie The Pelican Brief, based on John Grisham's book of the same name.
An enjoyable drive, but overall disappointing local chase in northeast Nebraska on June 6th, 2015 (Enhanced Risk). The SPC put out a small zone of 10% hatched for tornadoes so it warranted a drive to check things out. Wasn't willing to drive clear to O'Neill and fight off the hordes of chasers so I stuck by Madison until something fired. What eventually did fire was messy with little organization initially. Was about to call it a day when one last look at radar showed a bit of a mesocyclone developing on radar. A quck jaunt north through Norfolk netted me a nicely sculpted cell between all the junk that fired that day. The storm did not even prompt a warning but was still pretty to see. Hindsight tells me I should've drove a little farther north considering there were minimal hail reports from the day. A two picture panorama stitch shot right along Highway 81.
Massive Sports Hall with a strong PVC roof and sides, 4 Days to Complete PVC Roofing and sides. This picture was taken when the covered had just been brought across the structure.
Assignment: PCA59 – Abandoned Structures
Deadline: March 22, 2009
Image Tag: pca59
From: fotobird1
Mission: Find things that have been abandoned,........buildings, cars, roads, rooms etc. No restrictions on your subject (as long as it is not a person or animal), just that your image should really convey the feeling of abandonment.
WIT What it Took: With me being new into Dubai, not having a car and not knowing where to look for abandoned structures I decided to check this building which I know was being demolished, and enjoy a walk through the beach with the family.
This is a shot taken from the beach very close to the JBR (Jumeirah Beach Residences) and just behind "The Walk".
I am not entirely sure, but a friend told me this was a less than 10 years old hotel, which is now being demolished in order to build a new one.
Not my best submission, but bear with me, I'll get my head around the city and start giving you a flavour of Dubai and the Middle East.
I only darkened a bit the top, spot cleaned, cropped in tighter and increase the saturation a bit in Lightroom. I wish I had more space on the right but there is another building there. Also I didn't have the time to correct the perspective, a quick and dirty.
I found this at the edge of a recreation ground whilst looking for something else. At first I thought it was a railway tunnel air vent but there aren't any tunnels in the area. Also, whilst it seems circular, the other side is actually flat. So no idea, really.
This brick structure is on the banks of the River Wear, Sunderland, just below the football ground "the Stadium of Light" (built on the site of the old Wearmouth Colliery). It is part of a coal staithe and was used for the quick loading of coal into ships or colliers, bulk coal carrying cargo ships.
Biennalist :
Biennalist is an Art Format commenting on active biennials and managed cultural events through artworks.Biennalist takes the thematics of the biennales and similar events like festivals and conferences seriously, questioning the established structures of the staged art events in order to contribute to the debate, which they wish to generate.
-------------------------------------------
links about Biennalist :
Thierry Geoffroy/Colonel:
en.wikipedia.org/wiki/Thierry_Geoffroy
en.wikipedia.org/wiki/Emergency_Room_(art)
www.emergencyrooms.org/formats.html
—--Biennale from wikipedia —--
The Venice International Film Festival is part of the Venice Biennale. The famous Golden Lion is awarded to the best film screening at the competition.
Biennale (Italian: [bi.enˈnaːle]), Italian for "biennial" or "every other year", is any event that happens every two years. It is most commonly used within the art world to describe large-scale international contemporary art exhibitions. As such the term was popularised by Venice Biennale, which was first held in 1895. Since the 1990s, the terms "biennale" and "biennial" have been interchangeably used in a more generic way - to signify a large-scale international survey show of contemporary art that recurs at regular intervals but not necessarily biannual (such as triennials, Documenta, Skulptur Projekte Münster).[1] The phrase has also been used for other artistic events, such as the "Biennale de Paris", "Kochi-Muziris Biennale", Berlinale (for the Berlin International Film Festival) and Viennale (for Vienna's international film festival).
Characteristics[edit]
According to author Federica Martini, what is at stake in contemporary biennales is the diplomatic/international relations potential as well as urban regeneration plans. Besides being mainly focused on the present (the “here and now” where the cultural event takes place and their effect of "spectacularisation of the everyday"), because of their site-specificity cultural events may refer back to,[who?] produce or frame the history of the site and communities' collective memory.[2]
The Great Exhibition in The Crystal Palace in Hyde Park, London, in 1851, the first attempt to condense the representation of the world within a unitary exhibition space.
A strong and influent symbol of biennales and of large-scale international exhibitions in general is the Crystal Palace, the gigantic and futuristic London architecture that hosted the Great Exhibition in 1851. According to philosopher Peter Sloterdijk,[3][page needed] the Crystal Palace is the first attempt to condense the representation of the world in a unitary exhibition space, where the main exhibit is society itself in an a-historical, spectacular condition. The Crystal Palace main motives were the affirmation of British economic and national leadership and the creation of moments of spectacle. In this respect, 19th century World fairs provided a visual crystallization of colonial culture and were, at the same time, forerunners of contemporary theme parks.
The Venice Biennale as an archetype[edit]
The structure of the Venice Biennale in 2005 with an international exhibition and the national pavilions.
The Venice Biennale, a periodical large-scale cultural event founded in 1895, served as an archetype of the biennales. Meant to become a World Fair focused on contemporary art, the Venice Biennale used as a pretext the wedding anniversary of the Italian king and followed up to several national exhibitions organised after Italy unification in 1861. The Biennale immediately put forth issues of city marketing, cultural tourism and urban regeneration, as it was meant to reposition Venice on the international cultural map after the crisis due to the end of the Grand Tour model and the weakening of the Venetian school of painting. Furthermore, the Gardens where the Biennale takes place were an abandoned city area that needed to be re-functionalised. In cultural terms, the Biennale was meant to provide on a biennial basis a platform for discussing contemporary art practices that were not represented in fine arts museums at the time. The early Biennale model already included some key points that are still constitutive of large-scale international art exhibitions today: a mix of city marketing, internationalism, gentrification issues and destination culture, and the spectacular, large scale of the event.
Biennials after the 1990s[edit]
The situation of biennials has changed in the contemporary context: while at its origin in 1895 Venice was a unique cultural event, but since the 1990s hundreds of biennials have been organized across the globe. Given the ephemeral and irregular nature of some biennials, there is little consensus on the exact number of biennials in existence at any given time.[citation needed] Furthermore, while Venice was a unique agent in the presentation of contemporary art, since the 1960s several museums devoted to contemporary art are exhibiting the contemporary scene on a regular basis. Another point of difference concerns 19th century internationalism in the arts, that was brought into question by post-colonial debates and criticism of the contemporary art “ethnic marketing”, and also challenged the Venetian and World Fair’s national representation system. As a consequence of this, Eurocentric tendency to implode the whole word in an exhibition space, which characterises both the Crystal Palace and the Venice Biennale, is affected by the expansion of the artistic geographical map to scenes traditionally considered as marginal. The birth of the Havana Biennial in 1984 is widely considered an important counterpoint to the Venetian model for its prioritization of artists working in the Global South and curatorial rejection of the national pavilion model.
International biennales[edit]
In the term's most commonly used context of major recurrent art exhibitions:
Adelaide Biennial of Australian Art, South Australia
Asian Art Biennale, in Taichung, Taiwan (National Taiwan Museum of Fine Arts)
Athens Biennale, in Athens, Greece
Bienal de Arte Paiz, in Guatemala City, Guatemala[4]
Arts in Marrakech (AiM) International Biennale (Arts in Marrakech Festival)
Bamako Encounters, a biennale of photography in Mali
Bat-Yam International Biennale of Landscape Urbanism
Beijing Biennale
Berlin Biennale (contemporary art biennale, to be distinguished from Berlinale, which is a film festival)
Bergen Assembly (triennial for contemporary art in Bergen, Norway)www.bergenassembly.no
Bi-City Biennale of Urbanism\Architecture, in Shenzhen and Hong Kong, China
Bienal de Arte de Ponce in Ponce, Puerto Rico
Biënnale van België, Biennial of Belgium, Belgium
BiennaleOnline Online biennial exhibition of contemporary art from the most promising emerging artists.
Biennial of Hawaii Artists
Biennale de la Biche, the smallest biennale in the world held at deserted island near Guadeloupe, French overseas region[5][6]
Biwako Biennale [ja], in Shiga, Japan
La Biennale de Montreal
Biennale of Luanda : Pan-African Forum for the Culture of Peace,[7] Angola
Boom Festival, international music and culture festival in Idanha-a-Nova, Portugal
Bucharest Biennale in Bucharest, Romania
Bushwick Biennial, in Bushwick, Brooklyn, New York
Canakkale Biennial, in Canakkale, Turkey
Cerveira International Art Biennial, Vila Nova de Cerveira, Portugal [8]
Changwon Sculpture Biennale in Changwon, South Korea
Dakar Biennale, also called Dak'Art, biennale in Dakar, Senegal
Documenta, contemporary art exhibition held every five years in Kassel, Germany
Estuaire (biennale), biennale in Nantes and Saint-Nazaire, France
EVA International, biennial in Limerick, Republic of Ireland
Göteborg International Biennial for Contemporary Art, in Gothenburg, Sweden[9]
Greater Taipei Contemporary Art Biennial, in Taipei, Taiwan
Gwangju Biennale, Asia's first and most prestigious contemporary art biennale
Havana biennial, in Havana, Cuba
Helsinki Biennial, in Helsinki, Finland
Herzliya Biennial For Contemporary Art, in Herzliya, Israel
Incheon Women Artists' Biennale, in Incheon, South Korea
Iowa Biennial, in Iowa, USA
Istanbul Biennial, in Istanbul, Turkey
International Roaming Biennial of Tehran, in Tehran and Istanbul
Jakarta Biennale, in Jakarta, Indonesia
Jerusalem Biennale, in Jerusalem, Israel
Jogja Biennale, in Yogyakarta, Indonesia
Karachi Biennale, in Karachi, Pakistan
Keelung Harbor Biennale, in Keelung, Taiwan
Kochi-Muziris Biennale, largest art exhibition in India, in Kochi, Kerala, India
Kortrijk Design Biennale Interieur, in Kortrijk, Belgium
Kobe Biennale, in Japan
Kuandu Biennale, in Taipei, Taiwan
Lagos Biennial, in Lagos, Nigeria[10]
Light Art Biennale Austria, in Austria
Liverpool Biennial, in Liverpool, UK
Lofoten International Art Festival [no] (LIAF), on the Lofoten archipelago, Norway[11]
Manifesta, European Biennale of contemporary art in different European cities
Mediations Biennale, in Poznań, Poland
Melbourne International Biennial 1999
Mediterranean Biennale in Sakhnin 2013
MOMENTA Biennale de l'image [fr] (formerly known as Le Mois de la Photo à Montréal), in Montreal, Canada
MOMENTUM [no], in Moss, Norway[12]
Moscow Biennale, in Moscow, Russia
Munich Biennale, new opera and music-theatre in even-numbered years
Mykonos Biennale
Nakanojo Biennale[13]
NGV Triennial, contemporary art exhibition held every three years at the National Gallery of Victoria, Melbourne, Australia
October Salon – Belgrade Biennale [sr], organised by the Cultural Center of Belgrade [sr], in Belgrade, Serbia[14]
OSTEN Biennial of Drawing Skopje, North Macedonia[15]
Biennale de Paris
Riga International Biennial of Contemporary Art (RIBOCA), in Riga, Latvia[16]
São Paulo Art Biennial, in São Paulo, Brazil
SCAPE Public Art Christchurch Biennial in Christchurch, New Zealand[17]
Prospect New Orleans
Seoul Biennale of Architecture and Urbanism
Sequences, in Reykjavík, Iceland[18]
Shanghai Biennale
Sharjah Biennale, in Sharjah, UAE
Singapore Biennale, held in various locations across the city-state island of Singapore
Screen City Biennial, in Stavanger, Norway
Biennale of Sydney
Taipei Biennale, in Taipei, Taiwan
Taiwan Arts Biennale, in Taichung, Taiwan (National Taiwan Museum of Fine Arts)
Taiwan Film Biennale, in Hammer Museum, Los Angeles, U.S.A.
Thessaloniki Biennale of Contemporary Art [el], in Thessaloniki, Greece[19]
Dream city, produced by ART Rue Association in Tunisia
Vancouver Biennale
Visayas Islands Visual Arts Exhibition and Conference (VIVA ExCon) in the Philippines [20]
Venice Biennale, in Venice, Italy, which includes:
Venice Biennale of Contemporary Art
Venice Biennale of Architecture
Venice Film Festival
Vladivostok biennale of Visual Arts, in Vladivostok, Russia
Whitney Biennial, hosted by the Whitney Museum of American Art, in New York City, NY, USA
Web Biennial, produced with teams from Athens, Berlin and Istanbul.
West Africa Architecture Biennale,[21] Virtual in Lagos, Nigeria.
WRO Biennale, in Wrocław, Poland[22]
Music Biennale Zagreb
[SHIFT:ibpcpa] The International Biennale of Performance, Collaborative and Participatory Arts, Nomadic, International, Scotland, UK.
—---Venice Biennale from wikipedia —
The Venice Biennale (/ˌbiːɛˈnɑːleɪ, -li/; Italian: La Biennale di Venezia) is an international cultural exhibition hosted annually in Venice, Italy by the Biennale Foundation.[2][3][4] The biennale has been organised every year since 1895, which makes it the oldest of its kind. The main exhibition held in Castello, in the halls of the Arsenale and Biennale Gardens, alternates between art and architecture (hence the name biennale; biennial).[5][6][7] The other events hosted by the Foundation—spanning theatre, music, and dance—are held annually in various parts of Venice, whereas the Venice Film Festival takes place at the Lido.[8]
Organization[edit]
Art Biennale
Art Biennale
International Art Exhibition
1895
Even-numbered years (since 2022)
Venice Biennale of Architecture
International Architecture Exhibition
1980
Odd-numbered years (since 2021)
Biennale Musica
International Festival of Contemporary Music
1930
Annually (Sep/Oct)
Biennale Teatro
International Theatre Festival
1934
Annually (Jul/Aug)
Venice Film Festival
Venice International Film Festival
1932
Annually (Aug/Sep)
Venice Dance Biennale
International Festival of Contemporary Dance
1999
Annually (June; biennially 2010–16)
International Kids' Carnival
2009
Annually (during Carnevale)
History
1895–1947
On April 19, 1893, the Venetian City Council passed a resolution to set up an biennial exhibition of Italian Art ("Esposizione biennale artistica nazionale") to celebrate the silver anniversary of King Umberto I and Margherita of Savoy.[11]
A year later, the council decreed "to adopt a 'by invitation' system; to reserve a section of the Exhibition for foreign artists too; to admit works by uninvited Italian artists, as selected by a jury."[12]
The first Biennale, "I Esposizione Internazionale d'Arte della Città di Venezia (1st International Art Exhibition of the City of Venice)" (although originally scheduled for April 22, 1894) was opened on April 30, 1895, by the Italian King and Queen, Umberto I and Margherita di Savoia. The first exhibition was seen by 224,000 visitors.
The event became increasingly international in the first decades of the 20th century: from 1907 on, several countries installed national pavilions at the exhibition, with the first being from Belgium. In 1910 the first internationally well-known artists were displayed: a room dedicated to Gustav Klimt, a one-man show for Renoir, a retrospective of Courbet. A work by Picasso "Family of Saltimbanques" was removed from the Spanish salon in the central Palazzo because it was feared that its novelty might shock the public. By 1914 seven pavilions had been established: Belgium (1907), Hungary (1909), Germany (1909), Great Britain (1909), France (1912), and Russia (1914).
During World War I, the 1916 and 1918 events were cancelled.[13] In 1920 the post of mayor of Venice and president of the Biennale was split. The new secretary general, Vittorio Pica brought about the first presence of avant-garde art, notably Impressionists and Post-Impressionists.
1922 saw an exhibition of sculpture by African artists. Between the two World Wars, many important modern artists had their work exhibited there. In 1928 the Istituto Storico d'Arte Contemporanea (Historical Institute of Contemporary Art) opened, which was the first nucleus of archival collections of the Biennale. In 1930 its name was changed into Historical Archive of Contemporary Art.
In 1930, the Biennale was transformed into an Ente Autonomo (Autonomous Board) by Royal Decree with law no. 33 of 13-1-1930. Subsequently, the control of the Biennale passed from the Venice city council to the national Fascist government under Benito Mussolini. This brought on a restructuring, an associated financial boost, as well as a new president, Count Giuseppe Volpi di Misurata. Three entirely new events were established, including the Biennale Musica in 1930, also referred to as International Festival of Contemporary Music; the Venice Film Festival in 1932, which they claim as the first film festival in history,[14] also referred to as Venice International Film Festival; and the Biennale Theatro in 1934, also referred to as International Theatre Festival.
In 1933 the Biennale organized an exhibition of Italian art abroad. From 1938, Grand Prizes were awarded in the art exhibition section.
During World War II, the activities of the Biennale were interrupted: 1942 saw the last edition of the events. The Film Festival restarted in 1946, the Music and Theatre festivals were resumed in 1947, and the Art Exhibition in 1948.[15]
1948–1973[edit]
The Art Biennale was resumed in 1948 with a major exhibition of a recapitulatory nature. The Secretary General, art historian Rodolfo Pallucchini, started with the Impressionists and many protagonists of contemporary art including Chagall, Klee, Braque, Delvaux, Ensor, and Magritte, as well as a retrospective of Picasso's work. Peggy Guggenheim was invited to exhibit her collection, later to be permanently housed at Ca' Venier dei Leoni.
1949 saw the beginning of renewed attention to avant-garde movements in European—and later worldwide—movements in contemporary art. Abstract expressionism was introduced in the 1950s, and the Biennale is credited with importing Pop Art into the canon of art history by awarding the top prize to Robert Rauschenberg in 1964.[16] From 1948 to 1972, Italian architect Carlo Scarpa did a series of remarkable interventions in the Biennale's exhibition spaces.
In 1954 the island San Giorgio Maggiore provided the venue for the first Japanese Noh theatre shows in Europe. 1956 saw the selection of films following an artistic selection and no longer based upon the designation of the participating country. The 1957 Golden Lion went to Satyajit Ray's Aparajito which introduced Indian cinema to the West.
1962 included Arte Informale at the Art Exhibition with Jean Fautrier, Hans Hartung, Emilio Vedova, and Pietro Consagra. The 1964 Art Exhibition introduced continental Europe to Pop Art (The Independent Group had been founded in Britain in 1952). The American Robert Rauschenberg was the first American artist to win the Gran Premio, and the youngest to date.
The student protests of 1968 also marked a crisis for the Biennale. Student protests hindered the opening of the Biennale. A resulting period of institutional changes opened and ending with a new Statute in 1973. In 1969, following the protests, the Grand Prizes were abandoned. These resumed in 1980 for the Mostra del Cinema and in 1986 for the Art Exhibition.[17]
In 1972, for the first time, a theme was adopted by the Biennale, called "Opera o comportamento" ("Work or Behaviour").
Starting from 1973 the Music Festival was no longer held annually. During the year in which the Mostra del Cinema was not held, there was a series of "Giornate del cinema italiano" (Days of Italian Cinema) promoted by sectorial bodies in campo Santa Margherita, in Venice.[18]
1974–1998[edit]
1974 saw the start of the four-year presidency of Carlo Ripa di Meana. The International Art Exhibition was not held (until it was resumed in 1976). Theatre and cinema events were held in October 1974 and 1975 under the title Libertà per il Cile (Freedom for Chile)—a major cultural protest against the dictatorship of Augusto Pinochet.
On 15 November 1977, the so-called Dissident Biennale (in reference to the dissident movement in the USSR) opened. Because of the ensuing controversies within the Italian left wing parties, president Ripa di Meana resigned at the end of the year.[19]
In 1979 the new presidency of Giuseppe Galasso (1979-1982) began. The principle was laid down whereby each of the artistic sectors was to have a permanent director to organise its activity.
In 1980, the Architecture section of the Biennale was set up. The director, Paolo Portoghesi, opened the Corderie dell'Arsenale to the public for the first time. At the Mostra del Cinema, the awards were brought back into being (between 1969 and 1979, the editions were non-competitive). In 1980, Achille Bonito Oliva and Harald Szeemann introduced "Aperto", a section of the exhibition designed to explore emerging art. Italian art historian Giovanni Carandente directed the 1988 and 1990 editions. A three-year gap was left afterwards to make sure that the 1995 edition would coincide with the 100th anniversary of the Biennale.[13]
The 1993 edition was directed by Achille Bonito Oliva. In 1995, Jean Clair was appointed to be the Biennale's first non-Italian director of visual arts[20] while Germano Celant served as director in 1997.
For the Centenary in 1995, the Biennale promoted events in every sector of its activity: the 34th Festival del Teatro, the 46th art exhibition, the 46th Festival di Musica, the 52nd Mostra del Cinema.[21]
1999–present[edit]
In 1999 and 2001, Harald Szeemann directed two editions in a row (48th & 49th) bringing in a larger representation of artists from Asia and Eastern Europe and more young artists than usual and expanded the show into several newly restored spaces of the Arsenale.
In 1999 a new sector was created for live shows: DMT (Dance Music Theatre).
The 50th edition, 2003, directed by Francesco Bonami, had a record number of seven co-curators involved, including Hans Ulrich Obrist, Catherine David, Igor Zabel, Hou Hanru and Massimiliano Gioni.
The 51st edition of the Biennale opened in June 2005, curated, for the first time by two women, Maria de Corral and Rosa Martinez. De Corral organized "The Experience of Art" which included 41 artists, from past masters to younger figures. Rosa Martinez took over the Arsenale with "Always a Little Further." Drawing on "the myth of the romantic traveler" her exhibition involved 49 artists, ranging from the elegant to the profane.
In 2007, Robert Storr became the first director from the United States to curate the Biennale (the 52nd), with a show entitled Think with the Senses – Feel with the Mind. Art in the Present Tense.
Swedish curator Daniel Birnbaum was artistic director of the 2009 edition entitled "Fare Mondi // Making Worlds".
The 2011 edition was curated by Swiss curator Bice Curiger entitled "ILLUMInazioni – ILLUMInations".
The Biennale in 2013 was curated by the Italian Massimiliano Gioni. His title and theme, Il Palazzo Enciclopedico / The Encyclopedic Palace, was adopted from an architectural model by the self-taught Italian-American artist Marino Auriti. Auriti's work, The Encyclopedic Palace of the World was lent by the American Folk Art Museum and exhibited in the first room of the Arsenale for the duration of the biennale. For Gioni, Auriti's work, "meant to house all worldly knowledge, bringing together the greatest discoveries of the human race, from the wheel to the satellite," provided an analogous figure for the "biennale model itself...based on the impossible desire to concentrate the infinite worlds of contemporary art in a single place: a task that now seems as dizzyingly absurd as Auriti's dream."[22]
Curator Okwui Enwezor was responsible for the 2015 edition.[23] He was the first African-born curator of the biennial. As a catalyst for imagining different ways of imagining multiple desires and futures Enwezor commissioned special projects and programs throughout the Biennale in the Giardini. This included a Creative Time Summit, e-flux journal's SUPERCOMMUNITY, Gulf Labor Coalition, The Invisible Borders Trans-African Project and Abounaddara.[24][25]
The 2017 Biennale, titled Viva Arte Viva, was directed by French curator Christine Macel who called it an "exhibition inspired by humanism".[26] German artist Franz Erhard Walter won the Golden Lion for best artist, while Carolee Schneemann was awarded a posthumous Golden Lion for Lifetime Achievement.[27]
The 2019 Biennale, titled May You Live In Interesting Times, was directed by American-born curator Ralph Rugoff.[28]
The 2022 edition was curated by Italian curator Cecilia Alemani entitled "The Milk of Dreams" after a book by British-born Mexican surrealist painter Leonora Carrington.[29]
The Biennale has an attendance today of over 500,000 visitors.[30][31][32]
Role in the art market[edit]
When the Venice Biennale was founded in 1895, one of its main goals was to establish a new market for contemporary art. Between 1942 and 1968 a sales office assisted artists in finding clients and selling their work,[33] a service for which it charged 10% commission. Sales remained an intrinsic part of the biennale until 1968, when a sales ban was enacted. An important practical reason why the focus on non-commodities has failed to decouple Venice from the market is that the biennale itself lacks the funds to produce, ship and install these large-scale works. Therefore, the financial involvement of dealers is widely regarded as indispensable;[16] as they regularly front the funding for production of ambitious projects.[34] Furthermore, every other year the Venice Biennale coincides with nearby Art Basel, the world's prime commercial fair for modern and contemporary art. Numerous galleries with artists on show in Venice usually bring work by the same artists to Basel.[35]
Central Pavilion and Arsenale[edit]
The formal Biennale is based at a park, the Giardini. The Giardini includes a large exhibition hall that houses a themed exhibition curated by the Biennale's director.
Initiated in 1980, the Aperto began as a fringe event for younger artists and artists of a national origin not represented by the permanent national pavilions. This is usually staged in the Arsenale and has become part of the formal biennale programme. In 1995 there was no Aperto so a number of participating countries hired venues to show exhibitions of emerging artists. From 1999, both the international exhibition and the Aperto were held as one exhibition, held both at the Central Pavilion and the Arsenale. Also in 1999, a $1 million renovation transformed the Arsenale area into a cluster of renovated shipyards, sheds and warehouses, more than doubling the Arsenale's exhibition space of previous years.[36]
A special edition of the 54th Biennale was held at Padiglione Italia of Torino Esposizioni – Sala Nervi (December 2011 – February 2012) for the 150th Anniversary of Italian Unification. The event was directed by Vittorio Sgarbi.[37]
National pavilions[edit]
Main article: National pavilions at the Venice Biennale
The Giardini houses 30 permanent national pavilions.[13] Alongside the Central Pavilion, built in 1894 and later restructured and extended several times, the Giardini are occupied by a further 29 pavilions built at different periods by the various countries participating in the Biennale. The first nation to build a pavilion was Belgium in 1907, followed by Germany, Britain and Hungary in 1909.[13] The pavilions are the property of the individual countries and are managed by their ministries of culture.[38]
Countries not owning a pavilion in the Giardini are exhibited in other venues across Venice. The number of countries represented is still growing. In 2005, China was showing for the first time, followed by the African Pavilion and Mexico (2007), the United Arab Emirates (2009), and India (2011).[39]
The assignment of the permanent pavilions was largely dictated by the international politics of the 1930s and the Cold War. There is no single format to how each country manages their pavilion, established and emerging countries represented at the biennial maintain and fund their pavilions in different ways.[38] While pavilions are usually government-funded, private money plays an increasingly large role; in 2015, the pavilions of Iraq, Ukraine and Syria were completely privately funded.[40] The pavilion for Great Britain is always managed by the British Council[41] while the United States assigns the responsibility to a public gallery chosen by the Department of State which, since 1985, has been the Peggy Guggenheim Collection.[42] The countries at the Arsenale that request a temporary exhibition space pay a hire fee per square meter.[38]
In 2011, the countries were Albania, Andorra, Argentina, Australia, Austria, Bangladesh, Belarus, Belgium, Brazil, Bulgaria, Canada, Chile, China, Congo, Costa Rica, Croatia, Cuba, Cyprus, Czechia and Slovakia, Denmark, Egypt, Estonia, Finland, France, Georgia, Germany, Greece, Haiti, Hungary, Iceland, India, Iran, Iraq, Ireland, Israel, Italy, Japan, Korea, Latvia, Lithuania, Luxembourg, Macedonia, Mexico, Moldova, Montenegro, Netherlands, New Zealand, Norway, Poland, Portugal, Romania, Russia, San Marino, Saudi Arabia, Serbia, Singapore, Slovenia, South Africa, Spain, Sweden, Switzerland, Syrian Arab Republic, Taiwan, Thailand, Turkey, Ukraine, United Arab Emirates, United Kingdom, United States of America, Uruguay, Venezuela, Wales and Zimbabwe. In addition to this there are two collective pavilions: Central Asia Pavilion and Istituto Italo-Latino Americano. In 2013, eleven new participant countries developed national pavilions for the Biennale: Angola, Bosnia and Herzegowina, the Bahamas, Bahrain, the Ivory Coast, Kosovo, Kuwait, the Maldives, Paraguay, Tuvalu, and the Holy See. In 2015, five new participant countries developed pavilions for the Biennale: Grenada,[43] Republic of Mozambique, Republic of Seychelles, Mauritius and Mongolia. In 2017, three countries participated in the Art Biennale for the first time: Antigua & Barbuda, Kiribati, and Nigeria.[44] In 2019, four countries participated in the Art Biennale for the first time: Ghana, Madagascar, Malaysia, and Pakistan.[45]
As well as the national pavilions there are countless "unofficial pavilions"[46] that spring up every year. In 2009 there were pavilions such as the Gabon Pavilion and a Peckham pavilion. In 2017 The Diaspora Pavilion bought together 19 artists from complex, multinational backgrounds to challenge the prevalence of the nation state at the Biennale.[47]
The Internet Pavilion (Italian: Padiglione Internet) was founded in 2009 as a platform for activists and artists working in new media.[48][49][50] Subsequent editions were held since,[51] 2013,[51] in conjunction with the biennale.[52]
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وینسVenetsiya
art umjetnost umění kunst taideτέχνη művészetList ealaínarte māksla menasartiKunst sztuka artăumenie umetnost konstcelfקונסטարվեստincəsənətশিল্প艺术(yìshù)藝術 (yìshù)ხელოვნებაकलाkos duabアートಕಲೆសិល្បៈ미(misul)ສິນລະປະകലकलाအတတ်ပညာकलाකලාවகலைఆర్ట్ศิลปะ آرٹsan'atnghệ thuậtفن (fan)אומנותهنرsanat artist
venice biennale Venezia Venedig biennalen Bienal_de_Venecia Venise Venecia Bienalo Bienal Biënnale Venetië Veneza Μπιενάλε της Βενετίας ヴェネツィ ア・ビエンナーレ 威尼斯双年展 Venedik Bienali Venetsian biennaali Wenecji biennial #venicebiennale #venicebiennial biennalism
Veneziako Venecija Venècia Venetië Veneetsia Venetsia VenedigΒ ενετία Velence Feneyjar Venice Venēcija Venezja Venezia Wenecja VenezaVeneția Venetsiya Benátky Benetke Fenisוועניס Վենետիկ ভেনি স威尼斯 威尼斯 ვენეციისવે નિસवेनिसヴ ェネツィアವೆನಿಸ್베니스வெனிஸ்వెనిస్เวนิซوینس Venetsiya Italy italia
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headband protest fashion protestfashion artistic intervention performance artformat action installation critical critic critique institutional critic choregraphy scenography
#venicebiennale #biennalist #artformat #biennale #artbiennale #biennial
#BiennaleArte2024 #artformat